Category Archives: movies

OPEN LETTER TO KEVIN SMITH: DON’T STOP MAKING MOVIES!

Dear Kevin,

The news about you deciding to stop making movies is sad news indeed.

Believe it or not, or you may already be aware, there was a time when Woody Allen said the very same thing. Sometime in the ’80s, maybe with the bitterness of “Stardust Memories” still lingering, Allen said he was planning on giving up making movies. It was just too much heartache. Well, he had a change of heart. I hope you will too, sir.

I realize that “Cop Out” was a rough ride. But, whatever the history behind it, whatever this critic or that critic said, it was a fun and funny movie.

Now, with “Red State,” I firmly believe you took your art to a new level bringing in everything you know about filmmkaing, your own authentic voice and a daring vision to say something new. Okay, I will say it as plainly as I can: I’d give my left nut to make as successful a movie and I’m not talking money-wise. But don’t hold me to that, the left nut part. And, sure, money is great too but artistic integrity is key. You know, not to harp on Woody Allen, but he could be someone to give advice on being a successful independent filmmaker. Check out the new documentary about Woody Allen. Do that. And then let’s talk. Apparently, Woody knows how to take it easy even with a movie-per-year schedule. He just doesn’t let things get to him. He doesn’t read reviews. He just doesn’t give a sh*t what others think of him.

Of course, all your fans will be cool and support whatever comes next. You would say you’re already doing that and who should deny or negate it? But perhaps there will be, maybe years from now, a change of heart. It will be a natural progression, a need to return to something you love. That brings up a good question. Did you love making movies? I dare say you did. I think what you hate is what you do with it once it’s been made, all the marketing and distribution and even the stuff that comes up before and during the making of such a movie, all the test marketing and just plain creepy marketing that goes on. Certainly, you can not be faulted for wanting to stick with podcasts because, as you say, they’re honest.

I have listened to your interview on NPR and I will keep up with what you do on your podcasts and other projects, like your new book, “Tough Sh*t: Life Advice From A Fat, Lazy Slob Who Did Good.” And I wish you well. Remember, a lot of great filmmakers took breaks and came back. You still have your Wayne Gretzky film, “Hit Somebody,” due out next year. So, stop making movies. But, maybe consider coming back to it in a few years.

A Loyal Fan,

Henry

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SXSW 2012: KID-THING

If you’re at SXSW, check out the Canon Screening Room today, at 4:45 pm, for “KID-THING,” which did well at Sundance this year.

Synopsis:

In the outskirts of Austin, the days of 10 year-old Annie (newcomer Sydney Aguirre) are filled with solitary mischief. Annie has no friends her age; her father (Nathan Zellner), a goat farmer-cum-demolition derby driver, does little parenting. Playing in the woods one day, she hears a plaintive call for help from a woman (Oscar-nominated actress Susan Tyrell) in an abandoned well. Though Annie feels driven to visit the well daily, she is unsure about how to deal with the woman’s plight.

Brothers David and Nathan Zellner have made an exciting discovery in Sydney Aguirre, an extraordinary child actor who gives Annie a rich inner life. The Zellners return to the festival for the seventh time, most recently with the acclaimed 2008 feature Goliath and last year’s irreverent short Sasquatch Birth Journal 2, with this carefully observed film that is both harsh and poignant, but one that retains their idiosyncratic humor.  Atmospheric and visually striking, KID-THING is a haunting fable that explores the choices an isolated child might make when left to her own morality-free devices.

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AVENGERS Are On Their Way………MAY 4, 2012

“THE AVENGERS” will be in with us soon. So, when does it come out? Honestly, I think that is the one question most people come back to, “Now, when does it finally come out??” Well, it’s MAY 4, 2012!! Don’t forget that date! If you’re somehow still new to this, Marvel and Disney have gone all out with this epic event. I really don’t expect to be disappointed.

It will be something to see, no doubt, for any movie fan. Quite possibly, “CAPTAIN AMERICA” was, and may end up remaining, the best of the bunch with such a solid and compelling story and acting talent. Then there’s the whole Robert Downey Jr. factor. “IRON MAN” would simply not be totally cool without him. Still, it’s all been leading up to this one big movie. How can you go wrong with Samuel L. Jackson? He could even make “SNAKES ON A PLANE” into something special. No, this time around it is really all about the Joss Whedon factor. How will Mr. Whedon handle this project? That’s the big deal, of course. We’ll all find out starting May 4, 2012.

