An aspiring writer does well to heed that famous Tolstoy quote about families: “Happy families are all alike; every unhappy family is unhappy in its own way.” Cartoonists, many of them and I include myself among these wonderfully wretched souls, gravitate more often than not to stories about outsiders, people dealing with deep issues. It leads to glorious work like The Nao of Brown, originally published in 2012 by SelfMadeHero/Abrams. A new edition, from SelfMadeHero and Abrams, just came out and it’s a good time to revisit what has become a classic tale of a young woman finding her way.
Welcome to the world of Nao Brown.
Nao Brown, at 28, is still teetering along on the precipice that takes one from childhood to adulthood. Nao comes to understand that one can remain dangling on that cliff forever. This is the year that Nao makes it to the other side. The Nao of Brown is in the same spirit as Ghost World, the Daniel Clowes tour de force graphic novel that seemed, with its major motion picture version, to bring geek culture out of the closet back in 2001. The Nao of Brown is also, just like Ghost World, a crisp combination of exquisite art and writing. Where Clowes is more hard-edged and sarcastic, Dillon is more dreamy and bathed in soft watercolor washes. Our main character, Nao, is struggling to find her place in the world with one foot in her Japanese ancestry and the other foot in her Anglo-British ancestry. And she sees the world in the black and white extremes of an obsessive-compulsive. Her dark thoughts terrify her. Pop culture, hip and ironic, is an island that she can escape to.
The life and times of Nao Brown.
Will one more mix tape be able to save Nao? She works in a pop culture boutique run by Steve, a hapless nerd if ever there was one who has a crush on Nao. She cringes at the thought of the pack of teenage boys who frequent the shop only to worship her. She knows she’s too old for them. She intellectually knows her youth is relative. But she still thinks like a little girl. For most of the book, she works out her feelings for a man she’s developed a relationship with recently. Her initial interest in Gregory was triggered by the fact he resembles a pop culture toy she adores.
Steve, trapped in the friend zone.
This is a fascinating read, no two ways about it, as immersive as any of your most beloved movies, music, novels…or graphic novels! And, as an added bonus, alternating throughout the main narrative is a “story within a story” that is simply icing on the cake! All that said, it’s a crowded field these days with one amazing graphic novel after another. The solution sometimes, just as with any other art form, is a revisit or reissue. And so that brings us to this recent reissue of The Nao of Brown. This new edition, with additional production art, is a totally well-deserved relaunch into the world and will undoubtedly enchant a whole new crop of readers.
Searching for Nao Brown.
The Nao of Brown is a 216-page hardcover. For more details, visit SelfMadeHero and Abrams.
Dave Pressler in 2004 for a Halloween show at The Key Club, We Have Your Toys.
Robin Williams and Scarlett Johansson are among the stars who have flocked to the art of Dave Pressler. Do you like robots? Do you like monsters? There’s bound to be something to your liking from the multi-hyphenated artist. Indeed, Pressler excels as an illustrator, painter, sculptor and character designer. You can always find him at his website and, if you’re in Colorado, you can go view his latest show, The Right Tool for the Job: The Future of the Robot Industrial Revolution, at Telluride Arts HQ Gallery from August 30 to October 1, 2019.
Scarlett Johansson buys a Dave Pressler sculpture from Munky King in 2004.
In this interview, we chat about the process of making art, the loneliness of robots, and how anyone with a healthy determination can become the artist they’ve always wanted to be.
Dave Pressler at Telluride Arts HQ Gallery
Telluride Arts HQ Gallery
THE RIGHT TOOL FOR THE JOB
The Future of the Robot Industrial Revolution
EMMY AWARD-NOMINATED, MULTI-HYPHENATE ARTIST DAVE PRESSLER RETURNS TO TELLURIDE WITH NEW SHOW EXPLORING THE FUTURE OF ROBOTS AT WORK
Telluride Art Walk
Thursday, September 5, 2019 | 5-8 pm
August 30, 2019 – October 1, 2019
Telluride Arts HQ Gallery 135 W Pacific Ave, Telluride, CO 81435
The Telluride Arts District is proud to present the next solo exhibition of artist Dave Pressler, The Right Tool for the Job: The Future of the Robot Industrial Revolution. As the specter of automation and artificial intelligence continue to advance, slowly replacing more and more blue collar jobs, Pressler imagines a parallel universe in which his classic robot characters must show up for factory work the same way we begrudgingly did at the turn of the 20th century. The illustrator, painter, sculptor and character designer has already had a busy 2019, but this show once again breaks new ground for him as an artist: it will be the first time he’s exhibiting a new body of work comprised almost entirely of graphite on paper.
