Category Archives: DC Comics

Review: BATMAN: THE DARK KNIGHT RETURNS, PART 2

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“Batman: The Dark Knight Returns, Part 2” picks up a few months after the first part so, as director Jay Oliva suggests, Robin (Ariel Winter) has had time to train up and Batman (Peter Weller) has had time to mend his broken arm. Turmoil. Chaos. Mayhem. It’s all here, even the threat of World War III. We also get two all-time throw downs: Batman versus Joker; and Batman versus Superman. Questions are settled, or as close at they can be. There is no holding back. This is based, after all, on one of the most audacious, and thought-provoking, works of comics by Frank Miller. The time is a futuristic present/80s. It could be now but there’s no way we can deny the present time in the original graphic novel, when Ronald Reagan sat in the White House and the Cold War still raged. The threat of a nuclear strike from an itchy trigger finger remained embedded in reality and in popular fiction.

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Some might say that Ronald Reagan was the ultimate amalgamation of reality and popular fiction so it is quite fitting to have him play the role of president in this story. He’s the one that concludes that Batman has become a “problem” and instructs Superman to put him in his place. Reagan uses the analogy of a bucking bronco. Sometimes you have to put him down. In this case, the bronco has to be broken. Superman grudgingly agrees. As we’ll come to see, this sets into motion a collision between two forces for good with very different philosophies. Superman places himself within the perimeters of authority. Batman places himself outside the perimeters of authority.

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What happens when the government you are supposed to trust in is acting in its own self-interest? What happens when the media you are supposed to rely upon for information is untrustworthy? This is where Superman hopes for the best. This is where Batman relies on his own moral code. And this is where the Joker comes in as the wild card. He keeps Batman on his toes and perhaps helps keep him focused. This animated movie brings all these issues to life starting with the Joker, played with devilish glee by Michael Emerson. In short order, we see the Joker go from inmate to guest on a David Letterman type of talk show. The Joker convinced his therapist that it would be good for him. It’s not long before the Joker is on a whole new killing spree and has found a way to fuel the flames over a dispute between the U.S. and the Soviet Union.

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The Batman/Joker smackdown is a beautifully choreographed piece enhanced by the brooding synthesized score by Christopher Drake. Batman commands the stage. He’s nicely paired up with the Joker, who doesn’t ease up for a second. The original graphic novel had them duke it out in some grimy tunnel. But, in this movie, the two find themselves in an amusement park tunnel of love. It’s pitch perfect given their yin-yang relationship and the less than subtle homoerotic undertones.

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Once we get to the main event, Batman vs. Superman, the whole world has been through hell. But there’s still a chance, that we can all just get along, right? It doesn’t look good and the stakes are as high as you can go. What’s interesting is that all the factors on how to make this a fair fight have been considered. It’s a pretty awesome fight. Superman, played by Mark Valley, is nobody’s fool and he helps add to the Man of Steel’s stalwart mythos.

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There are three main bonus features: a discussion on superheroes in society; an analysis of the Joker; and a behind-the-scenes look at the animation process with director Jay Oliva. Plus you get three animated shorts. And an excerpt from the original graphic novel. It’s a wonderful treasure trove of informed discussion and added entertainment. Warner Bros. goes the extra mile with these features which mirrors their devotion to comics and animation. There’s a genuine respect for comics history and for solid storytelling. It’s a nice added touch to include in the discussion a noted expert in the classics, Richard Rader, along with Denny O’Neil, editor on the original graphic novel, and, especially noteworthy, Jerry Robinson, who was key in the creation of the Joker.

“Batman: The Dark Knight Returns, Part 2” is available now and you can find it here. Visit our friends at DC Comics and see a clip from the movie here.

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Filed under animation, Batman, DC Comics, Frank Miller, Movie Reviews, movies, Warner Bros.

