Eisner Awards 2020 and Observations

SDCC 2020 Judges!

Much like the winners list for the Angoulême Comics Festival and the Small Press Expo, it is very useful to take a close look at the Eisner Awards at San Diego Comic-Con. A reliable prime source in the study of comics comes from the biggest and most well-established comics festivals/conventions. Because of COVID-19, SDCC was a virtual event for 2020 and that has created added benefit. For starters, it’s a pleasure to have actor Phil LaMarr as host. It’s also an uncanny pleasure to have such a documentation of the winners. I doubt this will become the norm but this special video recap is priceless. One essential fact that ended up getting more attention than it might usually have gotten was a moment to focus on the panel of judges! It is so important to know who your judges are for many reasons including insight and credibility. This years judges: Martha Cornog, Jamie Coville, Michael Dooley, Alex Grecian, Simon Jimenez, and Laura O’Meara. Ah, perhaps one of these years SDCC will choose yours truly as a judge. I was a judge for SPX some years back so it could happen, but I might need a storage locker. Anyway, it’s a very big deal to know who your judges are and it makes industry news.

Laura Dean Is Breaking Up with Me

The top winners of the evening were Mariko Tamaki and Rosemary Valero-O’Connell’s graphic novel Laura Dean Is Breaking Up with Me (Best Publication for Teens, Best Writer, Best Penciller/Inker; published by First Second/Macmillan) and G. Willow Wilson and Christian Ward’s comic book series Invisible Kingdom (Best New Series, Best Writer, Best Painter; published by Berger Books/Dark Horse).

Multiple Eisners also went to Lynda Barry for Making Comics (Best Comics-Related Book, Best Publication Design; published by Drawn & Quarterly); Raina Telgelemier for Guts (Best Publication for Kids, Best Writer/Artist; published by Scholastic/Graphix); and Stan Sakai for Best Lettering (on Usagi Yojimbo, published by IDW) and Best Archival Collection/Project (Stan Sakai’s Usagi Yojimbo: The Complete Grasscutter; IDW).

The Best Graphic Album–New trophy went to Are You Listening by Tillie Walden (published by First Second/Macmillan), while Best Reality-Based Work was awarded to George Takei’s memoir They Called Us Enemy (by Justin, Eisinger, Steve Scott, and Harmony Becker, published by IDW/Top Shelf). In the comics categories, Image’s Bitter Root by David Walker, Chuck Brown, and Sanford Greene won Best Continuing Series, while Best Limited Series went to Little Bird by Darcy Van Poelgeest and Ian Bertram (also Image).

The publisher that can boast the most winners is Dark Horse, with the three for Invisible Kingdom plus Best Graphic Album–Reprint for LaGuardia by Nnedi Okorafor and Tana Ford, Best Adaptation for Snow, Glass, Apples by Neil Gaiman and Colleen Doran, and a share of Dave Stewart’s award for Best Coloring. Other publishers with multiple awards include First Second/Macmillan (for Laura Dean and Are You Listening); Image for Continuing Series, Limited Series, Cover Artist (Emma Rios, Pretty Deadly), and shared Coloring; IDW for Sakai’s works and They Called Us Enemy; and Drawn & Quarterly for Making Comics and for Best Short Story (Ebony Flowers’ “Hot Comb”). Publishers with two trophies each include Fantagraphics, Scholastic Graphix, and VIZ Media.

The event was hosted by voice actor/comedian Phil LaMarr (MadTV, Samurai Jack, Futurama, Justice League), who announced the nominees and winners in 31 categories. Eisner Awards Administrator Jackie Estrada opened and closed the ceremony.

Sergio Aragonés presented the Hall of Fame Awards. The Judges’ Choices were Nell Brinkley and E. Simms Campbell. The elected inductees were Alison Bechdel, Howard Cruse, Louise Simonson, Stan Sakai, Don and Maggie Thompson, and Bill Watterson.Bechdel, Simonson, Sakai, and Thompson all accepted their awards via videos; Cruse’s husband, Ed Sederbaum, accepted on Howard’s behalf.

The Bob Clampett Humanitarian Award, presented by Bob’s daughter Ruth Clampett, had three recipients this year: The Hero Initiative, Creators4Comics, and Comicbook United Fund.

The Eisner Awards are part of, and underwritten by, Comic-Con International: San Diego, a nonprofit educational organization dedicated to creating awareness of and appreciation for comics and related popular art forms, primarily through the presentation of conventions and events that celebrate the historic and ongoing contributions of comics to art and culture.


