Tag Archives: Fire

Dark Spaces: Wildfire #1 (of 5) review – IDW Original series

Dark Spaces: Wildfire. IDW publishing. (W) Scott Snyder (A) Hayden Sherman. Release date of first issue: July 20, 2022. $3.99

Imagine you are a big-time comic book publisher executive, DC Comics to be exact, and you are directed to read the work of a hot new lead, an emerging talent who could easily, and very artfully, pump fresh new blood into the tired old veins of top-tier landmark characters. So, you take a seat, pour a Scotch and Soda, and read about this strange silver blimp floating above the American heartland, keeping a young man from his sweetheart. The story is so fresh and new, it knocks your socks off–and you hire this wunderkind, one freshly minted Columbia creative writing dept. grad, Scott Snyder. And he doesn’t let you down. No, he adds color to the faces of many of ’em: Batman, Swamp Thing, the whole frickin’ Justice League. The rest is history, or amazingly good comics. Fast forward to today, Scott Snyder is working some of his storytelling magic at IDW comics. This time it’s a story about fire.

Fire! Don’t yell it in a crowded movie theater, that’s what they used to say. Fire, as a comic book plot, falls somewhere within the disaster genre. Things are more stripped down to their essentials, like a black box theater production. Very specific. This reminds me of Jeff Parker and Steve Lieber’s Underground, the comic that mainly takes place inside a cave. Or, more broadly, another comic that comes to mind is the enviro-thriller, The Massive by Brian Wood. More specifically, I think of A Fire Story, by Brian Fies, the graphic memoir documenting the trauma of one of the more recent devastating California fires. All this brings us to the work of writer Scott Snyder and artist Hayden Sherman, a story of fire and destiny.

A story with such a specific theme, as fire, can feel claustrophobic. Snyder masterfully opens things up, giving the reader rich character profiles, each character providing a window into another world. This is a story about a firefighting team, one made up of convicts. Even the team leader, Ma, was a convict at one time. This special program is intended to help disadvantaged women prisoners find a way back into society, or something like that. It’s a great plot device. Can these flawed, hardened and resentful, characters, be relied upon to do the right thing? Well, no. They aren’t built that way. They could change but, there’s plenty to indicate they are all just a match strike’s away from doing the wrong thing. And, thus, we have quite an interesting story! Fire, all alone, is just too abstract. Now, you’ve got conflict, plenty of it, along with plenty of fire!

As I suggest, fire alone is boring–but add a little sideways weird perspective, some kind of spice, and suddenly things can get very interesting. Such is the case with Hayden Sherman’s handling of the art. The above image is just one example of Sherman’s inventive use of comic storytelling structure. Do something different with panels, or text boxes, etc. and you’re good to go. Not only does Sherman relish adding eye-catching details, he has nailed it in bringing to life this troubled crew of tough people who, whether they realized it or not, are all just waiting to blow everything up. Maybe they know it’s a doomed fantasy they’re engaging with but, for some, it’s just too hard not to play with fire. This is a story that makes total sense to have Scott Snyder tell. I can’t wait to read the whole thing once it’s available.

And, for those keeping score at home, I give this four stars. Rating: 10/10.

A few words on IDW Originals

Comics and graphic novel publisher IDW has created a lot of buzz with its launch of nine new original titles, each one with the potential of being developed into a movie or series. I’ve been looking over the offerings and there’s some very exciting stuff, each deserving of a closer look. Here is a list of the nine new IDW original titles. This is from IDW promo and I’ve added  a few confirmed start dates. . . .

Dark Spaces: Wildfire (July 20, 2022), a thriller series written by Scott Snyder with art by Hayden Sherman, follows a group of female inmate firefighters deep into the smoldering California hills, where their desperate heist of a burning mansion will lead them to the score of a lifetime…or a deadly trap!

