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Review: ‘Nobody’s Fool: The Life and Times of Schlitzie the Pinhead’ by Bill Griffith

Friendly Freaks are Family.

Every art form has its dark, morose, and melancholic aspect. Comics, despite the ingrained comedy in its very name, is a truly dark art much of the time. And we wouldn’t have it any other way. What can you say when you’re feelin’ glum, chum? See ya in the funny papers! One of the best examples of the tragicomic in comics can be found in the work of legendary cartoonist Bill Griffith. Considering a lot of the surreal and loopy stuff that Griffith has depicted over the years, he always manages to not lay it on too thick, finding just the right balance. He is certainly just the right artist to tackle the life and times of one of the strangest and most celebrated of weary souls, Schlitzie the Pinhead. In Nobody’s Fool, published by Abrams, Mr. Griffith has achieved a crowning achievement in the comics medium.

Nobody’s Fool: The Life and Times of Schlitzie the Pinhead

There’s a unique experience that creators have, particularly writers of one form or another, that provides the loopy sensation of having your creation come to life. Yes, there’s is definitely something behind the idea of having your characters take on lives of their own. This notion comes to mind when contemplating Mr. Griffith’s journey with the inspiration for his legendary comic strip, the cool and sardonic Zippy The Pinhead. Where Zippy, the weirdo in a mumu, will forever be the epitome of deadpan irony, the actual source for Zippy is quite a different story. Schlitzie the Pinhead was quite literally a circus freak. In 1963, Griffith, a young struggling artist, caught a screening of the 1932 cult classic, Freaks, directed by Tod Browning, in which Schlitzie played a modest but memorable role. After viewing Schlitzie on screen, the imagery stuck in Griffith’s mind and quickly morphed into a comics avatar. All these years later, Griffith is able to reconcile the original Zippy with his own work and pay tribute to Schlitzie.

 

Zippy The Pinhead by Bill Griffith

 

The Many Names of Schlitzie The Pinhead

This is one of those remarkable graphic novels that truly takes your breathe away. It shares a space with the best that the comics medium has to offer. It’s a utterly original and distinctive work of art inextricably linked to one legendary talent. The detail and dedication involved to make this happen is comparable, say, to your favorite movie up for an Academy Award. Yes, it’s that big of a deal. The amounts of hours put in, all the little details, are staggering to think about. Griffith dug deep, doing his research and going back to interview as many individuals as he could find associated with the celebrated circus freak. And what did he find? Well, part of the charm of a book like this is simply the journey itself. Griffith is careful to modulate how much of himself he directly places into the narrative. But, in the end, he’s as much a key player as anyone else in the book. We find him connecting the dots along the way and, ultimately, we have a key sequence with him viewing and processing that infamous and misunderstood film, Freaks.

All it took was some red hots.

Griffith spares no expense, as it were, in fully depicting the life and times of Schlitzie the Pinhead. For a cartoonist who gave us, Zippy, an icon of irony, the irony must not be lost on Griffith for devoting so much time and effort to Schlitzie, a prime example of an utterly simple soul. When you dig deep into the life of Schlitzie, it breaks one’s heart to find such an overwhelming nothingness. Schlitize enjoyed, or tolerated, performing for big crowds. But, truth be told, he mostly enjoyed washing dishes and eating fried chicken. Ah, but in the hands of a masterful cartoonist, profound beauty can be found in the darkest of places.

Nobody’s Fool: The Life and Times of Schlitzie the Pinhead is a 256-page hardcover published by Abrams ComicArts, to be released March 19, 2019. For more details, visit Abrams right here.

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Filed under Bill Griffith, Comics, Comix, Underground Comics, Underground Comix, Zippy the Pinhead

Kickstarter: ART BLOCK webcomics anthology starts March 4, 2019 

ART BLOCK

We are in a golden age of comics, specifically webcomics. We all  have our favorites that we follow. Cartoonist David Daneman brings together some of the best work out there. Last year he presented Launch Party which proved a success. This year, it’s Art Block, with a whole new group of talent. A Kickstarter campaign in support of this new project launches March 4 and runs for a month. Check it out right here.

“Projects like this are the reason we get up in the morning. When David calls, we’re in.”

