Unversed Comics is absolutely a beautiful showcase of comics talent on the rise. It was an honor to get to chat with the leading force behind this anthology, cartoonist Jonathan Hill. Be sure to check out the Kickstarter campaign in support of the third and final edition of Unversed Comics, which ends on June 7, 2019, right here.
Postscript is the third and final book in the Unversed series, following the success of the original book Unversed and its sequel, No Refunds. It is a two-color, softcover comics anthology featuring 12 new artists from the Pacific Northwest College of Art, as well as 27 new and returning contributors from within the Unversed community.
Visit Kickstarter before this campaign reaches its own postscript and ends on June 7th!
South Park Block: Theodore Roosevelt guards the Portland Art Museum
One of my favorite strolls is walking down the South Park Blocks in downtown Portland and then making it over to the Portland Art Museum. I was recently in Portland and enjoyed such an outing. This was just prior to the new Andy Warhol show. So, I need to make another trip from Seattle in the near future. That said, I had a wonderful time spending most of my time taking in the permanent collections. Just for fun, here are some observations.
PAM 2016: Cymatic Modular Triangle
I was in a contemplative mood. I found myself focusing on the various juxtapositions of art I came across. There were so many pleasing combinations on view that I could not help documenting some of the most striking ones. So much to see and process. This is just a quick sampling. I also include one of the temporary exhibits that intrigued me, “Sound Beyond the Auditory,” on view until the first of the new year. I’ll say a few words and you can go to the video that showcases a really cool pulsating triangle. This exhibit is made up of experiments in cymatics, the process of making sound visible and tactile. People enjoyed each work on view and were compelled to linger over the Cymatic Modular Triangle. They would stomp, tap, click, whatever sound they could think of, to influence the colorful patterns it responded with. This exhibition was developed in partnership with CymaSpace. For more information on their programs or how to volunteer visit cymaspace.org.
Bourdelle and Monet
Getting back to my study in coupling of art works. In no specific order: we begin with Bourdelle and Monet. The massive yet pensive bust, “Head of a Figure Called Eloquence,” 1917, by Emilie-Antoine Bourdelle, takes in the scene and is a perfect counterbalance to a water lily painting by Monet.
Caro and Oldenberg
Anthony Caro’s quirky “Table Piece XXX,” 1967, fits right in with what looks like a study for a large scale Oldenberg, “Profile Airflow,” 1969.
Rauchenberg and Stella
Rauchenberg shares space with Stella.
Rodin and Monet
Rodin’s exuberance gives way to Monet’s calm.
Smith and Berman
David Smith’s spiky sculpture, “Portrait of Don Quixote,” 1952, wages a battle with Eugene Berman’s expansive “Time and the Monuments,” 1941.
Smith and Berman
Olin Levi Warner’s sculpture rides the ebb and flow of time with the paintings of Edward Lincoln Espey.
“Charrette de boeuf (The Ox Cart),” July, 1884
“The Thatched-Roof Cottages of Jorgus, Auvers-sur-Oise,” June 1890
By far, the most moving combination is of a painting early in Vincent van Gogh’s life coupled with a painting from the month of his suicide. The space between the paintings seems to stand for such a troubled life as Van Gogh’s. One painting seems perhaps serene and studios. The other painting we might read into it resignation. We can sense a mastery, a certainty within uncertainty.
Portland Art Museum
Portland Art Museum is located at 1219 SW Park Avenue. “Andy Warhol: Prints from the Collections of Jordan D. Schnitzer and His Family Foundation” runs from October 8, 2016 to January 1, 2017. For more details, visit the PAM website right here.
Portland beckons. Perhaps you are heading out to the Oregon Convention Center or you’re just looking for a centrally-located hotel right next to the Max light rail. Hotel Eastlund is a great place to stay when visiting Portland. I made that discovery during a recent stay. It coincided with the annual 24-Hour Comics Day that I take part in along with countless cartoonists around the world. For me, the location, the atmosphere, and the hospitality all added up very nicely. I was able to easily get around town and rely upon a quiet and comfortable room to settle into a drawing marathon.
Hotel Eastlund in Portland, Oregon
It all began with my arrival at Union Station. I took the train from Seattle. In fact, I read and prepared my review for this year’s Best American Comics during my train trip. I then walked over a few steps to the Max light rail and hopped on. Moments later, I was at the hotel. An upbeat and peppy style welcomes each visitor. The eye follows low-key colors and a pleasing combination of white and orange.