2020 Eisner Awards Winners

Best Short Story

“Hot Comb,” by Ebony Flowers, in Hot Comb (Drawn & Quarterly)

Best Single Issue/One-Shot

Our Favorite Thing Is My Favorite Thing Is Monsters, by Emil Ferris (Fantagraphics)

Best Continuing Series

Bitter Root, by David Walker, Chuck Brown, and Sanford Greene (Image)

Best Limited Series

Little Bird by Darcy Van Poelgeest andIan Bertram (Image)

Best New Series

Invisible Kingdom, by G. Willow Wilson and Christian Ward (Berger Books/Dark Horse)

Best Publication for Early Readers

Comics: Easy as ABC, by Ivan Brunetti (TOON)

Best Publication for Kids

Guts, by Raina Telgemeier (Scholastic Graphix)

Best Publication for Teens

Laura Dean Keeps Breaking Up with Me, by Mariko Tamaki and Rosemary Valero-O’Connell (First Second/Macmillan)

Best Humor Publication

The Way of the Househusband, vol. 1, by Kousuke Oono, translation by Sheldon Drzka (VIZ Media)

Best Anthology

Drawing Power: Women’s Stories of Sexual Violence, Harassment, and Survival, edited by Diane Noomin (Abrams)

Best Reality-Based Work

They Called Us Enemy, by George Takei, Justin Eisinger, Steven Scott, and Harmony Becker (Top Shelf)

Best Graphic Album—New

Are You Listening? by Tillie Walden (First Second/Macmillan)

Best Graphic Album—Reprint

LaGuardia, by Nnedi Okorafor and Tana Ford (Berger Books/Dark Horse)

Best Adaptation from Another Medium

Snow, Glass, Apples, by Neil Gaiman and Colleen Doran (Dark Horse Books)

Best U.S. Edition of International Material

The House, by Paco Roca, translation by Andrea Rosenberg (Fantagraphics)

Best U.S. Edition of International Material—Asia (TIE)

Cats of the Louvre, by Taiyo Matsumoto, translation by Michael Arias (VIZ Media)

Witch Hat Atelier, by Kamome Shirahama, translation by Stephen Kohler (Kodansha)

Best Archival Collection/Project—Strips

Krazy Kat: The Complete Color Sundays, by George Herriman, edited by Alexander Braun (TASCHEN)

Best Archival Collection/Project—Comic Books

Stan Sakai’s Usagi Yojimbo: The Complete Grasscutter Artist Select, by Stan Sakai, edited by Scott Dunbier (IDW)

Best Writer

Mariko Tamaki, Harley Quinn: Breaking Glass (DC); Laura Dean Keeps Breaking Up with Me (First Second/Macmillan); Archie (Archie)

Best Writer/Artist

Raina Telgemeier, Guts (Scholastic Graphix)

Best Penciller/Inker or Penciller/Inker Team

Rosemary Valero-O’Connell, Laura Dean Keeps Breaking Up with Me (First Second/Macmillan)

Best Painter/Digital Artist

Christian Ward, Invisible Kingdom (Berger Books/Dark Horse)

Best Cover Artist

Emma Rios, Pretty Deadly (Image)

Best Coloring

Dave Stewart, Black Hammer, B.P.R.D.: The Devil You Know, Hellboy and the BPRD (Dark Horse); Gideon Falls (Image); Silver Surfer Black, Spider-Man (Marvel)

Best Lettering

Stan Sakai, Usagi Yojimbo (IDW)

Best Comics-Related Periodical/Journalism

Women Write About Comics, edited by Nola Pfau and Wendy Browne, http://www.WomenWriteAboutComics.com

Best Comics-Related Book

Making Comics, by Lynda Barry (Drawn & Quarterly)

Best Academic/Scholarly Work

EC Comics: Race, Shock, and Social Protest, by Qiana Whitted (Rutgers University Press)

Best Publication Design

Making Comics, designed by Lynda Barry (Drawn & Quarterly)

Best Digital Comic

Afterlift, by Chip Zdarsky and Jason Loo (comiXology Originals)

Best Webcomic

Fried Rice, by Erica Eng, https://friedricecomic.tumblr.com

Hall of Fame

Judges’ Choices: Nell Brinkley, E. Simms Campbell

Voters’ Choices: Alison Bechdel, Howard Cruse, Stan Sakai, Louise Simonson, Don and Maggie Thompson, Bill Watterson

2 Comments

Filed under Comics, Eisner Awards, San Diego Comic-Con

2 responses to “Eisner Awards 2020 and Observations

  1. selizabryangmailcom

    It’s nice that there’s so many available slots, ’cause then lots of folks get mentioned for many various achievements, large and small.

Leave a Reply