—Jonathan Kunz & Elizabeth Pich, War and Peas

Tech Specs:

~88 pages
~75 strips from 25 different artists
–Full color interior
~$20.00 (usd) + shipping/handling
–Ships anywhere in the world

In 2017, Montreal-based cartoonist David Daneman realized he had found a niche to fill in the comics ecosystem. The type of comics he loves, short and funny gag-strips, are increasingly published but rarely in anthology form. Under the name The Original Content Collective, Daneman published the 2018 proof of concept book, Launch Party, and paid all of his contributors a fee per comic plus a share of the profits. Building on the success of Launch Party, Daneman returns this year with Art Block, a new anthology with a new crew of cartoonists and including some very impressive titles: Poorly Drawn Lines, Cassandra and The Perry Bible Fellowship, to name a few. Kris Wilson, author of Cyanide and Happiness, will write the introduction.

ART BLOCK

List of Artists

Ah, Mince!
Boumeres
Cassandra
Cheit.jpg
The DaneMen
Fail By Error
Good Bad Comics
Good Bear Comics
Grumpy
Gudim
Heropie
Honeydill
Hotpaper Comics
Jamie Squire
Kraan Komix
Lizz Lunney
Lollibeepop

Mondo Mango
Mrs. Frollein
Perry Bible Fellowship
Poorly Drawn Lines
Red Dot Comics
Rustled Jimmies
Tiny Snek
Underpants and Overbites

The Art Block Kickstarter is ready to rock!

https://www.kickstarter.com/projects/229526019/1243589993?ref=752605&token=41943ca7
http://daviddaneman.com

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Filed under Comedy, Comics, Comix, Crowdfunding, David Daneman, Humor, Instagram, Jokes, Kickstarter, Social Media, Webcomics

Graphic Novel Review: WOOLMANCY by Abrian Curington

WOOLMANCY by Abrian Curington

Abrian Curington has created Woolmancy, a fascinating graphic novel set in another time, place, and world. This is quite a fun work of fantasy. It’s a place of magic, dragons, and kind-hearted people busily creating wondrous items. The main focus is textiles. And the main raw material is wool. Our story takes place in the village of Kanvala. Two promising young weavers have been left in charge of the guild when the master must leave on urgent business. Reminiscent of The Sorcerer’s Apprentice, Mirin and Satski are loaded down with formidable responsibility and must rise to the challenges up ahead.

Ms. Curington is a very resourceful storyteller. She does a wonderful job of sustaining the narrative pace. And her artwork is very enchanting. The character development is spot on. The reader gets to know the main characters well and wants to root for them. Mirin can be stubborn and leads the way. Satski can be cautious and loyal. Between the two of them, they must solve a mystery and save their village. All in all, it’s a great all-ages tale. It reminds me of some of the titles coming out of First Second, like Faith Erin Hicks’s Nameless City trilogy.

When it comes to spotting new talent, it’s important to set aside flashy trends and gimmickry. It’s important to appreciate and acknowledge integrity and originality. I see quality work here and I look forward to seeing more. Abrian Curington is leading the way with family-friendly comics. It is an exciting journey. Here’s a quote from her website:

I decided to just make simple, visual stories. I wanted everyone to be able to experience them, nothing you’d have to hide from little eyes. I wanted each story to take readers on an adventure that lifts them out of their tired, stressed states. Or to add to the joy they’re already experiencing!

For more details, visit Blue Cat Co. right here.

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Filed under Abrian Curington, All-Ages, Comics, Family, Graphic Novel Reviews, graphic novels

Review: THE WIZARD and WOMP WOMP by Brandon Lehmann

THE WIZARD and WOMP WOMP by Brandon Lehmann

Which is funnier, The Wizard or Womp Womp? This is NOT a trick question. If you’re familiar with the work of Brandon Lehmann, then you know it’s BOTH! Yes, both are full to the brim with quirky goodness. Mr. Lehmann has, deep in his DNA, the trait to make with the funny in as funny a way a possible. The jokes are not just jokes but part of some greater surreal universe. The more obscure and offbeat the better while also in tune with a contemporary sensibility. Quick. Sharp. Sly. That’s why they find such a nice home on Mr. Lehmann’s Instagram account. And that’s why they do so well in a collected format, like the books he has on sale at his site.

