Monthly Archives: April 2012

BUFFY THE VAMPIRE SLAYER SEASON 9 #9 Review

The second chapter to “Apart (Of Me)” teases out a little more of the tension between Spike and Buffy and gives us on eyeful as to what some people (Andrew) think is best for Buffy. If only Buffy, as a plucky mere mortal, could get it together and buy into the American Dream by getting a mortgage on a two-bedroom starter home stocked with IKEA furniture! That is Andrew’s dream for Buffy. And, ever since his amazing and disastrous “plan” to keep Buffy safe, he has managed to secure only part of it, “part” being the key word here. Buffy’s programmed body had been made secure in the suburbs, until it was kidnapped, while Buffy’s mind was encased in a bot! So, for the purposes of this review, “Buffy” is the one encased in a bot. And “the other Buffy” is Buffy’s body programmed to believe it has a personality. A bit confusing, no doubt, and a bit of a mystery as to how this was going to keep Buffy safe in the first place!

Buffy observes that the space in Buffy’s “dream home” that is designated as an office is in between a bedroom and a bathroom. Is it possible that the other Buffy might have plans for a nursery in the future? Spikes dismisses that as rubbish. But Buffy begs to differ. Indeed, there are two Buffys with their own ideas on what is real and what is rubbish.

And then, quite abruptly, Andrew reveals that he has placed a tracking device in the other Buffy’s necklace. That seems rather convenient but plausible. It’s an intimate chocker that she might like to keep close to her body indefinitley. Whatever the case, that’s what they’re working with.

Circumstances being what they are, it makes sense that things would have cooled down for Spike and Buffy. Buffy is simply not herself! However, there is a scene with Buffy trying to reach her friend, Dawn, on the phone and Spike casually asks if Dawn is aware that she is no longer going to become an aunt, at least, not yet. Yep, mark that as a tease for what my lie ahead for those two. Spike, for his part, remains protective of Buffy and has his own ideas to work through. That leads to a nice little dust up when Buffy pulls away from Spike and, given that she’s part robot, tells him she isn’t exactly all that vulnerable. But she may regret those words. Inexplicably, she takes things too far in the other direction and is barking orders! Andrew and Spike, feeling rather guilty, just follow along but maybe that’s not such a good idea. In what seems like a nod to Joss Whedon’s recent movie, “The Cabin in the Woods,” Buffy decides to split up the group as they zero in on the other Buffy and her captors. Andrew and Spike obey. And then Andrew thinks it over. Hasn’t Buffy seen enough horror movies? he asks himself. Doesn’t she know that splitting up the group is the last thing you should do?

“Buffy The Vampire Slayer, Season 9,” issue 9, arrives May 9. Visit Dark Horse Comics.

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TOP SHELF GRAPHIC NOVELS NOW AVAILABLE ON KOBO Plus News About Top Shelf E-Convention

Top Shelf Productions is having itself a huge digital comics party. Along with being at two major comics conventions this weekend, it is also offering readers a special e-convention. Among the digital comics news, Top Shelf graphic novels are now available on Kobo. For more details, read on:

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DARK SHADOWS, A Television Classic Led By A Masterful Actor

The news of the death of actor Jonathan Frid, the star of the television cult hit, “Dark Shadows,” is quite saddening. It is also ironic that the end came for Mr. Frid with one last moment in the spotlight, a cameo in the upcoming Tim Burton movie, acknowledging his work as Barnabas Collins. As a Shakespearean trained actor, with a Masters in Directing from Yale, Mr. Frid easily dominated every fiber of the gothic soap opera that made his name. There is little doubt that Mr. Frid did not have his sights set on becoming a daytime TV fixture and then have that role haunt him for the rest of his life. However, he clearly made the most of it. I recently had the chance to view his early appearances, as well as others through the show’s run from 1967 to 1971, and he clearly lights up the screen.

“Dark Shadows” was already 200 episodes in, and had yet to click with viewers, when Mr. Frid made his first appearance and took the show to new heights. To the show’s credit, and Mr. Frid’s, it never feels like he’s an actor performing in a vacuum. He embraces the show and the show embraces him. From his first hesitant gestures, refined mannerisms, he charms and intrigues the viewer. He appears gentle and yet sinister as well.

