Tag Archives: DC Comics

The Flash as Flash Drive at The Fab Heroes Shop! Plus Graphic Novels, Costumes, Artwork & More

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Did someone at DC Comics sit down to work one day and say, “You know, I got a very cool idea. Isn’t it time that someone made a flash drive that resembled The Flash? Now, wouldn’t that be truly cool? Sure, a Superman shot glass is fine. A Batman lighter is fine. But, man, just think of it, The Flash flash drive!”

Well, you can have your very own Flash flash drive, thanks to Mimoco and Fab, and you can find it here.

Hey, but that’s not all by a longshot! With San Diego Comic-Con just around the corner, this is an especially good time for everyone to be thinking about comics and superheroes. Comics Grinder has been keeping an eye on Fab and we love what we see. Check out their Heroes Shop and you’ll find comics and assorted memorabilia from Random House and Dark Horse, USB superhero thumb drives by Mimoco, superhero prints by QArt, superhero costumes by Rubie’s Costume Company, and so much more. There’s a lot of exciting things going on at Fab and we’ll be visiting them again soon.

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LEGO BATMAN: THE MOVIE – DC SUPERHEROES UNITE AVAILABLE NOW, MAY 21

Leave it up to Warner Bros. Home Entertainment to bring to life the hit video game as a full-length animated feature film. You can count on Warner Bros. to provide the entertainment. In this case, you’ve got a feature that will truly appeal to any age.

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As you can see from the sample clip above, this is something that is literally age-appriate from 3 to 103. This just released clip features Robin (hilariously voiced by Charlie Schlatter) giving chase to Catwoman. The humor is snappy with a contemporary vibe while the plot never goes dark. Sure, it’s Batman in the spotlight but, as we all know, this is a very versatile character and, for this animated feature, you’ve got him here for light action and laughs.

LEGO BATMAN: THE MOVIE is now out! Visit Warner Bros. Entertainment here.

From the press release:

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Filed under animation, Batman, DC Comics, Legos, Superheroes, Superman, Warner Bros.

Andy Diggle Leaves Action Comics

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What has to be a comics shocker, news is out that Andy Diggle has stepped down as the next writer for “Action Comics.” Even before the first issue released, Andy Diggle announced that he will not succeed Grant Morrison as writer on “Action Comics.” This is what Andy Diggle had to say on Twitter, March 20, 2013:

“Sadly, I’ve decided to walk away from Action Comics for professional reasons.

It was the toughest decision I’ve ever had to make, especially with Superman’s 75th anniversary and Man of Steel on the horizon.

But it was the right decision. No regrets. Onwards!

Sincere thanks to Matt Idelson for inviting me to follow Grant Morrison on Action Comics. I hope we still get to work together someday.

Thank you to all the fans who’ve expressed their enthusiasm in anticipation of my run.

I wish nothing but the best of luck to whichever new creative team picks up the red boots and cape.

Many of you were planning to pick up Action Comics for the first time. I hope you still do.”

Andy Diggle is an immense talent. You can currently catch his writing, teamed up again with the artist Jock, for the short series, “Snapshot,” published by Image Comics. There is also “Doctor Who” for IDW; “Thief of Thieves,” with Skybound; and “Uncanny” with Dynamite. Yes, the man is busy. But this is “Action Comics” we’re talking about! Well, some things are meant to be.

Tony Daniel, the artist for this next round of “Action Comics,” will now be both artist and writer for the remainder of the run.

Add this news to Josh Fialkov walking away as writer for “Green Lantern Corps” and “Red Lanterns.” In that case, Fialkov would not go along with plans by DC Comics to kill off a key Green Lantern character, John Stewart.

The news of Andy Diggle’s departure can only open up the wounds from Rob Liefeld leaving DC Comics while he was writer on three titles, “Hawkman,” “Deathstoke,” and “Grifter.” This story is all about alleged editorial interference with the writer and provides a window into the process. This is what Liefeld had to say on Twitter on August 22, 2012 about his departure:

Last week my editor said “early on we had a lot of indie talent that weren’t used to re-writes and changes…made it hard.” Uh, no, it’s you.

