Tag Archives: Disney

Movie Review: CHRISTOPHER ROBIN

Winnie-the-Pooh and an all grown up Christopher Robin.

Imagination has its own reality. Imagination is strongest in childhood. It takes a certain sensibility to carry you back into that world once you’re an adult. In the new movie, Christopher Robin, we see the stuff that dreams are made of. It’s vulnerable stuff. It’s made up of dream-like creatures like Winnie-the-Pooh, Eeyore, and Piglet. In this movie, we see A. A. Milne’s celebrated characters from Hundred Acre Wood depicted as the very creatures of childhood we remember them as in our mind’s eye.

Winnie-the-Pooh and an all grown up Christopher Robin. This clever idea is refined into something much more. These two seemed to be like two peas in pod: dreamers in pursuit of nothing, happily stumbling upon something because sometimes something comes from nothing. And then the boy had to leave for boarding school and the greater world beyond and bid farewell to his childhood friends who had to stay behind. It is the grown-up Christopher Robin, played by Ewan McGregor, who must reconcile his youthful dreams with his adult reality.

Winnie-the-Pooh and Friends.

A movie about an adult coming to terms with his childhood may sound a bit heavy but it fits right in with the Disney cornerstone of embracing childhood. Any family understands the delicate balancing act between honoring the needs of adults and children. Conflicts are never too far behind. Christopher Robin, the man, is up to his eyeballs in conflict as he juggles family life with corporate life. It is on the weekend that Christopher must work overtime on budget cuts, and most likely layoff workers, that Winnie-the-Pooh stumbles back into his life.

The beauty of this movie is in its understatement, alternating between a foggy and hectic post-war London to a foggy and mellow Hundred Acre Wood. And, at the heart of this low-key approach, is Winnie-the-Pooh and his friends. These characters do not light up the screen with manic frenzy like in the Toy Story franchise. Even Tigger gives off a more ambiguous vibe. These characters are not supposed to be so much larger-than-life as part of the stuff of life. You have to experience the movie for yourself to truly appreciate it. Essentially, the characters have been brought down to a childhood scale: sort of rumpled up as if left out in the rain once or twice. They look and feel as if lived-in, as if personifying childhood: milk and cookies, warm pajamas, and bedhead. What could be more wonderful?

Whimsy and Quirk Butt Heads with Harsh Reality.

Ah, the conflict between adult reality and childhood dreams. Thankfully, Ewan McGregor is up to the task of playing a Peter Pan in reverse. He is definitely all grown up and now must struggle to rediscover his inner child. McGregor, a naturally athletic and playful actor, is certainly up to the task. Also compelling is Hayley Atwell as Evelyn Robin. And, as the heir to the Pooh childhood, Bronte Carmichael is enchanting as Madeline Robin. All in all, you have just the right level of whimsy and ethereal quirk. I should mention here that The Wonderful Thing About Tiggers, written by Richard and Robert Sherman, gets it due as Tigger is easily triggered into singing it in any scene he’s in.

CHRISTOPHER ROBIN

For late summer entertainment, Christopher Robin is just right. Think of it as the other side of a coin that includes Tom Cruise in Mission: Impossible – Fallout. While the Cruise flick is relentlessly action-packed, the McGregor flick is relentlessly contemplative, even a bit melancholic, but in a very good way. Come to think of it, even the Cruise movie has its share of wistful moments! Both star men who somehow manage to defy age. Both can be Peter Pan if they care to be. And both can certainly entertain.

Visit the official Christopher Robin site right here.

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Filed under Childhood, Disney, Family, Movie Reviews, movies, Winnie-the-Pooh

Review: THE GUMAZING GUM GIRL: GUM LUCK

THE GUMAZING GUM GIRL: GUM LUCK

GUM LUCK is the second in the Gumazing Gum Girl series, published by Disney-Hyperion Books, and it is as irreverent and quirky as you may expect. Illustrated by Rhode Montijo, written by Montijo, with Luke Reynolds, this is a perfect book for young readers. This book is hilarious and there is method to all the madness too. Gabby Gomez has quite a conflict to deal with: bubblegum gives Gabby superpowers but her dentist dad is totally against bubblegum. Gabby feels compelled to confess her big gum secret but she can’t risk losing her powers.

