Trve Kvlt. IDW publishing. (W) Scott Bryan Wilson (A) Liana Kangas. Release date of first issue: August 17, 2022. $3.99
Let’s face it, it’s really tough being an individual. For Marty Tarantella, a working class hero in this comic book series we’re about to explore, life had become one big rut. Oh, sure, he was quite an individual, very quirky and unpredictable. But he’d paid a hefty price for being eccentric with no professional skills, unless flipping burgers counts for much, which it doesn’t. Marty had been working at Burger Lord at the same entry level job for the last fifteen years. Something had to give. To make matters worse, the way out of his rut was completely left in Marty’s hands. This guy can’t get a break! However, Marty was determined not to be just another loser chewed up by the gears of capitalism.
Long live losers!
Marty Tarantella, a young-at-heart aging hipster, was in real danger of entering a slow death when he stumbled upon the most hair-brained scheme that would blow up in his face while also catapulting into a whole new level of consciousness. Marty’s no senator’s son, just an Average Joe, the kind of guy that Kevin Smith has honored in much, if not all, of his work. Heck, Mr. Smith created a whole genre all his own, populated with the most eccentric of dead end kids. This is certainly not lost on the creative team behind this comic as they pull out all the stops to have Marty fly his loser freak flag. Fail! Fail! Gloriously Fail!
Yeah, my friends call me, Tarantula.
The fast food world is a very strange world, just as bumbling and insular as the mall world, a place where staff and customers alike fully embrace being losers. This was a choice someone made to find themselves in a highly artificial disconnected environment. That’s okay. Let ‘er rip, hang on tight, and go for the chili fries! Wash it down with a Pepsi. And don’t forget that bacon cheeseburger. Marty’s big mistake was thinking he could outwit the system he’s let himself fall prey to with as little effort as he put into submitting to it.
Marty and his supervisor, Bernice, have been toiling away at Burger Lord since forever. Why rock the boat now? Ah, if only Marty knew what he didn’t know then! This is the sort of story that you love to linger over the details as the main character gets deeper into trouble. Writer Scott Bryan Wilson delivers on all the authentic details of the fast food milieu. Artist Liana Kangas has a delightfully light style that adds some relish to the most subtle and mysterious of moments. There’s the scene where Alison, a prospective new employee, comes in long after some major plot points but with a sophisticated and intriguing tale of her own. This is where the collaborative spirit shines for writer and artist. Alison turns out to be a real wild card in this story, steering things in uncanny ways. Maybe Marty does have a friend in this cruel world after all! But it’s just too soon to say what kind of friend.
If you’re looking for that something different, this is it. Yes, I can honestly say that the comic that is currently ringing my bell is this one! Go get yourself one and, yeah, you’ll want fries with that too. Let’s roll out the A+ for this comic. If I’m a ratings guy, I give it a solid score. 10/10.
Visit IDW and see what they have in store for you.
Dark Spaces: Wildfire. IDW publishing. (W) Scott Snyder (A) Hayden Sherman. Release date of first issue: July 20, 2022. $3.99
Imagine you are a big-time comic book publisher executive, DC Comics to be exact, and you are directed to read the work of a hot new lead, an emerging talent who could easily, and very artfully, pump fresh new blood into the tired old veins of top-tier landmark characters. So, you take a seat, pour a Scotch and Soda, and read about this strange silver blimp floating above the American heartland, keeping a young man from his sweetheart. The story is so fresh and new, it knocks your socks off–and you hire this wunderkind, one freshly minted Columbia creative writing dept. grad, Scott Snyder. And he doesn’t let you down. No, he adds color to the faces of many of ’em: Batman, Swamp Thing, the whole frickin’ Justice League. The rest is history, or amazingly good comics. Fast forward to today, Scott Snyder is working some of his storytelling magic at IDW comics. This time it’s a story about fire.