ART: Mixing Money with Superheroes: Aslan Malik’s “Justice League” series

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Ever wonder what Alexander Hamilton would look like if he was Batman? Well, probably not. But Berlin artist/designer Aslan Malik sure did. He went all graffiti on some legal tender and rendered himself some superheroes. DC Comics, take a look at your Justice Leauge now! Applying paint directly to a $50, $100, $20, $10, and $5, Malik turned Grant, Franklin, Jackson, Hamilton, and Lincoln into Superman, Green Lantern, Wonder Woman, Batman, and the Flash. But what about the most iconic, and most easily accessible cash of them all, the mighty $1 bill? What about George Washington?

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Filed under Art, Batman, Comics, DC Comics, Flash, Graffiti, Green Lantern, Justice League, Superman, Wonder Woman

NEW 52 – BATMAN INC. #6 Review

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“There has to be a way to end this.”

“What is it you want?”

Classic statements made in any custody dispute. This time by Batman. Compared to the average couple, it doesn’t get any easier for Batman in his struggle with Talia over their son, Damian. You may have multi-colored elephants flying out of the sky and volcanoes erupting in the background, it’s all the same in the end. Except, in this case, the fate of millions hangs in the balance. Talia understates it very nicely, “We’re not normal people. We’re special.”

There’s no denying how special “Batman Incorporated” and all the related works by Grant Morrison are. It’s a joy to read. Even in its most violent moments, it still registers as comics and not a CSI episode. Part of it has to do, of course, with the amazing artists that Mr. Morrison works with. Chris Burnham is as robust and engaging an artist as Cameron Stewart or Frank Quitely. It’s compelling stuff. And Grant Morrison is quite generous in his references, ideas, and motivations. You could take a dozen things from any issue and turn them into separate stories.

Issue 6 gives us a title cover of “For The Love Of Their Son!” and a story title of, “Garland of Skulls.” And, basically, that is what you find inside the pages. We go back and forth between a heated exchange between Batman and Talia and the war on the streets of Gotham. Batman Inc. troops are fighting tooth and nail against Leviathan troops. Batman robots and manbats are coming down from the skies. All the while, Talia is playing mind games. And, back at the bat cave, Damian and a slew of Batman operatives find themselves privy to the sordid conversation between the two alpha parents. Quite messy. Was this something that could have been avoided through counseling? Well, no, not in this case.

It is a beautiful chaos. Talia, in some respects, could be standing in for The Riddler in this story. Batman must go through a maze of puzzles and taunts with little hope of escape. Throughout, he must consider the parable of the goatherd and its ten stages of understanding. First, the goatherd pursues the goat up the Mountain of Enlightenment. But do you really think Talia is concerned with enlightenment? No, she’s about weaving her own beautiful chaos. Just when we think Damian is somehow fated to destroy Gotham, Talia suggests that may not be the case.

What a great piece of work. One thing is pretty clear, the whole idea of Batman Incorporated is headed for permanent acceptance. It will be, if it isn’t already, part of Batman lore, part of Batman canon. Who can really say otherwise? “Batman Inc.” is one of the best things going in comics today and that’s quite an understatement.

Stay tuned for “Batman Inc. #7,” due out January 30, 2013. Visit our friends at DC Comics.

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DVD Review: 1989’s SUPERBOY: THE COMPLETE SECOND SEASON

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Warner Bros. continues to bring out gems from its archives with the second season of “Superboy.” The plot that launches the season provides us with a Lex Luthor that rivals the Joker in twisted evil. That alone is worth the price of admission as we see Luthor, played by Sherman Howard, chew up the scenery. He dares to force Lana Lang into marrying him and to put Superboy in hospital, at least temporarily.

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There is something strangely edgy about this particular Lex Luthor story that will appeal to any Superman fan, or Batman fan for that matter. Among other things, you also get a rather odd take on Metallo and even a face-off with Dracula, which would have fitted in with some of the weird things going on at DC Comics at the time. And, yes, we like weird things. Season 2 of “Superboy” is available now and you can find it here.