Reading GUM GIRL

The script by Montijo and Reynolds provides a fun mix of kid reality and kid fantasy. For example, in one chapter, Gabby is alarmed to see a car skidding its way towards a collision. Instantly, Gabby sets loose her gum powers and brings the car to a sticky, but safe, stop. However, once Gabby arrives at school, she discovers her permission slip to go to the zoo is covered in bubblegum. Without a readable permission slip, Gabby is forced to stay behind in a classroom with other kids who can’t go to the zoo.

Pages from THE GUMAZING GUM GIRL: GUM LUCK

Montijo’s bold artwork is a real treat and keeps the action moving along. Montijo has managed to channel is own take on the Power Puff Girls. Gabby Gomez and her family are easy to relate to while Gum Girl is whimsical and fun to follow along. Montijo offers up a very pleasant and animated style. It is spare and clear and will be especially appealing to a younger age group of ages 6-8. This book also happens to have a pleasing hint of bubblegum scent!

THE GUMAZING GUM GIRL: GUM LUCK is a 160-page color hardcover, available as of June 13th. You can find it at Amazon right here.

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Movie Review: ‘Rogue One: A Star Wars Story’

Felicity Jones as Jyn Erso. Illustration by Henry Chamberlain.

Felicity Jones as Jyn Erso. Illustration by Henry Chamberlain.

I went to see “Rogue One: A Star Wars Story” at the Seattle Cinerama Theatre just to make things even more special. Any Star Wars movie is a special event and this latest installment is no different. The big draw for me is the winning performance by Felicity Jones as Jyn Erso, daughter of a great rebel hero who must prove that her father did not fall in league with the Empire. Her journey becomes more complicated as she runs into conflict with her handler, Cassian Andor (played by Diego Luna). Our story takes place in vintage Star Wars, just before 1977’s A New Hope. This movie opens the window further to show just what wonders still lie ahead with a Disney-owned Star Wars franchise.

I’m not a hardcore Star Wars fan but even I could appreciate Peter Cushing back on the screen, digitally re-created, in order to reprise his role as the villain Grand Moff Tarkin. Most of the other CGI trickery was all Wookiee to me. But I did catch the vintage vibe here and there with cantina characters popping up and X-Wing fighter pilots back in action. George Lucas must have decided early on that his Rebel Alliance fighters were going to look more like average folks than hardened warriors. Any minute, you could expect your own grandmother to pop on the screen. In fact, one of the pilots does look to be someone’s grandmother.

The plot is pretty straightforward: earnest and lovely Jyn Erso must press on, save her dad, and save the rebellion. There’s a bunch of doublespeak in the interim and good-natured talk of believing in the force within you. There’s nothing really here with the iconic quality of a Yoda but that’s okay. We’re already treading on iconic vintage soil so that’s plenty. But there is one compelling addition in the form of the robot K-2SO brilliantly voice by Alan Tudyk.

The gang is all here.

The gang is all here.

Let me tell you a few things about K-2SO. He’s a big guy, bigger and brasher than C-3PO. I had a little girl seated next to me and she perked up every time that K-2SO acted up. He’s none too refined at times. Where C-3PO relied upon cunning, K-2SO is just as likely to rely upon brawn. In one scene, when a gatekeeper asks if he requires any help, K-2SO simply nods, raises his fist, and pounds the guy to death. It’s a pretty odd scene but easy enough in context to pass over. There’s a war on, you know. In fact, for one quick scene, we close in on ground forces that may as well be in Syria. Then we zap back into space for a bit and, ultimately, we see that everything does not rely just upon brawn but on Jyn Erso guiding the rebels back to a new sense of hope.

One spoiler, perhaps. You probably already know this. It won’t hurt anything really if you don’t but Carrie Fisher appears at the very end. It is a CGI version of her 19-year-old self and she claims victory for the rebellion and welcomes a new hope. That really touched me. The whole experience of seeing a Star Wars movie and in such a regal movie house brought home to me the still enduring power of cinema. With people consuming content is every conceivable way possible, it is reassuring that we can all be drawn back to a more basic and communal activity as going to the movies, to go and sit together to see the big event on the screen. It is not nearly the same powerful experience as it was for moviegoers in the heyday of the box office but it’s still something. It comes pretty darn close.