Hotel Eastlund: An Adventure Awaits
Boutique hotels are all about an upbeat and hip environment and Hotel Eastlund definitely met and exceeded my expectations. You feel, as you enter the lobby, with hints of the futuristic and the urban, that anything is possible from your new home away from home. The surroundings are chic and yet practical. There is plenty of comfortable seating and lots of informative brochures. Walk down a bit and you’ll find a roomy business computer station. And past that you’ll find a welcoming and nicely stocked café. There is also a gym and a chic rooftop restaurant. The more you take in, the more you see that this is a boutique hotel with a grand hotel vision and scope.
The Magic of Hotel Eastlund
The room was quite pleasant. I fired up my laptop and set about planning my visit using the hotel’s free Wi-Fi. I looked out the window to observe the Oregon Convention Center and the Max light rail. Just beyond that, at walking distance, I would find a number of shops and restaurants including the Lloyd Center shopping mall. But, first things first, I jumped into the shower to help keep me alert for the long day of sightseeing followed by an extended drawing session. I’d already made a number of sketches but there was more that lay ahead, along with inking what I had started in pencils. And I also managed to fit in going to see Peahces at the Wonder Ballroom. I did not stay late but late enough. Before going out, I did make a quick trip up to the hotel’s rooftop restaurant and bar, Altabira City Tavern. The view is simply stunning. I had a delicious glass of house red wine. My only regret is that I did not stay longer and, with spacious seating and inviting fire pits, it was quite tempting not to leave.
Once back to my room to pursue my night of drawing, I settled in with some coffee. I wanted to tie in the quirky offbeat character of Portland with my own drawing sensibility so I focused on work from my ongoing graphic novel about the science fiction writer George Clayton Johnson. Among his accomplishments, he co-wrote, with William F. Nolan, the landmark sci-fi novel, Logan’s Run. Bill Nolan, by the way, was in Portland to celebrate with the Portland Film Festival, the 40th anniversary of the blockbuster movie, Logan’s Run. So, all that said, I felt like I was right where I needed to be. As daybreak emerged, I flipped on the TV and enjoyed Hotel Eastlund’s Channel 2 which focuses on Northwest filmmakers and storytellers, presented by Lower Boom. Among the programs, “The Benefits of Gusbandry,” starring Brooke Totman and Kurt Conroyd, is totally hilarious. Check out the video for more about my hotel stay and the drawings I did during my visit.
That morning, I was grateful to sit down with a hot breakfast. I could have called room service but I chose to throw on some flip flops and my jogging clothes and make my way down to the hotel café, Citizen Baker. I give the hotel high marks for a lively and upbeat atmosphere throughout my stay. Considering I had a pretty hectic schedule as I set about taking in Portland from various angles as well as being true to my drawing regime, it was most appreciated that I could rely upon Hotel Eastlund’s professionalism and thoughtful hospitality. The hotel is utterly gorgeous. We can sometimes take things for granted. I think Hotel Eastlund makes it all look carefree and easy. Hotel Eastlund is a refreshing and smart new addition to Portland’s Eastside making it a fun and exciting destination in its own right.
Citizen Baker at Hotel Eastlund
Another visit to Hotel Eastlund is on my agenda and the sooner the better. There is simply so much more to enjoy. So, if your next destination is Portland, keep in mind how easy it is to get here from the Westside on the Max light rail, just a brief trip across the Willamette River then you are literally just steps away from the hotel. And, if you have more involved needs, there are five stunning private dining and meeting rooms including the 3,400 square foot Cosmopolitan Grand Ballroom that features floor to ceiling windows and breathtaking views.
Find Hotel Eastlund at 1021 NE Grand Avenue. Their phone number is (503) 235-2100. And visit the Hotel Eastlund website right here.