From THE WIZARD by Brandon Lehmann

You’ll find Lehmann’s comics in various formats. Some begin their lives as digital entities on the mighty Web. Others might leapfrog right into the pages of a mini-comic. Eventually, some of this material is deemed worthy of the ultimate honor, collected into a perfect bound trade paperback. Lehmann collects these gems under his own micro-publisher brand, Bad Publisher Books, which is based in Seattle and specializes in local mini-comics. That brings us back to such titles as The Wizard and Womp Womp. Given that Lehmann is such a prolific cartoonist, these two titles prove to be excellent introductions. The Wizard book that I read, is the second compilation of Wizard comics. In that book, you will find a cantankerous old wizard with the temperament of teenager. In fact, all the characters are a bunch of malcontents: a wiener dog, the Minotaur, even Satan. If you like the sarcastic bite of shows like Bojack Horseman and Rick and Morty, then there’s something here for you.

From WOMP WOMP by Brandon Lehmann

Womp Womp collects some of Lehmann’s best online comics and definitely deserves a careful reading. Or read it as casually as you like. Either way, you will be swept up by the crisp timing. Lehmann taps into what can be magical about comedy: the surprise followed up by another surprise that somersaults into an impressively sustained narrative. It looks so easy, right? Take one of these multi-panels for example, “The Coolest Phone of 2009.” The first panel, the only one in color, depicts an awkward-looking young woman holding up a flip phone. The rest of the panels depict a police crime drama. At the scene of a heinous act, one cop proceeds to call it in using his Hitachi Woo Ketai H001 flip phone. This triggers a discussion on the growing trend to abandon the self-absorbed smartphone lifestyle for the simpler pleasures of a basic phone. It’s a funny premise to begin with and Lehmann plucks it like heavenly harp strings.

Lehmann’s work has appeared in Thick As ThievesIntruder, and Seattle Weekly. I’m sure you’ll be seeing more of his work in the years to come. So, if you enjoy brilliantly weird humor, go check out the work of Brandon Lehmann.

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Filed under Brandon Lehmann, Comics, Comix, Humor, Instagram, Intruder, Intruder Comics, mini comics, mini-comics, Minicomics, Satire, Seattle, Seattle Weekly, Social Media

Review: The Comics Journal #303

The Comics Journal #303

This is a very meta thing to be doing but here’s a review of a magazine that features reviews. Dating back to 1977, in its heyday, The Comics Journal was a monthly source of comics news and reviews, a trailblazer for the burgeoning field of comics journalism and criticism. It has always maintained a certain quirky attitude, consisting of a mix of features and topped off by a expansive soul-searching interview a la Playboy magazine. It mainly attracts those who consider themselves comics aficionados. In 2013, it ceased its print version, staying online, but now it makes its return to print with Issue 303. TCJ returns this month with new editors RJ Casey and Kristy Valenti.

Now, I go pretty far back. I have fond memories of picking up this magazine at Tower Records back in the day (circa 1995), usually with a recent release from Sub Pop Records. I also fondly recall a special dynamic, or synergy, at play between the magazine and its online counterpart that led many of us to the forums section that let you interact with subgroups within subgroups of people in the comics community. This was long before Facebook or social media as we know it today. I think the monthly magazine, as we knew it back then, is still sorely missed. Towards the end of its print run, it came out less often and each issue covered a big theme and came out in different sizes. The consistency of a monthly had been lost. I think, in a perfect world, this latest return to print would do well to go back to that monthly format. Alas, with this latest #303, we’re seeing the start of a twice-a-year format. You might argue that TCJ is simply working with today’s print reality and is offering up a taste to a new generation of what is possible.

The showcase item in this issue is, of course, TCJ founder Gary Groth’s interview with a legendary firebrand, the satirist and children’s book author, Tomi Ungerer. For those of you unaware of Mr. Ungerer’s impressive career, I highly recommend that you read this interview and, before or afterward, check out the 2013 documentary, “Far Out Isn’t Far Enough,” directed by Brad Bernstein. The title is one of Ungerer’s sayings, along with “Don’t Hope, Cope” and “Expect The Unexpected.” I interviewed the documentary’s director and its writer and the fact that Ungerer is a true force of nature was the overriding theme. So, it makes perfect sense for someone as outspoken as Groth to sit down and talk it out with someone as outspoken as Ungerer! It’s a match made in heaven.