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DVD Review: Cathy Lee Crosby as WONDER WOMAN

Cathy Lee Crosby Wonder Woman 1974

Just before Lynda Carter, there was Cathy Lee Crosby. It all began in 1974, when ABC aired a “Wonder Woman” movie. It starred Crosby and the script, written by John D.F. Black (“Star Trek,” “Shaft”), was faithful to a new direction the Wonder Woman character had taken in the DC comics title. She was far more grounded and less invincible. And Crosby definitely had what it took. She was a natural athlete, with stunning good looks, and a wholesome quality. Looking back, she would have made a great Wonder Woman for a television series. That role would go to Carter and the rest is history. Still, we have the pilot movie to appreciate that just happens to have released on DVD as of December 11. So, let’s take a look.

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The best part of this movie is that it can’t help but be full of shaggy ’70s goodness. Every young, or youngish, guy has billowy long feathered hair if they can manage it or some shaggy quality going on. The pickup lines are all cheesy. The crime and violence is campy. And the villain is a mysterious lothario all dressed in white. Hey, that’s Ricardo Montalban, prior to finding his destiny on “Fantasy Island!”

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The plot is simple but fun. A criminal mastermind has stolen all the code books holding the identities of 39 American spies. He wants 15 million dollars within 72 hours or he sells the information to the highest bidder. We find that Wonder Woman has settled in nicely as a secretary for Steve Trevor, who leads various military operations. With a wink and a nod, Steve authorizes Wonder Woman into action. And she soon finds that one of her biggest challenges will be to fend off the advances of the creepy henchman in charge.

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Along the way, we see how Wonder Woman improvises when she’s hot on the trail.

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And we learn of a new nemesis, Angela, who promised to knock Wonder Woman’s lights out.

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For a light and fun look at what the 1970s almost launched for Wonder Woman, this is priceless. But it won’t cost you much to get your own DVD here.

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JOE KUBERT 1926 – 2012

It saddens me to report that cartoonist Joe Kubert has passed away today. He leaves a huge legacy of work in comics, including “Sgt. Rock.” I felt like I had gotten to know him a little by taking one of his correspondence courses, which is part of The Kubert School.

Thankfully, the work carries on with Mr. Kubert’s two sons, both successful cartoonists, Andy and Adam. They regularly create work and are part of The Kubert School.

DC  Comics has a six issue run of “Joe Kubert Presents,” an anthology to debut this Halloween.

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WEISINGER’S SUPERMAN

 

Arlen Schumer, a leading expert on American pop culture (check out his Twilight Zone presentations for starters) has created a number of dazzling visual lectures. You can see his 16-page study of the Mort Weisinger era of “Superman” here in “Alter Ego,” #12, August 2012.

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THE DARK KNIGHT RISES Review

“The Dark Knight Rises,” relevant and relentless, is an audacious brew of favorite Batman themes presented on an epic scale. Much in the way that “The Avengers” presented a more sophisticated superhero story, in terms of being more intricate and geeky, for general audiences, this last installment of Christopher Nolan’s Dark Knight trilogy does heavy duty too as it brings together elements from the previous two films and creates a true superhero epic. That is the take away you should get from this movie, it is epic, epic, epic. It will turn your beloved boxed set collection into an epic, not by default, but by pushing the Batman mythos into hyperdrive.

This is not a Batman movie with a character that is going to resonate far beyond the movie, except for some fun stuff going on with Anne Hathaway as Catwoman. It is this character that has truly given Hathaway her groove thing. She loves being Catwoman and we love her for it. She is so good in her role that it would make sense to give her a movie of her own but that’s not going to happen. Another thing that is not going to happen is someone mistaking Tom Hardy’s performance as the arch-villain Bane, with Heath Ledger’s Joker. It’s just not that kind of performance. We never really go deep into the twisted crevices of Bane’s psyche. However, Hardy provides a performance that is a force of nature and keeps us on the edge of our seats throughout.