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Filed under Carrie Fisher, Movie Reviews, movies, pop culture, Sci-Fi, science fiction, Seattle, Seattle Cinerama, Star Wars

Will The X-Men Survive Marvel’s Latest Mega-Event?

Death of X-Men

Guest column by George Brandes

In the heyday of the 1990s, the X-Men were far and away the most popular Marvel comic on the shelves. The animated series from the same era remains beloved by fans and the movies still consistently put up big numbers at the box office. But today, one place we’re seeing the X-Men less and less is in the pages of the actual comics. With the attention of the comics becoming ever more focused on reflecting the Marvel Cinematic Universe, it has begun to look as though one popular franchise is being left behind, the X-books.

Unless you’ve been living under a particularly large rock, you know there’s been a bit of a clash of the titans concerning the ownership rights for Marvel properties between Disney and Fox. Fox has the rights to the X-Men and Deadpool while Disney (and subsequently Marvel) gets the Avengers and everyone else. Disney has apparently made nice with Sony, who have the rights to Marvel’s other flagship hero, Spider-Man. The latest iteration of the web-slinger appeared in the recent Captain America: Civil War while Robert Downey Jr.’s portrayal of Tony Stark will make his own appearance in Sony’s upcoming Spider-Man: Homecoming. This reconciles the two once disparate cinematic continuities and their partnership is being reflected in the comics. Marvel continues to push new and exciting Spider-Man stories while experimenting with and expanding the character’s world.

Unfortunately, no such deal has been reached between Disney and 20th Century Fox. As a result, the Marvel Cinematic Universe and the big-screen exploits of the X-Men remain at a noticeable arm’s length from each other. Even in the Avengers films with their inclusion of characters such as the Scarlet Witch, they’re careful to never specifically mention the world “mutant” lest they step on the toes of the films from Fox or recognize that mutants are even a thing in the MCU.

In the publisher’s latest relaunch with its All-New Marvel campaign, fans noticed a significant dearth of mutant-related titles, with the company instead choosing to focus more on the extraterrestrial Inhumans. It doesn’t seem like a coincidence that Marvel and Disney still have the film rights to a potential Inhumans movie while Fox retains its death grip on the X-Men franchise. It should also be noted that Marvel is no longer publishing The Fantastic Four as an ongoing comic, a property whose film rights are also owned by Fox. As a result of this impasse, Marvel has taken to slowly but surely erasing both the X-Men and the Fantastic Four from its merchandising as well.

The lack of X-books certainly isn’t because the characters are no longer popular. If anything, the X-Men are just as popular as ever judging by the money made at the movies. The mutants also continue to make their mark in video games, with three separate X-Men-themed casual titles among similar jackpot-based offerings online. They feature classic line-ups of characters that fans know and love while using the time-tested gameplay of a traditional slot-reel. These games work to expand the property’s reach to a much larger audience than would be possible through just the comics, or even the movies. Also, with the massive overhauls being seen throughout the X-verse, these games are one of the few places you’ll still be able to find the take on Wolverine that you remember from the original cartoons. The comics are now populated by Old Man Logan while the female mutant formerly known as X-23 now wears the Wolverine mantle.

If fans didn’t still connect with the mutants on a personal level, there’d be little incentive to use them as a draw for mass audiences. Clearly, there’s something larger at foot for their notable absence from the comics. The X-Men are obviously still a popular property, so it would be surprising to see the team disappear entirely from comic book pages. Marvel would be cutting off its nose to spite its face if they made such a move, but it wouldn’t be all that surprising given what happened to the Fantastic Four.

The X-Men have been a pivotal property in helping shape Marvel into the company we know it today, and they were also largely responsible for the modern day superhero film boom. While we would seriously doubt to see the mutants disappear completely, the future for homo superior has never looked more bleak. We can only hope that Marvel can reconcile with the property that helped to save it in its darkest hour.