Fire! Don’t yell it in a crowded movie theater, that’s what they used to say. Fire, as a comic book plot, falls somewhere within the disaster genre. Things are more stripped down to their essentials, like a black box theater production. Very specific. This reminds me of Jeff Parker and Steve Lieber’s Underground, the comic that mainly takes place inside a cave. Or, more broadly, another comic that comes to mind is the enviro-thriller, The Massive by Brian Wood. More specifically, I think of A Fire Story, by Brian Fies, the graphic memoir documenting the trauma of one of the more recent devastating California fires. All this brings us to the work of writer Scott Snyder and artist Hayden Sherman, a story of fire and destiny.
A story with such a specific theme, as fire, can feel claustrophobic. Snyder masterfully opens things up, giving the reader rich character profiles, each character providing a window into another world. This is a story about a firefighting team, one made up of convicts. Even the team leader, Ma, was a convict at one time. This special program is intended to help disadvantaged women prisoners find a way back into society, or something like that. It’s a great plot device. Can these flawed, hardened and resentful, characters, be relied upon to do the right thing? Well, no. They aren’t built that way. They could change but, there’s plenty to indicate they are all just a match strike’s away from doing the wrong thing. And, thus, we have quite an interesting story! Fire, all alone, is just too abstract. Now, you’ve got conflict, plenty of it, along with plenty of fire!
As I suggest, fire alone is boring–but add a little sideways weird perspective, some kind of spice, and suddenly things can get very interesting. Such is the case with Hayden Sherman’s handling of the art. The above image is just one example of Sherman’s inventive use of comic storytelling structure. Do something different with panels, or text boxes, etc. and you’re good to go. Not only does Sherman relish adding eye-catching details, he has nailed it in bringing to life this troubled crew of tough people who, whether they realized it or not, are all just waiting to blow everything up. Maybe they know it’s a doomed fantasy they’re engaging with but, for some, it’s just too hard not to play with fire. This is a story that makes total sense to have Scott Snyder tell. I can’t wait to read the whole thing once it’s available.
And, for those keeping score at home, I give this four stars. Rating: 10/10.
A few words on IDW Originals
Comics and graphic novel publisher IDW has created a lot of buzz with its launch of nine new original titles, each one with the potential of being developed into a movie or series. I’ve been looking over the offerings and there’s some very exciting stuff, each deserving of a closer look. Here is a list of the nine new IDW original titles. This is from IDW promo and I’ve added a few confirmed start dates. . . .
Dark Spaces: Wildfire (July 20, 2022), a thriller series written by Scott Snyder with art by Hayden Sherman, follows a group of female inmate firefighters deep into the smoldering California hills, where their desperate heist of a burning mansion will lead them to the score of a lifetime…or a deadly trap!
Trve Kvlt (August 10, 2022), a five-issue miniseries written by Scott Bryan Wilson with art by Liana Kangas, introduces Marty Tarantella, a down-on-his-luck loser whose last-ditch scheme to escape a lifetime of fast-food service sets him on a collision course with a cult of violent, Devil-worshiping lunatics!
Crashing (September 21, 2022), a five-issue miniseries written by Matthew Klein with art by Morgan Beem, throws open the doors of an emergency room filled with casualties of a superhuman war, where Rose Osler, a doctor on her own path of addiction and recovery, faces the most dangerous day of her medical career.
Earthdivers, an ongoing series written by Stephen Graham Jones with art by Davide Gianfelice, unites four Indigenous survivors in an apocalyptic near future as they embark on a bloody, one-way mission to save the world by traveling back in time to kill Christopher Columbus and prevent the creation of America.
Dead Seas, a six-issue miniseries written by Cavan Scott with art by Nick Brokenshire, transforms a cynical convict into a reluctant hero when he’s trapped on a sinking prison ship swarming with ghosts. Can he unite desperate criminals, pirates, and brutal guards as they try to escape a watery grave?
Golgotha Motor Mountain, a five-issue miniseries written by Matthew Erman and Lonnie Nadler with art by Ryan Lee, is a high-octane, redneck motor massacre about two meth-cooking brothers and their attempt to make it home in one piece as all manner of cosmic alien horrors are hot on their trail.
