Category Archives: Horror

ROBERT HESKE INTERVIEW: SCREENPLAYS AND COMICS

I recently reviewed “The Night Projectionist” here at Comics Grinder and that has led to this interview with its writer, Bob Heske. Let me tell you, “The Night Projectionist” is a must-read, whether or not you’re into horror, simply because the story is so well crafted. Bob Heske is a writer, first and foremost. It’s that skill, along with a passion for horror, that makes him so good. Now, let’s explore more of Mr. Heske’s works including a movie project, the supernatural thriller, “Blessid.” We’ll begin with this brief press statement seeking support for “Blessid” at Indiegogo (http://www.indiegogo.com/blessidthemovie):

My name is Bob Heske and I am the writer/producer (and partial funder) of Blessid. I am a screenwriter with IMDB credits, a graphic novelist and indie comic creator. My IMDB credits include the award-winning short film WAITING (starring Richard Schiff, Izabella Miko and Earl Brown). Most recently I wrote the critically praised graphic novel THE NIGHT PROJECTIONISTwhich has over 11,000 “Likes” on Facebook and has been optioned for film by Myriad Pictures. Blessid is important to me because, quite frankly, it’s a film with an important message. Being a horror guy, it has its dark elements but the ending will move you — I promise — and you will be glad you joined us on the indie-making journey.

COMICS GRINDER: “The Night Projectionist” is truly something unique. My connection with you is my review of this graphic novel that you wrote with artwork by Diego Yapur. I wanted to ask you about the initial reaction to the book. And, well, let you make your pitch.
 
 
BOB: First off, thanks for your solid review Henry. Overall, the book has gotten very strong reviews (4 out of 5 stars) and we appreciate the time individuals like yourself take to review the work of independent artists like myself and Diego, represented by the folks at Studio 407. It helps a lot in giving our work credibility and building our fan/reader base. 
 
How’s the book selling? It’s selling okay, more so in the digital version at comiXology and Graphicly but also doing okay in print at local comic shops and most prominently on Amazon. For example, it’s first month out  THE NIGHT PROJECTIONIST was Studio 407’s biggest selling comic at comiXology.
 
My pitch? If you like a vampire tale that brings hard core gore and blood by the buckets with an original story line and some ass-whupping art, you will love this book. It’s entertaining and a quick read … and at a retail suggested price of $12.99 (you can get it for less in many places) it’s a blood-curdling steal. My recommendation is to buy it in paper but I’m a comics purist.
 
 
COMICS GRINDER: The idea of a movie coming out of this is really exciting. Anything you can tell us about that?
 
 
BOB: Back in 2009 when issue 1 came out, the publisher (Studio 407) shared office space in the same building with the folks at Myriad Pictures. Myriad saw some of the issue 1 galleys and was very impressed. In short, they saw the potential and the comic was optioned. As luck would have it, Diamond raised their sales threshold the very month THE NIGHT PROJECTIONIST issue 1 came out making it near impossible for independents like this book to be picked up for issue 2 in Previews. Hence, rather than rolling out THE NIGHT PROJECTIONIST in 4 one-shot books, Studio 407 took a breath and took it’s time in getting the book done right. We lost some marketing momentum in building an audience but in a short time we are getting that audience back. We have over 11,000 LIKES on Facebook and continue to rack up strong reviews. As for the movie, I think THE NIGHT PROJECTIONIST would be even stronger as a film and would make a cool vampire franchise worth watching. As of now, fingers crossed for the project to pick up steam, get funded and get developed. Stay tuned!
 
 
COMICS GRINDER: I am intrigued by your background. You are a screenwriter and have branched out into writing comics too. You’re establishing yourself quite well in horror and yet you began with comedy. Tell us about your development as a writer.
 
 
BOB: Well, I just hit 50 so it is a long, slow arduous road. I’ve had many contest-winning feature and short film scripts, a fistful of options, and a few scant credits. Some of my best work has come very close to being produced only to have the funding fall through or finish second to another script the producer fell in love with. While I wait for THE NIGHT PROJECTIONIST to be made (I am not only writer, but also co-creator of the story — Think Stan Lee and Spider Man), I have created a few micro budget films that I hope to make in the next 1-2 years. Life really is short and if you wait for others, you’ll be left disappointed and only have yourself to blame. In this era of DIY filmmaking and self publishing you need to grab the bull by the horns and make it yourself.
 
I started writing comedy and have a few short and feature gems waiting to be made (and that I will sell to the right talented director/producer for cheap!). In fact, that is what attracted my wife (aside from my sparkling personality and manly good looks — ah, no!). After we got married and had kids, I started writing horror non-stop. She said, “Whoa buddy … what have I created here?!”
 
