Christopher Sperandio got on my radar many years ago with Modern Masters, a comic book about art that I picked up in an art museum. Subsequently, I recall stumbling upon another title, in a similar vein, put together by Sperandio and his artistic partner Simon Grennan, together known as the Kartoon Kings. This was many years before you really saw an inclusion of much of any comics in a museum setting. Well, that has changed in many ways. I wonder how much the casual observer, the infrequent museum-goer, notices. Whatever the case, the comics medium maintains its presence, stays on the public’s radar as something to take seriously. Sperandio, among other things, makes wonderful contributions that add to the comics art form, like his new book, Greenie Josephinie.
Sperandio has come a long way from Modern Masters to Greenie Joesphinie. And that is basically the framework I put to use for our conversation. Below are some notes on Sperandio’s career. I sincerely hope you enjoy this interview. I do these in depth talks as much for myself as for my audience and, in the end, it is my goal that the results help instruct and inspire, and document a bit about the ever-expanding comics and art scene. For me, the processing and discussing of these topics is like manna from heaven. I hope this exploration resonates with you as well.
In addition to putting himself through graduate school working as a truck driver, Christopher Sperandio, half of the artist team of Grennan & Sperandio, has produced 22 comics books as artworks for museums in the US and Europe. Bridging the High/Low divide, these works include Modern Masters, a cross-over comic for the Museum of Modern Art and published by DC Comics. Other works include Life in Prison and the Invisible City, published by Fantagraphics Books. He has been written about extensively in newspaper and magazines, as well as in books on the subject of art.
He has produced new collaborative and artworks in conjunction with museums and art centers in the US, Germany, Northern Ireland, Denmark, England, Scotland, Wales, Spain, and France. Commissioning institutions include MoMA/PS1, the Public Art Fund, Creative Time, London’s Institute of Contemporary Art and the Yerba Buena Center for the Arts in San Francisco. Two of the landmark art exhibitions that he participated in are listed among the fifty most influential exhibitions of contemporary art in the book, SHOWTIME. Sperandio was also the Creator and Executive Producer of ARTSTAR, an internationally syndicated documentary television series about emerging contemporary artists filmed in New York, Chicago and Miami.
Sperandio is an Associate Professor of Drawing and Painting at Rice University in Houston TX, where he founded the Comic Art Teaching and Study Workshop. CATS is a classroom, academic research resource and exhibition space dedicated to the study of Comics. Sperandio also turned a diesel bus into an off-the-grid mobile living space, but that makes him sound… idiosyncratic. For more information, please visit: cats.rice.edu
Just click the link above for the interview. And for more information and to purchase Pinko Joe, Greenie Josephinie, or other compelling titles, be sure to visit Argle Bargle Books.
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