Tag Archives: DC Comics

Interview: Tim Hanley and ‘Wonder Woman Unbound’

From "Wonder Woman Unbound"

From “Wonder Woman Unbound”

Wonder Woman can lead the way out, above and beyond our current state. Wonder Woman commands respect. That respect can carry over to other female characters. It can carry over to respecting all human beings.

That respect is the key to Wonder Woman’s success and popularity. You just don’t mess with Wonder Woman. She is bigger and more powerful than any one person or corporation. With that in mind, it is my pleasure to share with you my interview with Tim Hanley, author of “Wonder Woman Unbound: The Curious History of the World’s Most Famous Heroine.” You can read my recent review here. You can visit Tim Hanley’s site here. And you can definitely pick up his comprehensive study of Wonder Woman right here.

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Filed under Comics, DC Comics, DC Entertainment, Gender, Interviews, Janelle Asselin, Sexism, Tim Hanley, Warner Bros., Warner Bros. Entertainment, Women, Wonder Woman

WE ARE COMICS

Fantagraphics Books shows support for We Are Comics

Fantagraphics Books shows support for We Are Comics

In the aftermath from a recent incident that rocked the comics industry, something good emerges. Welcome to We Are Comics.

Here are the details from Metafilter.com:

We are comics. When former DC Comics editor Janelle Asselin wrote a scathing critique of the art on the company’s new “Teen Titans” book, the response she got was depressingly predictable: a deluge of insults, some anonymous rape threats and even one (less predictable) attempt to hack her bank accounts. But after much of the online comics community rallied around Asselin, a tumblr-based project to show off the true diversity of comics creators and fans took off.

We Are Comics is the brainchild of writers/fans/editors Rachel Edidin, Arturo R. Garcia, and Elle Collins.

An epilogue: In the wake of Asselin’s abuse, Comic Book Resources – the Eisner-winning news site that hosted her original article – has locked its community forums and started over fresh, with a brand-new civility code.
posted by Holy Zarquon’s Singing Fish

We keep making inroads to a better world. It takes effort. We Are Comics is on the right track. You are welcome to join them.

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Filed under Comic Book Resources, comic books, Comics, Comics News, DC Comics, Diversity, Janelle Asselin

Furor Over Basic Comics Criticism: Janelle Asselin and the Attack on Women

teen-titans-janelle-asselin

As many of you can imagine, there is a lot of cheesecake that makes its way into comics. As a critic, this is a can of worms that you open when you’re ready for the shit storm that follows when daring to criticize a major comics title. This is what just happened to Janelle Asselin, a seasoned professional in the comics industry after she dared to criticize the above cover for “Teen Titans #1,” published by DC Comics, home to Superman, Batman, and Wonder Woman. Can you guess what Ms. Asselin may have taken issue with?

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Filed under Comics, Essays, Janelle Asselin, Sexism, Women, Wonder Woman

Comics in Your Cereal!

General-Mills-DC-Comics

As they say, “for a limited-time-only,” you can find a comic book featuring DC Comics’ Justice League characters in “specially marked” boxes of General Mills Big G cereals. That will appeal to kids from all over as well as those who are still kids at heart.

Press release follows:

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Filed under Comics, DC Comics, Marketing, Promotions

The Truth About Batman: THE CAPE CREATOR

Batman Before Bill Finger

Batman Before Bill Finger

Batman After Bill Finger

Batman After Bill Finger

Batman fans know Bob Kane as the character’s creator. But do they know Bill Finger, Batman’s co-creator? You can decide how much credit Mr. Finger deserves. As this documentary lays it out, it should be a hell of a lot of credit. Here’s your chance to secure the making of the documentary, “The Cape Creator,” during its Kickstarter campaign, that ends March 5, and which you can visit here.