Press goodies follow:

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DALE & THOMAS Have Got You Covered for Holiday Care Packages

Comics Grinder loves a good snack and we are amazed with the wide variety of goodies coming from Dale and Thomas Popcorn.  A new care package from Dale and Thomas arrived at Comics Grinder headquarters  and it has us in a very good mood. “Chocolate n Caramel” got our taste buds all excited. It brought to mind a seasonal favorite from Starbucks, their famous “Salted Caramel Mocha.”

Then we got a nibble of “White Chocolate n Peanut Butter” and this was utterly delicious. The way the two distinctive flavors of white chocolate and peanut butter blended with the popcorn was a joy. With each new bite, we were greeted by an unexpected sensation of peanut butter tucked under a drizzle of white chocolate.

“Southwest Cheddar Chipolte” proved to be a wonderful switch to something savory. It has a little kick to it but nothing we wouldn’t expect from a mild salsa. It had us thinking that this popcorn treat would easily make a welcome replacement to our regular chips and salsa. Now, we’re not going to totally replace our chips and salsa but we will be giving this popcorn more of our attention.

An all-time classic not to be forgot: “Dale and Thomas Kettlecorn!” Yes, the name says it all. If you’re looking for good old-fashioned kettle corn, then why not the best? This stuff will melt in your mouth. It’s the good stuff. Like all Dale and Thomas products, it’s fresh and delicious and it’s kettlecorn!

This brings us to full circle because the last two remaining treats could be looked at as a splitting of the first combination of chocolate and caramel. Why not focus on each flavor separately? “Dale’s Caramel” has an alluring name and it turns out it lives up to it. When you want to keep it basic and enjoy a perfect blend of salty and sweet, this is the way to go. And then there’s “Twice-As-Nice Chocolate DrizzleCorn,” which, as you would be correct to believe, it another deliciously awesome, “twice-as-nice,” treat.

You simply can’t go wrong with Dale & Thomas and this is one of the best times to share the popcorn joy! There is such a selection of holiday packages to choose from on the Dale & Thomas Web site. You have everything from handy little gifts as stocking stuffers to an impressive selection of packages based on themes and taste buds! And this from the editor and your host: “I see a lot of movies and read a lot of comics and I can’t think of a better movie or reading snack than Dale and Thomas Popcorn. It’s a great all-around snack.”

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Superheroes: Real and Surreal

Part of the appeal of superhero comics, for a lot of readers, is that it satisfies a desire to live the superhero life through the pages of a comic book. But what happens when that’s not enough, when a reader wants to be a superhero for real? There are two places to go for answers starting this week: HBO’s new documentary film about real life superheroes entitled, “SUPERHEROES.” And the highly acclaimed movie, “SUPER,” has become available on DVD and Blu-ray. Both the documentary and the movie present people on the edge and they make a perfect set to watch one after the other.

HBO’s “Superheroes” presents the lives of a variety of people who have chosen to take things into their own hands. They range from the quiet and hesitant to the clownish to the earnest do-gooder. At first, the question that remains hanging in the air is, Will these guys ever actually do anything? The answer takes a little time. But, one thing is for sure, you get hooked in and want these guys to succeed. Reality bites, even real superheroes, or especially real superheroes. One masked avenger sets himself up when he goes into detail on what his typical day might be like, “I would have some breakfast, I would say good morning to my girlfriend.” Here, the interviewer stops to ask him if he really does have a girlfriend. The real superhero sighs, “Well, no, I was just speaking metaphorically.”

As we get to know all these characters, we see that they’re not so different from anyone else and have a genuine need to help others. Mr. Extreme, a 33-year-old security guard, can’t get the full support from his own parents for his superhero activity. His mom thinks he never looks out for himself. It’s tough for even the most organized superhero collective, The New York Initiative. They walk a fine line of entrapping others with their Bait-Patrols. And they don’t seem to ever make a catch. But it’s all a waiting game. When the group least expects it, they are on the spot to prevent a drunk driver from causing greater harm. And, just when Mr. Extreme is having his doubts, he discovers that his actions have helped to solve a high profile crime—well, not directly but still, it’s something.

