Tag Archives: Obituaries

Dalton Webb (1972-2025) cartoonist and illustrator

Dalton Webb

It’s the hardest obit to ever write, that of someone you’ve known for more years than you care to count, a beloved kindred spirit, my friend in life and forever, Dalton Webb. There’s a whole other world out there beyond social media and the internet that we touch, feel and experience. Not so long ago, we used to be in that world so much more than we seem to be now. Go further back, and the world becomes more and more real. In our youth, or relative youth, Dalton and I navigated a more real world. Yeah, I think it’s safe to say that. I was the older guy, by a decade or so, but, whatever. Our paths crossed, and once they did, we became fast friends. Dalton, being younger, perhaps was more prone to want to be a part of whatever the next big thing was at the time. I guess that was mastering that new up-and-coming Adobe graphic design software. We met as students of an illustration class. This, of course, back then, was in-person. There wasn’t any other option back at the start of the 21st century. We were both coming from different backgrounds and circumstances but, at that time, we were both living life by the seat of our pants, hanging on by our fingernails, on budgets so tight it could make your head spin. We got to talking and then more talking. It turned out that we had a lot in common, like an interest in the metaphysical and supernatural. And we were both Texas boys who decided to seek our fame and fortune in what was still then the wild and untamed hipster universe of Seattle, circa 2000, still trembling over what grunge had wrought. I’d originally moved to Seattle back in 1993. Kurt Cobain was still among us. In those years, I’d already lived a lot of life, even leaving Seattle for Spokane for a while. Anyway, we got to chatting and discovered we both were grappling, in very different yet very similar ways, with finding success as artists, or, at the very least, making our lives more artful! We both loved art in all its many forms and we had a keen interest in the comics art form. Lucky for us, Seattle was, and still is, a hotbed of activity for all kinds of creative people: musicians and writers; painters and photographers; and, most definitely, cartoonists.

Wally Mammoth, written by Corey R. Tabor and illustrated by Dalton Webb

The history of comics in Seattle is a whole thing all to itself and I can tell you that Dalton and I found our way into the very thick of it all. We stood our ground, we were part of it all and we evolved. We both created zines, comics, illustrations and did our fair share of networking. Fast forward a couple of decades and we matured as serious contenders. More recently, in more receptive times for both of us, we each got picked up by publishers. Very different books and set of circumstances but we could both say that we’d arrived. I have had a very busy year and I think that partly explains why I’d been so out of the loop with Dalton lately. I am thrilled about the new book (written by Corey. R. Tabor, illustrated by Dalton Webb) that just came out, Wally Mammoth: The Sled Race, published by HarperCollins, and I will provide a full review soon. I knew Dalton for so many years that, when he grew his hair long again, it wasn’t a surprise to me, as it was to newer friends. I’d known him back when it would have been a surprise to suddenly see him with short hair. I knew all sorts of things about him, and he knew all sorts of things about me. The point is that we knew each other well beyond the surface level. Heck, we were roommates for a time. We witnessed countless triumphs and failures between the two of us. So, when I moved away from Seattle a few years ago, it was hard to say goodbye and face the inevitable drifting apart. When I got a phone call from a family friend letting me know that Dalton had passed away, it hit me like a mack truck. What?! Where was this coming from? The last I’d heard about Dalton was from an Instagram post announcing the Wally Mammoth book, part of a new series. I just assumed this was the beginning of some well-earned career milestones. If I kept up with Facebook, which I do not, I would have learned that Dalton had been facing health issues. Sadly, we live in a world where it is assumed that everyone is connected to Facebook. It has been baked-in and there’s no going back, unless we really want to. Well, like a number of people, I don’t subscribe to the Facebook hive mindset and so I guess I miss a few things, but I never imagined Dalton was in such a bad situation. I’m thinking this wasn’t news that he would have readily shared with anyone. But I can only speculate about this most recent period. And it hurts that I somehow fell out of the loop.

illustration by Dalton Webb

Dalton was no hack artist, and neither am I! That distinction goes to the heart of our bond. He truly loved the whole art of problem-solving, the entire process. Yes, amen to that. We were a few years apart in age but essentially coming at things from a Gen X ethos: keep it authentic and don’t take any guff from anyone. Now, Dalton had the gift of gab and he could shop talk with any and all industry folk. I can too but I really do best with intimate and real conversation. And I know Dalton preferred that too, that’s why we got along so well together. Dalton, at the end of the day, genuinely enjoyed talking and sharing. He adored vintage illustration techniques and would pore over a book about a legendary illustrator for hours and then, all inspired, proceed to draw for hours. He loved such illustrator-artists as Walt Kelly, Eric Carle, Carl Barks and Maurice Sendak. Dalton just needed some more time. He was well on his way.

Dalton at an art show we organized.