COMICS GRINDER: You’re a member of the New England Horror Writers Association. Tell us how that came about.
 
 
BOB: The New England Horror Writers Association (NEHW) is a talented, supportive, ultra cool group of New England horror writers that are as fun to hang out with as they are to read (their books). I just reached out to them and they brought me on board. I’ve done a handful of writers events with them and always have a nice time (although I never sell as many books as I’d like). If you are from New England and are getting into writing horror, check them out at http://nehwnews.wordpress.com/tag/horror-writers-association/. Membership is free and you get out of it what you put into it. I truly wish I could hang out with these guys more!
 
COMICS GRINDER: Among your movie projects, I was quite impressed with a short film entitled, “Waiting,” starring Richard Schiff. It has such a creepy vibe and manages to compress so much into a short film. People need to see this and I will make sure to post the IMDB link where they can see it. Would you talk about it, how this came about it?
 

 

BOB: Sure! “Waiting” was based on a short film script I wrote called THE WAITING ROOM.  Of all the short scripts I’ve written, this was the one that got the best initial reaction. I had submitted it into 2-3 contests where it was either being considered as the winner or was going to be the winner but I had to pull it because it was optioned. The short film “Waiting” (seen in its entirety  here) won some awards and is a very cool adaptation of my original short script. It was co-written and directed by Lisa Demaine (who bought the rights to the short script from me) and stars Richard Schiff (Toby on the hit TV show “West Wing”), Izabella Miko and Earl Brown. It was filmed by a crew consisting of several Emmy winners and the production value is top notch. It played in several film festivals and did very well. I eventually did a graphic tale version of my script THE WAITING ROOM which is in my BONE CHILLER graphic anthology that won a Bronze medal for horror at the Independent Publisher Book Awards in 2009.

COMICS GRINDER: “Blessid.” Please tell us about this project.
 
 
BOB: BLESSID is an amazing script that I wrote and am now producing as a micro-budget film. It will shoot in the Fall in Massachusetts. It’s about a disturbed young pregnant woman searching for the will to live who meets an enigmatic immortal that has moved in next door. Throughout the movie, the audience is curious about the 2028 year-old guy and what his life experiences have been and his insights on modern times. But BLESSID is really about the young woman looking into her past and, ultimately, finding forgiveness for herself to get over a tragedy that happened that was beyond her control. We have an amazing, committed crew on board and some very talented actors we are bringing in from Los Angeles including David Fine (The Pursuit of Happyness), Rachel Kerbs (Splinter), Chris DiVecchio (Wolf Moon) and Gene Silvers (The Whole Banana). We have just added a producer named Amy DePaolo whose short film “Ordinary Man” was accepted into Sundance this year. And we are seeking to get a recognizable TV/Film actress on board too. The director is a guy named Rob Fitz who has over 10 years experience on big budget film sets as a maekup artist and horror effects specialist. Rob also wrote/directed/produced the ultra low micro-budget film “God of Vampires” which has become a cult classic in New England and among hardcore horror circles.
 
We are in pre-development now and are building a fanbase on Facebook (www.facebook.com/BlessidTheMovie) and on Twitter (www.twitter.com/blessidthemovie).
 
The “official” website is www.blessidthemovie.com.
 
Readers can also support us on indiegogo at www.indiegogo.com/blessidthemovie and get some great perks for their generosity.
COMICS GRINDER: Is there any news about “Unrest,” with Eric Roberts you can tell us about?
 
 
BOB: UNREST — a psychological horror tale in the vein of “Last House on the Left” meets “Stir of Echoes” — has had a lot of interest from directors and actors that I’ve shared the script with. The problem was that the budget needed to make the current script was more than I originally intended (~ $400,000). I am making BLESSID now for $80,000 and will circle back to UNREST if (I mean “when”) BLESSID is successful. Both scripts are fresh, entertaining and unique in their respective genres. Once again, if there are any director/producers out their with funding in place but in need of a killer script, contact me. 😉
 
 
COMICS GRINDER: You mention some influences in connection with “Unrest,” a UK indie from 2008, “Eden Lake” and “Stir of Echoes,” from 1999, with Kevin Bacon. Would you share some thoughts on horror movies, or movies in general, that have inspired you?
 
 
BOB: Anyone who has ever visited my “cold blooded chillers” website (www.coldbloodedchillers.com) — and there are nearly 50,000 of you — knows that my brand of horror veers more toward “the monster who lives next door” (aka, serial killers, psychopaths, femme  fatales and evil kids) than vampires, werewolves and zombies. Full disclosure: Yes, this interview did start with me talking about a vampire graphic novel I wrote, but that is out of the box for me. I am more drawn to tales of suburban murder and malice, as the tagline on my cold blooded chillers website attests. “Eden Lake” is one of those tortuous tales about teen hooligans tormenting a couple on romantic holiday that chills the blood in your veins. “Stir of Echoes” is just a well-acted film with some smart, squeamish effects and the best hypnosis scene in film ever. It’s a ghost story and mystery wrapped in one and I love to watch it every now and again. The horror films I like most combine story, suspense and characters. Some recent examples I liked were “Absentia” and “Midnight Son” which were both made for well under $200,000.
 