Now, having said that we don’t have characters in this movie that will break into the pop culture is true. No doubt, there are no performances at the level of Heath Ledger in this one but the movie is beautifully acted. Everyone turns in a wonderful performance in a movie that is both character and story driven. We have all the heavy hitters giving it their all: Gary Oldman as Commissioner Gordon; Morgan Freeman as Fox; Michael Caine as Alfred. Then, in that same heroic league, we have Marion Cotillard as Miranda Tate; Joseph Gordon-Levitt as Detective John Blake; and Matthew Modine as Deputy Commissioner Foley.

One of the all-time favorite superhero themes is the one about the superhero at a loss, lost somewhere, rumored to be dead. It is at times like these that Earth, or at least the superhero’s home city, is in most peril from the most demented villain who has been lying in wait, just for a moment like this.

We begin the story high above in a private plane. CIA operatives are working over their captors, apparently with no qualms over using whatever means necessary to exact a confession. One hooded prisoner is being dangled out of the plane just before being pistol-whipped when another hooded prisoner speaks up. It is Bane, himself, explaining to the good CIA men that they should prepare to meet their doom. And, before any of the CIA ops can make another wisecrack, Bane shows us what a formidable badass he is.

Not long after that, we see what has become of Bruce Wayne. Too many lost loved ones, too many broken bones, too many broken dreams, have taken their toll. Bruce is now happy to just stay in his room and have perpetual room service. He has so abandoned the cape and cowl and all the righteous heroics that go with it that he can’t even stop Catwoman from stealing a priceless heirloom right from under his nose. But we know that Bruce will get his mojo back. Catwoman, after all, stole the most sacred of family heirlooms, pearls that belonged to Bruce’s mother. He isn’t going to let that stand. And Catwoman, for her part, does not scare easy. She has only begun to mess with Bruce. Before she’s done, she is going to take Bruce to the cleaners and back.

What makes this an epic is Bane’s plot to take over the world, or at least Gotham City. He has cloaked himself in the garb of an Occupy zealot, a champion of the people. While there is no question he is out for blood, he maintains his actions are for the people. Along with a secret weapon, Bane has his way and embarks upon a latter day French Revolution. Bane’s demented actions make for some arresting visuals: collapsing bridges, football stadiums exploding and stock brokers being forced to ride motorcycles down the mean streets of Gotham. The narrative takes us down many unexpected paths.

To sweeten the deal, we find ourselves coming up on some unexpected recurring themes. Both lead to some pleasant surprises. What we ultimately come away with is one of the best, if not the best, look into what makes Bruce Wayne tick. It makes for the perfect ending to a most remarkable trilogy.

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Filed under Batman, Comics, DC Comics, Movie Reviews, movies, The Dark Knight

FREE COMIC BOOK DAY 2012: THE NEW 52!

May 5 is not only Cinco de Mayo, it’s also Free Comic Book Day! And the selection of free comics is quite nice this year which you can look at over here.

Unless you’re one of those adorably annoying young parents who always seems to hog the staff’s time, or you’re one of those hoarders who has only come for free stuff, all are truly welcome to celebrate Free Comic Book Day at your local comics shop. Without wanting to sound mean, those most welcome are the regular readers, or aspiring regular readers of comics. And for you, Free Comic Book Day offers that added value of genuine sneak previews. Leading the pack, is the latest news on the next wave of “The New 52” line-up of titles from DC Comics. Here’s a look at some of what you’ll get. To start with, we’ve got amazing cover art by legendary artist Jim Lee, who also illustrated five interior pages including a gorgeous four-page gatefold. You also get quite a suprise with the full story in this issue plus a nice selection of previews of new titles joining “The New 52.”

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The opener is an all-new story written by New York Times bestselling author Geoff Johns and illustrated by Jim Lee, Ivan Reis, Gene Ha and Kenneth Robert. Welcome to your new event. It has an intriguing take on Pandora’s Box.