Arca, an original graphic novel written by Van Jensen with art by Jesse Lonergan, leaves a dying Earth behind as billionaires establish a luxurious new society out among the stars, tended to by teenage indentured servants. But one girl discovers that the good life promised for their years of servitude was a lie…
The Sin Bin, a six-issue miniseries written by Robbie Thompson with art by Molly Murakami, hits the road with washed-up hockey player Dale “Dukes” Duquesne, who moonlights as a monster hunter during away games with his daughter, Cat, in tow, hoping to find her mother’s killer.
The Hunger and the Dusk, a twelve-issue storyline written by G. Willow Wilson with art by Chris Wildgoose, upends an age-old conflict between humans and orcs by introducing a new, deadlier species. Fragile alliances form—and unexpected romances blossom—as former enemies wade into battle together to save their two races.
The Empire State Building looms large over Alonzo.
“To finally have this collaboration between two giants available in a single volume is a gift for which we can only hope to be worthy.” — Howard Chaykin
Sometimes, a book is placed under my nose and I just can’t stop reading. So it is with Family Man, the crime noir graphic novel written by Jerome Charyn and drawn by Joe Staton. This is a deluxe edition to the 1995 series by Paradox Press, an imprint of DC Comics. This new 2019 edition is by It’s Alive and IDW Publishing. For a brief moment, both publishers were working together. What matters most is that this book packs a wallop, full of the grim and gritty underbelly of New York City that novelist Jerome Charyn knows so well. As is the case here at Comics Grinder, while we enjoy sharing images from books with you, we also don’t rely on it so much to the exclusion of thoughtful reviews. That said, let’s take a closer look at a book that well deserves it.
Alonzo pays his respects and kisses Don Furioso’s hand.
As a reviewer who also happens to be a cartoonist, I can tell you on an intimate level that this is a very special book. It’s a perfect pairing of writer and artist. Both Staton and Charyn are not holding back anything while also working as a team. Charyn is busy condensing his prose to the perfect concise distillation. Staton is busy letting loose with his highly expressive line ever mindful of disciplined efficiency and consistency. Both are being the artists they were born to be, both working on the same page. Take a look at the panel above. A whole story, a whole way of life, is held together in that one rectangle. Staton is depicting a connection between two brute men. Alonzo is the Mafia hitman showing respect. Don Furioso is the kingpin in decline who has been reduced to fretting over his colon.
Family Man page excerpt
We can see that Alonzo and the don are both past their prime and yet remain quite deadly creatures with no immediate plans to depart this earth. To that end, Alonzo the mob’s hitman, fixer, and “family man,” has been assigned the job of killing a band of rogue assassins who are bent on killing off all the Mafia dons in the city. It won’t be an easy task for Alonzo by any means. Add to the mix Charles, his own brother, the local Monsignor who works for the NYPD. If the killers don’t get him, Alonzo’s own brother just might.
Family Man page excerpt
Let’s take a moment to skip back to Joe Staton’s artwork. If you examine the above examples, you’ll start to focus in on the distinctive shades running throughout. Before everything went digital, artists had to be rather crafty about finding ways to create tones to spice up black & white line art. One way was with the use of a special bristol board that was embedded with shading inside the board. Applying a brush that had been dipped into a special solution would reveal the shading hidden within the board. What tones ended up making it to the surface were dependent upon the artist’s choice of brushstrokes. It’s my guess that Staton had a hefty stockpile of Duotone board at his disposal. By the early ’90s, around the time of the creation of this graphic novel, this old-fashioned board was pretty much already extinct. Staton probably had hoarded more than enough of this board going back decades. The results are stunning, of course, and it would take some doing to even try to come close to emulating it in Photoshop. Staton has a clean sharp style to begin with so this special shading technique was really just an option, an option that he makes the most of in this book.
Greetings from the Bronx Boys
With Family Man, Jerome Charyn and Joe Staton create their very own crime noir mythos. Alonzo, the mob hitman, and Charles, his monsignor brother, have numerous tales to tell and to act out. The setting, the mood, and the attitude all add up to an edgy good time. Joe Staton (Batman, Green Lantern) seems to channel the best of the work he’s done during his impressive career. He also seems to offer a tip of the hat to Will Eisner’s The Spirit. Jerome Charyn plays with various crime fiction tropes and brings in his unique sensibility as evidenced by his critically-acclaimed Isaac Seidel crime novel series. Alonzo is a “family man” in more ways than one. He used to be a true family man with a wife and kids. Later on, he became a family man to the mob alone. And, to further frustrate and complicate matters, he finds himself in mortal conflict with his only remaining member of flesh and blood family, his brother, Charles, the man of god who is not what he seems. As Charyn and Staton drop each layer of the narrative into place, the reader becomes all the more invested in the outcome.
