Interview: GEORGE CLAYTON JOHNSON and TWILIGHT ZONE: THE MUSICAL

Twilight-Zone-Sunnyvale-Rest-George-Clayton-Johnson-2013

George Clayton Johnson is a born storyteller. Listen to him and you’ll find a good yarn told by someone with a love for the spoken and written word. He is, after all, one of the big players of pop culture: Among his credits: writer of landmark episodes of THE TWILIGHT ZONE; writer of the first broadcasted episode of STAR TREK; co-writer of OCEAN’S ELEVEN; co-writer of LOGAN’S RUN. For this interview, George and I began to talk about William Shatner. I was thinking over how William Shatner can be misunderstood as only being brash when that’s definitely not the case. With “Star Trek Into Darkness” arriving in theaters on May 17, Mr. Shatner was an excellent point of departure.

William Shatner in "The Intruder"

William Shatner in “The Intruder”

We quickly moved forward with a look back to Roger Corman’s 1962 “The Intruder,” a significant drama about the high tensions in the American South during the Civil Rights Movement. Mr. Corman was having difficulty in finding actors and approached Mr. Johnson, as well as his writing partner, William F. Nolan, about playing roles in the film. They were more than happy to join in. The film is based on the novel by Charles Beaumont, a science fiction writer, and a fellow contributor with Mr. Johnson to “The Twilight Zone.”

George then related a wonderful story about the origins of “Star Trek” and we ended with news of an exciting possibility. There is a tantalizing possibility of “The Twilight Zone” making its way to the stage. As George envisions it, the story would take place in a rest home, just like the famous “Kick The Can” episode. It would be about a seasoned writer who has had a lifetime of success and wants to knock one more ball out of the park. He has an idea for another story. This one will be about an individual focusing on a special moment, either in the past or the future. The trick is to avoid the present. In that way, you can live forever. In the course of the production, there will, in fact, be a series of stories and each will play off landmark “Twilight Zone” episodes that George wrote. And, to top it off, there needs to be a narrator, of course. Who better than Rod Serling? If all goes according to plan, this will be a musical.

Who would play the role of Rod Serling? Well, that brings us back to the subject we began our interview with: William Shatner is on the short list of possibilities. That is certainly an exciting prospect. Mr. Shatner came of age in that era, he knows the talent behind the original series, and he starred in one of the most memorable episodes, “Nightmare at 20,000 Feet.” He would be an excellent choice.

There are a number of details to consider about taking such a project, conceivably, all the way to Broadway. Not least of concerns is getting just the right tone to what the Rod Serling narrator would say. He might be presented like a hologram. And he certainly will have a vital role to play, much like the narrator of “Our Town.” It was very gracious of George to share this project in the making with us. He has a number of projects in the works and this one is very dear to his heart. These are the early stages. We all hope it will come together.

Other subjects we cover in this interview are what led up to the original novel, “Logan’s Run,” and what may lie ahead, and a most intriguing thing that happened when George Clayton Johnson and J.J. Abrams discussed working together.

The full interview is below. Enjoy!

3 Comments

Filed under Buffy The Vampire Slayer, Felicity, George Clayton Johnson, J. J. Abrams, Joss Whedon, Logan's Run, Roger Corman, Sci-Fi, science fiction, Star Trek, The Twilight Zone, William Shatner

3 responses to “Interview: GEORGE CLAYTON JOHNSON and TWILIGHT ZONE: THE MUSICAL

  1. Paul

    Always glad to hear from a born storyteller like GCJ. Thanks for posting this!

  2. Pingback: GEORGE’S RUN: The Webcomic on George Clayton Johnson, The Twilight Zone, Star Trek, and Logan’s Run! | Comics Grinder

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