This was a shaky situation right from the start: one mega-corporation owns a universe of beloved superheroes; and another mega-corporation owns one of the most beloved characters from that same universe! How is that going to work? For a brief shining moment, it looked like Disney and Sony could play nice and live in a world where Spider-Man could frolick freely right along with his fellow Avengers. But no more, at least not for now. Disney and Sony simply cannot play nice. Fans have their own opinions on that and have #SaveSpiderman and #SaveSpidey trending like crazy. We wish all involved the best of luck! Tom Holland would have made a great Spider-Man right alongside The Avengers.
Tag Archives: Twitter
Disney/Sony Split Inspires #SaveSpiderman and #SaveSpidey
Filed under Art by HANK, Avengers, Comics, Spider-Man
Tagged as #SaveSpiderman, #SaveSpidey, comic books, comics, Disney, Entertainment, graphic novels, Illustration, Marvel Comics, Media, Movies, Pop Culture, Procreate, Social Media, Sony, Spider-Man, superheroes, The Avengers, Twitter
Review: SNOTGIRL #1
“Oh boy! It’s really been a while, hasn’t it? But it’s like they say: life is what happens between blog posts. Right??” That is “Snotgirl,” the new comic created by Bryan Lee O’Malley and Leslie Hung. Meet Lottie Person, your fashionista, your Holly Golightly with a blog. Not in a long while have I enjoyed such a pleasing mix of sexy and cute as with this new comic.
A comic like this almost writes itself. Thankfully, we have a thoughtful script by O’Malley and engaging artwork by Hung. When has snot ever been a recurring motif in a story about twentysomethings? Maybe it a comic strictly for kids, like Dennis the Menace or Peppermint Patty covered in snot. But not someone so poised and elegant as our Lottie! The poor thing suffers form allergies. So, she is never too far from a tissue. And those allergy pills don’t seem to be reliable.
If you are reading this blog post, chances are you write a blog of your own! We’re all doing it. Feels good, right? Or does it? You could say it depends on why you’re doing it. This is at the hear of this story. What makes Lottie tick? What if all her social media was suddenly withheld from her? Would she exist? And then there’s a surprise twist at the end of this first issue that lets you know for sure that all is not what it seems. Great first issue!
SNOTGIRL #1 is available as of July 20th. For more details, visit Image Comics right here.
Filed under Bryan Lee O'Malley, Comics, Comics Reviews, Image Comics
Tagged as Bryan Lee O'Malley, comics, Comics Reviews, Entertainment, Facebook, graphic novels, Image Comics, Instagram, Media, Pop Culture, Publishing, Snapchat, Social Media, Twitter
SEATTLE INTERACTIVE CONFERENCE 2013: TIME magazine and The Future of Journalism
What will it take for TIME magazine, the landmark newsmagazine, to survive for another one hundred years and beyond? Well, no one can say that TIME is not synonymous with quality journalism because it certainly is. It has a long history that led it to that level. One of the factors, no doubt, was its vigorous, even legendary, competition with Newsweek magazine. But it’s a whole new game today. One thing is clear and that is that nothing is clear. TIME is in the midst of a revamp. Of all the Seattle Interactive Conference sessions this year, the session on TIME and its future provides the biggest glimpse into a brave new world we are all interacting with.
TIME.com‘s Photo and Interactive Senior Editor, Jonathan Woods, led a discussion about this brave new world. Instead of being overwhelmed by the shock of the new, TIME appears to be standing tall about its legacy and looking forward with confidence. Woods came across as a man very much in charge, even if he is entering uncharted waters. To help steer the mighty vessel, TIME is working with Big Human, known for its work with startups; and Blink, a web and mobile solution for finding and managing freelance media professionals worldwide. Media professionals upload their location data on the Blink mobile app to a website that media companies use to search for talent to work on their stories. Managing Director Steve Spurgat was there to speak for Big Human. He used to be CEO of the now defunct VYou, a social media platform once used by Oprah’s Book Club.
Founder/CEO Matt Craig was there to speak for Blink. Blink is online with many active users on the site. People who are interested in joining the beta site can sign up here. The Blink app is available on iTunes and Google Play. Craig worked on Page One of the Wall Street Journal for five years before founding Blink.
Big Human’s Steve Spurgat set the tone for the discussion by bringing up The New York Time’s “Snow Fall,” a feature story about avalanches that employs innovative use of photos and interactive. The title of the story became its nickname when referring to its storytelling features. Spurgat’s reference to Snow Fall was a way of hinting at what TIME might do differently. “A show of hands for those who have seen Snow Fall,” said Spurgat. A majority of hands went up. “Alright, now how many of you remember anything you saw?” said Spurgat with a decided sneer to test the attendees. There was some nervous laughter from the audience, probably unsure of how to respond. Instantly, just to balance things out, Blink’s Matt Craig offered: “But Snow Fall did scratch a certain itch.” So, where do you go from there?
Of course Snow Fall seems to be an easy target because of the controversy related to naysayers, particularly Medium.com’s attempt to undercut it. You can read a good recap on all the fuss here. Essentially, someone at a startup can deny that Snow Fall is much of a big deal since they believe they can offer something similar. And so a process of kicking the original around ensues. Someone at another relatively new site pokes at it and someone else comments on it and so on. Hey, give yourself some time and go read the original Snow Fall here. What you’re looking at is an excellent in-depth feature, something TIME really can’t quarrel with over quality. You are free to read, and skim over, whatever you want, just like you would any special feature that has ever been created.