Barnabas Collins is the strange and mysterious long lost relative who has come back, quite unexpectedly, to reclaim his rightful place among the family estate, Collinwood. His arrival is very understated. He wishes to not be a bother however he remains firm on his demands. He will live in “the old house,” the decrepit remains of the original family home. No one questions his wishes. If anyone should live there, it should be him. Mr. Frid does a wonderful job of appearing demure and threatening, almost at the same time. In an early episode that finds Barnabas Collins chatting with a waitress in a diner, he presents himself as a sweet and overly polite misfit. He lets the waitress know about his beloved possession, an antique cane with a gold and silver handle and promptly leaves it behind forcing the girl to seek him out. She ventures to the old mansion with her boyfriend. Barnabas is again quite apologetic and a bit bumbling until he finds out she brought her boyfriend along! His demeanor turns dark but she doesn’t notice. Then, much later, once she’s home, she is terrified by an overwhelming feeling that someone is watching her. We cut to a close up of Barnabas intently staring out into the distance. It’s a lovely episode, a perfect example of a clash between low and high art that results in something unique.

In many ways, the most interesting thing about “Dark Shadows” is how a highly trained actor like Mr. Frid navigates his way through what is essentially a low rent, conventional and lackluster program. As if by magic, it somehow works. It reminds me of Dustin Hoffman’s role in “Tootsie” as a down and out talented actor who, out of desperation, pretends to be a woman and becomes a hit on a soap opera. His acting chops are superior to his castmates and, while he was initially only looking for a job, his skill and passion for his profession make it impossible for him to not give it his all. It’s too bad that Mr. Frid could not have had a role in such a movie. But, in a sense, he did.

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HOW TO LOVE Actus Comics Anthology Review

“HOW TO LOVE” is one of the anthologies put together by the Israeli artist collective, Actus Comics. This one first appeared on the scene in 2007 and might be considered the group’s best effort yet. I happened upon it recently and thought I’d say a few words about the opener. Batia Kolton’s “Summer Story” begins the collection and graces the cover. It is all about pent-up teen angst and sexuality as the summer sun beats down. Kolton’s linear style reminds me of Rutu Modan’s work, like her celebrated, “Exit Wounds.” The story has a light touch as it explores the inner world of young women, particularly, Dorit, a pre-teen, curious about sex and romance. Her family end up taking a neighbor girl with them on their routine weekend at the beach. The girl, a few years older and familiar with boys, has become a legend in Dorit’s eyes. It doesn’t take much for Dorit to humbly tag along when the girl casually suggests that they take a stroll. In only a few moments, the girl has a new boy to play with and Dorit is no longer welcome. But her exit will not be so clean when a stray matka ball whacks her in the head. She is knocked out and suddenly, but only briefly, is the center of attention. The experience does little to transform her, she is still the same goofy kid, but it gets her one small step closer to the real world. You can pick up a copy at Amazon.

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KUBERT SCHOOL JOURNAL: INKING LESSON ONE

The Kubert School is the place to go to refine your cartoonist chops. I decided to give their correspondence course a try and start in with their inking course.

Here are some introductory observations as I take the plunge. First of all, if all you had was the kit that arrives in the mail, you literally would have everything you need to complete a course. In a pinch, you can even use your box, that acts as your toolkit, as a makeshift drawing surface. There is a wealth of instruction and wise advice packed into the textbook and DVD. The supplies are what the pros use. I was very pleased to be reintroduced to such items as Pro-White and a mechanical pencil. It’s really quite an exciting presentation for those new to, as well as for those familiar with, cartooning.

Go to The Kubert School site to learn more about the actual campus. And, of course, there’s plenty of information on the correspondence course. You can even see some samples of what the critiques are like that you will be getting in response to your homework assignments.

For instance, here is one student’s work:

And here is the critique:

Now, let’s look at how I did with the first lesson in Inking. My assignment was to create textures……

Okay, now here’s the crit I got back:

It’s interesting to see where I went wrong and how I can improve! A serious course like this can feel a bit like walking into the lion’s den. But that’s fine. I want to get straight feedback. For instance, the instructor caught one mistake I should have known better to avoid. I referenced a T-Rex skeleton when I should have used a full-bodied one. No wonder he added meat to the bones of my drawing!  So, that was Lesson One, an all-around introduction. Now on to Lesson Two which will take a deeper look at backgrounds and textures.