“We’re having another industrial revolution right now, but most people aren’t really talking about it,” explains Pressler. “There’s all this rhetoric about immigrants coming in and stealing blue collar jobs, but it’s not really true. It’s the same thing that happened in the 1800s, when local furniture-makers and garment makers were suddenly replaced by factories powered by steam and assembly-line workers. We’re seeing the same kind of job displacement that we did at the start of the 20th century, but this time it’s being driven by automation and AI.”
Pressler, a self-described blue collar artist, hails from a working class background in the southern suburbs of Chicago. Growing up in a factory town, he was always surrounded by people who made a living working with their hands. To this day, it informs how he sees his role in Hollywood and the low-brow, pop art worlds. Pressler originally moved to Los Angeles in his early 20s to pursue work as an actor, but in the 90s, he shifted dramatically toward production and character design. This work required the creativity of an artist, yes, but more importantly, it required the discipline to sit down and do it—to put in a hard day’s work and get ‘er done, not unlike a blue collar job. From there, his career path almost became traditional, seeing him rise through the ranks to become production designer on the Jim Henson Company’s B.R.A.T.S. of the Lost Nebula, followed by The Save-Ums and Team Smithereen. Eventually, he co-created the Emmy-nominated Robot and Monster for Nickelodeon, all while continuing to develop himself as an illustrator, painter and sculptor in the low-brow art market. All of his two decade plus career was explored recently in his retrospective museum exhibition, “Idea to Object,” at Lancaster Museum of Art.
The humorous but gritty worlds populated with robots and monsters that Pressler creates have always involved his characters begrudgingly fulfilling their duties, almost like holding up a robot-tinted mirror to the lives we have to live to make money and keep society going. For the first time ever, with this automation and AI-driven industrial revolution we’re currently witnessing, Pressler’s whimsical robot world is coming into its own and perhaps serving as an extension of reality. Pressler’s newest exhibition humorously goes behind the scenes of what the robots will have to deal with as we pass off more and more work to them.
Listen to the podcast interview by clicking the link below:
Once a toy has become an artifact of childhood, it has reached a very special place. For the purposes of this exhibit, a look at American toys spanning three decades, the focus is upon the joy and comfort these toys provided. The context is both simple and complex as viewers are invited to study the various exhibits from their own personal point of view. Did you have a happy childhood? If not, maybe a toy helped you along the way? Sectioned off into three decades worth of childhoods, there is plenty to recollect and reassess.
Contemplating Toys and Childhood
“Toys from the ‘50s, ‘60s and ‘70s” is enjoying its West Coast premiere on display at MOHAI here in Seattle. Originating from the Minnesota History Center, this exhibit asks you to revisit many toys that, by today’s standards, would not be deemed suitable for children on many grounds, including common sense safety! Lawn darts, anyone?? Yep, we don’t see lawn darts sold in today’s toy market. They’re basically sharp steel projectiles. They’re not going to cut it, or rather, they ARE going to cut it! But, you see, lawn darts have a home here–on display only. Lawn darts are not subject to recall within the bounds of this exhibit. They are here to conjure up good lawn dart memories, for those who have them. And they’re also here as a subject for discussion. As much as this exhibit is a trip down memory lane, it also invites viewers to draw their own conclusions.
The Game of Cootie, originally launched in 1949
What are your thoughts on Barbie dolls or toy guns? You’ll find them here ready for your marvel or scrutiny. The point is that you’ll find all sorts of toys, whether or not they pass today’s safety or societal tests. The overwhelming nature of childhood memory takes over. Countless kids loved their toys and now we have the nostalgia for yesteryear and contemporary perspective to guide us. You’ll find a lot of kids attracted to the exhibits. You’ll see lots of families with their toddlers, too young to appreciate any nuances but ready to grab at anything not secured. And then there are the adults who grew up in these respective decades. For them, especially, the exhibit features living room re-creations for each decade on view. For these viewers, the couch is right there to sit and go back in time with, alone or perhaps to share with younger family members.
1960s Living Room Re-creation at MOHAI Toys exhibit
Toys are certainly not easy to pin down. Toys resist being dismissed even if the originals are stored away or thrown away. Toys come at you from every direction. At a certain age, they define your leisure, your means of escape. They can become your world, your identity. They’re based upon all you think you know about the world whether from books, movies, television, just about anything. What does a choice in a toy say about a child? What does a toy say about the adult who chose it for the child? The adult who created it? The manufacturer that produced it? The country that embraced it?
