Eric Orner is one of the pioneers in LGBT comics. “The Completely Unfabulous Social Life of Ethan Green,” published by Northwest Press, is a great way to not only further establish him in the canon of LGBT comics, but simply to showcase the work of an excellent cartoonist.
All of us cartoonists can learn from Eric Orner. Just when you get that first wave of resistance, that’s when you push back a little harder. Orner had tales to tell, just like Howard Cruse before him and Alison Bechdel right alongside him, and they could not wait.
Orner’s comic strip ran in that fuzzy, chaotic, and bubbling time (1989-2005), before the internet and digital and then well into it. Orner grew as a person and as an artist. Collected here are some 300 of his groundbreaking comic strips. Well before Ellen DeGeneres was ready to come out, and perhaps a mainstream audience was ready to accept her, there was this comic strip. And casting the longest shadow, the less understood epidemic of AIDS, which Orner would address with both grace and thoughtful humor. Bit by bit, Orner was there to chronicle, in retrospect, a most confused and dangerous time–and it wasn’t that long ago and it’s still unfolding before us.
By 1997, the Ethan Green comic strip appeared in every large city and most mid-sized cities in the United States, as well as running in Canada and overseas. As Orner states in one of the section introductions, “Given that I wasn’t watering down the content, the fact that this very gay comic strip seemed to be building a readership among straight folks was a source of pride.”
Still, controversy could easily arise when least expected. It was also in 1997 that Baltimore’s alt-weekly, City Paper, had to fend off a church group that took great offense over a mild sex scene in the comic strip, something akin to soap opera content. Maybe they were just waiting for the very next depiction of two men making love anywhere to set them off.
Just as a comic strip unfraid to grow, Ethan Green stands out. As anyone who does a webcomic today can attest, there is an unrelenting grind that a cartoonist can succumb to. But, even in the earliest years, Orner was willing to push his artistic and literary limits. Right from the start, he aspired to reach greater heights of insight and downright zaniness. In one strip, circa 1990, he has The Hat Sisters attempt to save lives through time travel. For every vulnerable penis they find, they sheath it with a condom. Everything in the strip is in balance and it speaks volumes.
Towards the end of Ethan Green’s run, in 2005, a couple of young independent filmmakers from Hollywood adapted the comic strip into a movie. It premiered at the TriBeCa Film Festival and enjoyed a 19-city theatrical release in 2006.
Ultimately, Eric Orner’s comic strip enjoyed a great run. And now it is collected in this deluxe edition and off to begin a whole new life with old fans and new readers.
“The Completely Unfabulous Social Life of Ethan Green” is a 228-page trade paperback, black & white and in color, priced at $24.99, and available now. For more details, visit our friends at Northwest Press right here.
Northwest Press has recently published two excellent anthologies that feature a stellar roster of cartoonists exploring issues of sexuality. Both are highly recommended as showcases of comics discourse. It can be a challenge to find the right balance when putting together any anthology, especially one collecting works in comics. You want to find a way for each work to compliment the other in a medium that quickly signals the reader. In both these cases here, you have two books worthy of exploration, one a recent entry and the other from last year.
Review: THE COMPLETELY UNFABULOUS SOCIAL LIFE OF ETHAN GREEN
Eric Orner is one of the pioneers in LGBT comics. “The Completely Unfabulous Social Life of Ethan Green,” published by Northwest Press, is a great way to not only further establish him in the canon of LGBT comics, but simply to showcase the work of an excellent cartoonist.
All of us cartoonists can learn from Eric Orner. Just when you get that first wave of resistance, that’s when you push back a little harder. Orner had tales to tell, just like Howard Cruse before him and Alison Bechdel right alongside him, and they could not wait.
Orner’s comic strip ran in that fuzzy, chaotic, and bubbling time (1989-2005), before the internet and digital and then well into it. Orner grew as a person and as an artist. Collected here are some 300 of his groundbreaking comic strips. Well before Ellen DeGeneres was ready to come out, and perhaps a mainstream audience was ready to accept her, there was this comic strip. And casting the longest shadow, the less understood epidemic of AIDS, which Orner would address with both grace and thoughtful humor. Bit by bit, Orner was there to chronicle, in retrospect, a most confused and dangerous time–and it wasn’t that long ago and it’s still unfolding before us.
By 1997, the Ethan Green comic strip appeared in every large city and most mid-sized cities in the United States, as well as running in Canada and overseas. As Orner states in one of the section introductions, “Given that I wasn’t watering down the content, the fact that this very gay comic strip seemed to be building a readership among straight folks was a source of pride.”
Still, controversy could easily arise when least expected. It was also in 1997 that Baltimore’s alt-weekly, City Paper, had to fend off a church group that took great offense over a mild sex scene in the comic strip, something akin to soap opera content. Maybe they were just waiting for the very next depiction of two men making love anywhere to set them off.
Just as a comic strip unfraid to grow, Ethan Green stands out. As anyone who does a webcomic today can attest, there is an unrelenting grind that a cartoonist can succumb to. But, even in the earliest years, Orner was willing to push his artistic and literary limits. Right from the start, he aspired to reach greater heights of insight and downright zaniness. In one strip, circa 1990, he has The Hat Sisters attempt to save lives through time travel. For every vulnerable penis they find, they sheath it with a condom. Everything in the strip is in balance and it speaks volumes.
Towards the end of Ethan Green’s run, in 2005, a couple of young independent filmmakers from Hollywood adapted the comic strip into a movie. It premiered at the TriBeCa Film Festival and enjoyed a 19-city theatrical release in 2006.
Ultimately, Eric Orner’s comic strip enjoyed a great run. And now it is collected in this deluxe edition and off to begin a whole new life with old fans and new readers.
“The Completely Unfabulous Social Life of Ethan Green” is a 228-page trade paperback, black & white and in color, priced at $24.99, and available now. For more details, visit our friends at Northwest Press right here.
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Filed under Alison Bechdel, Comic Strips, Comics, Eric Orner, Gay, Graphic Novel Reviews, graphic novels, Howard Cruse, LGBT, Northwest Press
Tagged as Alison Bechdel, comic strip, Comic Strips, Editorial Cartoons, Entertainment, Eric Orner, Ethan Green, Gay Studies, graphic novels, Humor, LGBT, Media, Newspapers, Northwest Press, Pop Culture, Satire, Social Commentary