Trve Kvlt (August 10, 2022), a five-issue miniseries written by Scott Bryan Wilson with art by Liana Kangas, introduces Marty Tarantella, a down-on-his-luck loser whose last-ditch scheme to escape a lifetime of fast-food service sets him on a collision course with a cult of violent, Devil-worshiping lunatics!

Crashing (September 21, 2022), a five-issue miniseries written by Matthew Klein with art by Morgan Beem, throws open the doors of an emergency room filled with casualties of a superhuman war, where Rose Osler, a doctor on her own path of addiction and recovery, faces the most dangerous day of her medical career.

Earthdivers, an ongoing series written by Stephen Graham Jones with art by Davide Gianfelice, unites four Indigenous survivors in an apocalyptic near future as they embark on a bloody, one-way mission to save the world by traveling back in time to kill Christopher Columbus and prevent the creation of America.

Dead Seas, a six-issue miniseries written by Cavan Scott with art by Nick Brokenshire, transforms a cynical convict into a reluctant hero when he’s trapped on a sinking prison ship swarming with ghosts. Can he unite desperate criminals, pirates, and brutal guards as they try to escape a watery grave?

Golgotha Motor Mountain, a five-issue miniseries written by Matthew Erman and Lonnie Nadler with art by Ryan Lee, is a high-octane, redneck motor massacre about two meth-cooking brothers and their attempt to make it home in one piece as all manner of cosmic alien horrors are hot on their trail.

Arca, an original graphic novel written by Van Jensen with art by Jesse Lonergan, leaves a dying Earth behind as billionaires establish a luxurious new society out among the stars, tended to by teenage indentured servants. But one girl discovers that the good life promised for their years of servitude was a lie…

The Sin Bin, a six-issue miniseries written by Robbie Thompson with art by Molly Murakami, hits the road with washed-up hockey player Dale “Dukes” Duquesne, who moonlights as a monster hunter during away games with his daughter, Cat, in tow, hoping to find her mother’s killer.

The Hunger and the Dusk, a twelve-issue storyline written by G. Willow Wilson with art by Chris Wildgoose, upends an age-old conflict between humans and orcs by introducing a new, deadlier species. Fragile alliances form—and unexpected romances blossom—as former enemies wade into battle together to save their two races.

2 Comments

Filed under Comics, Comics Reviews, IDW Publishing, Scott Snyder

Review: ‘A Fire Story: Updated and Expanded Edition’

A Fire Story by Brian Fies

A Fire Story (Updated and Expanded Edition). Brian Fies. Abrams ComicArts. New York. 2021. 186pp, $18.99

As a creative, I’m one of these hybrids, a writer-artist. Many of my longtime followers already know that, right? Sometimes, I will receive a wonderful nugget of wisdom that can make life easier when working with issues of combining words and pictures. One outstanding example was from a conversation I had with cartoonist Brian Fies. He told me that he sort of learned the hard way that often the road to completing a graphic novel can be simplified considerably. He said that he found that the creation of elaborate drawings was not helping him. Often, the best route is to cut out the artfully rendered art and go with simple drawings. That interview was in March of 2019 in connection with the release of his book, A Fire Story. It is a fascinating book. You can read my review of it here and you can read my interview with Brian here. This is the story of the horrific 2017 wildfires through Northern California. Back then, Brian promptly created a quick on-the-spot work of comics reportage that went on to become a webcomic, and then an Emmy Award-winning work of animation–and ultimately, a graphic novel. Now, with two years of perspective, we have the definitive edition of that book.

Some perspective sure can help.

Much can change, and much can drag on, after two years passing. But some perspective sure can help all the same. Life moves on. Life goes on. That is the sort of spirit evoked in this expanded edition that adds a nice coda: a look two years after the events in the original graphic novel.

Upon reflection, more details fall into place.

