Category Archives: comic books

ANDY KUBERT AND “ACTION COMICS”

THE NEW 52 DC RELAUNCH continues to be quite a show. I think there are still many readers just now jumping on the bandwagon. For me, I’ve been most interested in the relaunch of “ACTION COMICS” along with “WONDER WOMAN.” Those two will do it for me for now. At the moment, “Action Comics” has enjoyed sort of an intermission, or fill-in issue break, from the team-up of Grant Morrison and Rags Morales. The spotlight has been placed on Andy Kubert. He definitely pulls out all the stops in keeping up with the often mercurial Mr. Morrison.

I think he had a smoother time of it with the origin story in Issue Five. For the recent Issue Six, well there’s quite a lot going on, maybe too much going on! But, as is so often the case with a Morrison trip, it all works out in the end.

Just a snatch of dialogue here shows you how densely packed and bewildering things can get, Cosmic Man to “modern day” Superman: “If we can’t restart our time bubble rotor, none of this will matter. We’re relying on the battery you brought from Earth, Superman.” Huh? Well, we may gain traction when we return to the main thread with Morrison and Morales in Issue Seven on sale March 7. Then it all wraps up for the opening story with Issue Eight on sale April 4.

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WORLD’S FINEST in The New 52 Second Wave Lineup

“WORLD’S FINEST” will be relaunched in the second wave of  “The New 52” DC Comics titles. You can read all the details over at The Source. Of course I’m thrilled to see the return of “Batman Incorporated.” But I was immediately curious about “World’s Finest.” When I think of this title, it brings to mind numerous Batman and Superman smackdowns, often quite funny, or odd buddy moments. I love that campy fun. Is there no room for one DC Comics title that pokes fun at its star superheroes? Granted, by the ’80s, this title had kicked that sort of satire to the curb. But, in the spirit of rediscovering the magic of comics, I’d have gone back to this title’s roots. The teaser for the new “World’s Finest” coming out in May left me scratching my head:

  • WORLDS’ FINEST – Writer: Paul Levitz. Artists: George Perez and Kevin Maguire. Stranded on our world from a parallel reality, Huntress and Power Girl struggle to find their way back to Earth 2. Perez and Maguire will be the artists on alternating story arcs.

Paul Levitz is one of the guardians of superhero tradition so, sure, his story will not disappoint fans. And those will be fans of everything to do with Earth 2, which is a hell of a lot of fans.

But there’s already “Earth 2” as part of the next wave of The New 52:

  • EARTH 2 – Writer: James Robinson. Artist: Nicola Scott. The greatest heroes on a parallel Earth, the Justice Society combats threats that will set them on a collision course with other worlds.

Not enough, huh? Is irony dead? No, but there’s no room for it in this latest version of “World’s Finest.” I know, I know, it’s all about the Dark Knight but it’s healthy to lighten up a bit. Isn’t it? The fans don’t think Batman is real, do they? Well, maybe some do.

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Filed under Batman, comic books, Comics, DC Comics, Superman, The New 52, World's Finest

BEST COMICS FOR 2011 from ComiXology’s Tucker Stone

Over with our friends at ComiXology, Tucker Stone has weighed in with his list of The Best Comics for 2011. It’s fun to create a list like this. It’s also kind of depressing when you consider all the comics that didn’t make the cut.

Well, such is the nature of lists. Make of them what you will. Enjoy them. Make a nice little souffle out of them if you’re so inclined. It’s actually quite a good list going from “GODLAND #34” to “LOVE AND ROCKETS NEW STORIES VOLUME 4.” Check it out here.

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Jerry Robinson, 1922 – 2011

Jerry Robinson, the key creator of The Joker, has passed away.

The Los Angeles Times has a feature in their “Hero Complex” column you can read here.

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BATMAN #3 Review of the New 52

Comics events will come and go and Batman will always be cool. But there’s never been anything quite like a re-launch of 52 titles as DC Comics has done. The landmark titles are getting the closest scrutiny, of course. “Action Comics,” the cornerstone to the DC Comics universe is hitting it out of the ballpark while it can be said that the new “Superman” is putting in an impressive showing. Where does Batman fit into the mix? He’s too cool to care so I’m asking for him.