Family Man page excerpt
A satisfying narrative, whatever the medium, is made up of a finely spun web of action, deliberation, long and short pauses, and a resolution that resonates, perhaps even transcends. It’s a matter of a myriad of creative choices and observations, big and small. Bit by bit, it all comes into focus: Alonzo, our big hefty protagonist, seems up to any challenge given enough time to digest a hoagie. Something about a certain metropolis is forever swirling in the background, and creeping into the foreground. New York City welcomes everyone but it coddles no one. Better to be tough, tough it out. A flamboyant so-called “man of god ‘ should wear a cloak or cape. And Alonzo better have a secret weapon. All the hoods eat hoagies too. Lastly, in the end, all the corruption, filth, mayhem, and blood lust tallies up. Maybe nobody gets the girl, like they used to in the movies. It’s all set “one hour into the future” with a crime-ridden New York City on her knees! But Alonzo will prevail, one way or another, and live or die as a “family man.”
Family Man, published by It’s Alive and IDW
I welcome everyone, especially my longtime readers, to check out the video review below. I invite you all to like, subscribe, do whatever you like to engage with, the Comics Grinder YouTube channel. Comics Grinder welcomes your support, as always, to help expand our reach and scope with your feedback and general goodwill! Take a look:
Family Man, by Jerome Charyn & Joe Staton, is a 300-page hardcover. For more details, and how to purchase, visit IDW Publishing right here.
Jane is 16 years old and believes that she does not know how to live her life. We can all relate to that–but Jane’s world is far more complicated, set in the distant future where robots are capable of providing human companionship. “The Silver Metal Lover,” the 1981 cult classic science fiction novel by Tanith Lee, was adapted in 1985 into the highly engaging graphic novel by Trina Robbins. It has never been reprinted in any form until now. Drew Ford runs his own imprint at IDW called IT’S ALIVE! and he has a stellar track record for finding gems from the past and giving them a whole new life. A Kickstarter campaign in support of an exciting new edition is reaching its final stages, closing January 5th. Check it out right here.
THE SILVER METAL LOVER by Trina Robbins
This new edition will have a new cover and afterword by Colleen (A DISTANT SOIL) Doran, a new foreword by Gail (BIRDS OF PREY) Simone, and a new intro by Trina Robbins herself. All of this will be printed at 8.5″ x 11, full color, on glossy paper, all tucked inside a beautiful hard cover.
Drew Ford on this very special project:
“This cult classic science fiction romance is an important early example of ‘the graphic novel’ as a storytelling vehicle, telling an intimate story of a young girl’s first love…who just happens to be a robot! We are very honored to shine a light on the brilliant work of the late Tanith Lee. And we are thrilled to be working on our second book with the legendary Trina Robbins! Also, we must send out a huge THANK YOU to Colleen Doran and Gail Simone for coming along for the ride! We hope you will give it a look, and consider making a pledge.”
Many exciting rewards are being offered, including signed copies of the book, exclusive prints from Colleen Doran, sketches by comic book pros, and even original pages of comic book art by Trina Robbins!
This is a book that is sure to please fans of science fiction and comics alike. Visit the campaign right here.
IDW’s graphic novel adaption of Richard Matheson’s classic 1956 novel, “The Shrinking Man,” holds up very well. Ted Adams, IDW’s CEO and Publisher, has written a script that is faithful to the novel and to the unique pace of comics. Mark Torres (Judge Dredd) provides artwork that zones right into the stifled suburban living of 1950s America. Our main character, Scott Carey, cannot cope with his environment in an extraordinary way: Scott is regressing, reverting, literally shrinking away! No more life as husband, father, breadwinner, and symbol of masculinity. He is going, going, gone. Adams says it was a thrill to bring the novel to the comics page and it shows.