Atomic Disintegrator repeating cap pistol, introduced by Hubley in 1954
Alpha-1 Ballistic Missile, introduced by Amsco Industries in 1958
One of the best examples of how toys can make a difference is the American reaction to the Soviet’s being the first in space in 1957 with the Sputnik satellite. That little object in space caused shockwaves in the United States. Toy makers would definitively enter the Space Age and Space Race. Hubley’s 1954 Atomic Disintegrator, right out of science fiction, was all well and good. But now was the time to step up a focus on science and technology. Amsco Industries responded in 1958 with the Alpha-1 Ballistic Missile, “designed by missile engineers, tested in Cape Canaveral.” And, as the display makes clear, kids ate it up! There’s this priceless quote from the exhibit:
“How did I get interested in science and make it my life’s work? Kids in the late ’50s and ’60s could get toys that complemented that interest. My friends and I loved my Alpha-1 Ballistic Missile: Mix up some baking soda and vinegar, put it into the missile, put it on the launch pad, and pull the string. That baby could really fly.”
–Mike Smith, b. 1952, meteorologist
It was fun, as a discerning adult, to wander back and forth between the three living room areas: the wonder and innocence in the 1950s; the keen interest in science and exploration in the 1960s; and a full circle escape to wonder and innocence in the 1970s. It seemed like, after having landed on the moon, and the rise of the Vietnam War, Americans were ready to refocus. Instead of looking to actual stars, Americans were ready to go see the new blockbuster hit, “Star Wars,” entertainment with its roots in 1930s pulp fiction. They were also ready to buy all the Star Wars toys.
Hey, that’s Han Solo’s Millennium Falcon!
I have fond memories of the ’70s as a kid. And I recall seeing “Star Wars” in 1977, at age 14, at our local movie theater at the mall. It would not have occurred to me to buy all the Star Wars figures, let alone a toy replica of the Millennium Falcon. But it was really nice to see the whole Star Wars set on display here at MOHAI. Any kid would have been thrilled to have owned them back then. But I’m sure that I owned a couple of figures. And I know that I went to see “Star Wars” more than once, despite the very long lines. I didn’t question any of it back then, although I was certainly old enough to do so. I was more than happy to accept it just as fun. I didn’t think about profit motives or the future of franchises or the American spirit. This brand new thing called “Star Wars” left you with a good feeling inside. And that’s the best thing any toy can offer.
TOYS at MOHAI!
“Toys from the ‘50s, ‘60s and ‘70s” is on display at MOHAI through September 25th. For more details, visit MOHAI right here.
Inside the “Waxworks,” the 3-D arm of the Design department at Sideshow Collectibles
If you are into pop culture, and who isn’t, then one way or another you know about Sideshow Collectibles. Either you own some, know someone who does, or some other scenario. The fact is that this is the place that makes the premium items from the worlds of superheroes, fantasy, science fiction, and more. You know, replica figures of Indiana Jones, Darth Vader, Poison Ivy, you name it. What this new book makes clear is that items of this caliber are indeed worthy of praise and then some. Welcome to “Inside the Sideshow Studio: A Modern Renaissance Environment,” published by Insight Editions.
For me, personally, I’ve always enjoyed marveling over the various new figures on display at comics conventions. I’m not necessarily a hardcore collector type but, then again, I do find it hard to let go of things. After reading this book, I have a strong desire to just toss a bunch of stuff and make room for one really awesome figure to brighten up a space. Well, at least one. As you’ll see in this grand tour, all the employees at Sideshow Collectibles are encouraged to deck out their work stations and offices with items they hold dear. And, as many will happily tell you, they seem to do best with a certain amount of positive life-affirming clutter. Based upon what I see here, all this clutter is pretty cool and full of style.
Poison Ivy, Premium Format Figure, Sideshow Collectibles
No doubt, this book is an essential addition to whatever Sideshow Collectible item you may already own. And, if you happen to be pretty new to the whole scene, this book may inspire you. Not only is it a inside look at the fun factory but there’s a fair share of industry insights sprinkled about. Plus, there are numerous extras regarding a vast array of figures. You’ll find a number of inserts like the one above of Poison Ivy coming from different vantage points: graphic design, painting, sculpture, and so on. The book is a total treat.
“Inside the Sideshow Studio: A Modern Renaissance Environment” is a 128-page hardcover, all full-color photography, published by Insight Editions. For more details, visit our friends at Insight Editions right here.
Many people enjoy collecting pop culture figures. Some collectors will add an environment to showcase them. What if the sky’s the limit and you could go hog wild? Imagine, for instance, the Joker facing off with G.I. Joe. And have that in a realistic setting. Well, as kids, the sky was always the limit! Your characters didn’t have to obey any rules and you could have all sorts of battles that would never have taken place anywhere else. In that spirit, photographer Daniel Picard has let it roll with some inspired work with icons we all know and love.
