October sees a lot of Batman comics and “Gotham Academy” is one particularly good comic from DC Comics that you will want to check out. What is noteworthy about this one is it really strikes an authentic girl power chord. Every page rings true. You can thank the writing team of Becky Cloonan and Brenden Fletcher. I recently interviewed Cloonan and, as you may know, she’s sure to deliver with girl street cred. Art by Karl Kerschl; Colors by GeyseR; and Cover artwork by Karl Kerschl. Everyone delivers the goods here.
Becky Cloonan is a masterful cartoonist. She has a very loose and confident line that comes from years of love and practice of the comics medium. Ink gets in the blood and, like a painter, you’re always ready for your next chance to put brush to ink and paper. Becky Cloonan adds another short story to her Ink and Thunder presence at ComiXology Submit with, “The Demeter,” which runs 31 pages, and you can purchase for only 99 cents here. It is supposed to be the third and final book of a trilogy. While all three books under the Ink and Thunder umbrella are not related, they all share a similar spooky vibe.
Cloonan’s love of ink is infectious. She keeps creating opportunities to dive into that ink. Her artwork is gorgeous and her stories are platforms that allow that artwork to flourish.
That’s not to say that the stories aren’t compelling in themselves. Having read the three books she has with ComiXology, “Wolves,” “The Mire,” and now, “Demeter,” all three are very impressive, and even poetic, horror stories. Cloonan is a pro and she’s managed, over the years, to tap into some quality storytelling chops. She’s as good with words and she’s with artwork. “Demeter” runs very smoothly and naturally. At its heart, it’s a simple little story told with elegance and nicely paced. It’s a cautionary tale warning you to be careful about what you wish for.
Like Paul Pope, you get that unique view from one person as artist and writer. The words, the story itself, comes that much closer to the art compared to a team of artist and writer. That’s just how it is, no matter how closely a team works together. Only you know exactly how to scratch that itch. You can see it on the page.
“Demeter” is far and beyond well worth the price of admission. So, if you haven’t already, you definitely want to go ahead and get the other two books, similar in size and same price point. Just visit ComiXology here.
If you’re into comics, there’s a very good chance you’re a fan of Brian Wood. Here’s your chance to get the comic that started it all. Oh, yeah, you’d also most likely be a fan of Becky Cloonan too.
Watch for CHANNEL ZERO. The press release follows:
DARK HORSE COLLECTS CHANNEL ZERO!
THE DEFINITIVE COLLECTION OF BRIAN WOOD’S FIRST SERIES!
December 12, MILWAUKIE, OR – Out of print and unavailable to readers for more than three years, Dark Horse Comics is giving new life to a critically acclaimed classic with the complete collection of Brian Wood’s Channel Zero!
DMZ and The Massive creator Brian Wood launched an all-out assault on the comics medium in 1997 with Channel Zero, an influential, forward-thinking series that combined art, politics, and graphic design in a unique way. Hitting on themes of freedom of expression, hacking, cutting-edge media manipulation, and police surveillance, it remains as relevant today as it did back then.
The Channel Zero collectioncontains the original series; the prequel graphic novel, Jennie One (illustrated by Becky Cloonan); the best of the two Public Domain design books; and almost fifteen years of extras, rarities, short stories, and unused art. Also featuring the now-classic Warren Ellis introduction and an all-new cover by Wood, this is the must-have edition. A blistering take on media control in a repressive future America!
“Channel Zero is literally the start of my comics career, the first proper comic I ever made, and as such as informed everything that’s come after it, especially DMZ and the upcoming THE MASSIVE.” Tells Brian Wood. “It also put me and Becky Cloonan together, helping build a creative partnership that has lasted a decade. This edition here is the definitive one, including everything worth printing, including a color section that includes the original covers to the single issues.”
Praise for Brian Wood & Channel Zero:
“Wood’s message is clear enough: apathy is the real enemy, and it is harder to fight than any totalitarian government.”—Wired
“It’s about anger as a positive force of creation…Someone’s remembered what comics are for. Meet Brian Wood.”—Warren Ellis, award-winning writer of Planetary
“Dramatic Black and White visuals…Controlled sense of rhythm.” — I.D. magazine
“Your handbook for the media revolution.”—Eyeball magazine
“Strangely prescient… lucid and sharp” – Matt Fraction
“A seemingly endless barrage of powerful art” – Newtype USA
“Fascinating… this is a paranoid future Grant Morrison could not conceive of” – Comics International
The Channel Zero Collection is on sale May 30th, 2012!