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Movie Review: STAR WARS: EPISODE VII – THE FORCE AWAKENS

the-force-awakens

And so it begins, a Disney Star Wars movie. Disney had its share of false starts when it started venturing away from such titles as “Superdad” and “The Apple Dumpling Gang” to its first PG-rated movie, a sci-fi action flick no less, the box office flop that was 1979’s “The Black Hole.” At the time, it was deemed too expensive for Disney to use some Star Wars magic and rent equipment from George Lucas and his Industrial Light and Magic. Of course, all that was a long time ago. After the Disney buyout of Lucas to the tune of $4.05 billion, would Disney gain some real Star Wars cred? The goal seems to be met.

This Star Wars movie had to be better than the last three installments and it had to harken back to that something special from the original, without kowtowing to it. Were the Egyptian pyramids this intimidating to build? Yes, I think so. When I read Lev Grossman wax on about Star Wars in Time magazine, it felt like he was describing something too big to fail. When I saw the Star Wars special edition of Jimmy Kimmel Live, I saw in J.J. Abrams one relieved dude. The major players from the cast were there with Mr. Abrams. And they too looked relieved, after having carried a mighty weight upon their shoulders. They had all survived an enterprise involving enough money to bankroll a number of countries’ annual budgets.

Lor San Tekka (Max von Sydow) in Star Wars: The Force Awakens

Lor San Tekka (Max von Sydow) in Star Wars: The Force Awakens

This movie was designed to not disappoint anyone. And, if you believe the speculation from diehard fans, the opening line says it all, “This will begin to make things right.” The opening line is recited by Lor San Tekka (Max von Sydow) at the prospect of finding a gone missing Luke Skywalker. But, as core fans will tell you, it sure sounds like a coded message related to fans’ distaste for the Star Wars prequels. This is something that Abrams certainly took to heart.

Finn (John Boyega)  and Rey (Daisy Ridley) in Star Wars: The Force Awakens

Finn (John Boyega)
and Rey (Daisy Ridley) in Star Wars: The Force Awakens

There is no doubt that the shadow of the Star Wars legend looms larger than life here. An answer to R2-D2. Check. An answer to Han Solo. Check. An answer to Yoda. Check. And so on down the line to the Mos Eisley Cantina and Luke Skywalker’s X-34 Landspeeder. The sense of urgency to get it right is ferociously palpable. It is directed into every single scene by J.J. Abrams. Abrams wrote the final script with original trilogy writer Lawrence Kasdan. The two best new additions to the franchise: John Boyega as Finn, a runaway deserter; and Daisy Ridley as Rey, a reluctant new hero in touch with The Force.

In simpler times: Mark Hamill, Carrie Fisher, and Harrison Ford

In simpler times: Mark Hamill, Carrie Fisher, and Harrison Ford

Star Wars was never true science fiction. It was fantasy and, more to the point, a comment on fantasy. At its core, Star Wars was a quirky tribute by George Lucas, a nostalgic look back to Buck Rogers and action-packed pulp fiction. It was a nostalgia for childhood entertainment that was then reconfigured into something even more enchanting. By the time that the original trilogy was completed, George Lucas was done. So, it’s hard to really blame him for the direction he took with the prequels which was as far removed from the original source as possible. It was simply too early to get all nostalgic over something that was nostalgic to begin with. And, anyway, Harrison Ford would never have reprised his role at that point. More time would need to pass which brings us to what amounts to this fun revisit.

But how often can you successfully tap into nostalgia with a franchise like Star Wars? As the James Bond franchise has learned, it all needs to be measured out in proper doses. For now, it looks like a new trilogy has been mapped out that holds on to what made Star Wars worthwhile to begin with. In the end, at its best, Star Wars was an eccentric notion by an eccentric guy named George Lucas. It’s now a franchise designed to not disappoint anyone.