We wish everyone the best. It is unfortunate but it appears to explain a lot.

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Filed under Andy Diggle, Comics, Comics News, DC Comics, Superman

ACTION COMICS #18 Review: Grant Morrison’s Superman Finale

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If “Batman Inc. #8” was the must-have a few weeks back, then DC Comics scores again with this week’s must-have issue, “Action Comics #18.” You will notice that DC Comics decided to go with two other guys at the helm of this last issue: Nosirrom Tnarg and Selarom Sgar. You have to wonder how that happened. How can such an important issue be left with these two unknowns in charge? Oh, wait a minute, it’s Grant Morrison and Rags Morales after all – their names are backward in the credits in keeping with this story’s theme! Ha. Ha. That brings up one of the best scenes in this issue. This should not be a spoiler. But be warned, if you don’t want to know anything about this last issue. Basically, this is a chance to express some initial thoughts as we all read this together and process it.

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Filed under Comics, Comics Reviews, DC Comics, Grant Morrison, Superheroes, Superman

Batman Inc. #8 Review: Damian and The Way We Were

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Cue up Barbra Streisand singing, “The Way We Were,” to a montage of Batman and Robin images. Can you hold back the tears? Damian Wayne, what a beautiful creature, cut down at the tender age of 10.

How do you create such a lively new character, allow him to live and grow…and suddenly die? Well, the fascinating reign of Damian, Batman’s son, as Robin, came to and end in “Batman Inc. #8.” It was a highly sought after issue and a much talked about issue. Overnight, you had all these new readers curious about the latest Batman buzz outside of “Death of the Family,” the blood-splattered Joker murder marathon event. “Damian Wayne? Batman’s son?” And just as some Batman readers were pondering that concept, it is no longer on the table.

Damian Wayne, up for the fight. From #1

Damian Wayne, up for the fight. From #1

As much as Grant Morrison stretched the idea of Batman and what it means, the whole idea of Damian, as well as Batman Incorporated, never seemed to fully take hold with marketing concerns, even though it brought new life to the very thing, Batman, that requires new blood to remain viable and marketable in the first place! Well, there’s always Joker blood but still. Thankfully, Morrison has done his work and it will always be there for future writers to work with. In the end, DC Comics would appear to want to let such innovations rest for now. Maybe the problem was that DC Comics did not invest more on “Batman Inc.” Maybe “Batman Inc” just needed time and eventually an animated movie and a TV show on the WB. That could have happened but that’s a commitment and commitments can be scary.

Much commentary about this issue, oddly enough, has been made without having read it. Sadly, “Batman Incorporated” wasn’t considered a must-read by regular Batman fans until now and now we’re wrapping this puppy up in a few more issues of Batman wrath. And what’s better for a die-hard traditionalist than to add to Batman’s misery? His son, whoever he was, is dead! That makes for an even more intense Batman, right?

Damian Wayne in all "Kiss-Ass" splendor from the New 52 "Batman Inc. #3"

Damian Wayne in all “Kiss-Ass” splendor from the New 52 “Batman Inc. #3”

This is a good time to comment on the actual issue and “Batman Inc.” in general. Compare the first run of “Batman Inc.” with the relaunched “New 52” version. In the original batch, Grant Morrison was building up the concept of Batman assembling a global crime-fighting network and it was being done with style. At the time, back in November of 2010, that first issue of “Batman Inc.” was a big deal, with big names in the industry, like Chip Kidd, highly recommending it. That was for good reason. And, you know, sometimes high quality does not result in big profits, at least not right away. Okay, once “Batman Inc.” was relaunched, in May of 2012, it had lost momentum and was already on its way out since it did not fit within the “New 52” realignment. The thrust of the story was no longer a brand new game plan for Batman. Nope, now “Batman Inc.” was simply going to serve as Batman’s “army” against Leviathan, the army of his nemesis, Talia al Ghul, daughter of the supervillain Ra’s al Ghul and the mother to Bruce Wayne’s only child, Damian Wayne. This is not to say that this hasn’t been one hell of a story. It’s just that it seemed that Leviathan, as well as Batman Incorporated, were heading towards much bigger things. Consider that next time you see the Penguin, the Joker, and the Riddler.