Emi Gennis has edited a wonderful anthology about mysteries, urban legends and unsolved crimes, UNKNOWN ORGINS & UNTIMELY ENDS, published by Hic & Hoc Publications, and you can read my review HERE. Now, I had planned on interviewing Emi ever since my review! And so I can kick myself for not working my video camera properly. I think Emi and I had just hit upon something miraculous while in conversation and now I can’t recall the exact details. I think we were on the verge of discovering an easy way to time travel but we didn’t bother to take notes! Ah, well. But, then again, isn’t reading comics the best way ever to time travel? Forget your flux capacitors and travel back in time with some good comics. Emi has a couple of mini-comics that follow the themes from her anthology: one is a true crime story while the other has a steampunk vibe to it.
“The Unusual Death of Gregory Biggs” by Emi Gennis
“The Unusual Death of Gregory Biggs” is a very neatly presented 5.5″ x 8.5″ 12-page mini. Artwork is strong. Story is told in a compelling way. It’s not your usual CSI type of crime story either! Only $2.
“Unfortunate Mishaps in Aviation History” by Emi Gennis
“Unfortuante Mishaps in Aviation History” is another beautifully rendered mini. I really like this format. And Emi has a way with capturing facial expressions and being mindful of details: clothing, perspective, architecture. It demonstrates a high skill level and a love for the comics medium.
Well, again, I feel bad that we missed the video portion to this post but there’s always next time. I look forward to seeing more of Emi’s work and she should definitely submit her work everywhere she can, including that most engaging publication, THE STRUMPET.
It is always a delight to talk with fellow cartoonist and friend, Marc Palm. In this interview from Stumptown Comics Fest, in Portland last weekend (April 27-28), we joke around a bit, although both of us were pretty weary by then, as the festivities were drawing to a close that Sunday. Among the various places you can find Marc, try HERE.
Marc Palm is a cartoonist based out of Seattle. He is involved with the ongoing comics anthology, INTRUDER. And Mr. Palm will be busy this Saturday, Free Comic Book Day, over at Fantagraphics Bookstore in support of FREAK COMIC BOOK, a Fantagraphics mini that he’s a contributor in. So, if you’re in the Seattle area, you’re going to be busy too checking out your favorite local comics shops including, of course, Fantagraphics Bookstore.
From the Press Release:
“Fantagraphics Bookstore will issue an exclusive 16-page Freak Comic Book mini featuring a stellar cast of local alternative artists. Edited by Intruder contributor Marc Palm, the book includes new works by Max Clotfelter, Kelly Froh, Eroyn Franklin, Tom Van Deusen, Ben Horak, Darin Shuler, David Lasky, Aidan Fitzgerald, Pat Moriarity, John Ohannesian, Max Badger, and James Stanton. As May 4 is also Star Wars Day – (“May the Fourth Be With You”) – the mini concludes with touching tributes to Yoda by Peter Bagge, Ellen Forney, Jim Woodring, and Kazimir Stzrepek. Freak Comic Book is limited to 100 copies. Many of the contributing artists will be in attendance to sign their work.” FBI informant — with Max Badger Woodring, Jim Woodring, James Stanton, Peter Bagge, Ellen Forney – Cartoonist and Kazimir Strzepek at Fantagraphics Bookstore and Gallery.
Ellen Lindner is an accomplished illustrator and cartoonist. She is a cheerful, passionate, and whipsmart person with talent to spare. It was very nice to get to meet her and her friend, Robin Ha, an excellent artist in her own right. You’ll definitely want to check out the work of both of these ladies.
In the above interview, we focus on Ellen’s work on the anthology series she co-edits, THE STRUMPET, which showcases women cartoonists. To do justice to this project, I’ve written a separate review that you can scroll down and find or you can read it here.
Ellen’s work has a bold and joyful way about it and a keen sense of humor. Ellen has an intriguing webcomic you’ll want to check out, THE BLACK FEATHER FALLS, on ACT-I-VATE Comics. It is set in the aftermath of World War I. It revolves around, Tina Swift, a woman who is caught in a web of intrigue surrounding a murder in 1920s London. You’ll want to jump in on a read if you haven’t already. You’ll be hooked.
Robin Ha and Ellen Lindner are two very distinct cartoonists who happen to have a lot in common. For one thing, they are neighbors, as their art studios are next door to each other. They also share a certain cosmopolitan sensibility. This led Robin to contribute to the anthology that Ellen co-edits, THE STRUMPET.
We talk about THE STRUMPET and Robin’s work in general. You can view a sample of Robin’s work, as well as Ellen’s, from THE STRUMPET, in the previous post.