From Ben Passmore’s story in Now: The New Comics Anthology #3, published by Fantagraphics

Among the various features to be found here, you’ll find them under such titles as “From the Trenches” and “Fair Warning.” For example, under the former is a think piece by cartoonist Ben Passmore, who shares his insights on the alt-comics scene from an African American perspective. And, under the latter, you will find an interview by RJ Casey with emerging comics talent, Fifi Martinez. The thing to always remember about TCJ is that its focus is a serious look at comics as an art form. That leaves little room, if any, for superhero comics, per se. What you’ll mostly find here is a focus on the independent artist-cartoonist. It does a heart good to see cartoonists like Passmore and Martinez provided with a platform.

Ultimately, TCJ remains what it’s always been, a valuable resource that is most appreciated by those who take the comics medium seriously. It’s a niche audience but a fiercely loyal one. In the new more fragmented world we live in, it’s all about niches. That is actually a very positive thing. And niches are supposed to attract outside readers too, right? You can only calculate so much as to how strong a presence you can make on today’s newsstands. For some special readership out there, it will be a great treat to see TCJ on a shelf. Newsstands aren’t going away anytime soon from such places as Barnes & Noble, specialty shops, comic book shops, and even airports. TCJ might just want to make a real push into these venues and see how it goes. I asked about TCJ at my local B&N as well as the Pike Place Market newsstand, one of the granddaddies of newsstands. Neither place had ever heard of TCJ or had any plans to carry it. I asked around a couple of nearby comics shops. They heard of it but were not carrying it. This is TCJ’s return to print, right? Let’s see it out there in the real world.

The reality is that creating any kind of magazine, digital or print, is a big challenge. Everyone in the comics community is rooting for TCJ to make as big of an impact as it can. Those of us already in the choir, can keep singing its praises and wish it well. You can find your copy of TCJ #303 by visiting the Fantagraphics store right here.

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Filed under Alt-Comics, Alternative Comics, Comics, Comics History, Comics Journalism, Fantagraphics, Fantagraphics Books, Gary Groth, Independent Comics, The Comics Journal, Tomi Ungerer

THE ALTERNATIVE UNDERGROUND art show at Scott Eder Gallery, Feb 1 thru Mar 9, 2019

THE ALTERNATIVE UNDERGROUND

If you live in or plan to be around the New York metro area, then consider visiting the Scott Eder Gallery for an in depth look at a variety of notable underground cartoonists from the sixties. This includes a number of names that are common to the comics community along with a number that will be newly discovered gems for gallery visitors. The show is entitled, THE ALTERNATIVE UNDERGROUND: Foot Soldiers in the Revolution that Forever Changed Comics and runs from Feb 1 thru March 9, 2019. The opening reception is Friday, Feb. 1, 2019, 5-9 PM. Scott Eder Gallery is located at 888 Newark Avenue, #525, Jersey City, New Jersey in the Mana Contemporary Arts Complex. From New York City, you can easily reach it from the PATH train.

Mickey Rat Comix by Robert Armstrong

 

What If? by Joel Beck

 

Casserine

 

Women at Work!!! by Daniel Clyne

 

Pro Junior by Dave Dozier

 

Smile by Jim Mitchell

 

Rev. Jeremiah Moses by Grass Green

 

Jesus Learns a Thing or Two by Frank Stack

 

Trina Robbins self-portrait

More details from Scott Eder Gallery:

When the Underground Comix movement is discussed, R. Crumb, Art Spiegelman, and Gilbert Shelton come quickly to mind. But the revolutionary break from mainstream comic books in the late ‘60s, leading to graphic novels and today’s vital independent scene, was comprised of numerous other artists. Many seldom get their due. Scott Eder Gallery is proud to present some of the largely unsung pioneers like Joel Beck and Frank Stack, both of whose comix significantly predated ZAP. Other featured artists are Bob Armstrong (Mickey Rat), Sharon Rudahl, (Wimmens Comix), Dan Clyne (Hungry Chuck Biscuits), Wendel Pugh (Googiewaumer), Mike Roberts (Bizarre Sex), and other foot soldiers active in the broad and groundbreaking underground comix scene. Discover or rediscover the idiosyncratic styles of more than twenty outspoken and bold cartoonists whose work remains surprising fresh a half century after the psychedelic fervor and anti-war chants swirling around their era have faded away.
Interview with gallery owner Scott Eder:

If you’re interested in comics or would like to take the opportunity to see firsthand some of the exciting trailblazing art that has influenced today’s boom in indie comics, then be sure to visit Scott Eder Gallery.

 

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Filed under Alternative Comics, Comics, Comix, Denis Kitchen, Phil Yeh, Robert Crumb, Scott Eder, Scott Eder Gallery, The Sixties, Underground Comics

Tacoma Focus: Destiny City Comics & Arts Festival on February 16, 2019

Destiny City Comics & Arts Festival on February 16, 2019

If you are in the Tacoma area, do plan to visit Destiny City Comics & Arts Festival on Saturday, February 16th, from 2-8pm, located at 218 St Helens Ave. This will be an intimate comic arts festival gathering of a dozen or so local creators.

The following are just a few samples of the poster I created for the show making the rounds. While this show is in Tacoma, our neighbors in Seattle are certainly welcome. So, here are some examples of my canvassing around Seattle with at least one landmark clearly visible!

Long Live Destiny City Comics!

The Comics Journal #303

The special guest is RJ Casey editor of the long-awaited new edition of The Comics Journal #303 from Seattle publisher, Fantagraphics. I definitely look forward to the return in print of the venerable publication that has a long history of covering the comics scene. Pre-order your copy of The Comics Journal #303 right here. And visit the journal’s website right here.

For more details, visit Destiny City Comics right here.

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Filed under Comics, Destiny City Comics, Fantagraphics, Tacoma

Book Review: ‘Hi Jax & Hi Jinx: Life’s a Pitch – and Then You Live Forever’ by Dame Darcy

Hi Jax & Hi Jinx: Life’s a Pitch – and Then You Live Forever by Dame Darcy

Dame Darcy is a notable alternative cartoonist who burst upon the scene in the 1990s with her series Meat Cake which was published by Fantagraphics Books from 1993–2008. Her unique “Neo-Victorian” style can also be found in her other roles as fine artist, musician, cabaret performer, and animator/filmmaker. In 2016, Fantagraphics Books issued the omnibus, Meat Cake Bible. Now comes a comprehensive look at the life, work and recollections of Dame Darcy, Hi Jax & Hi Jinx: Life’s a Pitch – and Then You Live Forever, published by Feral House. This is a unconventional memoir befitting such an unconventional figure. For starters, Darcy’s family has theories regarding her great-great-great-uncle John Wilkes Booth. According to Darcy, Booth was a victim of mind control when he assassinated President Abraham Lincoln. Not only that, Booth was scurried away after the murder and lived in hiding all thanks to the Illuminati. With that sort of family lore, Darcy has had plenty to tap into in service of her art.

A recurring theme in Darcy’s family is drama and fantasy. Many in her family have performed on stage. It’s that desire to break free from predictable reality that is the driving force behind Darcy, in her life and in her work. The need to escape and create other worlds found itself into little poems, stories, and comics. For example, one such story in this book finds an 11-year-old Darcy exploring the family farm which becomes her own little kingdom. She slips up a trapdoor to the hayloft. With the help from a friend, the hayloft is converted into an art studio. But that’s only the beginning. She discovers a hidden drawer in an old trunk and finds a turquoise necklace. She also finds a note from a little girl who is being held captive by a cult. Then she hears laughter and looks out the window to see a mysterious girl wearing the same necklace as Darcy. The girl keeps staring. Then she smiles but she has no teeth. Suddenly, she does a backflip and disappears. And there you have a taste of a Dame Darcy experience.