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FOOD: JEMIL’S BIG EASY in SEATTLE (byway of NEW ORLEANS)

JEMIL’S BIG EASY is yet another foodie’s dream come true here in Seattle. Jemil’s is a very appealing, authentic New Orleans food truck with a flavor and style so good that you’ve got to try it if you’re nearby or need to make a special trip to see them. The “Big Easy” truck is currently located in South Lake Union during the week and in Wallingford on Saturdays. From the moment you see the brightly painted yellow truck, to the friendly service and, of course, to the impressive selections, you know you’ve just suddenly popped into New Orleans hospitality and amazing fare. A catfish po boy has always been the way to my heart. Jemil’s catfish po boy is lightly coated, tender and quite flavorful. That first bite lets me know the chef is in love with his work. Wrapped in french bread with lettuce, tomato and dressing, this mighty catfish treat is a 100% delight. And, yep, they have other po boys too including shrimp and oyster!

But there’s so much more! Chef Jemil Aziz Johnson is a master chef. He’s been cooking for over twenty years in New Orleans, Seattle, Dallas and throughout Europe. He has won several awards including Best Entree and Best Dessert at the Bite of Seattle and Seattle’s Best Appetizer for his Crawfish Beignets. For those of you in the know, beignets are traditionally a sweet pastry. That savory variation is definitely welcome. The Big Easy truck is not currently offering this treat but, instead, try the Crawfish Monica, a cajun pasta dish out of this world. Or try the jambalaya, red beans and rice, gumbo, étouffée, or a sure-fire hit, the number one New Orleans sandwich that’s sure to please, The Muffaletta! And leave room for a bread pudding with whiskey sauce. I just can’t believe how lucky we are to have such an amazing food truck and catering service here in Seattle.

UPDATE: Keep on reading and viewing a few more pics.

So, I went back to get some dinner items: Jambalaya and Crawfish Monica! Plus Bread Pudding with Whiskey Sauce. I can report that the jambalaya is packed with rich Cajun flavor. It’s a heavenly experience. It has just the right kick to it.

The Crawfish Monica will have you in paradise as you dwell upon the silky cream sauce, the spinach and mushroom, the crawfish, all dancing upon a bed of pasta.

And then, to top it all off, the bread pudding with whiskey sauce. It’s just a hint of whiskey, mind you, but that’s all you’d want. It is one of the best bread puddings I’ve ever tasted and I really enjoy that sort of stuff, you know, custards and such. What a truly authentic Cajun meal.

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COMICS GRINDER DEFINED

Comics Grinder

/ˈkämiks

ˈgrīndər/  noun.  A device used primarily to grind high and low culture to create curious miscellany including comics.

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DARK HORSE COMICS Announces New “SPIKE” Series and New “WILLOW” Series

Dark Horse Comics adds two new spinoffs to its “Buffy The Vampire Slayer” universe: a new “Spike” series and a new “Willow” series! “Spike” #1 comes out August 22, 2012. “Willow” #1 comes out November 21, 2012.

Details follow:

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Review: THE CABIN IN THE WOODS

“THE CABIN IN THE WOODS” is great for all the added dimension it offers up as a horror movie. Joss Whedon and Drew Goddard wrote the script and Goddard directs. These are the talents that brought you “Buffy The Vampire Slayer,” which shares the same enlightened view of horror. And that is what you get from this movie, an enlightened view, with a determinedly droll sense of humor.

For true Whedon fans, there’s the added bonus of having two actors in this movie from perhaps Whedon’s most daring televison show, “Dollhouse.” That is Fran Kranz, as Marty, the stoner, a sort of Shaggy-like character in the movie. And Amy Acker who plays, Lin, a technician back at “headquarters.” And, yes, there is a headquarters! We do indeed have a detached monitoring of events going on. It’s in the trailers and it shouldn’t come as a surprise anyway. “Cabin” not only shares actors but it also shares a high concept style similar to “Dollhouse.”

