Paris, and the Louvre, are beacons to artists and art lovers and will always be. What we know is that such things matter dearly, are a deeply essential part of life. Now, in the aftershock of the horror of the terrorist attack in Brussels, we choose to remain alert and vigilant but we also choose to remain steadfast in our celebration of humanity at its best. There is no other way. So, with that in mind, it gives me added resolve and passion, as I share with you this latest item. Oh, yes, this is such a relevant book with that heightened sense of timelessness. Look at this book and you’ve met a good friend, David Prudhomme’s new graphic novel, “Cruising Through the Louvre,” published by NBM Publishing.
David Prudhomme is a man to watch, indeed. He is a fellow cartoonist who I would love to meet sometime. I’m sure we’d have plenty to talk about. I see his work as full of a zest for life in all its lusty and gritty splendor. Now, take a cartoonist such as this and set him loose in the Louvre. Well, Mr. Prudhomme certainly lives up to the challenge. I know that, if I was set loose in the Louvre, I would have my own idiosyncratic view, and so it certainly is with this masterful artist. It may seem easy but to throw down the scenario of an offbeat observer wandering through some of the greatest art of all time is quite a mind-bending proposition. This requires a steady hand, brain, and hours of editing as all these impressions that come to mind must finally adhere to some coherent narrative.
Prudhomme has a beautifully loose style that evokes a stream of consciousness outlook. Prudhomme is in the Louvre ostensibly to find his girlfriend, Jeanne. This may or may never happen. That does not really matter. The guy is wearing a baggy coat, a huge Russian fur cap with ear flaps, and he’s got his cell phone at the ready. He gets to spend some time with his good pal, Rembrandt, and then he’s on the move, looking for Jeanne, marveling over art, and endlessly people-watching. The sensory overload is intoxicating. Soon he is recombining people with art: one tourist’s foot aligns with the foot from a sculpture; or one sleepy heap of museum patrons seamlessly fit as an extension of Théodore Géricault’s “The Raft of the Medusa.”
We enter into a whole other world when we inhabit such a place as the Louvre. It really isn’t something you want to leave for just a couple of hours. I would easily go each day for weeks, months, if not years. It would not take too much in the way of convincing for me to return to my old museum guard days. Roaming through such vast expression of sensual delight, it would also not take too much convincing for me to return to my days as a life drawing model. Ah, such is the power of the Louvre. But, most of all, it is a place that inspires me both as writer and artist. Everyone finds something to lose themselves in. Prudhomme is wonderfully uninhibited with his observations. He is keenly aware that, once out of one’s element, people can get in touch with content they would normally zone out. For instance, consider Prudhomme’s drawing of a tourist snapping a photo of an old warrior’s genitals. Well, within context, it makes total sense. Snap away!
The Louvre has always been a place for the people. Give people a chance to enjoy art, and they will rise to it. Give them the Louvre, and you have provided heaven on earth. Prudhomme does not shun or ridicule the public’s hearty appetite for snapping photos and video. In fact, instead of shaking his head over what some might dismiss as the spectacle over viewing the Mona Lisa, he wonders what people do after they’ve gotten their good look. He also wonders what Mona Lisa would see if she bothered to look back at all her admirers. There’s no easy answer. There’s just too many people to consider. All that humanity enjoying their time in the Louvre for a multitude of reasons, no one reason being better or worse than the other! All this, Prudhomme manages to speak to in this quite remarkable book. Bravo! This is a keepsake that you will enjoy many times over.
“Cruising Through the Louvre” is an 80-page full color hardcover. For more details, visit NBM Publishing right here.