Fairy tales are common to all of us and make for a perfect jumping off point to other flights of fancy. Darcy revels in all the fanciful tropes and mashes them up to reveal and confess to the reader and herself. A platform has been set up, made up of whimsy and autobiography, and from it Darcy has reached wondrous heights. With this collection of drawings, comics and observations, Darcy is able to use extended prose to fill in the blanks and bring all the various bits of background into focus. Oddly enough, all the added material, written out as it is, has its own ambiguous charm and doesn’t detract at all from the otherworldly mystery found in her comics. Darcy offers up here a most enchanting book.

Hi Jax & Hi Jinx: Life’s a Pitch – and Then You Live Forever is a 305-page trade paperback, with black & white illustrations, published by Feral House.

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Filed under Comics, Dame Darcy, Feral House

Graphic Novel Review: PHILIP K. DICK: A COMICS BIOGRAPHY

…as the walls start to cave in.

To the tell the story of a writer and the writing process is quite a unique challenge. Sure, you want to include some scenes of the writer  in the act of writing but then what do you do next? This new graphic novel, Philip K. Dick: A Comics Biography, published by NBM, solves the problem very nicely. French writer Laurent Queyssi and Italian artist Mauro Marchesi bring to life a very unusual person, famous writer or not. The appeal of this book comes from how both writer and artist tease out for the reader a portrait of very delicate, chaotic, and brilliant individual. Let the details fall into place as events unfold. See how one person can be so blind to his own destiny while bursting with intelligence and creative output. After a while, you don’t care what he’s famous for. You’re just rooting for him to survive another night as the walls start to cave in all around him.

It’s perhaps helpful for me to mention that I’m putting together a book that parallels this book on Philip K. Dick in very interesting ways. My book is about another science fiction writer, George Clayton Johnson, who was born in 1929, roughly the same year as Dick but who enjoyed a happy and long life. Dick’s life was relatively short and not without its tragedy. Johnson and Dick are very different writers but they both were part of a certain time and sensibility. Even though Dick was somewhat of a recluse, he did enjoy connecting with people on occasion. Like Johnson, he got to know some of his heroes and colleagues in science fiction, like Harlan Ellison and A.E.van Vogt. Both Johnson and Dick had high ambitions. While Johnson generally flourished among people, Dick would much rather recede into the background. Both dared to be as nonconformist as possible. Dick was darker, stranger, and willing to open more doors into the unknown.

An honest assessment, that’s what we crave from a biography. NBM is certainly amassing quite an impressive collection of them. The trickiest to get right, and probably the most satisfying, is the exploration of a creative person and the creative process. That classic writer’s block is on full view on more than one occasion in this book as is the overall struggle in a person’s life. We get a very clear and precise picture that manages to keep to a steady chronological order with necessary temporal detours. This is Philip K. Dick under the microscope. Backed my thoughtful planning, Queyssi provides a script that seems to effortlessly bring into play a myriad of carefully researched dates, places, and times. When you think of it, Dick was essentially an enigma. You didn’t necessary go see Blade Runner with a clear picture of the author of Do Androids Dream of Electric Sheep?

Mauro Marchesi’s artwork is as clean and crisp as Queyssi’s well-chosen words. Marchesi solves another challenge: finding just the right ways to evoke the fantastical in a story about a writer writing weird and strange content. You don’t just want to play with scale and have a scene with Dick reduced to the size of an insect just because you can! But that sort of thing is irresistible so you make the most of it and, when the time is right, Marchesi pulls out all the stops. He has some beautiful wordless sequences that definitely balance out a narrative that, at times, needs to rely more on text. One that really packs in just the right dose of mystery and ambiguity has Dick seated at a park bench trading in a gem for a book with a total stranger. Like spies passing through the night, they discretely make the switch, one finely polished gem for a book that points towards another book in Dick’s future.

For fans of Philip K. Dick, as well as new readers, this will prove to be an engaging read. As I say, after a while, you’re not thinking of Dick as just a famous writer. No, he’s got some pretty compelling ordinary problems of his own along with the extraordinary ones! One of the most fascinating aspects, however, does have to do with being a famous writer. Time and again you see Dick fighting against being known as a science fiction writer. Back then in what was its golden age, science fiction was snubbed as only being “genre.” You would think someone as smart as Dick could have seen through the snobbery of the literary establishment. But, no, even Philip K. Dick wasted precious time and energy desperately trying to fit in!