Richard Matheson is an exceptionally vivid writer. He has you experiencing every detail, whether it is a man attempting to survive a vampire apocalyse as in “I Am Legned” or a man confronting a demented truck driver as in “Duel.” Whatever it is, you will believe and be on the edge of your seat as you read it. In this case, the Matheson meticulous attention to detail is focused upon Scott Carey, reducing in size by 1/7” per day. The story alternates between the early stages of Carey’s condition and once he’s near the end, stuck in a cellar, and easily food for a spider.
This book includes an introduction by Peter Straub and an afterword by David Morrell. I read the singles which included Morrell’s afterword which explores the novel’s existential underpinnings. Morrell discusses the 1942 philosophical essay, “The Myth of Sisyphus,” where Camus compares daily life to eternally pushing a boulder around a dial. The essay was translated into English in 1955 and Morrell considers if Matheson may have read it. If not, then perhaps it was one of those concepts in the air. And, most certainly, existential ideas were not foreign to Matheson.
I believe that Matheson did not care for being labeled a genre writer at all because of how the term is lobbed at writers in a pejorative sense. What the Morrell afterward makes clear is that Matheson was working at a sophisticated level no matter what you call his writing. According to Morrell, Matheson was breaking new ground by including existential themes in a mainstream novel. On top of that, Matheson’s narrative structure, with its flashbacks within flashbacks, predates widespread use of metafiction techniques by some thirty years.
I believe that to label Matheson as a genre writer is very problematic. The actual writing in the 1956 novel, “The Shrinking Man,” is not particularly elegant, per se, but that can be said of any number of so-called “serious” writers. That said, even at this early stage of his career, Matheson does reach lyrical heights. In fact, Matheson reaches a perfect hard-boiled, yet metaphysical, pitch with this novel. Ultimately, as IDW’s Ted Adams states, reading Richard Matheson is time well spent.
THE SHRINKING MAN has recently been collected into a 104-page trade paperback, priced at $17.99. For more details, visit our friends at IDW right here.
You can also get the complete 4-part series through Amazon right here.
You have to hand it to Chris Ryall and IDW Publishing for creating a long line of heart-felt and artful tributes to books, movies, and television. Well, a comic book based upon Douglas Adams’s “Dirk Gently’s Holistic Detective Agency” is one of IDW’s best yet. Written by Chris Ryall, with pencils by Tony Akins, inks by John Livesay, and colors by Leonard O’Grady. It is a most vivid revisit to Dirk Gently placing him in new digs (San Diego) and a whole new challenge (copycat killers and ancient ghosts). The artwork is lively and it all adds up to be one of the most promising comics I’ve seen in quite a while.
With Dirk Gently, Douglas Adams gave us a kaleidoscopic surge of reading joy. It was dapper wit and quirky hijinks. And it was far more than that as Adams played with a wide spectrum of ideas. So, for IDW to tackle Dirk Gently is ambitious–and IDW does not disappoint. The opening story for this first issue is very well paced and full of fun intrigue stacking itself one upon the other like a house of cards.
Dirk is like a whirling dervish right out of the gate. He begins by bolting out of the airport determined to make his way into San Diego with a stolen duffle bag. He bumps right into the owners of the bag and they pursue Dirk all the way to a mystery-themed teahouse, Gumshoes & Tea Leaves. The beautiful bold colors by Leonard O’Grady totally take over in the glorious use of green throughout the café. Our characters come to life in this space as our story unfolds. Dirk has a chance to introduce himself, all sorts of suspicious, dangerous, and supernatural things are already in play. And we know we’re in for something that Douglas Adams himself would have approved of.
“Dirk Gently’s Holistic Detective Agency #1” is out now, 32 pages, and priced at $3.99. For more details, visit our friends at IDW Publishing right here.
IDW Publishing at Emerald City Comicon this year brings a wide variety of comics goodness. I wanted to point out that Top Shelf Productions, now an imprint of IDW Publishing, will be at booth #1225, where you can meet the creative team behind the hit satire “God Is Disappointed in You,” Mark Russell and Shannon Wheeler! The book is very funny and informative. Read my review right here.