Before Kane ever signed his first Batman contract, Finger had already transformed the character thoroughly from Kane’s original design. “Without Finger,” says Dr. Travis Langley, author of the book Batman and Psychology: A Dark and Stormy Knight, “Batman could been a blond guy in red tights with big DaVinci wings and no cowl, no gauntlets, whose early rogue’s gallery consisted entirely of Two-Face. That’s it.”

PRESS RELEASE – UPDATE:

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Filed under Batman, Comics, DC Comics, Kickstarter

Review: George Reeves Bluewater Comics Tribute

George-Reeves-Bluewater-Tribute

Written and illustrated by M. Anthony Gerardo, this comic book tribute to actor George Reeves is fresh and engaging due to its quirky storytelling. If you’ve seen “Hollywoodland,” the movie based on the life of the actor first to portray Superman on television, then you know this is a pretty unusual, even shocking, life story. And, even if you haven’t seen Ben Affleck play George Reeves, there’s a very good chance you are at least familiar with this landmark in pop culture. As Bluewater Comics states, this tribute is a way to “celebrate the man who personified America’s first and greatest superhero.”

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Filed under Bluewater Comics, Comics, Comics Reviews, Superman

Comics in 2014: WONDER WOMAN: THE TRIAL OF DIANA PRINCE

Wonder-Woman-Grant-Morrison

After a much needed winter holiday break, Comics Grinder is back. Did you miss me? Oh, of course you did, and that’s understandable. As the main force behind CG, I need to take pauses. It’s all about intelligent pacing. We do have guest columnists from time to time. We may even find more regular contributors this year. As for now, “we” at Comics Grinder do the best we can.

As we roll into the new year, expect more reviews, interviews, original art, various features, and thoughts on 2014. If you ask me, the most buzzworthy thing coming out of superhero comics is going to be Grant Morrison’s Wonder Woman graphic novel. Of course, there’s Morrison’s “Multiversity” due out this year too, but the Wondy book will be easy for the media to hook into and it well deserves all the attention it will get.

In “Wonder Woman: The Trial of Diana Prince,” Grant Morrison has Diana attempting to run away with her man, Steve Trevor, only to have to face trial for her wicked crime by her peers back on Paradise Island, or Themyscira, for you comics geeks. This is a story that will pit mother against daughter and probably leave Steve Trevor wishing he’d never indulged in a lasso fetish.

Looking over notable moments in 2013, I found this: Grant Morrison provides a brilliant post-San Diego Comic-Con interview for USA Today and talks all about the new Wondy book, and much more, here.

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Filed under Comics, Comics News, DC Comics, Grant Morrison, Wonder Woman

Review: SUPERHEROES! by Laurence Maslon and Michael Kantor, published by Crown Archetype; in connection with ‘Superheroes: A Never-Ending Battle’ on PBS

Superheroes-Maslon-Kantor-2013

“Superheroes! Capes, Cowls, and the Creation of Comic Book Culture” is a 304 page full color hardcover, published by Crown Archetype, with a lot to say about comic books. As has always been my experience, a companion book to a PBS series is worth getting. This book is attached to the upcoming feature-length documentary on PBS, “Superheroes: A Never-Ending Battle,” originally slated to air on three separate nights, now scheduled to air all on October 15, 2013. It’s a smart choice since viewers, much like readers, appreciate it when they can dive into a subject all in one go.

The story of the comic book superhero industry lends itself well to being observed in an uninterrupted panorama. At 75-years-old, this is still a young industry and what is happening today can’t help but remain a story in flux. You might think that, after 75 years, things have settled down. But you would be wrong. That is a relatively short blip of time, ask any historian. Furthermore, this is an industry inextricably linked to far more than commerce, far more than it ever bargained for.