Philip K. Dick: A Comics Biography is a 144-page full color hardcover. For more details, visit NBM Publishing right here.

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Filed under Biology, Comics, George Clayton Johnson, Graphic Novel Reviews, graphic novels, Harlan Ellison, NBM, NBM Publishing, Philip K. Dick, Sci-Fi, science fiction

Book Review: ‘The Perilous Adventures of the Cowboy King: A Novel of Teddy Roosevelt’

The Perilous Adventures of the Cowboy King: A Novel of Teddy Roosevelt

Jerome Charyn is one of those rare breed of writers able to write some of the most earthy stories involving some of the most larger-than-life figures, everyone from Marilyn Monroe to Teddy Roosevelt. For TR, Mr. Charyn pulls out the stops offering up the man in his own voice, a magnificent mashup of macho and aristocrat. Bully! TR, as he looks out from Mount Rushmore, remains one of our greatest personifications of America. And with his new novel, Jerome Charyn completes his run at Rushmore. He managed to tackle Washington and Jefferson in 2008’s Johnny One-Eye. He dug deep into the psyche of Lincoln with 2014’s I Am Abraham. And now we have The Perilous Adventures of the Cowboy King: A Novel of Teddy Roosevelt, published by Liveright, a division of W.W. Norton & Company.

Indeed, TR was a manly man right down to having a mountain lion on a leash as his pet. It’s during the Rough Rider period of  his life that we first meet this big cat, Josephine. She was the mascot for TR’s own cowboy regiment off to fight in the Spanish–American War in 1898. An invasion of Cuba did not officially call for men on horseback. However, TR had other ideas. As an act of sheer will, TR got his Rough Riders. This excerpt offers a taste of this most quintessential TR adventure. Here we are just as U.S. armed forces begin departure to Cuba joined by the now celebrated Rough Riders:

We were mobbed at every station along the route. Folks welcomed us to their own little war parades. Half-mad women scribbled letters to Rough Riders they had never met and would never meet again. Some proposed outright marriage. A few of our bravos fancied a particular lady and disappeared from our caravan of seven trains. Leonard cursed their hides. But these bravos managed to find us at the next station, or the next after that. A horse died of heatstroke, but we didn’t lose a bravo, not one. People would shout from the tracks, “Teddy, Teddy, Teddy,” and I realized why the Army regulars hated us so. We had captured the imagination of blood and battle somehow–the Rough Riders represented the romance of war. We could have risen out of some biblical rapture. The Army couldn’t compete with cowboy cavaliers.

Let’s shift gears to another aspect of the storyteller’s bag of tricks. Here’s a taste of the pulp fiction action adventure vibe found here:

I had clocked twenty minutes, like pulse beats in my temples. Winters-White kept me from plummeting into that gnarled jungle floor. He tapped me on the shoulder and removed the blindfold. We were in a slight clearing, a bald patch without a single root or tree. And in this clearing was a canvas chair that might have come from a general’s tent. A man in a pince-nez and cowboy neckerchief sat in that chair. I’d have guessed he was my age–a few months shy of forty. He had a jeweler’s nimble hands. His mustache was almost as red as mine, and his eyes were probably just as weak. I couldn’t imagine him as a sniper, shooting at children and nurses from the Army Nurse Corps. Yet here he was, in the green uniform of a Vaquero.

“We’ve met before,” he said in a slight accent.

Wouldn’t it be something to see a Cowboy King movie? There is room for a sequel as this novel covers Roosevelt’s life right up to September 6, 1901, the assassination of President William McKinley, a day that would catapult TR as far into the arena as he had ever dared possible. That said, you really don’t need to look any further than this novel. Cowboy King is a novel at its best: engaging, immersive and compelling.

Teddy Roosevelt, an American original.

The Perilous Adventures of the Cowboy King: A Novel of Teddy Roosevelt is a 286-page hardcover, available as of January 8th, published by Liveright. And be sure to visit the Jerome Charyn website where you can purchase a signed copy.

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Filed under Book Reviews, Books, Jerome Charyn, Novels, Theodore Roosevelt, writers, writing