Dalton was a lot of things: down-to-earth, stubborn, competitive, whimsical, kind, gentle, mysterious, and, did I mention stubborn? Well, let’s see, here’s a story. We, now and then, would do a road trip out to take part in a comics festival with our latest works. There was the time we drove from Seattle to Vancouver, B.C. to take part in an indie comics gathering. We stayed for the after-show dinner with various cartoonists. It was getting late, and it would have been so easy to just stay the night at a hotel, but Dalton was determined to drive back the three hours to Seattle. Against my better judgement, I agreed and hopped into the driver’s seat of my car. We were making steady progress on I-5 when Dalton insisted he wanted to give me a break, let me sleep, as he drove the rest of the way. I didn’t feel especially drowsy but I relented. Once I was riding shotgun, I let myself relax and doze off. No sooner was I in a deep sleep than I was awoken by a police siren and flashing lights. It turned out that Dalton had gotten drowsy and was weaving along as he was driving. By some miracle, the police officer let us go with just a warning! Even when he wasn’t trying, Dalton seemed to always charm his way out of things. I know he’s laughing at this.

Grasshopper by Dalton Webb

Well, as I was saying earlier, Dalton, the younger one of us, was a bit more eager to keep up with the latest trends. I did what suited me but was content to, more or less, miss the boat on some things, like Facebook, which, I love to point out, was originally intended as a way for fraternities to organize keggers. It wasn’t meant to be taken seriously as part of someone’s day-to-day activity but that is what it has become because we just don’t live as much of our lives in the real world as we once did. Anyway, when I got that phone call from a family friend letting me know that Dalton had died, I wasn’t struck with a need to post about it anywhere, let alone Facebook. You know why? Well, I just got a special phone call intended for certain people, right? In the real world, you readily appreciate the chaos and pain in a time of grief. What you do is let family lead the way and just wait. But, once news got out about Dalton’s death, it managed to make its way into the Facebook ecosystem. And, you know, worst things have happened. Dalton loved Facebook and, I imagine, he probably could get a chuckle out of the buzz of activity about him. But, he’s on a higher plane of existence now. And he most likely would get a chuckle over how utterly irrelevant so many things really are. Facebook is what it is. Maybe I’m supposed to embrace it more in the future–or maybe not. Dalton, I’m sure, is laughing his ass off that I’m freaking out over Facebook in the first place and he’d be right. He was, and remains, right about so many things.

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Steve Benson (1954 – 2025)

“People are testy and uncomfortable, and they really don’t know where the country’s going. That’s why cartoonists are here.” That quote is by political cartoonist Steve Benson regarding Trump 1.0 back in 2017. Sounds very relevant for today, as does the above editorial cartoon, also circa 2017.

Steve Benson (1954 – 2025) was one of the greats with a career spanning over 40 years. Benson won the Pulitzer Prize for Editorial Cartooning in The Arizona Republic in 1993. Benson grew up in the generation influenced by giants in the industry, Jeff MacNelly and Pat Oliphant, the caliber of cartoonists that even the most casual observer took notice of. As happens with the best, Benson found his own take on things and the rest is history.

Steve Benson is not a name I was particularly acquainted with. Sadly, a good chunk of Benson’s career oversaw the steady decline of newspapers and the overall splintering of media into a thousand pieces. That said, his work was powerful and speaks to the need for more of it, not less. Political cartoons are a perfect vehicle to speak truth to power. We still have any number of cartoonists who aspire to at least try to make as strong a mark as Benson on this or that online platform. We need them to continue their good work since nefarious politicians aren’t slowing down any time soon if ever.

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Filed under Comics, Obituaries, Political Cartoons

Howard Cruse (1944 – 2019)

Howard Cruse

Howard Cruse, a pioneer in the LGBTQ cartooning movement and the author of Stuck Rubber Baby, an award-winning graphic novel about the intersection of race and sexuality in the South, died on Tuesday, November 26. He was 75. Howard was one of those essential artists who contributed work that touched, saved and transformed many lives. Thanks to his groundbreaking work as the founding editor of Gay Comix, which began in 1980, Howard Cruse was instrumental in getting underground comics — and later mainstream comics — to address LGBTQ issues. Take a look at the video below for a panel discussion with all the editors of Gay Comix:

A very informative obituary, compiled by Richard Goldstein and Jay Blotcher, follows, along with selected related images.

Stuck Rubber Baby, 25th anniversary edition, published by First Second Books

Pioneering Gay Cartoonist Howard Cruse Dies at 75

(WILLIAMSTOWN, MASS., Nov. 26) — Howard Cruse, a pioneer in the LGBTQ cartooning movement and the author of Stuck Rubber Baby, an award-winning graphic novel about the intersection of race and sexuality in the South, died on Tuesday, November 26. He was 75.

His husband of 40 years, Ed Sedarbaum, said that Cruse succumbed to complications from lymphoma at Berkshire Medical Center in Pittsfield, MA. Cruse, who lived in Williamstown, Ma., had been diagnosed in August.