The story told in the pages of “Batman Inc.” has been a great merging of the talents of Grant Morrison and Chris Burnham. What became a psychological thriller, pitting the diabolical mother against the vengeful father and leaving the child caught in the middle, reached its climax in Issue 8.

Damian Wayne, ultimately is a little boy lost. He wants to honor both parents but they are coming at each other in a fight to the death. Damian is no match for what ensues. Repeatedly, he has been warned that his life is in danger. He can at least die a hero and he does.

Damian Wayne, Kid Power! From #8

Damian Wayne, Kid Power! From #8

At every opportunity, Morrison and Burnham express the innocence and bravery of Damian Wayne. This is truly “the boy wonder.” Every fiber of his being is engaged. He does battle in a way only children can fully understand.

His fight is uncompromising and pure. There is no middle ground for Damian. There isn’t any hesitation or brooding. What a contrast to his papa. Stop and think that over. Is the contrast of Batman and the Joker more compelling? Well, in this case, there would have been room for both of these to exist.

With all due respect, and in all fairness to DC Comics, it’s understandable that the father and son dynamic of Batman and Robin might have been too risky to pursue beyond a certain point. The whole point, a big point, to the New 52 was to open up a whole new page to a new generation of readers. The story of Batman did not start out as a father and son story so why go there now? Wouldn’t it take away from Batman anyway? Well, that’s very debatable. It would actually open up a whole new world of possibilities.

Look back, for instance, at all the great stories from “Batman Beyond,” which was set in a future with an elder Bruce Wayne mentoring a new Batman. That’s only one scenario. Batman and Bruce Wayne can remain as virile and empowered as ever while still having a son. That said, if Bruce Wayne was ever going to have a son, Grant Morrison gave him an excellent son with Damian Wayne.

“Batman Inc.” is not over yet although it basically is. Enjoy it through the final issue, #12, out June 26. After that, keep the faith. Maybe, years from now, maybe generations from now, “Batman Inc.” will rise again. For now, it’s gone, it’s over, it’s archived and placed in the vault. Visit our friends at DC Comics here.

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Filed under Batman, Batman and Robin, Batman Inc., Comics, Comics Reviews, Damian Wayne, DC Comics, Grant Morrison

Review: BATMAN: THE DARK KNIGHT RETURNS, PART 2

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“Batman: The Dark Knight Returns, Part 2” picks up a few months after the first part so, as director Jay Oliva suggests, Robin (Ariel Winter) has had time to train up and Batman (Peter Weller) has had time to mend his broken arm. Turmoil. Chaos. Mayhem. It’s all here, even the threat of World War III. We also get two all-time throw downs: Batman versus Joker; and Batman versus Superman. Questions are settled, or as close at they can be. There is no holding back. This is based, after all, on one of the most audacious, and thought-provoking, works of comics by Frank Miller. The time is a futuristic present/80s. It could be now but there’s no way we can deny the present time in the original graphic novel, when Ronald Reagan sat in the White House and the Cold War still raged. The threat of a nuclear strike from an itchy trigger finger remained embedded in reality and in popular fiction.

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Some might say that Ronald Reagan was the ultimate amalgamation of reality and popular fiction so it is quite fitting to have him play the role of president in this story. He’s the one that concludes that Batman has become a “problem” and instructs Superman to put him in his place. Reagan uses the analogy of a bucking bronco. Sometimes you have to put him down. In this case, the bronco has to be broken. Superman grudgingly agrees. As we’ll come to see, this sets into motion a collision between two forces for good with very different philosophies. Superman places himself within the perimeters of authority. Batman places himself outside the perimeters of authority.

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What happens when the government you are supposed to trust in is acting in its own self-interest? What happens when the media you are supposed to rely upon for information is untrustworthy? This is where Superman hopes for the best. This is where Batman relies on his own moral code. And this is where the Joker comes in as the wild card. He keeps Batman on his toes and perhaps helps keep him focused. This animated movie brings all these issues to life starting with the Joker, played with devilish glee by Michael Emerson. In short order, we see the Joker go from inmate to guest on a David Letterman type of talk show. The Joker convinced his therapist that it would be good for him. It’s not long before the Joker is on a whole new killing spree and has found a way to fuel the flames over a dispute between the U.S. and the Soviet Union.