Spider-Man-Steve-Ditko-Superheroes-2013

But say what you will, superhero comics remain embedded in the culture. And there are artists within the industry who continue to push the superhero comic forward. Along the way, we get work that is transcendent and rises to the level of art. Just considering all the examples can make your head spin. There is a reason your head might spin. Superhero comics have tapped into something as deep as any literature or art and resonate on a primal level. So, who truly owns today’s superheroes? People from all walks of life will lay claim to that. Cobbled together from the old salty pulp magazines and Sunday funnies, superhero comics have always run into conflict with their varied audiences. Kids and comics are a natural combination. But so are adults and comics.

What you will find in this book is a treasure trove beyond any extras on your DVD or Blu-ray. With the book, there is an even greater opportunity to fill in the gaps and extend discourse in well-thought-out words. For instance, while few would quibble on the quality and significance of “Watchmen” and “The Dark Night Returns,” two landmark works in superhero comics, it is fascinating to get this quote in the book by Len Wein, co-creator of DC Comics’ Swamp Thing and Marvel Comics’ Wolverine:

‘Watchmen’ and ‘The Dark Night Returns’ were both very violent books. They were meant to be exceptions to the rule. They weren’t intended to be a blueprint for the industry to follow, they were intended to be something to show you here’s what could have happened–let’s not go do that. But they were hugely successful and so everybody started to do those books.

If anyone knows what he’s talking about, it would be Len Wein. What he is saying is that those two works had a purpose and served a purpose. If a marketing plan just calls for more of the same, it is already dead in the water. It may sell but readers will sniff it out and may not come back for yet more of the same product now four, five, ten times removed from the original.

What Laurence Maslon, a co-writer on the PBS documentary, and Michael Kantor, the filmmmaker, keep coming back to in both the film and in this book, is that superhero comics, by their very nature, will always be engaged in a never-ending battle in more ways than one: a battle to refine their purpose and remain relevant. And, in one way or another, even if the customer/fan may not fully realize it, they will have the final say, maybe not now but someday.

Readers will find this book to be exceptionally comprehensive and quite relevant. While the book was created prior to the uproar over the DC Comics decision not to allow Batwoman/Kate Kane to marry her girlfriend, Maggie Sawyer, the writers for this book were clearly sensitive to the significance of such a storyline and provide a fresh example of the never-ending battle.

Superheroes-Maslon-Kantor-PBS-Batwoman-Marriage

“Superheroes! Capes, Cowls, and the Creation of Comic Book Culture” is available as of October 1, 2013, and is published by Crown Archetype, a division of Random House, which you can visit here. And don’t miss this very special PBS documentary, “Superheroes: A Never-Ending Battle,” and you can learn more about that here.

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Filed under Book Reviews, Books, Comics, DC Comics, Marvel Comics, PBS, Superheroes

DVD/Blu-ray Review: ARROW: THE COMPLETE FIRST SEASON (Arrives September 17, 2013)

Emily Bett Rickards as Felicity on ARROW on The CW

Emily Bett Rickards as Felicity on ARROW on The CW

Stephen Amell and Emily Bett Rickards on ARROW

Stephen Amell and Emily Bett Rickards on ARROW

“Arrow” is The CW’s #1 show and releases its first season on DVD and Blu-ray on September 17, 2013. For those completely new to the character of Oliver Queen, and his superhero role as Green Arrow, all the way to diehard fans, this is a show that will entertain. Some viewers will say, “Hey, enough with the ads for this show, you had me at hello.” And they would be correct.

Arrow (played by Stephen Amell) is an activist. You clearly see him refining his value system and acting on it. There’s a reason this show is simply called, “Arrow.” This places Oliver in his 20s, still finding his feet, and with a journey ahead of him before he becomes “The Green Arrow.” That’s what this show is all about, a journey. It is that specificity that should keep it running smoothly.

Arrow, while incredibly buff, definitely uses his brains quite a bit and is not afraid to be a geek. One of his crew, Felicity Smoak (played by Emily Bett Rickards) steals the show every time as a very capable hacker and great geek role model. I can tell you that, if you’re a “Buffy The Vampire Slayer” fan, then you may turn out to be an “Arrow” fan, although don’t expect too much in the way of classic snark.