“Super,” written and directed by James Gunn, is a great slap in the face to any real superhero movement and just about anything else. In the same spirit of anarchy as “Kick-Ass,” this movie goes for the jugular without hesitation. It is a rabbit punch to the gut that any nerd would gladly take coming from the run away star of the movie, Ellen Page. Her sidekick, Boltie, to Rainn Wilson’s, Crimson Bolt, is truly inspired. Between the two of them, crime still has a chance but it might stop to consider the consequences. While fairly inept, Crimson Bolt is fearless about attacking someone with his trusty wrench. It’s during a frustrating wait in line to see a movie that we see the character of Frank first defy the “with great powers comes great responsibility” rule. Someone cuts in line and Frank becomes livid. It goes completely against is code of ethics. After yelling at the guy and seeing that’s going nowhere, Frank runs to his car to turn into Crimson Bolt. He promptly goes back and, with his wrench, beats the hell out of the guy who cut in line. It’s at that point that we’ve crossed into “Clockwork Orange” territory.

It’s only after Frank has gotten his focus and is less liable to harm innocent bystanders, that he reluctantly teams up with the girl from the comics shop, played by Ellen Page. Libby is impressed beyond words to find out that the superhero who has run amok and become a local celebrity is none other than Frank, the guy who works at the local diner. The two had already become friends as Frank had enlisted Libby’s help in researching superheroes. Once Libby discovers that Frank’s wife, Sarah, played by Liv Tyler, may have been abducted by a local gangster, Jacques, played to perfection by Kevin Bacon, there’s nothing that will stop her from being by Frank, or rather, Crimson Bolt’s side. Before Frank realizes what has happened, Boltie is dragging him along to help her seek revenge on a guy who has stolen from her. They end up ransacking the boy’s home and nearly killing him only to find out that maybe Libby wasn’t sure he was the boy she was after. Crimson Bolt tries to control his sidekick and pleads with her to follow his lead. A typical patrol turns out to be the last thing Boltie needs. She yells out, “This is boring!” It’s only some form of hyper-reality that will satisfy Boltie which is just fine for this very surreal superhero movie.

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Ellen Page is all the Rage in SUPER

The highly acclaimed, high-octane surreal superhero movie, “SUPER,” by writer/director James Gunn, is out now on DVD and Blu-ray. If you’re serious about fighting crime, go buy yourself a DVD or Blu-ray now.

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COMIC-CON 2011 Memo #6: Carey Mulligan

“DRIVE” is another hot movie that was promoted with style at Comic-Con. Carey Mulligan is definitely one very good reason to see it. All the stars from the flick came out to party and give back some Hollywood magic to the fans.

Film District pulled out the stops with a swank Comic-Con party:

“DRIVE” speeds into theaters September 16.

You can see the trailer here.

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The Great Gatsby, New and Improved, in 3D

The news of the last big role to fill in Baz Lurhmann’s “The Great Gatsby” has been announced. The pivotal character of Tom Buchanan will be played by Joel Edgerton, known for his work on the last couple of installments of the “Star Wars” trilogy. At first, the idea of yet another movie version of “The Great Gatsby” with an all-star cast, and in 3D, sounds like a terrible joke. But this project has all of Tinseltown talking, especially Lurhmann’s home of Sydney, Australia, where the movie will be shot. And, if you know Lurhmann’s work, then this “Gatsby” makes perfect sense.

The naysayers either want to be unreasonable haters or just don’t get it. They will, undobtedly, have major problems with the 1974 classic “Gatsby” starring Robert Redford as the most misunderstood of tycoons. I do like how Roger Ebert articulates his case against the movie. His review concludes that the Redford movie is too focused on visuals and light on making us feel for the characters. Well, it’s possible that the director, Jack Clayton, missed the mark but I really doubt it. He was known for bringing literary works to film. I remember his “Gatsby” doing everything a good film adaptation should do. Redford played Gatsby as an enigma and that’s what Gatsby is. And, for crying out loud, the screenplay was by Francis Ford Coppola. Mr. Ebert, God love him, is too much the curmudgeon. It comes as no surpise that Luhrmann’s audacious “Romeo + Juliet” offends him. Luhrmann takes things much further with the visuals and the flash than your typical purist can tolerate. But that is the fun and the magic behind what Luhrmann calls his “red curtain” style where he takes a familiar story and places it in a hightened sense of reality much like a Bollywood movie.