The idea here is that the movie takes the tropes of horror and looks at them from a different angle. That’s where the “high concept” stuff comes in. Apart from that, any movie that brings life and character to the slasher/horror genre is going in the right direction. “Cabin” sets itself apart by not only taking apart the horror genre but by embracing the slower character-driven moments.

There’s an excellent moment, perhaps the most talked about one, when the Scooby gang stop at a rundown gas station in hopes of filling up their monster RV. It’s an excellent scene, with an edge to it and without an ounce of blood spilled. Everyone is prowling around when, out of the dust and cobwebs, emerges a ghoulish-looking old coot. This is Mordecai, played to perfection by Tim de Zarn. He can’t help himself from, within seconds, completely alienating the happy youth. And then he has to cross the line and call the sexy girl in the group a whore!

That’s it. The gang is really upset. The jock in the group can only offer up a threat. But it’s the stoner of the group that goes about putting the old loon in his place with one conscending remark after another. You want the scene to go on some more but it’s time for the gang to move on and disregard the crazy hater’s dire warnings of impending death that await them if they should choose to continue to their most unlikely “fun” destination, a secluded cabin said to be haunted and in great disrepair, in the middle of nowhere. Hey guys, that awful guy is trying to help you!

Another pretty amazing scene, if only for being such an outrageous non sequitur, is the love scene between the sexy girl, Jules, played by Anna Hutchison, and a stuffed wolf. The gang is playing “Truth or Dare.” On a dare to make out with the stuffed animal on the wall, Jules gives it all she has from acting out her first coy encounter to rolling her tongue up and down and all around inside the dust and fur that is taxidermy. It’s such a strange moment that is supposed to leave you feeling more uneasy than turned on. If you find that hot, it begs the question of whether or not you’ve seen too many horror movies. It also demonstrates that sex can be more threatening and disorienting for some viewers than depictions of murder and bloodshed. A little twisted sexuality never hurt anyone but, in your typical horror movie, it’s the free-spirited and promiscuous youth who must die!

If you’re already a Whedon fan, then “Cabin” will be just what the doctor ordered. And, if you’re new to Whedon, this movie is a fine introduction which you should follow up with the two seasons of  “Dollhouse” simply because you’ve probably seen enough “Buffy” for now and you need to see more of Fran Kranz.

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ANGEL AND FAITH #9 Review

The final chapter to “Daddy Issues” gives us a close look at Faith during a break down. Will she safely come out of it? Will Angel fall with her? Drusilla holds the cards. Well, given that this is the final issue of the current arc, will are bound to get some resolution one way or another. Yeah, we still have an Angel and Faith in the game at the end. What is interesting to consider is what Drusilla and her Lorophage Demons have wrought. Is there a message here? You betcha.

It’s a pretty obvious message we’re playing with but it’s also, for the most part, an artful effort. What Drusilla is selling is something akin to Prozac albeit in quite an exotic and extreme form. She is selling a way for someone to erase the bad feelings from whatever trauma they’ve experienced but lose part of their soul in the process. It’s quiet a hot button topic to tackle but fair game for Whedon and his writers, in this case Christos Gage. Just consider the recent stepping up to the plate on the issue of abortion in the pages of “Buffy The Vampire Slayer.” The message here: Anti-depressants do have their place but they’ve become too heavily relied upon and exploited by the drug industry. Any way you look at it, it’s a bit preachy. It does give an ironic quality to Rebekah Isaac’s variant cover, don’t you think? Thank goodness for such awesome art because that gives such a lift to a heavy story. I won’t say it’s a totally heavy-handed story, but it’s pretty heavy.

And then there’s Angel’s rad nipple piercing! If you weren’t sure of what you were looking at in the last issue, Issue 9 gives us clarity on this. It is indeed an ancient Egyptian relic that allows Angel to capture remnants of Giles’s soul as they become available. In the Whedon universe, this nipple gizmo is known as a phlebotinum, a close relation to a MacGuffin, basically a plot device that you are far better off accepting and moving right along with. But I can’t help but think of The Flight of the Conchord’s song, “Bowie’s in Space” and the line, “receiving transmission from David Bowie’s nipple antennae.” It sure isn’t an easy thing to draw and make sure it reads well but Rebekah Isascs is up to the task. She can draw anything!

Issue 9 comes out April 25. Visit Dark Horse Comics.

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