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The Batman/Joker smackdown is a beautifully choreographed piece enhanced by the brooding synthesized score by Christopher Drake. Batman commands the stage. He’s nicely paired up with the Joker, who doesn’t ease up for a second. The original graphic novel had them duke it out in some grimy tunnel. But, in this movie, the two find themselves in an amusement park tunnel of love. It’s pitch perfect given their yin-yang relationship and the less than subtle homoerotic undertones.

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Once we get to the main event, Batman vs. Superman, the whole world has been through hell. But there’s still a chance, that we can all just get along, right? It doesn’t look good and the stakes are as high as you can go. What’s interesting is that all the factors on how to make this a fair fight have been considered. It’s a pretty awesome fight. Superman, played by Mark Valley, is nobody’s fool and he helps add to the Man of Steel’s stalwart mythos.

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There are three main bonus features: a discussion on superheroes in society; an analysis of the Joker; and a behind-the-scenes look at the animation process with director Jay Oliva. Plus you get three animated shorts. And an excerpt from the original graphic novel. It’s a wonderful treasure trove of informed discussion and added entertainment. Warner Bros. goes the extra mile with these features which mirrors their devotion to comics and animation. There’s a genuine respect for comics history and for solid storytelling. It’s a nice added touch to include in the discussion a noted expert in the classics, Richard Rader, along with Denny O’Neil, editor on the original graphic novel, and, especially noteworthy, Jerry Robinson, who was key in the creation of the Joker.

“Batman: The Dark Knight Returns, Part 2” is available now and you can find it here. Visit our friends at DC Comics and see a clip from the movie here.

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Filed under animation, Batman, DC Comics, Frank Miller, Movie Reviews, movies, Warner Bros.

ART: Mixing Money with Superheroes: Aslan Malik’s “Justice League” series

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Ever wonder what Alexander Hamilton would look like if he was Batman? Well, probably not. But Berlin artist/designer Aslan Malik sure did. He went all graffiti on some legal tender and rendered himself some superheroes. DC Comics, take a look at your Justice Leauge now! Applying paint directly to a $50, $100, $20, $10, and $5, Malik turned Grant, Franklin, Jackson, Hamilton, and Lincoln into Superman, Green Lantern, Wonder Woman, Batman, and the Flash. But what about the most iconic, and most easily accessible cash of them all, the mighty $1 bill? What about George Washington?

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Filed under Art, Batman, Comics, DC Comics, Flash, Graffiti, Green Lantern, Justice League, Superman, Wonder Woman

NEW 52 – BATMAN INC. #6 Review

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“There has to be a way to end this.”

“What is it you want?”

Classic statements made in any custody dispute. This time by Batman. Compared to the average couple, it doesn’t get any easier for Batman in his struggle with Talia over their son, Damian. You may have multi-colored elephants flying out of the sky and volcanoes erupting in the background, it’s all the same in the end. Except, in this case, the fate of millions hangs in the balance. Talia understates it very nicely, “We’re not normal people. We’re special.”

There’s no denying how special “Batman Incorporated” and all the related works by Grant Morrison are. It’s a joy to read. Even in its most violent moments, it still registers as comics and not a CSI episode. Part of it has to do, of course, with the amazing artists that Mr. Morrison works with. Chris Burnham is as robust and engaging an artist as Cameron Stewart or Frank Quitely. It’s compelling stuff. And Grant Morrison is quite generous in his references, ideas, and motivations. You could take a dozen things from any issue and turn them into separate stories.

Issue 6 gives us a title cover of “For The Love Of Their Son!” and a story title of, “Garland of Skulls.” And, basically, that is what you find inside the pages. We go back and forth between a heated exchange between Batman and Talia and the war on the streets of Gotham. Batman Inc. troops are fighting tooth and nail against Leviathan troops. Batman robots and manbats are coming down from the skies. All the while, Talia is playing mind games. And, back at the bat cave, Damian and a slew of Batman operatives find themselves privy to the sordid conversation between the two alpha parents. Quite messy. Was this something that could have been avoided through counseling? Well, no, not in this case.