“God Is Disappointed in You,” by Mark Russell and Shannon Wheeler
Shannon Wheeler is a cartoonist best known for creating the satirical superhero Too Much Coffee Man, and as a cartoonist for The New Yorker. Find him here. Mark Russell is a writer and a cartoonist. His writing has been featured in McSweeney’s, The Nib, and Funny Times, among other places, and his cartoons are featured regularly at Nailed. Find him here. And, of course, you can definitely purchase “God Is Disappointed in You,” from Top Shelf Productions, right here.
I have a soft spot in my heart for the ebullient quality of Shannon’s cartoons. I include above a video interview I did with him at last year’s Comic-Con International: San Diego. Seems like the perfect blast from the past to share with all of you. Below are the details on the panel with Shannon Wheeler and Mark Russell:
Saturday, 2:00 – 3:00 Room Hall C (TCC 301)
God is Disappointed in You (The Sequel), with Mark Russell & Shannon Wheeler—Last year’s standing-room-only hot ticket returns — now with even more Biblical bewilderment! God Is Disappointed in You, published by Top Shelf, is the tongue-in-cheek “condensed” version of the Bible you never knew you needed — hilariously modern, but surprisingly authentic — packed with cartoons by Eisner-award-winner Shannon Wheeler (The New Yorker, Too Much Coffee Man). Join him and author Mark Russell (writer of DC Comics’ upcoming Prez) for an hour of unforgettable irreverence, including Q&A, audience sketches, and the hilarious-yet-accurate “ten-minute Bible.” PLUS: a taste of the Audie-nominated audiobook, read by Dr. Venture himself, James Urbaniak (The Venture Bros), and an exclusive announcement about the upcoming sequel!
For more details on the IDW schedule at ECCC, go right here.
Here we have the “dean of science fiction,” Robert Heinlein, in the pages of this new comic book limited series, “Citizen of the Galaxy,” from IDW Publishing. Welcome to Jabbul. We follow Thorby, a slave boy who has just arrived off a slave rocket ship. He is put up at auction. No one is impressed, except for, Baslim, a beggar who buys Thorby at a great bargain. This strange planet of Jabbul is not Earth and yet it’s not so different, not when you pause to reflect on our own history. Slavery officially ended in America only 150 years ago, right? That’s what you call less than a blink of an eye in a historical perspective. On Jabbul, slavery is very much alive. And if Thorby stands any chance of carving out a decent life for himself, he had best listen to Baslim.
Adapted by Rob Lazzzaru and Eric Gignac, this is a great gateway to Heinlein. And the art by Steve Erwin, with colors and inks by Eric Gignac, provides a pleasing narrative all its own. You’ve got what amounts to an interstellar action/adventure coming of age tale. The pacing is nicely handled as we get to know our two main characters in this first act. Baslim, apparently a mere beggar, appears to have the best of intentions for Thorby, his new slave. For one thing, Baslim has a keen sense of where best to reside. Why not squat in what remains of an unfinished lavish amphitheater? And Balim proves to be highly intelligent. Before Thorby realizes it, he’s becoming something of a junior scholar under Baslim’s tutelage. This is all well and good as this tranquil period proves to be only temporary. Before long, Thorby must prepare for the next phase of his life away from Baslim.
“Citizen of the Galaxy #1” is a 32-page comic book, priced at $3.99, available as of March 4. For more information, visit our friends at IDW Publishing right here.
IDW Publishing has got the comics industry in quite a buzz regarding its acquisition of Top Shelf Productions, a relatively smaller comics publisher. So, what makes IDW special? Well, they do seem to have a geeky love for comics. And that leads to stuff like this collection of Star Trek stories. This is an IDW speciality so let that tell you something about IDW.
“Zombies vs Robots: No Man’s Land,” a new prose anthology, edited by Jeff Conner, with illustrations by Fabio Listrani, and published by IDW, is deserving of a thoughtful review. Let’s get one thing straight. Zombies are definitely not for everyone. However, as more and more casual readers have come to find, the genre offers up some fun possibilities, and this book is a fine example of just that.