The Black Panther Party: A Graphic Novel History. writer: David F. Walker. artist: Marcus Kwame Anderson. Ten Speed Press. 2021. 192pp. $19.99
There’s the myth and then there’s the reality. The fact is that the core of what became known as the Black Panther Party began in 1966 in Oakland, California, under the leadership of Huey P. Newton and Bobby Seale. But there are a number of other facts that add up to give you the full picture. That is what this graphic novel does so well. Step by step, the reader gets a historical context and an in depth exploration into the lives of very real people.
The truth is that Bobby Seale and Huey P. Newton, despite any human shortcomings, became consequential and transcendent. It did not happen overnight. And you learned as you went. The important thing to keep in mind is that the Black Panthers had purpose, real purpose that meant going out and helping the Black community. It had a manifesto and it had a newspaper. And it had guns. It was another time, of course. Back then, Seale and Newton decided to test the existing gun laws in California which allowed the open carrying of firearms. It won’t be lost on any readers that open carry laws still exist in some states with Texas having some of the most lenient gun laws in the United States.
One scene in this book that provides a window into the making of the Black Panther Party is when a group of members led by Seale decided to voice their concerns at the state capitol in Sacramento. The goal was to act as representatives of their organization, complete with their militaristic attire and guns, and protest a proposed bill that would outlaw carrying loaded firearms in public, a direct response designed to disarm the Black Panther Party. The protest did not go as planned. Seale and his group, meaning to sit in the public assembly chamber, ended up opening a door that placed them on the main floor. They were immediately disarmed and escorted out. But they had the full attention of the press and so Seale’s protest was not in vain.
The compelling script by David F. Walker and the equally engaging art by Marcus Kwame Anderson bring history to life for the reader through a steadily paced narrative, informative profiles, and numerous examples of the interconnections between then and now. Progress is slow. In some cases, it is surreal as in lynching being outlawed only last year, in 2020. Hills keep being climbed and issues keep being confronted, like equity and police brutality. But you can’t chart the future without understanding the past.