Tag Archives: British

Review: THE JAMES BOND OMNIBUS, published by Titan Books

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James Bond came very close to only remaining a character in a series of novels by Ian Fleming. It was once hard to imagine James Bond in comics let alone as leading a magnificent movie franchise and recognized as a pop culture icon. Nice how things have a way of working out.

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You will find the Bond lifestyle in full gear in this comic strip, which began in 1958, Volume Five, the most recent, collects work by writer Jim Lawrence and artist Yaroslav Horak, which ran from 1966 to 1984. Published by Titan Books, this is a series of deluxe edition books. It is full of action, exotic locales, intrigue, villains, and sexy women.

The artwork and the dialogue are what you’d expect from an action comic strip. The Bond character is a hunk of a guy. He’s not necessarily reflecting the Bond on the big screen. Whoever the Bond is on the big screen is a tough act to follow. But that’s where the comic strip can claim some cred. It used to be the only Bond there was outside the novels.

Titan Books has collected the whole run of the James Bond comic strip into collectible volumes. Volume Five is 272 pages, priced at $19.95 US, and includes nine adventures: Till Death Do Us Part, The Torch-Time Affair, Hot-Shot, Nightbird, Ape of Diamonds, When The Wizard Awakes, Sea Dragon, Death Wing, and The Xanadu Connection.

Visit Titan Books for more details here.

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Filed under British Comics, Comics, European Comics, James Bond, Titan Books

Review: THE BLACK FEATHER FALLS Book One (of four), by Ellen Lindner, published by Soaring Penguin Press

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Ellen Lindner has a wonderful way with prose and composition. Her intricate artwork and distinctive voice give life to her latest creation, “The Black Feather Falls.” This is a webcomic told in four parts, which you can view at ACT-I-VATE here. The first part is now collected and will be published by Soaring Penguin Press.

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The beauty of Lindner’s work is on many levels, not the least of which is her dynamic composition. We begin with the main character, Tina Swift, juxtaposed by her striking view of two pyramids that act as visual and symbolic thrust. They lead us to more energetic play with geometry of body language and setting.

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Take a closer look at Tina Swift. On Page 2, we see her face is a crisp collection of lines and angles with a few accenting curves. We take in the rest of the page: in the first panel, we see a typewriter rendered to the last detail acting as a still life accompanied by Tina’s sharply rendered hands. The last panel caps off with another view of those pyramids. In the span of time that we’ve read the first two pages, we already know a mighty adventure is about to be retold.

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And, by Page 3, we have entered a new world. Tina is an American abroad. She’s in 1920s London. As engaging as Lindner’s artwork, her prose charms you and immerses you in the customs and logic of another time. Lindner was an American abroad herself and you sense a loving attention to her past home byway of this murder mystery. It’s as if Lindner travelled back in time and is reporting to us her observations with a fresh vitality. She provides a somewhat similar treatment of Brooklyn in the early 1960s for her work, “Undertow.” The writing for this story is quite fun and feels in step with such British writers of the time as Agatha Christie, Dorothy L. Sayers, and the Mitford sisters.

Our team of brash young American, Tina Swift, and young British spinster, Miss McInteer, are delightful as polar opposites that manage to attract. They do have quite a compelling murder mystery to solve that apparently will turn into another cold case if not for them. All the elements are in place for a delicious read.

You can read the latest installments of The Black Feather Falls at ACT-I-VATE here. Be sure to pick up the first collection of The Black Feather Falls from Soaring Penguin Press and look for updates here. And do visit Ellen Lindner at her site here.

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Filed under Comics, Comics Reviews, Dean Haspiel, Ellen Lindner, mystery, Webcomics