It’s interesting to see what Brian chose to include to round things out. It’s a neatly balanced addition of items: a new profile; a few more observations; and, yes, even a few deftly placed artistic touches. All in all, this is the definitive edition to a book that will stand the test of time as an excellent example of crisp and concise visual storytelling. Over the years, Comics Grinder has become an undisputed repository for an assortment of issues related to comics. We do venture off to other subjects but I’m glad I’ve stuck around and have been able to make my contribution to documenting the progress of the comics medium. And I believe there is so much more to be said and to be explored, specifically the power of comics to communicate, to process information, and to inform.

Just the right details complete the story.

Enough time has passed since the original release of A Fire Story that it has allowed Brian Fies time for wounds to heal and memories to be processed. Of course, certain things can trigger a person and it can feel like it all just happened moments ago. But the reality is that progress has been made. Enough progress to make it easier to contemplate the centuries old Japanese tradition of kintsugi: the art of celebrating something broken by applying gold to rejoin it so as to call attention to all the broken pieces that have somehow found a way to become whole again.

If you are new to Brian Fies and to A Fire Story, and if you’re looking for a perfect textbook example of how to tell a story through comics, then seek out this book! For more details, go to Abrams ComicArts.

6 Comments

Filed under Abrams ComicArts, Brian Fies, Comics, Graphic Novel Reviews

Interview: Brian Fies Talks About A FIRE STORY

Brian Fies

Early in the morning on Monday, October 9, 2017, wildfires burned through Northern California, resulting in 44 fatalities. Brian Fies’s book, A Fire Story (Abrams ComicArts), is his honest, unflinching depiction of his personal experiences, including losing his house and every possession he and his wife Karen could not fit into the back of their car. In the days that followed, as the fires continued to burn through the area, he posted an  initial version of A Fire Story online and it immediately went viral. The video segment KQED produced about his comic went on to win a Northern California Area Emmy Award. He has expanded his original webcomic into a full length graphic novel that goes deeper into environmental insights and the fire stories of his neighbors and others in his community. A Fire Story is an honest account of the wildfires that left homes destroyed, families broken, and a community determined to rebuild.

A Fire Story Book Tour

I was able to catch up with Brian Fies at his reading at Elliott Bay Book Company in Seattle, part of his book tour. This interview is the result of a subsequent email exchange.

Brian, thanks for doing this interview. You have built a very interesting portfolio of comics and graphic novels. You’re searching for answers and you’re compelled to express yourself through comics in order to explain big themes whether it’s history and technology (Whatever Happened to the World of Tomorrow) or personal challenges (Mom’s Cancer). When you were creating that webcomic about your first impressions of the Northern California fires, did you already intuit the making of your next graphic novel?

Thanks for your gracious thoughts on my work, I appreciate it! I can’t claim any grand strategy—as my wife Karen and I fled our house that night, I wasn’t thinking, “Ah ha, I’ve found my next book!”—but I knew I was an eyewitness to an extraordinary event and felt like I had to tell people about it. To bear witness. My first job out of college was as a newspaper reporter, and I felt that journalism gene kick into gear. Even as I walked back into my neighborhood the next morning to see what had happened to my house, before I even knew it was gone, I was taking photos and making mental notes that I knew I’d need later. The next day, I bought shoes and art supplies, and started writing and drawing.

As I worked on the webcomic, I was certainly aware it might become my next graphic novel. I’d been down a similar path with Mom’s Cancer: live through something terrible, find something interesting to say about it, put it online because that was fast and cheap, and see if anybody cared enough to read it. If nobody had read either webcomic, that would have been the end of both of them, and I would have been satisfied with that. I got my story out into the world; what the world did with it was out of my hands. In the case of A Fire Story, within a few days it went viral. Around 700,000 people read the webcomic on my blog. News and other media picked it up. San Francisco PBS station KQED made it into an animated short-film that was seen by 3 million people and won an Emmy Award. None of that was guaranteed or planned, but when it happens, the odds are good it’ll be a book if you want it to be. I thought about it and decided I was up for it.

