Tag Archives: Race

Keef Knight’s First Live-Action Comedy Video: UNIQUE ANTIQUE

KEEF KNIGHT‘s hilarious and insightful comic strip, “The K Chronicles,” is a prime example of how to speak truth to power and get people thinking and taking action. Now, Keef has a hilarious video for your consideration, with more to come, no doubt. But, first, this one is definitely going to make you think…and laugh.

More essential info directly from Keef Knight:

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Filed under Comics, Humor, Keef Knight, Protest, Satire, Social Commentary, The K Chronicles

Review: MARCH: BOOK ONE by John Lewis, Andrew Aydin, and Nate Powell

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The 50th anniversary of the March on Washington is today, August 28, 2013. It is one of the most inspiring moments in American history and all of history. It will only grow in stature and significance as time continues its own march. The United States of America was desperately lagging behind in full self-awareness as a nation when it received an opportunity for collective clarity. It was a beautiful, gentle, and energetic plea for understanding. There were marches before and after this distinguished one. Progress would still take time. His words would still be dismissed by some. But, on that day, Martin Luther King Jr. spoke to a nation. He gave a speech. He spoke of a dream.

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We continue to remember that moment, and that movement, in new ways. One shining example is “March,” the new graphic novel, published by Top Shelf Productions, written by Rep. John Lewis and Andrew Aydin, and drawn by Nate Powell. “March: Book One,” the first part of a trilogy, has already gained critical and popular acclaim. It has made it to the number one spot on The New York Times bestsellers list for Graphic Books. The creation of this book is inspiring in itself. Congressman John Lewis is a perfect guide. He was an active participant in the civil rights movement right from the start. He is the last surviving dignitary who gave a speech during the March on Washington. And he’s a wealth of knowledge and goodwill. The “March” trilogy gives us a front row seat to the civil rights movement in America through the eyes of Mr. Lewis. The story is framed all in one day, January 20, 2009, the day of the inauguration of President Barack Obama. It’s an ambitious project that reads quite smoothly, just as if Mr. Lewis was there to tell you the story in person.

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The script seems to embrace a cinematic pace. The main character is recalling his life all in a short span of time with each recollection triggering an extended flashback. It is left to Nate Powell’s storytelling ability as a cartoonist to bring out aspects that gel with the comics medium. You see this in the various ways that Powell plays with text and composition like when he has a favorite passage from the Bible run across a silhouette of young John Lewis: “Behold the lamb of God which taketh away the sin of the world.” And, of course, the distinctive drawing style of Nate Powell takes over. We easily become immersed in the intelligent and caring ways of this boy who is compelled to preach to the chickens on the family farm. In due time, the young man’s compassion becomes refined and focuses on the social gospel, the idea that church principles can guide social justice.

Martin Luther King and the Montgomery Story, published by F.O.R. in 1955

Martin Luther King and the Montgomery Story, published by F.O.R. in 1956

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It is a dangerous world that young Lewis must navigate. There is constant humiliation and intimidation. You could easily be killed, just like 14-year-old Emmett Till. But a violent reaction would not be the answer. The key was passive resistance and keeping faith. There were various techniques to learn in order to outwit one’s attackers with the prevailing goal being to draw out your enemy’s humanity. We find an actual comic book pamphlet of the time laying out the Montgomery Method that worked so well for Dr. King and his followers. It is a satisfying comics reference within a comic. It was an inspiration for the young John Lewis. And it’s a compelling link to the past to this contemporary look back.

It will be great to see the whole trilogy. It’s so important for new generations to have something contemporary in order to help them hook into history. The civil rights movement is really relatively recent history depending on how you look at it! This book and “Lee Daniel’s The Butler” make a big difference. The United States of America has a lot of wounds that are still healing and we still have a lot to learn and relearn. It’s this book and that movie that provide essential hooks for young people, give them proper context, help them appreciate when they hear on the news that our voting rights as a people are, even today, being compromised. You can’t put enough value on a book like “March” and more power to Top Shelf Productions for publishing it.

“March: Book One” is a beautiful book. It is a new way to honor and understand what has come before us and be inspired for what lies ahead. It is a 128-page trade paperback and is available for $14.95 (US) print and $9.95 (US) digital. Visit our friends at Top Shelf Productions here.

