Comics Grinder

Like any great museum, The Hollywood Museum has earned its reputation. It is Hollywood’s attic, with the most extensive collection of Hollywood memorabilia in the world. The museum, featuring four floors of breathtaking exhibits, is home to more than 10,000 authentic show biz treasures to delight any movie lover and anyone interested in the history and glamour of Hollywood.

Like the ocean, the limelight is a force of nature without feelings. It just shines. A few mere mortals become stars under its beam. A select few of these stars, like Charlie Chaplin and Marilyn Monroe, feel the radiance and the burn of the light and then transcend it to gain immortality. The Hollywood Museum proves to be a most attractive venue to gaze upon, and learn about, the stars.

A most charming fact about the museum is that it is housed in the former legendary Max Factor salon. That was a veritable dream factory! You will see beautiful exhibit rooms in what once were the three separate salons for treating blondes, brunettes, and redheads. From there emerged such iconic beauties as Marilyn Monroe, Elizabeth Taylor, and Lucille Ball.

It’s uncanny how the Max Factor connection is inextricably linked to the museum on many levels: image, beauty, stardom, style, fashion, and glamour.

Max Factor and Marilyn Monroe certainly go well together.

There’s a wonderful mix of permanent and temporary exhibits on view. “Tyrone Power: Man, Myth & Movie Idol,” closing this weekend, is an excellent show covering the actor’s life and work in great detail.

You won’t leave without adding numerous new movies to your must-see list, like “Marie Antoinette,” starring Tyrone Power and Norma Shearer.

You will rediscover, or discover for the first time, such stars as Theda Bara.

You can easily wander through the memorabilia and absorb some history on the run. Check out the replica of the Lasky-DeMille Barn, one of Hollywood’s first film studios. You won’t leave without having a fuller appreciation of Hollywood.

The Pee-wee Herman exhibit! Yes, this place is full of surprises.

If there’s room for Pee-wee Herman’s suit and bike, then you know this is the right place.

Whatever your taste, there is something for everyone at the museum. While I’m a movie buff who favors old Hollywood, you’ll find young Hollywood here too for sure, like the above exhibit for “The Hunger Games.” There is so much more I could have covered. I didn’t even go into the Hannibal Lecter exhibit. You’ll have to come see that one for yourself.

The Hollywood Museum is in the Historic Max Factor Building located at 1660 N. Highland Ave. at Hollywood Blvd. For more details, visit our friends at The Hollywood Museum right here.

AN AMERICAN DIVIDE.

“Giant” is not quite as spectacular as “Gone with the Wind,” but it certainly holds its own. Both are colossal movies in star power, production, and size. “Giant,” however, is in a class all its own as it addresses head-on the curious relationship between the United States and Mexico and beyond. It is a powerful indictment on intolerance, expressed boldly and with audacity. And in 1956!

YOU DO NOT BELONG HERE.

The whole movie can be boiled down to one scene. In fact, the movie could very well have been made simply for the sake of this one scene. You may know it, or know of it. It’s easy to do a quick search and watch the clip on YouTube. But, like most things in life, we gain from digging deeper. You simply must see the whole movie to appreciate its significance. Like I say, this movie came out in 1956. We Americans still have much to learn, as a whole country, don’t we? Some people think all we need to do is build a wall.

HOLD ON THERE!

By the time we get to that momentous confrontation in a modest roadside diner, the main character of Jordan “Bick” Benedict (played by Rock Hudson) has grown by leaps and bounds as a human being. The suggestion is that so could America, as a whole, and anywhere else there is ignorance and hatred. It was there then. It is here now. We just pretend it doesn’t exist, at least too many of us do. That’s what Bick did. He never acknowledged, let alone cared about, all the Mexican people around him. He was the patriarch of a cattle empire in Texas. That’s all that mattered. Even if Mexicans worked on his ranch and cared for his children, as far as he was concerned, they didn’t really exist. So, if any harm came to them, that wasn’t his problem.

WE HAVE US A FIGHT!

Some people assume all is well with the world as long as they are doing well. They cannot, will not, see beyond what they consider to be important. Maybe it’s a sewing circle, or collecting recipes, or a family pet. In the case of Bick, all that mattered was the family estate of Reata. In Edna Ferber’s novel, faithfully brought to the screen by George Stevens, we find in “Giant” the sweeping epic story of Texas. We follow the Benedict family from about 1930 to 1950 and see how Bick reacts to the great transition from a focus on cattle to a focus on oil. The fate of the Mexican population seems lost in the shuffle but it is always referred to, demanding some kind of answer.

THE FACE OF A NEW AMERICA.

By the time we reach that moment of truth in that diner, Bick must act instead of just react. The precision drumbeat has begun to the rousing tune of “The Yellow Rose of Texas” on the jukebox just as Bick and his family walk in. The signal is clear, we have something big that’s about to happen. Bick’s eyes have been opened to the world. He can empathize. His own son is married to a Mexican. And they have a beautiful child, Bick’s grandson. When the family arrives at the diner, the diner’s owner is prepared to throw them out but hesitates. He barks an insult and cowardly walks away. A few minutes later, a serious confrontation is inevitable.

In just a few moments, Bick witnesses the diner’s owner manhandle a Mexican family that had just arrived. Bick is now in a position, in his mind and heart, to take a stand. As the music on the jukebox swells, Bick and the owner engage in a fight. First words, then fists, and then total mayhem. It’s the most direct and honest thing that Bick has ever done in his whole life and, to think it possible, in the defense of the Mexicans. While in may seem amazingly sophisticated and enlightened for such a major motion picture to have been made at that time, it really is not too much to ask. The tide was slowly turning towards social change. The general public, whether or not they admit so in public, know right from wrong. In fact, “Giant,” is a widely acknowledged icon. Like its name implies, it is too big to ignore and too big to dismiss.