Keep in mind, the whole time this was not the most important thing going on in my life! My family lost our home. Our neighborhood of about 200 houses looked like a nuclear bomb had hit it. People died. Thousands in our community were suddenly homeless and jobless, and we had no idea what to do. We had to figure out a lot, fast. My little comic strip, and the hullabaloo that soon came with it, wasn’t top priority. We were busy.

Page from A Fire Story

Share with us what sort of person becomes a cartoonist. I think everyone can potentially draw and write but there’s a certain personality that remains persistent and follows through with work year after year. I think it’s a combination of passions: a desire to report, to draw, and even perform. What do you think of that, and how it ties in with your new book, A FIRE STORY? Heck, I’ll also throw in: Did you always want to be a cartoonist and was it just a matter of time?

There may be as many motives for cartooning as there are cartoonists. I loved making comics from childhood. As a teen and early adult I tried very hard to make a living at it—which at the time meant becoming a syndicated newspaper cartoonist or drawing comic books. I got some nibbles but, like most people in most creative arts, I failed. I went on to have a family and a couple of different careers I enjoyed, but always kept cartooning. I sold some freelance work. I illustrated a light bulb catalog once; they come in an amazing variety of shapes and sizes. But my real career in comics didn’t begin until my mother was diagnosed with metastatic lung cancer and I decided the comics medium was the best way to tell our family’s story. In that sense, maybe it was just a matter of time. When the opportunity came, I had sufficient skills to do it.

Page from A Fire Story

Most cartoonists I know are shy. More introverted than not, though I know some on the other end of the spectrum who are hyper-outgoing. I think one of the attractions of cartooning, certainly for me, is that one person can do it all themselves. It’s not collaborative, like animation or filmmaking usually are. I’m the god of the little world I create on the page. Even my handwriting communicates a mood or feeling. For better or worse, and sometimes it goes really wrong, you’re getting one person’s singular creative vision. It also has incredibly low barriers to entry. For the price of paper and a pen, you too can be a professional cartoonist!

It took me an embarrassingly long time to figure out that cartooning doesn’t strictly require being a good artist. I mean, it helps, but making pretty drawings is one of the least important parts of it. Comics are about storytelling. Not making one breathtaking picture, but making a dozen, a hundred, a thousand pictures that move through time and space, and guide a reader through ideas, characters, plot, and emotions. A comic drawn in stick figures could make you weep or cheer if its storytelling were compelling enough. That said, the better an artist you are, the more tools you’ll have in your storytelling tool box.

The other thing I’ve come to believe is super important is authenticity. Readers can tell when you’re faking it or jerking them around. If you tell a story from the heart—one that really means something to you, one that only you can tell because your entire life went into making it—somebody will respond. A comic about a routine planet-devouring laser-mounted space dragon, or a group of wizards and goblins who bumble through Lord of the Rings-like adventures, will probably bore me. Anybody could do that. But if your true passion in life is collecting bottle caps, and you can draw a comic about bottle caps that makes me care about them as much as you do, I’ll be your fan for life.

Page from A Fire Story

There’s a wonderful nugget you brought up during your reading about kids from families that survived the fires in Nothern California. You point out that in your webcomic you have children requesting bedtime “fire stories.” What a great way to come around to the title of your book. I’m assuming that’s where the title comes from. Any story behind it—or was that title a natural fit and you ran with it?

Yeah, that nugget came from some people I know who lost their home, and whose grandchildren insisted on reading A Fire Story every night for weeks because that’s how they understood and processed what had happened to Grandma and Grandpa’s house. And Grandma would even read the naughty words because, while kids shouldn’t say those words, sometimes they’re the right words to say.

I gave the title much less thought than you’d expect. Again, Mom’s Cancer was instructive for me. It’s simple, direct, memorable, tells you what the story’s going to be about. Same with A Fire Story: it does what it says on the label.