Robin Ha’s work has a delicate ethereal quality balanced by a wry and worldly vibe. Her latest project is a webcomic about a haunted vintage dress, THE RED DRESS. You can keep up with it HERE.
What’s THE STRUMPET about, you ask? Well, it is a collection of comics showcasing female cartoonists. It follows in the footsteps of WHORES OF MENSA, an anthology that set the bar high on quality. Not only that, it brings together new talent from around the world. THE STRUMPET #3 is in the works and is currently seeking submissions with a deadline of September 1, 2013. Visit THE STRUMPET website HERE.
Let’s place our attention squarely upon the current issue, THE STRUMPET #2. It is edited by the multi-talented Ellen Lindner and Jeremy Day. All the cartoonist talent here bring together a cohesive and compelling collection with a travel theme in mind. What does travel mean to you? When was the last time you were on a trip? Just a few hours ago at your desk at work whilst you daydreamed? My word, did you think there was only one way to travel?? If you did, then catch yourself please because you’re due for an adventure and an education. Let the ladies from THE STRUMPET encourage, engage, and entertain you on all manner of thought and conjecture regarding the subject of travel.
This collection is 21 cartoonists strong: Patrice Aggs, Rachael Ball, Badaude, Juhyun Choi, Marguerite Dabaie, Jeremy Day, Shamisa Debroey, Lisa Rosalie Eisenberg, Karrie Fransman, Robin Ha, J Homersham, Kripa Joshi, Emily Ryan Lerner, Ellen Lindner, Tanya Meditzky, Kat Roberts, Alison Sampson, Maartje Schalkx, Julia Scheele, Nicola Streeten, and Myfanwy Tristram.
Did I miss anyone? Well, I certainly hope note. I feel like this is a very special endeavor and everyone contributed to make it so.
Let me share with you some of the work in this wonderful anthology.
“Mr. Murray” by Ellen Lindner
Ellen Lindner’s wry sense of humor is spot on in this tale about the search for the seemingly elusive Mr. Bill Murray.
“Trenitalia” by Robin Ha
Robin Ha is full of wanderlust on this adventure on an Italian train.
“The 171 Bus Route” by Julia Scheele
Julia Scheele immerses us in this richly detailed look at a bus commute through London.
“Deaf” by Patrice Aggs
Patrice Aggs has a hilarious story to tell in this comedy of errors.
“Homesick” by Lisa Rosalie Eisenberg
Lisa Rosalie Eisenberg’s “Homesick” is a deliriously wild ride that floats, flies, and dreams its way through to charming results.
“The Next Life of Ruzzell” by Kat Roberts
Kat Roberts gives us a most inventive take on the concept of travel. It is full of magic and whimsy.
“Miss Moti Can Go Places” by Kripa Joshi
We end with the back cover by Kripa Joshi. She’s an engaging artist and this next issue’s co-editor with Ellen. We look forward to what results.
And be sure to pick up your copy of THE STRUMPET #2 which you can find HERE.
Stay tuned. There’s more to come from the Stumptown Comics Fest held in Portland, Oregon, April 27-28. That includes video interviews with Ellen Lindner and Robin Ha.
GRIDLords was a night to remember. And what a venue, the wildly eccentric and awesome Hollywood Theatre. This was the place to spend your night in Portland after visiting the Stumptown Comics Fest. It was a beautiful showcase of animation and performance art. The night began with what everyone will agree was the crown jewel of the event, Eamon Espey’s “Ishi’s Brain”
Photograph by Michel Anderson
ISHI’S BRAIN (THE SHOW) was created and performed by puppeteer Lisa Krause and cartoonist Eamon Espey. Lisa Krause is an artist and puppeteer of Bread and Puppet fame, among other things. Check out Lisa’s blog HERE. This show is currently on a national tour and you can view details HERE. And, certainly, check out Eamon’s website HERE. The show follows little Ishi on a magical journey of apocalyptic proportions.
SONGS OF THE ABYSS by Eamon Espey
And you just have to check out the music to this show. Soundtrack is provided by Stephen Santillian. Check it out HERE. Great to listen to while reading Eamon’s book! Oh, yes, there is a book.
“Ishi’s Brain” is based on Eamon’s story of the same name from his Secret Acres collection, SONGS OF THE ABYSS and you can buy it HERE.