Also included are previews for BATMAN INCORPORATED, DIAL H, EARTH 2, G. I. COMBAT, THE RAVAGERS and the one that really stood out for me, WORLD’S FINEST. It just looks like a lot of fun: a team-up of Huntress and Power Girl! Paul Levitz gets to shine as one of the most knowledgeable writers of DC Comics history. And you’ve got the artist team of two other legendary talents, Kevin Maguire and George Perez. This is the story of two women, two worlds and one mission: to return home! What more can you want?

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Dick Sprang and the Magic of Batman

Dick Sprang is your friend if you prefer your Batman to be more surreal and offbeat. If you want your Batman deep in his cartoon roots, and not so allied with CSI, then Zap, Pow, Boom, Bang, it’s Dick Sprang!

The above image is from a lithograph that Sprang created for DC Comics in 1995. Comics Alliance does a wonderful job of going over the details. What it comes down to is, Sprang, along with a special select group of artists from the Golden Age, essentially did what they had to do. Sprang outshone many of them but he, like the rest, just did his work and let Bob Kane, “the creator of Batman,” take the credit for it. Flash forward a few decades, and people come to appreciate an artist like Sprang. You have DC Comics doing the honorable thing by showcasing his work in reprint volumes and even bringing the old man out of retirement to do a double-page spread. Sprang has left us but he is hardly lost to obscurity.

It was a notion that the Batman I was looking for lived in old issues of “World’s Finest” that led me to Dick Sprang and his magical world.

The Jokermobile, for instance, is a perfectly Sprangian concoction and is included in an insightful essay at Matt Seneca’s blog. Sprang was completely steeped in cartoonland wizardy. And that is what I’d like to see in Batman today!

The above work graces the cover of the current issue of “Alter Ego,” #107. What exactly this illustration was created for has been completely forgotten! But here it is back from the dead and quite a lively spectacle. You’ve got Robin tied up to a speeding truck while Batman is jumping off another speeding truck going in the opposite direction. Batman secures himself to the truck that Robin is tied to, manages to break the windshield and even control the steering wheel!

Inside the magazine, you will find a nice little interview with Dick Sprang, from 1993, conducted by Shel Dorf, one of the founders of the San Diego Comic-Con. The interview gets lost in the details as these fanzine type of things tend to do but that’s okay. Mostly, you get a sense of what it is was like back in the ’40s in New York hustling for illustration work and finally landing a big time gig. A man in a suit approaches, Sprang, a young eager artist. He asks him to draw three Batman pages of script in four days. Sprang delivers. Then he asks him to do a whole Batman comic book, fifteen pages in fifteen days, maybe sixteen if he needs it. But, there’s a war on, so there are no guarantees. Sprang’s work will be stockpiled in anticipation of laying off artists, including possibly Sprang himself. Sprang agrees and the rest is history. The interview does well with history but the forest gets lost for the trees. It’s only at the very end that any mention is made of Sprang’s use of composition. Sprang, being at heart a company man, plays down his accomplishments. But we do get a glimmer as when he says, “You can draw lines that illustrate the artist’s thoughts.” That Sprang did most eloquently.

Here are the particulars on “Alter Ego,” #107:

ALTER EGO #107 (84 pages with color section, $8.95) is a big BATMAN issue, featuring an unused Golden Age cover by definitive Dark Knight artist DICK SPRANG! Headlining this bat-centric issue is a SHEL DORF interview with SPRANG (Batman, the Superman/Batman team, etc.) and JIM MOONEY (Batman, Superman, Robin, Supergirl, Tommy Tomorrow, Spider-Man, Marvel Team-Up, Son of Satan, etc.)! Plus there’s rare and unseen Batman art by BOB KANE, JERRY ROBINSON, WIN MORTIMER, SHELLY MOLDOFF, CHARLES PARIS, and others! Part II of the TONY TALLARICO interview, conducted by JIM AMASH! Plus FCA (Fawcett Collectors of America), MICHAEL T. GILBERT in Mr. Monster’s Comic Crypt, BILL SCHELLY, and more! Now in FULL COLOR! Edited by ROY THOMAS.

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