Here are some of the photos that I took with pro photographer Abdiel Colberg.
He is a very kind, patient, and thoughtful person. Such a talented artist who was so generous with his knowledge. Here are some photos I took under his guidance. Check out his website right here. And check out the Airbnb course right here.
Be ready to walk around and take some great photos!
A young adventurous woman, her pro camera, her motorcycle, and a most top secret site bursting with supernatural activity. All these elements come together nicely in the new graphic novel thriller, “Spill Zone,” written by Scott Westerfeld, drawn by Alex Puvilland, colors by Hilary Sycamore, published by First Second Books.
You can’t stop a girl and her Canon camera.
One thing I do want to tuck in here: you rarely see a brand name in a graphic novel. But no harm in showing one on occasion. In this case, our main character relies upon a Canon camera. I say to that, bravo. You can’t stop a girl and her Canon camera.
Back to our story: something really weird happened to the little town of Poughkeepsie, New York. Was it an accident involving nano technology and the local nuclear power plant? Are space aliens involved? No one dares to enter the Spill Zone, except for the local thrill-seeking artist, Addison Merritt. She sneaks past checkpoints, takes photos, and sneaks back home.
Rules of the Game.
It’s now just Addie and her younger sister, Lexa, ever since the accident took the lives of their parents. Westerfeld’s script seamlessly brings in various details. Puvilland’s lean style sets the tone. Sycamore’s colors dazzle the eye as they match the story’s mood.
The best thing about this graphic novel is that it successfully takes a lot of crazy fun ideas and lets them run wild. For a while, we don’t know why Addie keeps risking her life to take photos within a toxic spill zone. A big part of it has to do with her stumbling upon a way to support herself and her sister. She sells her photography for top dollar to art collectors. But it gets more complex than that.
Addie and some toxic rats.
Both Addie and her troubled little sis Lex are being lured into something far more dark and sinister. By the end of this book, we have gotten to know these two girls fairly well. We have also gotten to know Verpertine, the doll that talks only to Lex. Vespertine dials up the creepy factor whenever she appears and is one of the compelling reasons to look forward to the next volume to this series.
SPILL ZONE is a full color 224-page hardcover available as of May 2nd. For more details, and how to purchase, go to the Spill Zone website right here.
Jackie Estrada’s “Comic Book People 2,” a behind-the-scenes look at the comics industry in the 1990s, will be available at your local comics shop on September 2 and on Amazon on September 10. You can currently find the first book “Comic Book People: Photographs from the 1970s and 1980s,” right here. You can find “Comic Book People 2” scheduled for release at your LCS right here.
“Comic Book People 2” is a high-quality hardcover coffee table book that offers a unique peek at the comics industry in the 1990s. It features some 600 candid photos of comics creators taken by Jackie Estrada at the San Diego Comic-Con, WonderCon, Chicago ComiCon, APE, SPX, and other shows during the decade, along with commentary and anecdotes about each person. The photos depict not only the big names of the period but also up-and-coming stars early in their careers as well as Golden and Silver Age comic book greats who were still with us.
“The 1990s were a great time for new faces that are now familiar fixtures, such as Neil Gaiman, Grant Morrison, Jeff Smith, Terry Moore, Garth Ennis, Colleen Doran, David Lapham, and Paul Pope,” says Estrada. “But even as these new creators came on the scene, a number of Golden and Silver Age greats were still with us, and I was fortunate to be able to photograph many of them.” Among the venerated artists in the book are Frank Frazetta, Carmine Infantino, Gene Colan, Al Williamson, Sheldon Moldoff, Nick Cardy, and of course Will Eisner and Jack Kirby.
The 1990s were a transitional era in comics: Image emerged, lots of other new publishers got into the mix, the direct market flourished, and the self-publishing and indie comics movements really took off. The number of comic conventions also increased all around the U.S. And Jackie Estrada was there, capturing the scene in candid images.
It was during the 1990s that Estrada and her husband Batton Lash formed Exhibit A Press to produce his comics series Wolff& Byrd, Counselors of the Macabre (aka Supernatural Law). Many of the photos in Comic Book People 2 were taken at shows where they exhibited, from the Chicago ComiCon and WonderCon to the Small Press Expo and APE, as well as the San Diego Comic-Con. The book covers the full spectrum of creators, from mainstream superhero writers and artists to small press cartoonists, as well as people behind the scenes in the industry, such as publishers, editors, retailers, and distributors. Among the events of the 1990s featured are the foundings of Milestone and Friends of Lulu and activities of the Comic Book Legal Defense Fund.
