You can steam bend pieces of alder wood to create beautiful and haunting images. The artist team of Joey Kirkpatrick and Flora C. Mace offer various compelling examples such as enigmatic birds. Their outline frames are positioned so the light casts intriguing double shadows. They beg you to ask endless existential questions. We were so lucky to view them and a wide assortment of other artworks reviewing the careers of Kirkpatrick and Mace. This show is on display through September 6, 2016 at Tacoma’s Museum of Glass.
“Joey Kirkpatrick and Flora C. Mace: Every Soil Bears Not Everything” exemplifies what the Museum of Glass is all about. Kirkpatrick and Mace met as students at the Pilchuck Glass School in 1979, at the height of the studio glass movement, and have been creating compelling work ever since. Known for their oversized fruit and vegetable glass sculptures, examples of these begin the show. We then move on to works utilizing various unconventional, or understated, materials such as alder wood.
There is an overall calming and introspective nature to this show. I don’t know that being calm is as essential a prerequisite for an artist as making daring use of unusual materials. I will say that, while glass can certainly be shattered, and we can definitely get cut by glass, the overwhelming quality of glass, the quality we seem to seek out the most in glass art, has to do with states of serenity and quiet contemplation.
Kirkpatrick and Mace consistently invite us to enter a meditative state. Whatever the medium, each piece seems to raise more questions than provide answers. Or perhaps the overriding answer is that we can only see so much. Nature will only reveal itself so much. We are left to understand as best we can. And, through art, we can attempt to express our limits.
The Museum of Glass is located at 1801 Dock St., in the heart of Tacoma’s Museum District. For more information, visit the website right here.