The show takes a lot of its direction from two Green Arrow comics titles–and no, it’s not the Denny O’Neil/Neal Adams run from the ’60s, although there’s a clever nod made to it. The titles are Mike Gnell’s 1987 “The Longbow Hunters,” which provides gritty realism; and Andy Diggle and Jock’s 2007 “Green Arrow: Year One,” which provides the backstory of Arrow’s finding himself while lost on a deserted island for five years. Plus writers Greg Berlanti (“Dawson’s Creek,” “Green Lantern,” “Brothers & Sisters”), Marc Guggenheim (“Eli Stone”) and Andrew Kreisberg (“Fringe”) have brought in some intriguing new details like the mysterious role of Oliver’s mother; and Diggle, who finds himself becoming something of a sidekick to Arrow.

You don’t have to know a thing about comics to enjoy this show. There are relationships, rivalries, intrigue, all the timeless elements of power struggles and myth. And, if you are superhero fan, then this is a top tier show just for you. Visit The CW webiste for more details here. And you can get your copy of the first season of “Arrow” right here.

Press Release Follows:

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Filed under Arrow, comic books, Comics, DC Comics, DC Entertainment, The CW, The Green Arrow, Warner Bros. Entertainment

Welcome to DC Comics: Harley Quinn, Naked and Suicidal, Subject of Contest

HARLEY-QUINN-SUICIDE-CONTEST

Step right up, boys (and girls, if you insist), step right up and try your hand at depicting Harley Quinn naked in a bathtub with a variety of devices aimed to electrocute her. All those young people eager to break into comics and this is what DC Comics has to offer? They offer up a contest where the aspiring artist draws four panels that depict Harely Quinn in four suicide attempts, the last depicting her naked about to be electrocuted.

This is what DC Comics wants to align itself with? If it wants to come across as your typical corporation, insensitive to humans, it has succeeded. Of course, they can claim it is all in jest. But this tiresome “boys will be boys” mentality is pretty weird.

It’s not like Warner Bros. Entertainment doesn’t care what you think of it. They have an ongoing media blitz to bring attention to their donations to the Horn of Africa. It is called, “We Can Be Heroes.” Check it out here.

Is too much being made of the current contest at DC Comics where aspiring talent are asked to make a devil’s bargain? The concern is genuine and it’s growing. It has already caught the attention of the Huffington Post. You can read that here.

No doubt, there is a huge disconnect at DC Comics right now. Maybe, many years down the road, this contest will be seen as utterly ridiculous…by DC Comics. Maybe, many years down the road, the latest clash between DC Comics editors and talent will be seen as unfortunate…by DC Comics. The decision from DC Comics top brass to kill the story of Batwoman’s marriage to her girlfriend led to the co-writers on the Batwoman story, J.H. Williams III and W. Haden Blackman, quitting. Read more about it in this excellent piece by Rob Bricken, at io9, here.

If you want the official DC Comics response to this contest, look no further than DC Comics co-publisher Jim Lee who got all Twittery. Check that out here. He claims that the writers of the contest script, longtime DC Comics employees, Amanda Conner and Jimmy Palmiotti, were just poking fun at themselves. Sadly, that makes no sense.

But people, here and now, understand that something is wrong and are not afraid to voice their opinion. There are exceptional voices of dissent, like the always eloquent Alyssa Rosenberg at Think Progress. Read her piece here. Or check out this awesome piece by Aja Romano, at The Daily Dot, here.

So, here’s the thing, I’m smart enough to not go completely Wertham Comics Code bonkers about this. You have to imagine that the boys at DC Comics want to stir things up. But the “boys will be boys” method is just so creepy and should off itself.

So, DC Comics, can we be heroes?

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Filed under Batman, Comics, DC Comics, DC Entertainment, J.H. Williams III, Superheroes