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Filed under Disney, George Lucas, J. J. Abrams, Movie Reviews, movies, Star Wars

Everyone Can Enjoy Cosplay at PureCostumes.com

Deluxe Darth Vader Adult Costume available at PureCostumes.com

Deluxe Darth Vader Adult Costume available at PureCostumes.com

Cosplay is for everyone at PureCostumes.com. It can be anytime and anywhere. If you feel like dressing up as Darth Vader, just go for it. I know I’d like to. And there’s so much more to find at this unique outlet for all kinds of costumes.

Steampunk Fantasy Adult Costume from California Costumes available at PureCostumes.com

Steampunk Fantasy Adult Costume from California Costumes available at PureCostumes.com

Let’s say you’re into steampunk, PureCostumes.com has got you covered with the steampunk costumes by California Costumes. The key is in all the details and this year will see a bunch of new styles that are sure to please any steampunk enthusiast.

Pinky Pie Adult Costume available at PureCostumes.com

Pinky Pie Adult Costume available at PureCostumes.com

Keep browsing and you are bound to find something that strikes your fancy. Maybe you’re a fan of My Little Pony. Then check out all the options, from the youngest fans to adult fans, at PureCostumes.com.

Spider-Man costume available at PureCostumes.com

Spider-Man costume available at PureCostumes.com

Or maybe you’re looking for something classic, like a Spider-Man costume. You can find it right here.

Minions costumes available at PureCostumes.com

Minions costumes available at PureCostumes.com

With something for the whole family, PureCostumes is definitely your one-stop-shop. So, the next time you’re feeling like cosplay, go visit PureCostumes right here.

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Blu-ray Review: BIG HERO 6

Big-Hero-6.jpg

I’d really been meaning to see “Big Hero 6.” Now is definitely the time with its Oscar win for Best Animated Feature and it just becoming available for home viewing.

Disney certainly knows how to create an uplifting experience and “Big Hero 6” (Directors: Don Hall and Chris Williams) is a beautiful example of it. I can imagine the Disney team, such as the Big Hero 6 team and character creators, Man of Action, and the screenwriters, Jordan Roberts, Robert L. Baird, and Daniel Gerson, first pondering over what could work for a feature. What are some things that kids are always into? Hmm, well, there’s all things to do with Japan, and robotics, and a curiosity over, uh, puberty. Those three items will always get their attention, for starters. And you find them here.

Producer Roy Conli, from left, Directors Don Hall, and Chris Williams accept the award for best animated feature film for Big Hero 6 at the Oscars on Sunday at the Dolby Theatre in Los Angeles. (John Shearer/Invision/The Associated Press)

Producer Roy Conli, from left, Directors Don Hall, and Chris Williams accept the award for best animated feature film for Big Hero 6 at the Oscars on Sunday at the Dolby Theatre in Los Angeles. (John Shearer/Invision/The Associated Press)

From the previews I’d seen, I wondered if this was going to be a fish-out-of-water comedy. You know, this Michelin Man robot is all blobby and out of his element, right? There’s some of that. Plenty of that, who am I kidding! But much more. Essentially, what you’ve got here is quite a compelling story about mind over matter.

The Michelin Man, a long lost relative to Baymax?

The Michelin Man, a long lost relative to Baymax?

Meet Baymax (voiced by Scott Adsit). He may resemble our friend, the Michelin Man, but he’s a whole other deal. Baymax is at the heart of this story. He is a robot that was built to help. Basically, he’s a walking and talking medical dispensary and doctor. He knows what he’s about. That’s more than can be said, at least for a while, about Hiro Hamada (voiced by Ryan Potter). Hiro is a 13-year-old genius, especially when it comes to robotics. However, Hiro will need some time before he realizes what to do with his skills. Baymax was built by Hiro’s older brother, Tadashi (voiced by Daniel Henney). Push comes to shove, and Hiro will need to rise to the occasion, with the help of Baymax. Do you see conflict on the horizon? Yes, plenty. There’s plenty of action and there’s plenty of soul-searching to keep you glued to your seat.

It won’t be spoiler to let you know that “Big Hero 6” refers to a six-member superhero team. With all the superheroes flying around, this movie proves there’s always room for more. After viewing it, you’ll welcome, wait for it…the sequel! Yes, I think we have us a sequel up ahead and probably more than one.

