¡Brigadistas!: An American Anti-Fascist in the Spanish Civil War

¡Brigadistas! Monthly Review Press. by Miguel Ferguson Edited by Fraser M. Ottanelli and Paul Buhle. Art by Anne Timmons. 120 pp. 2022. $18

The Spanish Civil War (1936 – 1939) may bring to mind Ernest Hemingway and his 1940 novel, For Whom the Bell Tolls. This is a war that pitted a new leftist government elected in 1936 against Fascist and extreme-right forces. Freedom was on the line, a harbinger of what lay ahead in Europe. Outside of Hemingway, this graphic novel provides a stirring recount of events sure to stay with the reader. It features the true story of Abe Osheroff, a lifelong activist, along with two of his friends, who joined the fight.

The look and feel of the book evokes wholesome family movies from the 1930s, spiked with a decidedly leftist view; or vintage comic books imbued with an earnest propaganda. I think that is a great way to go to get readers into the mindset of that era and especially the players in this drama. The first few pages steadily set the tone. Page One depicts Woody Guthrie singing an activist ballad. This is followed by a few pages with Abe and a couple of his friends helping a neighbor lady who hasn’t paid her rent. They move her belongings back into her apartment after her landlord threw them out. This leads to a scuffle with a brutal local police officer. Followed by Abe falling in love with Caroline, a local activist. In no time, these lads will be fighting Franco in Spain.

The immersive quality of this graphic novel is, as I suggest, due to a compelling narrative (the fictionalized true story) putting to use many of the tricks of the trade employed by the war comics and romance comics of yesteryear. All in all, this method proves to be an excellent educational device. The reader isn’t expected to look for too much in the way of subtext to distract from the prime account. There are some artful flourishes to be found in dialogue, the flow of the narrative, and the overall clever use of the vintage comics format. And there are certainly moments within the comic that feel as lively and relevant as anything today. Lastly, I must point out that the art is dazzling. Timmons isn’t just reworking old comics but she’s channeling them and making them her own. Any student of history will find much to be engaged with. This graphic novel proves to be an excellent portal into a bygone era and makes the case that history is always sitting on a shelf awaiting to be rediscovered.