 
COMICS GRINDER: Anything else you’d like us to know that we can anticipate from you?
 
 
BOB: Well, I’d be remiss if I didn’t mention that I write a web column called IndieCreator on www.investcomics.com. Jay Katz, the principal behind InvestComics has been absolutely phenomenal to me, and I’m glad to call him a friend (although we both live in separate states and have only conversed — many, many times — over the phone). If you love comics, you should check out www.investcomics.com and read Jay’s weekly Hot Picks.
 
 
COMICS GRINDER: And where can we visit you on the web?
 
 
BOB: You can find me on these web sites:
 
 
 
 
 
 
 
 
 
robert heske
writer/producer
BLESSID

IndieGoGo page:
indiegogo.com/blessidthemovieBLESSID LLC
9 Floral Street
Shrewsbury, MA  01545Tel: (508) 868-3116
Email: bobheske@gmail.com
www.blessidthemovie.com
 

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Filed under Comics, Horror, movies, Robert Heske, Screenwriting, writers, writing

HOW TO TELL A GOOD VAMPIRE STORY: THE NIGHT PROJECTIONIST TPB Review

This is how you tell a good vampire story. You can’t take yourself too seriously. You need to know more about vampires than the average reader. And you can’t be afraid of blood, actually, a lot of blood. Robert Heske has written a damn good vampire story with his graphic novel, “The Night Projectionist.” There is a goofy-as-hell premise here but it works: the damned but well-intentioned Dragos will ultimately fullfill his destiny on the last night of the last picture show in town.

Unlike zombies, that are so full of subtext since they’re basically ciphers for social commentary, vampires are highly sophisticated creatures. A vampire story is a character driven story lest you get lost in the trappings of goth. What Heske does is jump right in and lay claim to his vampire history in broad strokes at the start of his book: Kisilova, Hungary, 1709.  There is Dragos, a dashing young man who doesn’t believe in vampires while the rest of the village is terrified of vampires. Dragos is the man. You can’t convince him that Burak, a mad scientist who some claim turned into a monster, is indeed alive and well and behind the village terror. No talking sense to Dragos. He’s too cool and good-looking. He is going to go to the house of Burak’s daughter and warn her that the villagers want her dead because they’ve concluded she’s a revenant, basically her father’s accomplice. But, finally, once Dragos does find Carmilla, he discovers to his own horror, that, yeah, she’s a vampire. Dragos meets Burak, is finally convinced he’s way over his head, and the once vampire naysayer finds himself tunred into a vampire! Jump to present day Crosston Falls, Massachusetts and that night’s entertainment, the closing down of the old movie theater on Halloween night with a Draculathon. Many of the town’s teenagers, and loose cannons, will be out to catch the show. And Dragos will be at their service as the night projectionist.

A good horror story, let alone a good vampire story, will intertwine things in interesting ways: the time, the place, and the supporting characters. The vampire history lesson we begin with dovetails into the closing of a scary, yet sweet, bedtime tale as told by mother to child in a modest home in present day Crosston Falls, Massachusetts. Nicki is a young mom who has made the mistake of letting her sister, Tina, stay with her, a woman who has no inhibitions about bringing men back home to have loud raucous sex. The little boy, Michael, must make do with trying to have a childhood while unsavory reality is pounding against his very walls. Then we jump to that night’s activities. Where there’s a small town, there’s definitely high school football, and desperate longings. Halloween night will take the cake and leave no crumbs, just scorched earth. As evil as vampires might be, a spoiled brat jock, like J.C., the mayor’s son, who thinks he owns the town is pretty evil in his own right. For starters, he almost burns down the high school. Even worse, he nearly rapes a girl. Tonight, his misdeeds will fan flames that will take the whole town down.

The artwork of Diego Yapur is right in step with the kooky offbeat world of horror. Yapur has a great eye for characters. He brings to life a whole town of misguided youth, shiftless and corrupt officials, and a bloody-happy crew of vampires. It’s a fineline between being offbeat and inaccessible and being offbeat and way cool. Yapur is way cool. The chemistry between him and Heske is solid and we readers are rewarded. Between Yapur and Heske, we get lost in the narrative and feel for the victims caught in the crossfire. Even a rather subtle subplot involving Danielle, a goth girl with asthma who “hates” her grandfather for no apparent reason, is saved my this writer/artist team that provide the much needed authenticity. At his core, Dragos is a vampire, a monster who drinks human blood to stay alive. But, with the proper attention to detail, Dragos is much more than that. He’s a conflicted hero. What makes this story so enjoyable is that Heske and Yapur both believe enough in Dragos’s journey that we want to read about it ourselves.