Cruse’s masterwork, the bold graphic novel Stuck Rubber Baby, was published in 1995. It was based on Cruse’s interior struggles as a closeted gay man during the civil rights era of the 1960s. Widely translated, Stuck Rubber Baby has won numerous awards, including a critics prize at the Angoulême International Comics in France, the Harvey Award, Eisner Award and United Kingdom Comic Art Award for Best Graphic Album.

Stuck Rubber Baby will be reissued in a 25th anniversary edition by First Second Books in May 2020.

Howard Russell Cruse was born May 2, 1944 in Birmingham, Alabama, as the younger of two sons born to Clyde and Irma Cruse. The family moved to Springville when his father, a photojournalist, was ordained as a Methodist minister and assigned to Springville Methodist Church. Cruse’s creative talents were encouraged by both his parents. His first published work was a 1959 comic strip called “Calvin” in the St. Clair County Reporter. Young Cruse also had cartoon art published in the humor magazines Fooey and Sick. He was mentored through an ongoing correspondence with famed cartoonist Milton Caniff, the creator of “Terry and the Pirates” and “Steve Canyon” newspaper comic strips. At age 16, Cruse was invited to visit Caniff in New York City.

Howard meets Milton Caniff in 1961 at Sardi’s in New York City

At Birmingham Southern College, Cruse became involved in the theatre program, designing sets and appearing In several productions. He wrote and directed his own play during his senior year. For the college literary magazine, Quad, Cruse satirized the conservative organization the John Birch Society. The controversial work appeared in print, but the faculty advisor insisted on running a full-page disclaimer.

After graduating from BSC in 1968, Cruse joined Birmingham’s WBMG-TV as art director and a puppeteer on “The Sergeant Jack Show.” He became romantically involved with a man, Don Higdon, for the first time. During this time, Cruse created “Tops & Button,” a cartoon panel about two squirrels, which ran daily in The Birmingham Post-Herald from 1970 to 1972. He also created the subtly subversive “Barefootz,” which debuted in the University of Alabama’s newspaper Crimson White. “Barefootz” would appear in several Birmingham-area publications during the decade, and later in underground comic books. In 1977 Cruse relocated to New York City to make cartooning his full-time profession. In 1979, he met Eddie Sedarbaum and they moved in together. The couple was married in 2004. Cruse’s career reached a personal and professional breakthrough in 1980 when he was founding editor of Gay Comix, an underground anthology for lesbian and gay cartoonists. Cruse’s own work, exploring his conflicted childhood and repressive Southern upbringing, appeared in these comic books.

Wendel comic strip

In an era before the formal passage of LGBT rights, these frank cartoon explorations of gay culture, politics, sex, and camp had a huge influence on young people in the closet. During the four years of his editorship, Cruse received letters of gratitude from readers all over the country, many who had considered suicide. During this period, Cruse did many pro bono illustrations to support fledgling LGBT organizations, as well as mentoring of young queer cartoonists. Cruse created a high-profile poster about gay male safe sex practices in 1985 for New York City’s Gay Men’s Health Crisis.

Cruse’s profile as a cartoonist grew with the debut of “Wendel,” a comic strip about a gay everyman, his lover, friends and family. It appeared in the national newsmagazine The Advocate from 1983 to 1989. He also contributed frequently to The Village Voice. Cruse and Sedarbaum became active in LGBT and AIDS grass-roots politics, joining the direct-action organizations ACT UP and Queer Nation. Cruse and Sedarbaum left New York City in 2003 and moved to Western Massachusetts, settling first in North Adams and then Williamstown.

Stonewall illustration for The Village Voice, circa early 1980s.

Cruse frequently appeared at comic book conventions over the decades, and was the guest of honor at academic and fan conferences, especially those addressing the subject of queer comic art. His final published comic work appeared this year in Northwest Press’s horror anthology “Theater of Terror: Revenge of the Queers.” Cruse was among LGBT cartoonists and illustrators appearing in the documentary “No Straight Lines,” scheduled for a 2020 release.

Stuck Rubber Baby

Cruse’s work has been collected in several books, among them, Barefootz Funnies (Kitchen Sink, 1975-79), Wendel (Gay Presses of New York, 1986), Dancin’ Nekkid with the Angels (St, Martin’s, Kitchen Sink, 1987) and Wendel on the Rebound (St. Martin’s Press, 1989).

In addition to his husband Ed Sedarbaum, Cruse is survived by his daughter, Kimberly Kolze Venter, and his brother, Allan Cruse.

Donations in his memory can be made to New York City’s LGBT Community Center, the Queers & Comics Conference, and Rainbow Seniors of Berkshire County.

Memorial services, open to the public, will be held in Berkshire County, Massachusetts, and New York City in the near future. Exact information will be posted on howardcruse.com/

  • Obituary compiled by Richard Goldstein and Jay Blotcher

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Filed under Comics, LGBTQ, Obituaries