Jackie has been both a comics fan and a photographer since the 1960s, and she has been to every San Diego Comic-Con. Her involvement in comics has included editing publications for Comic-Con, being the administrator of the Will Eisner Comic Industry Awards since 1990, serving as president of Friends of Lulu, and being the co-publisher of Exhibit A Press, which has produced Comic Book People 2. Her photos of comics creators have appeared in numerous books and publications, from Paul Levitz’s 75 Years of DC Comics and Julius Schwartz’s autobiography Man of Two Worlds to Alter Ego and Comics Buyer’s Guide. Most prominently, dozens of her photos were used in Dark Horse’s Comics: Between the Panels and in Comic-Con: 40 Years of Artists, Writers, Fans, and Friends. Most recently, her photos could be seen in the PBS special, “Superheroes: A Never-Ending Battle,” on the history of superheroes.
You could not ask for a better guide on the formidable world of comics than Jackie Estrada.
Editor’s Note: Above photo is by Julia E. Light. Find her work here.
I moved to Seattle many years ago and, while I still like to travel, I find it to make a good home base. It used to be thought that Seattle was, despite the media scrutiny, the best kept secret. I moved in 1993. Grunge was in full tilt, Microsoft was on the rise, and Starbucks and Amazon were well on their way. The gray skies were oddly reassuring. The mellow weather was a welcome relief from the humid burden of Houston. And, just like Elvis, I swaggered my way onto the scene. I painted. I drew. I photographed. I wrote. Little by little, it happened in Seattle.
Today, I continue to paint, draw, photograph, and write. And I blog.
Many years ago, I set out to create meaningful work. In the end, I wanted things to add up to something that could be called art. I never stopped believing. And I never will.
Over time, I developed a specific working method. I write in notebooks that eventually make their way onto a laptop and so on. I sketch in a sketchbook. I draw and photograph something every day. Over the years, along with prose and drawings, I have created a number of comics. One of my earliest creations was a full length comic book entitled, MAN (sic). The title alone cracked me up but the content wasn’t particularly humorous. It was a collection of stories, some based on dreams and some just poetic observations. I believe that was around 1996. It was fun and underground. It came and went.
Today, I have much to be grateful for and look forward to. I have created more than enough work in comics to easily fill more than one collection. For now, I have the book of collected work, A Night at the Sorrento and Other Stories. At some point, it’s important to gather up one’s work, organize it, scrutinize it, and get it published one way or another. Only then, can you feel like you can move on to something else. And I am definitely working on that.
In the future, I want to show my art more, get more work published, and keep on writing. I consider posting to this blog a very important part of my writing. Some posts are only meant to be lighthearted and others run deeper. The activity of blogging is useful in so many ways. It’s one of those habits that I’m more than happy to continue to indulge indefinitely in one way or another.
Times will continue to change. Lives will continue to change. You do well to hold on to as much consistency as possible. Whether as a state of mind, or as an everyday ritual, it has happened, continues to happen, for me in Seattle.
Many people enjoy collecting pop culture figures. Some collectors will add an environment to showcase them. What if the sky’s the limit and you could go hog wild? Imagine, for instance, the Joker facing off with G.I. Joe. And have that in a realistic setting. Well, as kids, the sky was always the limit! Your characters didn’t have to obey any rules and you could have all sorts of battles that would never have taken place anywhere else. In that spirit, photographer Daniel Picard has let it roll with some inspired work with icons we all know and love.
Picard photographs 12-inch figures from Sideshow Collectibles, then does only what a skilled adult can do: create those sort of moments that kids around the globe conjure up just for the fun of it. These are to-scale environments with an uncannily realistic look.
Actor Simon Pegg provides a forward calling this collection, “a wonderful conversation piece.” Kevin Smith provides an afterword describing Picard’s work as a “salute to all the fun we had with our toys as kids.”
“Figure Fantasy: The Pop Culture Photography of Daniel Picard” is a 132-page hardcover, priced at $29.99 US, published by Insight Editions. For more details, and to purchase the book, visit our friends at Insight Editions right here.
The immediate impact of these photographs is undeniable: Outrageous oblivion. Everything torn apart, inside and out. Nothing spared. Nothing redeemed. You quickly draw your own conclusions despite what your more sober thoughts might tell you. This is a book about total destruction, along with numerous more measured considerations. “Abandoned America” takes you on a most unusual journey with this collection of photography by Matthew Christopher, published by JonGlez Publishing.