It’s not like TIME doesn’t have some very cool features of its own. There is “Timelapse,” in partnership with Google, Landsat, and Carnegie Mellon University, that presents a 30-year look at global climate change through satellite images. View it here. Woods also cited a feature with an infographic by Jeffrey Kluger and Chris Wilson mapping out the best places to live in the U.S. according to your mood. Read it here. Woods was asked a number of questions that kept coming back to whether or not there was a formula to follow to maximize readership and to this, over and over again, Woods was clear that there was no formula. “I want the right amount for a story,” was Woods’s steadfast response. To this, Spurgat could only agree with, “A story is as long as it needs to be.”
Getting back to basics on compelling content, Woods pointed with pride to the newly launched Red Border Films at Time.com. This new documentary series debuted on August 15, 2013 with “One Dream,” to commemorate the 50th anniversary of the March on Washington and Dr. Martin Luther King, Jr.’s “I Have a Dream” speech. View it here. The first profile is of Bobby Henline, an injured Iraqi war veteran who is now a stand-up comedian, directed by Peter Van Agtmael. It will debut on Veteran’s Day, November 11, 2013.
Here are a couple of other interesting observations, considering that Big Human and Blink have TIME’s ear. Blink’s Craig referenced Vice.com as a leader in original web content. The VICE audience expects great video, photography and stories. At this point in the conversation the discussion had turned to long form vs. short form media and the issues surrounding user generated content. Craig believes UGC is useful in some instances but great brands will always need to produce high quality original content. VICE is a great example of a media outlet that does it well. Craig stated that he gets his news from a wide variety of sources with the most alternative source being Vice.com. And Big Human’s Spurgat wasn’t too keen on Medium.com’s tracking of how long it takes a reader to complete reading a post. “It’s documented that people don’t always read things to the very end,” said Spurgat. “News is very fragmented today,” he added. We do, however, come back to the fact that web content is free of the restrictions of print. Web content is free to be as long as it needs to be.
Snow Fall is both derided and admired in the same breathe but it is not the problem. As much as we want instant gratification, we appreciate a feature that provides thoughtful analysis and greater detail. Have we seen the last of Snow Fall? No, instead we’ll find our way out of a free fall. Journalists will continue to pursue a good story. Stories will continue to be told, short ones and long ones. And one thing is certain: we will continue to see more competitive, and excellent, journalism ahead, no matter what the medium.
Filed under Internet, Journalism, Media, news, Newsweek, Seattle, Seattle Interactive Conference, TIME Magazine, Web, Web Content
Tagged as Culture, Entertainment, Facebook, Instagram, Interactive, Internet, Jonathan Woods, Journalism, Media, News, Pop Culture, Publishing, Snow Fall, Social Media, Twitter, Web, Web Content
X-MEN TWEETS: JENNIFER LAWRENCE AS MYSTIQUE
And the Tweets from director Bryan Singer just keep coming. Here is a pic he posted yesterday, May 20, of Jennifer Lawrence made up as Raven Darkholme/Mystique. The “Silver Linings Playbook” actress has come a long way since her last X-Men movie with director Matthew Vaughn, “X-Men: First Class.” The new installment of the franchise, “X-Men: Days of Future Past,” will release in theaters on July 18, 2014.
Filed under Comics, Marvel Comics, movies, X-Men
Tagged as celebrities, comic books, comics, Entertainment, graphic novels, Hallie Berry, Jennifer Lawrence, Marvel Comics, Nicholas Hoult, oscars, Pop Culture, tweets, Twitter, X-Men
KICKSTARTER: A RETWEET FROM HUGH HOWEY
This campaign is on fire! There’s been a flurry of activity and things just keep heating up!
Within only a small span of time, I have ten new backers to welcome. Everyone who has backed the project will, of course, get a special mention in the book.
And, earlier today, I got a ReTweet from author Hugh Howey! I cherish those ReTweets even if some people might think they don’t actually bring about interest in pledging to a Kickstarter project. You just never know.
Nope, it wasn’t a ReTweet that inspired my recent support. It was just me and my project. Which is how it should be, right? Absolutely! However, ReTweets are still nice. You gotta love ’em. A Kickstarter campaign is made up of many, many components so you’re best to go with the flow, make your own opportunities, and be very grateful. Always be grateful!
Perhaps a ReTweet from Hugh Howey will lead to more people considering my project. You can’t beat that, right? Well, sure, I keep it perspective, no doubt. As they say, those who have ridden the mighty Kickstarter wave, it’s all about the project. At the end of the day, people are interested in whatever the project is, whether film, book, what have you. Ah, but the campaign is just as much about connecting with your prospective backers and getting them to consider your project in the first place. It’s truly fascinating. If Hugh Howey chooses to lend a hand, yes, I’m very grateful.
That said, I welcome you to consider my project, a quirky collection of comics in the spirit of the original television series, “The Twilight Zone,” to put it in a nutshell description. Check it out HERE.
Filed under Alice in New York, Art, Books, Comics, Crowdfunding, Hugh Howey, Kickstarter, Marketing, Media, Publishing, Social Media, Twitter
Tagged as 24 Hour Comics Day, Art, Books, Branding, comics, Entertainment, Hugh Howey, Kickstarter, Marketing, Media, Pop Culture, Publishing, Social Media, Twitter