The original Big Hero 6 comic book series from Marvel Comics

The original Big Hero 6 comic book series from Marvel Comics

Home viewing is now available. Of course, the bonus features are very cool and include a behind-the-scenes look at how Big Hero 6 made the transition from a Marvel Comics comic book series to the big screen. For more details, including a free game, Baymax Sky Patrol, visit our friends at Disney right here.

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Review: Star Wars (2015-) #1

Star-Wars-01-2015-Marvel-Comics

Star Wars returns to Marvel Comics with “Star Wars #1.” That pretty much sets the tone right there, doesn’t it? We start with solid cover art by John Cassaday (Astonishing X-Men, Uncanny Avengers), who also does the art inside. Written by Jason Aaron (Original Sin, Thor: God of Thunder), this is something of a starting off point as we find the original Star Wars gang running through familiar terrain with plenty of fun twists and turns. The Death Star has been destroyed. The Rebel Alliance is gearing up for a mother of all battles against the Empire with Darth Vader and the Emperor personifying evil. You get the picture. Of course, we love a good familiar story and, when it comes to Star Wars, indeed, we can’t seem to ever get enough. This first issue does not let anyone down. It’s really a credit to everyone involved. As C-3PO says, in a brief moment of calm, “I have a very good feeling about this.”

“Star Wars #1” is available now. Visit our friends at Marvel Comics right here.

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Comics in 2014: Dark Horse Comics and Star Wars Comics Franchise

From THE STAR WARS #2, published by Dark Horse Comics

From THE STAR WARS #2, published by Dark Horse Comics

This will most likely be the last year that Dark Horse Comics is at the helm of the Star Wars comics franchise. There’s no doubt that Dark Horse will make the most of 2014. But you would think that perhaps Disney could still work with Dark Horse considering how well Dark Horse has managed Star Wars comics.

Press release dated today from Dark Horse Comics publisher Mike Richardson:

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Disney Celebrates 90 Years of Animation

BURBANK, CA - DECEMBER 10: (L-R) Songwriter Richard Sherman, director Rich Moore, director Chris Buck, director Jennifer Lee, producer Peter Del Vecho, General Manager, Walt Disney Animation Studios Andrew Millstein, actor Josh Gad, music supervisor Tom MacDougall, Executive director John Lasseter and composer Christophe Beck attend the 90 Years of Disney Animation celebration at Walt Disney Studios on December 10, 2013 in Burbank, California.  (Photo by Alberto E. Rodriguez/Getty Images for Disney Animation) *** Local Caption *** Richard Sherman; Rich Moore; Chris Buck; Jennifer Lee; Peter Del Vecho; Andrew Millstein; Josh Gad; Tom MacDougall; John Lasseter; Christophe Beck

BURBANK, CA – DECEMBER 10: (L-R) Songwriter Richard Sherman, director Rich Moore, director Chris Buck, director Jennifer Lee, producer Peter Del Vecho, General Manager, Walt Disney Animation Studios Andrew Millstein, actor Josh Gad, music supervisor Tom MacDougall, Executive director John Lasseter and composer Christophe Beck attend the 90 Years of Disney Animation celebration at Walt Disney Studios on December 10, 2013 in Burbank, California. (Photo by Alberto E. Rodriguez/Getty Images for Disney Animation)

The Walt Disney Company was founded in 1923 in a back room of a real estate office in Los Angeles. By 1928, a little plucky mouse danced and sung his way down the river in “Steamboat Willie” and the rest is history.

On December 10th Bob Iger, John Lasseter, Alan Horn and Ed Catmull hosted a cocktail reception in Legends Plaza on the Disney lot to celebrate 90 years of Walt Disney Animation with Disney legends, filmmakers, artists, and voice talent.

The 90th Celebration celebrated Disney’s animation legacy, its iconic living heroes, artists and filmmakers, while spotlighting the new wave and renaissance of artistry, creativity, and talent at WDAS, most notably evident with WDAS’s 53rd animated feature, FROZEN. A screening of Frozen preceded the event.

Press release and more photos follow:

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Filed under animation, Bob Iger, Disney, Floyd Norman, Milton Quon, Walt Disney, Walt Disney Studios