The short answer: Among all the Bat titles out right now, “Batman” is the one to follow. Pretty easy this time around. If you’re into keeping up with the heart and soul of Batman, then just read “Batman.” That’s the title currently hitting the mark.

But, hey, if you have the extra time and money, of course, check out the other Bat titles. As for “Detective Comics,” I’m not getting into it since it’s basically just violence and not enough story. The truth is, if you want the hot Superman story right now, it’s “Action Comics” and, if you want the hot Batman story right now, then it’s “Batman.”

Currently up to Issue Three, Scott Snyder’s run on “Batman” keeps moving along, maybe even to the level of hitting it out of the ballpark.

The challenge with any superhero story of this caliber, be it Superman, Batman, Wonder Woman, is saying something distinctive, even something daringly new. Do you settle on doing a cool CSI type story, which “Batman” lends itself to quite easily, or do you find a way to break new ground?

Here’s the thing, there  is absolutely nothing wrong with NOT breaking new ground and focusing on a solid story. But then, some guys can’t leave well enough alone.

Owls. It’s all about the owls—but so much more too. For one thing, Snyder has developed a new pal for Bruce Wayne, an honest politician, mayoral candidate, Lincoln March. It’s nice to give Bruce a new pal, at least for awhile. Snyder has also managed to do more than make Gotham “another character” in the story. Much in the way he’s provided full-bodied storytelling in “American Vampire” and his own recent run on “Detective Comics,” he loves to delve into details of the Batman saga. It’s quite an accomplishment when the words prove to be as evocative as the art. Snyder gives us an array of fanciful things to contemplate, most notably Wayne Tower which was built by a Wayne forefather as a shining beacon to commerce and to newcomers to Gotham.

And then we’ve got those owls, The Court of Owls. It turns out they’ve been around for a long, long time and have been hiding in the nooks and crannies of Gotham, in nasty spots like the hidden 13th floor of buildings. The tightly packed tension should continue to mount nicely before it all becomes a big ole owl bloodbath.

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FANTAGRAPHICS 2012 Catalog and MINI-COMICS!

The new Fantagraphics catalog is out and chock full of comics goodness. Take note of a very special offer: Your chance to own some very special mini-comics!

The press release follows:

By now you’ve probably received your 2012 Fantagraphics Ultimate Catalog of Comics in the mail. It’s jam-packed with our 2011 releases, a few upcoming 2012 releases, and a bunch of backlist stuff. It also details our exciting FBI•MINI mail-order bonus program, more about which below. And, of course, there’s a handy order form for ordering everything!

If for some reason you’re on our email list but not our snail-mail list, contact us to request your free copy, and if you just can’t wait and/or want to have it on your computer or mobile device, we’ve also made it available as an 11.5 MB PDF download.

And now a special announcement from Kim Thompson:

I always was very fond of the mini-comics format — take two to four 8 1/2 x 11 sheets, fold them once, staple, and voilà! You have an adorable little 5 1/2 x 8 1/2 comic book for mere pennies. But I could never really figure out what to do with this old-school, low-tech format.

Until now!

For this catalog season, we have created 21 “FBI•MINI” booklets (most in this format, although there are a few oddities), as premiums for customers who order books directly from us. They are available free with the purchase of their “matching” book or books — or for those customers who’ve already bought those books but are desperate to get the FBI•MINI, free with the purchase of $50 worth of any other Fantagraphics mail-order merchandise.

We’ve put together some pretty amazing stuff. For instances, there are four foreign FBI•MINIs featuring material that is being released in English for the very first time: an eight-page David B. story from the 1990s, an eight-page full-color Sibyl-Anne story by Raymond Macherot, a twelve-page collection of Joost Swarte‘s very earliest, most underground-y work — the stuff that didn’t make it into Is That All There Is? — and most amazing of all, 21 pages of an abandoned Manchette/Tardi story that has only been printed once in an obscure French collection, and never in English. That’s 49 page of prime European comics available here for the first time.

There are four sketchbook collections (an amazing gathering of Jim Woodring work preparing for Congress of the Animals, an intricate set of sketches and more by Stephen DeStefano for Lucky in Love, a collection of Kim Deitch‘s legendary pencilled conceptualization drawings… and a hilarious blurt of Prison Pit character doodles from Johnny Ryan).

