Gentlemind: Episode 1. written by Juan Díaz Canales and Teresa Valero; art and color by Antonio Lapone. Published by Dargaud (France) Presented by Europe Comics. 2020, 88pp. Digital.
Think of Gentlemind as a comics version of Mad Men, set in the 1940s. The hub of activity is New York City, center of media and entertainment. And the specific activity is one woman’s goal of transforming a middling men’s girlie magazine into a platform for social commentary, literary and artistic excellence. Listen to the guys talk in their bullpen at the offices of Gentlemind, circa 1940, and they could be men talking today:
“I’ve seen you doing stand-up in the clubs in the Village, Bert. You have a gift. We want you to write a few jokes for each issue.”
“Written jokes aren’t funny. Either you tell them, or you draw them.”
“Hey, Mosky, how bout drawing something other than women?”
“I can’t draw anything else.”
New York is a funny city, in a lot of ways still championing a dry and sly wit perfected over generations by the trendsetting creatives of the moment. This is a story about what is was like back in the day, in a golden era, when writers and artists of all stripes pushed boundaries while also navigating a world dominated by an elite patriarchal class. Enter Navit, a woman with a self-confidence in all things, intellectual, sexual, and emotional. This is Navit’s journey as she goes from a love affair with a struggling artist to the mistress of a playboy billionaire to the leader of a brash new magazine in the heyday of magazines. Due to a fortuitous set of circumstances, Navit finds herself in charge of an old girlie magazine which she is determined to turn into something worthwhile. Navit begins by having real women express themselves about what they think of men, a refreshing and quite revolutionary idea in 1940.
Written by Juan Díaz Canales (Blacksad) and Teresa Valero, this is an utterly charming, as well as challenging story that will leave the reader wanting more. There’s a whole subplot involving the disparity between rich and poor and the virtue of ethics that really powers the narrative, bringing up many issues. And that’s all a good thing since this is only the first installment. While our heroes, and the setting itself, are thoroughly American, the sense of style and elegance embrace a European sensibility. And that vibe, in turn, is influenced by such American film noir classics as 1945’s Mildred Pierce, about a woman’s struggle to the top. You can also throw into the mix the influence of Seth, a Canadian cartoonist who has perfected his own take on comics noir. The artwork by Antonio Lapone taps into this quirky vision. His characters have an ethereal cartoony quality about them. They are ghosts from another era while also very much alive on the page. This is a wonderful treat for the reader to experience another time and place. A time well before much of what we take for granted. A time when print was king. A time when “men were men; and women were women” but everyone seemed to be very much in the dark as to what the other most desired. It wasn’t always sex. In fact, it was often a higher calling of some kind: a simple desire to be entertained and enlightened by a story. If all this sounds like too much to ask from a graphic novel, then I’m here to tell you it is one of the things that a graphic novel does best: explore the meaning of life. This one does it better than many out there.
There are numerous exciting titles to explore at Europe Comics, your hub for all sorts of wonderful European comics (translated in English, of course) in a convenient digital format. Visit Europe Comics right here.
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