“The Night Projectionist” is a 132-page graphic novel published by Studio 407. Visit Studio 407.

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Filed under Comics, Comics Reviews, graphic novels, Horror, Studio 407

“THE STRANGE CASE OF MR. HYDE” TPB Review

“THE STRANGE CASE OF MR. HYDE” is a graphic novel that does a remarkable job of taking a disturbing subject like Jack the Ripper and giving it the good ole horror show treatment. It also has managed in take a couple of characters we may have taken for granted, Dr. Jekyll and Mr. Hyde, and breathed new life into them. Written by Cole Haddon and drawn by M. S. Corley, this Dark Horse Comics book sets you on an unexpected adventure.

For those of us to have read the original novella by Robert Louis Stevenson or seen the landmark movie versions (John Barrymore in 1920; Fredric March in 1931; and Spencer Tracy in 1941), there’s a healthy skepticism about any new Jekyll and Hyde projects. What sets this book apart is its determination to take things in a new direction, to see what might happen AFTER the story we think we know.

In this book, Mr. Hyde did not die. He was secretly saved by the authorities and kept locked away right below Scotland Yard. Five years later, a new killer is in the spotlight, Jack the Ripper, and a young man, Inspector Adye, is charged with breaking the case. It is not long before he discovers a connection between the Ripper and Mr. Hyde. With a little dumb luck, Adye discovers that Mr. Hyde (or Dr. Jekyll) is very much alive and enlists him in bringing the Ripper to justice.

The story just keeps getting better once Adye and Hyde come to an understanding and begin to interact. For these last five years, Hyde has been under the care of his old friend, and fellow scientist, Dr. Utterson (an attorney in the original story).  In the last year, Utterson has had a breakthrough that he believes has recovered Dr. Jekyll. However, that really remains to be seen. This Dr. Jekyll will never be the same. He knows too much. Every chance he gets, Dr Jekyll, as if being guided by Mr. Hyde, taunts Adye.

The art really keeps you locked into the story. Every possible Victorian detail, from frocks to streetlights, has been looked after. Corley’s angular style is reminiscent of Mike Mignola which is just fine for a Dark Horse book. What is most striking is the depiction of Adye and Jekyll. Both are rather young men. Adye is a rising star and somewhere in his early thirties. Jekyll, while middle-aged, does not look to be much older than Adye. Both men have distinctive characteristics but are also very similar in appearance, almost interchangeable. I don’t see this as a flaw. Whether intentional or not, it fits right in with the theme of humanity’s duality of purposes, with the two extremes being “good” and “evil.” If only for a set of circumstances, a set of choices, Adye might fall in with Jekyll. That is Jekyll’s argument. As much as Adye resists, it is almost like looking in a mirror when he sees Jekyll.

The story moves at a fast clip. We see the Ripper in a number of dramatic confrontations with our unlikely team of Adye and Jekyll. The best one involves a hot air balloon pursuit, the Victorian era’s answer to a helicopter chase. All in all, the story makes marvelous use of its surroundings and implications for its time. You’ll find references to other gothic horror characters too. The book ends with a hint of what may lie ahead. Let’s hope Mr. Haddon and Mr. Corley will continue to spin their tales.

“The Strange Case of Mr. Hyde” is published by Dark Horse Comics. It is a 96-page trade paperback, $14.99. Release date: February 22, 2012. Visit Dark Horse Comics.

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Filed under Cole Haddon, Comics, Dark Horse Comics, Dr. Jekyll and Mr. Hyde, Horror, M. S. Corley

HORROR SHOW AT THE EMP

“FRIDAY THE 13TH,” “PSYCHO,” “HALLOWEEN,” “THE SHINING,” yeah boy, horror movies! The EMP is gearing up for a major exhibition focusing on horror movies: “CAN’T LOOK AWAY: THE LURE OF HORROR FILM.” It kicks off October 2. So, if you’re in Seattle, you gotta check it out. Go to the EMP Web site for more info.

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Filed under Experience Music Project, Horror, Seattle

Hank Art: Horror Theme

This piece is something I created for a Dia de los Muertos (Day of the Dead) celebration. For many of you, myself included, Day of the Dead can be observed year round. This ink on paper work is available as an archival 18″x24″ print for $20 US dollars. Shipping and handling is free. Just twenty bucks. Go to PayPal HERE.

 

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Filed under Art, Dia de los Muertos, Hank, Henry Chamberlain, Horror