There’s a non-Segar Popeye strip from the Segar era that didn’t make it into our Popeye series (since it wasn’t by Segar)… a collection of terrific “coming attractions” pages from Golden Age comics to go with Greg Sadowski’s upcoming Golden Age covers collection… a dozen great “Humorama” drawings that didn’t quite get into the Humorama book… a striking facsimile of a Maurice Tillieux original Gil Jordan page, complete with watercolored color indications on the back… and a never-before published Joe Sacco strip.

Plus 16 pages of Alex Toth art from the Setting the Standard era, but here reproduced in crisp black and white from the original photostats… Tony Millionaire‘s hilarious illustrated essay on failing to secure a TV gig for Billy Hazelnuts, complete with a preview of his upcoming Billy Hazelnuts Volume 3… a collection of the legendary Ivan Brunetti Nancy strip try-out… and 12 gorgeous full-color pages of scary Richard Sala faces.

And we’ve also got some obscurities, such as 12 pages of Bill Griffith comics that got axed from his epochal Lost and Found, a never-before-reprinted Critters-era “Nilson Groundthumper” story by Stan Sakai, and some truly Jurassic-era comics from Peter Bagge and Los Bros. Hernandez.

If any of these catch your interest (and if you’re reading this surely at least one of them will) you can click right on any of them to a more detailed listing on our website — or just click right here and all 21 will pop up for you to peruse.

 

Click here to see all the newest releases from Fantagraphics Books.

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NOTE: Sales and special offers for Fantagraphics mailorder do not apply at Fantagraphics Bookstore & Gallery unless otherwise noted, and vice versa.

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Dark Horse Announces 5 New B.P.R.D. Titles for 2012 Event, HELL ON EARTH

The Buerau For Paranormal Research And Defense will never be the same!

Press Release follows:

IT’S ALL GOING TO HELL IN 2012!

DARK HORSE ANNOUNCES FIVE NEW B.P.R.D. TITLES THAT WILL SHAKE THE ORGANIZATION TO ITS VERY CORE!  

NOVEMBER 21, MILWAUKIE, OR—The epic story line that began back in 2010 with B.P.R.D. Hell on Earth: New World is coming to a head in 2012. Dark Horse announces the most ambitious B.P.R.D. publishing schedule yet, with five new titles and some of the most earth-shattering events in the history of the series!

First up, in February comes B.P.R.D. Hell on Earth: The Long Death, written by Mike Mignola and John Arcudi, with art by James Harren (Abe Sapien: The Devil Does Not Jest, Heralds). A team is sent to the deadly woods from New World to investigate a new series of disappearances, but they discover more than just the monster responsible, as loyalties are questioned and tensions mount!

March will see the release of B.P.R.D. Hell on Earth: The Pickens County Horror, written by Mike Mignola and Scott Allie, with art by Jason Latour (Wolverine, Scalped) and an all-new cover by Becky Cloonan! This chilling two-issue series brings a B.P.R.D. crew into the grips of a backwoods vampire clan hiding out in a Gothic southern home.

Next, in May comes B.P.R.D. Hell on Earth­: The Transformation of J. H. O’Donnell, pairing Mike Mignola with Scott Allie again for the discovery of what drove the Bureau’s expert on ancient foes to near madness after a mission with Hellboy twenty-four years earlier. This supernatural thrill ride features art by B.P.R.D. newcomer Max Fiumara (Amazing Spider-Man) and a cover by Becky Cloonan.

That same month features the return of the regular B.P.R.D. team of Mike Mignola, John Arcudi, and Tyler Crook, with B.P.R.D. Hell on Earth: The Devil’s Engine. The Zinco Corporation again rears its ugly head after a devastating earthquake, pitting Devon and Fenix in an uneasy alliance against bat-faced monsters and the evil empire’s other mad-science experiments! Additionally, this new series will feature covers by former Hellboy artist Duncan Fegredo!