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Filed under American History, Civil Rights, Comics, Graphic Novel Reviews, graphic novels, History, March on Washington, Martin Luther King Jr., Race, Race Relations, Social Justice, Top Shelf Productions

Trayvon Martin: How You Can Help End STAND YOUR GROUND

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In a New York Times op-ed, by Ekow N. Yankah, a professor at the Benjamin N. Cardozo School of Law at Yeshiva University, we get some sobering analysis of what has happened. We need calm and contemplation as we forge ahead. Mr. Yankah makes a case for this being, in part, a matter of faulty law.
There is a way you can help change the law and you can find it here.

For now, Mr. Zimmerman is free but he does have more legal issues to contend with. And he must live with what he did. It was repeatedly said in the Zimmerman trial that this is not supposed to be about race. But it is. Even if we set race aside for a moment, Mr. Zimmerman is only protected by the most contrived of law.

Shortly after the news broke of the killing of Trayvon Martin, I posted about it. You can read that post here. At the time, I responded to the assertion that Mr. Zimmerman was responding to Mr. Martin’s hoodie. That didn’t add up then and it doesn’t today. It wasn’t enough for George Zimmerman either. He knew, as anyone with a passing knowledge in Florida law would know, that he was protected by Florida law, the highly controversial STAND YOUR GROUND law.

It is about race. We have made a lot of progress over the years but did we somehow magically resolve all issues on race? We can seek out justice. And part of the solution is the law. You can make a difference by signing a petition to ask the U.S. Justice Department to review STAND YOUR GROUND here.

An update: From the Washington Post, the latest on Attorney General Eric Holder against STAND YOUR GROUND, you can read that here.

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Filed under Democracy, George Zimmerman, Justice, Law, Media, Race, Stand Your Ground, Trayvon Martin

Geekscape Essay on Race and Other Goodies

I like what I’m seeing over at Geekscape. For instance, you can find some excellent recaps of Comic-Con. I particularly like this one that concisely lists the main PR stuff from the two giants, DC and Marvel.

Now, what brought me over to their site was something else. It was quite a hyper-active rant regarding what seems to be Marvel’s latest press grab, the revamping of Ultimate Spider-Man as hispanic. Now, we’ve all come to see time and time again that the good people at Marvel know how to tease attention from the media and, at the end of the day, all the fuss turns out to be over what is a solid piece of comics. Marvel is at the top tier. They aren’t going to produce something that is too way out there. That said, there is always room for a surprise. That Captain America/Tea Party issue is an excellent example. There’s a suprise in an otherwise solid piece of work. So, in the end, this hispanic Spider-Man will be good business and good comics. Does it mean that we need to seriously consider the ethnicity of our flagship superheroes? Yes! But we’ve got a ways to go. I like a lot of what the Geekscape essay on race has to say. It’s nice when the writer shares with the reader as in this passage from Jonathan London’s “The Motives of Race in Comics Unmasked”:

That is why we love comics. Race never really mattered here. I’m a half-Mexican kid who looks and sounds white. Growing up in Texas and playing outdoors, I would tan pretty darkly. I once had someone curse at me and call me Indian during a blacktop basketball game.

It’s little things like this that people relate to, that people cherish. Hey, I’m right in the same place in more ways than one. I’m half-Mexican. I recall once, when I was a young guy living in Houston, a guy pulled up in a truck next to where I was walking down the road. He asked if I was looking for work and motioned for me to join the rest of the Mexican workers. I didn’t appreciate his presumption to say the least. Anyway, I know I wouldn’t have made a very good day laborer. If only this uncouth uneducated Texan had known my last name was Chamberlain. I’m sure the author of this essay gets frustrated with his own last name, London. I think this helps to show how complicated the issues of race and class truly are. With that in mind, all the white mainstream superheroes pale in comparison, pun intended.

Time will tell. We’ll just reach a point when all the mainstays may fall further into danger of looking and feeling beyond retro, just too dated, too out of touch. That is, unless these characters keep changing and new characters are allowed to share the spotlight. The best way to do that is for writers, like Jonathan London, to keep it real. From what I see on Robot 6, the Miles Morales character, in the new “Ultimate Spider-Man” coming out in September, seems authentic and on the right track. We’ll get there if we focus not so much on ethnicity but on authenticity.

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Filed under Comics, Geekscape