A Fire Story by Brian Fies

You have said that this graphic novel has changed you. You’ve got a different perspective. For now, of course, it’s a time of healing and rebuilding. My heart goes out to you. As you did in your reading, I think the best place to end here is with that one page that sums things up so well where it’s you and Karen simply wanting to go home. It’s also a time to get the word out on A FIRE STORY. That said, this is a long way around to simply asking what do you hope folks will get out of your book?

Thanks so much. As I describe in the book’s end notes, I’ve gotten two kinds of feedback to the webcomic and graphic novel that mean the most to me. People who went through it with us tell me I got it right. And people who didn’t go through it tell me it helped them understand what it was like.

I hope A Fire Story stands as a work of respectable, responsible journalism that gives a full picture of what living through a disaster is like for an individual, a family, a community. It doesn’t have to be a fire. I think a hurricane survivor and I would have a lot to talk about. In an even larger sense, I think A Fire Story has something to say about any family or community in any type of crisis. These experiences and our reactions to them are nearly universal. We all have more in common than we think. So A Fire Story is my story, but I hope folks might see that it’s their story, too.

Page from A Fire Story

A Fire Story is a 154-page hardcover, in full color available as of March 5th. For more details and how to purchase, visit Abrams ComicArts.

3 Comments

Filed under Book Tours, Books, Booksellers, Bookstores, Brian Fies, Comics, Elliot Bay Book Company, Interviews

Review: A FIRE STORY by Brian Fies 

Many of you may recall a webcomic recounting the horrible 2017 wildfires through Northern California. Except for a smattering of bare essentials, cartoonist Brian Fies and his wife, Karen, lost everything in the fires. Mr. Fies chose to set his recollections down as soon as possible and posted them as a webcomic. His on-the-spot reportage struck a chord and it led San Francisco PBS TV station KQED to adapt A Fire Story into a five-minute animation, which was subsequently picked up by NPR. That animation went on to win an Emmy Award in 2018. Now, in 2019, that 18-page webcomic has been refined and transformed into a 154-page full color graphic novel, published by Abrams ComicArts, that includes an entire community of people.

Graphic novels, I can tell you from firsthand experience, are a glorious beast to tame with their myriad of details to tackle. So, it is quite remarkable and commendable that Fies stuck it out and built a full length graphic novel upon a small scale webcomic. The reader will immediately sense the urgency of a determined storyteller within these pages. Fies is not only telling his story but involving thousands upon thousands of individuals affected by this disaster. In honest words and pictures, Fies shares his loss: “I used to have five redwood trees in my front yard. I saw a refrigerator and the rough shape of a car I used to have in my garage. I didn’t recognize anything else. A two-story house full of our lives was a two-foot  heap of dead, smoking ash.” And Fies shares the loss of others, like Dottie, an 81-year-old woman displaced from her mobile home: “My niece called me. She said, ‘Auntie, if you’re on any kind of medication, grab your medications and come up to my house.’ She didn’t say ‘fire,’ she just said, ‘Get up to my house.’ I could tell by the tone of her voice to listen to her.”

Fie’s artwork has a nice clean, crisp and spare quality to it which lines up well with the urgency of the narrative. Fies still prefers to draw by hand and that added human touch is apparent. The same can be said for the coloring, direct and resourceful with just the right amount of flourish. In fact, the coloring might be made with markers, or at least it has that look to it. So, you get the best of both worlds: hand-drawn ink on paper artwork married to digital components. When Fies chose to document this disaster in real time, he managed to cobble together a purchase of some basic art supplies and it worked out just fine. Someone told him that he must have been compelled to “bear witness” and that is exactly what Fies did in the best way he could, through comics. That need to bear witness is palpable on every page.

A Fire Story is a 154-page hardcover, in full color available as of March 5th. For more details and how to purchase, visit Abrams ComicArts.

3 Comments

Filed under Brian Fies, Comics, Graphic Novel Reviews, graphic novels, Journalism