Finally, Cameron Stewart returns to the B.P.R.D. universe in June with B.P.R.D. Hell on Earth­: Exorcism! In this story we learn more about Ashley Strode’s evolution as an agent after she meets up with a familiar face for a series of exorcisms in a rural Indiana town. Mike Mignola and Cameron Stewart team up to share writing duties, with pencils by Cameron and covers by Viktor Kalvachev!

“Let’s break some stuff that can’t be fixed. Let’s turn some corners where there’s no going back” said Mike Mignola. “In both Hellboy and B.P.R.D., we’re saying, “Well, once we do this—once we round this corner—that’s it!” It’s not like, “Oh, Batman, different costume.” We’re doing stuff where there’s no way to fix it. That is the new reality in our world. You’re REALLY going to see that in 2012.”

B.P.R.D. is sure to be the most-talked-about series of the coming year, as the team stands at the brink of the end of the organization and the world itself!

It’s all going to hell in 2012!

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STAR WARS: CRIMSON EMPIRE III – LOST EMPIRE #1 Review

 

Star Wars holds a special place with many of us. When something new and special related to Star Wars comes along, it gets attention. This latest Star Wars comic from Dark Horse is a high priority for fans and a great place to jump in for new readers. “STAR WARS: CRIMSON EMPIRE III – LOST EMPIRE” is a pretty big deal. After a decade of anticipation, it brings back the original Dark Horse talent behind this particular title. It’s an interesting take on what happens when the last guard standing from the old evil Empire comes back to wreak havoc on the new Republic led by Princess Leia and her husband Han Solo.

This reminds me of a recent challenge that DC Comics chief Dan DiDio brought up. He said that he asks all his new writers to write a Batman story because if you can’t write Batman, then you can’t write comics. That’s fair. Think of it what you will but the whole Batman thing is a huge part of comics and pop culture. That is definitely going to hold true, even more so, for Star Wars. You want to write comics but you can’t come up with anything for a Star Wars story? Come on, it’s Star Wars!

The golden rule for me in creating a story is to include something of the down-to-earth aspects of your characters. Even story-driven comics are well served if they contain some character details. And, of course, we see that in “Crimson Empire III.” One key moment that will grab the reader and will help to sustain much of what follows is a scene involving Princess Leia and her two children. We see the two little tikes running through the command center. Princess Leia is listening to a dire, yet tedious, warning from one of her lieutenants. At that moment, her two children are looking down from a galley and making funny faces. We suddenly see a rare smile from Her Highness. The lecture is over and the speaker leaves in a huff. It’s a precious moment and speaks volumes to what’s a stake.

This first issue is part of a six part story arc. It brings together the talents of Randy Stradley, who initiated the story, artist Paul Gulacy and none other that Dark Horse president, Mike Richardson, who wrote the script. It’s all systems go. This is a Star Wars story you won’t want to miss.

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Hellboy, R.I.P.

A spoiler alert is hardly needed here, right? You know what’s happened. It’s happened to the best of ’em. Batman. Superman. Captain America. And now…Hellboy. He’s died, well sort of, at the end of this month’s story arc, “The Fury.” But it was a beautiful ending to a beautiful story. Like any Mike Mignola creation that I’ve come across, this one is wonderfully deadpan, fanciful and curious. Will it be significant that Hellboy is a descendant of King Arthur? It is only mentioned in passing. For a story that sends Hellboy back to Hell, it is understanding that some things can only be touched upon.

Duncan Fegredo does such a great job of bringing out the earthy quality to this story. Thankfully, Hellboy has a girlfriend in this one, Alice, who he met in typically obscure fashion, by saving her from a band of malicious fairies in 1959. What does that even mean? Are marauding elves next? Well, like any challenging poem, you just run with it and wait for things to come into focus. But getting back to Alice, Fegredo breathes such life into her that she is a powerful presence on whichever page she graces. And that’s saying a lot considering all the ghoulies Hellboy contends with, including a dragon bad enough for a Ragna Rok throwdown, when dragon battles man.