I am definitely looking forward to this one. The all star cast promises to make this a big deal. Leonardo DiCaprio as Gatsby is an excellent choice. Same with Tobey Maguire as his confidant, Nick Carraway. And it will be a treat to see Carey Mulligan as Daisy. I think she was utterly spectacular in “An Education.” She will undoubtedly fill Daisy with a special sense of vulnerability. This will be an eye candy spectacle. And, in its own loopy way, it will likely do a fine job of honoring F. Scott Fitzgerald’s 1925 masterpiece. The more I think about it, the more I’m ready to speculate on what Luhrmann will do next. The Bible? It worked for Cecil B. Demille. I think the beauty of taking on “Gatsby” is that it is such an accessible book, and should be familiar to many who did their homework or, believe it or not, actually read it just for pleasure.  

Lastly, I’m still not quite sure how 3D is going to enhance the experience of seeing Luhrmann’s “Gatsby.” I do see how his “Moulin Rouge” might be enjoyed in 3D. In general, I am not a huge fan of 3D. I saw “Thor” in 3D and only found a few instances where it really added anything more than if I’d seen a regular version. Considering how low-key the story of “Gatsby” is, it will be interesting, maybe unintentionally amusing, to see “Gatsby” in 3D. But I wish Luhrmann the best with this. It really should be something to see.

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Watch All Star Superman

“All Star Superman” is one of the very best stories in comics created by two masters in comics, Grant Morrison and Frank Quitely. The animated feature is a worthy tribute to this landmark in comics. “All Star Superman” releases February 22, available on DVD, Blu-Ray, On Demand and for Download. Read my review at GeekWeek.

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The Day The Movies Died

There’s a wonderful article in the February issue of GQ to help keep us all honest about going out to the movies. While the writer, Mark Harris, backpedals a little at the end and points the finger back at us, the moviegoers, for a bit, overall his thesis is spot on: Hollywood is not in any hurry to make any movie it considers a risk and, nowadays, an original thought-provoking and artistic movie is the least appealing project to bankroll. Even something as amazing as “Inception” would be passed on unless, of course, it was “Inception 2.” What is welcome is something familiar, something that already is a brand. In fact, the movie itself needs to be a brand. So, yeah, we are at the mercy of marketing which means as many Pirates of the Caribbean movies as humanly possible. We may have reached critical mass with that franchise.

Here is a delightful snippet from this think piece. Here, it is discussing demographics:

That leaves one quadrant – men under 25 – at whom the majority of studio movies are aimed, the thinking being that they’ll eat just about anything that’s put in front of them as long as it’s spiked with the proper set of stimulants. That’s why, when you look at the genres that currently dominate Hollywood – action, raunchy comedy, game/toy/ride/comic-book adaptations, horror, and, to add an extra jolt of Red Bull to all of the preceding catagories, 3-D – they’re all aimed at the same ADD-addled, short-term-memory-lacking, easily excitable testosterone junkie. In a world dominated by marketing, it was inevitable that the single quadrant that would come to matter most is the quadrant that’s most willing to buy product even if it’s mediocre.

Marketing doesn’t care one scintilla if what they’re pushing is any good. We know that, don’t we? Well, when I see “we,” I am assuming you agree that Hollywood generally sucks and that much, too much, of what is offered up to the general public as entertainment is questionable. It wasn’t always like that. There is oh so much written about that golden age of movies, back in the ’70s, when daring and intelligent movies reigned. And that went downhill when “Jaws” and “Star Wars,” both fine films in their own right, ushered in the concept of summer blockbuster movies. That began the downward spiral to fixating on movies as product to be pushed on as many rubes as possible. It led to the idea of spawning movies from old TV shows, which led to movies spun from just about anything that was already a brand. Soon, we’ll have a movie based on The Magic 8 Ball. Everyone knows what that is, right? Marketing smells a winner. Is the famous toy a metaphor for a bigger truth? No, that sounds too much like an arthouse film. It’s just going to be a movie about a toy and some fun stuff happens: some car chases, explosions, T&A, violence, comedy, and we’re done.

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