Picard photographs 12-inch figures from Sideshow Collectibles, then does only what a skilled adult can do: create those sort of moments that kids around the globe conjure up just for the fun of it. These are to-scale environments with an uncannily realistic look.
Actor Simon Pegg provides a forward calling this collection, “a wonderful conversation piece.” Kevin Smith provides an afterword describing Picard’s work as a “salute to all the fun we had with our toys as kids.”
“Figure Fantasy: The Pop Culture Photography of Daniel Picard” is a 132-page hardcover, priced at $29.99 US, published by Insight Editions. For more details, and to purchase the book, visit our friends at Insight Editions right here.
In “Gary Baseman: The Door Is Always Open,” the artist welcomes visitors into his creative universe. If you’re in the Los Angeles area, you will definitely want to take in this retrospective of one of the major contemporary artists of pop surrealism at the Skirball Cultural Center, running from April 25 thru August 18, 2013. Visit the museum website here.
According to a widely released press release by BC IWAKO USA, the sole American distributor of popular Japanese erasers, both Toys R Us and Walgreens are selling fake versions of these beloved toy items. These knock off versions are made in China which does not adhere to the same strict quality control of the genuine Japanese toy erasers.
As the press release states: “There are many counterfeit erasers made in China currently sold in the U.S., many using fake Japanese brand name, sellers falsely claim them to be made in Japan, the counterfeit erasers are generally sold in discount and dollar stores, all erasers sold in Toy R Us and Walgreen are also counterfeit Chinese made erasers. Consumers are advised to check the country of original on the packaging and compare the quality. Chinese counterfeit erasers can be dangerous to the children and to a store’s reputation, they do not use the same safety tested top grade materials and are made in very dirty factories which pollute the environments.”
What follows is the full BC IWAKO USA press release. What jumps out as newsworthy is BC IWAKO USA coming out and saying that there are counterfeit “Japanese”erasers currently sold that are made in China and use fake Japanese brand names. BC IWAKO USA goes on to say that all erasers being sold at Toys R Us and Walgreens are fake:
Suggested retail price is $1 each eraser. Online sellers, such as www.sausalitoferry.com sells full selections of all Japanese erasers. For inquiries, find a store near you or to buy online from online retailers, please visit Consumers/Collector website: www.iwakousa.com
Japanese Puzzle Erasers are eco-friendly, they are lead free, there is no phthalate nor latex, no paint, no PVC and non-toxic. Authentic Japanese erasers are made in Japan with strict Japanese quality control in environmentally friendly factories in energy saving production, not only the erasers are made with recyclable material, even the packaging is recyclable or recycled materials.
These erasers marked 87.7% in erase test, every corner of the eraser can be used as real eraser, effective to the last bit, the beauty is more than skin deep. They are also puzzles (Small parts, not for children under 8 years old.) The Japanese erasers are hand assembled one by one in Japan, parts of different colors can be taken apart and put them back together, it is a fun way to train children finger skill, association and relationship of varies objects and shapes.
There are currently 600 designs and colors of Japanese erasers, with new designs and new colors introduced every month. The eraser designs are in 5 categories, animal, food, toys, garden and Japanese lifestyle.
These are pretty much the only toys still made in Japan, there are only 2 remaining eraser factories in Japan, Iwako and TRC Zensinsyoji. In the United States, the official and general distribution of Japanese erasers is managed by BC USA, an American company specialized in Japanese toys and stationery products since 1977.
ASTRA (American Specialty Retailers Association) retailers have selected Japanese Mini collectable Eraser for ASTRA 2009 Best Toys For Kids list! Japanese Eraser won the SEAL OF EXCELLENCE AWARD (Kids Products category) by the Creative Kids Magazine and the proud recipient of Gold Medal for Best Japanese Product by the Japanese government.
There are many counterfeit erasers made in China currently sold in the U.S., many using fake Japanese brand name, sellers falsely claim them to be made in Japan, the counterfeit erasers are generally sold in discount and dollar stores, all erasers sold in Toy R Us and Walgreen are also counterfeit Chinese made erasers. Consumers are advised to check the country of original on the packaging and compare the quality. Chinese counterfeit erasers can be dangerous to the children and to a store’s reputation, they do not use the same safety tested top grade materials and are made in very dirty factories which pollute the environments.
We believe there is no compromise for safety, no substitute for quality and no shortcut taken. 100% made in Japan from concepts to designs, with premium Japan-only materials to environmentally friendly state of the art production, by meticulous skilled Japanese local workers in super clean facilities. We take pride in what we make and how we make it.