Such an impressive three story tale that sets up the action for the main event: Hellboy in Hell! This is something of an event which Dark Horse is happy to point out. It is impeccably timed in the last issue of “The Fury” with some final comments by Dark Horse’s managing editor, Scott Allie: “I think we ended this one well. In the fall, be sure to check out the hardcover graphic novel House of the Living Dead. Because after that it’ll be a bit of a wait. And then…,” which is followed on the next and last page by:

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Superheroes: Real and Surreal

Part of the appeal of superhero comics, for a lot of readers, is that it satisfies a desire to live the superhero life through the pages of a comic book. But what happens when that’s not enough, when a reader wants to be a superhero for real? There are two places to go for answers starting this week: HBO’s new documentary film about real life superheroes entitled, “SUPERHEROES.” And the highly acclaimed movie, “SUPER,” has become available on DVD and Blu-ray. Both the documentary and the movie present people on the edge and they make a perfect set to watch one after the other.

HBO’s “Superheroes” presents the lives of a variety of people who have chosen to take things into their own hands. They range from the quiet and hesitant to the clownish to the earnest do-gooder. At first, the question that remains hanging in the air is, Will these guys ever actually do anything? The answer takes a little time. But, one thing is for sure, you get hooked in and want these guys to succeed. Reality bites, even real superheroes, or especially real superheroes. One masked avenger sets himself up when he goes into detail on what his typical day might be like, “I would have some breakfast, I would say good morning to my girlfriend.” Here, the interviewer stops to ask him if he really does have a girlfriend. The real superhero sighs, “Well, no, I was just speaking metaphorically.”

As we get to know all these characters, we see that they’re not so different from anyone else and have a genuine need to help others. Mr. Extreme, a 33-year-old security guard, can’t get the full support from his own parents for his superhero activity. His mom thinks he never looks out for himself. It’s tough for even the most organized superhero collective, The New York Initiative. They walk a fine line of entrapping others with their Bait-Patrols. And they don’t seem to ever make a catch. But it’s all a waiting game. When the group least expects it, they are on the spot to prevent a drunk driver from causing greater harm. And, just when Mr. Extreme is having his doubts, he discovers that his actions have helped to solve a high profile crime—well, not directly but still, it’s something.

“Super,” written and directed by James Gunn, is a great slap in the face to any real superhero movement and just about anything else. In the same spirit of anarchy as “Kick-Ass,” this movie goes for the jugular without hesitation. It is a rabbit punch to the gut that any nerd would gladly take coming from the run away star of the movie, Ellen Page. Her sidekick, Boltie, to Rainn Wilson’s, Crimson Bolt, is truly inspired. Between the two of them, crime still has a chance but it might stop to consider the consequences. While fairly inept, Crimson Bolt is fearless about attacking someone with his trusty wrench. It’s during a frustrating wait in line to see a movie that we see the character of Frank first defy the “with great powers comes great responsibility” rule. Someone cuts in line and Frank becomes livid. It goes completely against is code of ethics. After yelling at the guy and seeing that’s going nowhere, Frank runs to his car to turn into Crimson Bolt. He promptly goes back and, with his wrench, beats the hell out of the guy who cut in line. It’s at that point that we’ve crossed into “Clockwork Orange” territory.

It’s only after Frank has gotten his focus and is less liable to harm innocent bystanders, that he reluctantly teams up with the girl from the comics shop, played by Ellen Page. Libby is impressed beyond words to find out that the superhero who has run amok and become a local celebrity is none other than Frank, the guy who works at the local diner. The two had already become friends as Frank had enlisted Libby’s help in researching superheroes. Once Libby discovers that Frank’s wife, Sarah, played by Liv Tyler, may have been abducted by a local gangster, Jacques, played to perfection by Kevin Bacon, there’s nothing that will stop her from being by Frank, or rather, Crimson Bolt’s side. Before Frank realizes what has happened, Boltie is dragging him along to help her seek revenge on a guy who has stolen from her. They end up ransacking the boy’s home and nearly killing him only to find out that maybe Libby wasn’t sure he was the boy she was after. Crimson Bolt tries to control his sidekick and pleads with her to follow his lead. A typical patrol turns out to be the last thing Boltie needs. She yells out, “This is boring!” It’s only some form of hyper-reality that will satisfy Boltie which is just fine for this very surreal superhero movie.

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Filed under comic books, Comics, Ellen Page, James Gunn, movies, Rainn Wilson