It is a beautiful chaos. Talia, in some respects, could be standing in for The Riddler in this story. Batman must go through a maze of puzzles and taunts with little hope of escape. Throughout, he must consider the parable of the goatherd and its ten stages of understanding. First, the goatherd pursues the goat up the Mountain of Enlightenment. But do you really think Talia is concerned with enlightenment? No, she’s about weaving her own beautiful chaos. Just when we think Damian is somehow fated to destroy Gotham, Talia suggests that may not be the case.

What a great piece of work. One thing is pretty clear, the whole idea of Batman Incorporated is headed for permanent acceptance. It will be, if it isn’t already, part of Batman lore, part of Batman canon. Who can really say otherwise? “Batman Inc.” is one of the best things going in comics today and that’s quite an understatement.

Stay tuned for “Batman Inc. #7,” due out January 30, 2013. Visit our friends at DC Comics.

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Filed under Batman, Batman Inc., Comics Reviews, DC Comics, Grant Morrison

DVD Review: 1989’s SUPERBOY: THE COMPLETE SECOND SEASON

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Warner Bros. continues to bring out gems from its archives with the second season of “Superboy.” The plot that launches the season provides us with a Lex Luthor that rivals the Joker in twisted evil. That alone is worth the price of admission as we see Luthor, played by Sherman Howard, chew up the scenery. He dares to force Lana Lang into marrying him and to put Superboy in hospital, at least temporarily.

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There is something strangely edgy about this particular Lex Luthor story that will appeal to any Superman fan, or Batman fan for that matter. Among other things, you also get a rather odd take on Metallo and even a face-off with Dracula, which would have fitted in with some of the weird things going on at DC Comics at the time. And, yes, we like weird things. Season 2 of “Superboy” is available now and you can find it here.

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Filed under Comics, DC Comics, DVD Blu-ray Reviews, Superman, Television, Warner Bros.

DVD Review: Cathy Lee Crosby as WONDER WOMAN

Cathy Lee Crosby Wonder Woman 1974

Just before Lynda Carter, there was Cathy Lee Crosby. It all began in 1974, when ABC aired a “Wonder Woman” movie. It starred Crosby and the script, written by John D.F. Black (“Star Trek,” “Shaft”), was faithful to a new direction the Wonder Woman character had taken in the DC comics title. She was far more grounded and less invincible. And Crosby definitely had what it took. She was a natural athlete, with stunning good looks, and a wholesome quality. Looking back, she would have made a great Wonder Woman for a television series. That role would go to Carter and the rest is history. Still, we have the pilot movie to appreciate that just happens to have released on DVD as of December 11. So, let’s take a look.

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The best part of this movie is that it can’t help but be full of shaggy ’70s goodness. Every young, or youngish, guy has billowy long feathered hair if they can manage it or some shaggy quality going on. The pickup lines are all cheesy. The crime and violence is campy. And the villain is a mysterious lothario all dressed in white. Hey, that’s Ricardo Montalban, prior to finding his destiny on “Fantasy Island!”

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The plot is simple but fun. A criminal mastermind has stolen all the code books holding the identities of 39 American spies. He wants 15 million dollars within 72 hours or he sells the information to the highest bidder. We find that Wonder Woman has settled in nicely as a secretary for Steve Trevor, who leads various military operations. With a wink and a nod, Steve authorizes Wonder Woman into action. And she soon finds that one of her biggest challenges will be to fend off the advances of the creepy henchman in charge.

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Along the way, we see how Wonder Woman improvises when she’s hot on the trail.

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And we learn of a new nemesis, Angela, who promised to knock Wonder Woman’s lights out.

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For a light and fun look at what the 1970s almost launched for Wonder Woman, this is priceless. But it won’t cost you much to get your own DVD here.

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Filed under Comics, DC Comics, DVD Blu-ray Reviews, Television, Warner Bros., Wonder Woman