Category Archives: Documentaries

INTERVIEW: Filmmaker Steven-Charles Jaffe and ‘Gahan Wilson: Born Dead, Still Weird’

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“If Crumb can have a documentary, then so can Gahan Wilson!” The decision had been made.

Gahan Wilson is a force of nature. And so is filmmaker Steven-Charles Jaffe. Wilson found in Jaffe someone who would do justice to his legendary career that spans over 50 years of cartoons for The New Yorker, Playboy, and National Lampoon. Who else even comes close to such an output? That’s why a documentary had to be made. It is called, “Gahan Wilson: Born Dead, Still Weird.” Yes, you read that right, “Born Dead, Still Weird,” and it is currently the subject of a Kickstarter campaign that you can join here.

It was upon seeing “Crumb,” Terry Zwigoff’s landmark 1995 documentary on underground cartoonist Robert Crumb, that Jaffe resolved he needed to create a similarly worthy documentary of his friend and idol, Gahan Wilson. The idea of Jaffe and Wilson working together had already been kicking around for a few years. One plan that continues to interest them is a feature length animated movie based on Wilson’s illustrated book, “Eddy Deco’s Last Caper.” Jaffe and director Nicholas Meyer have approached IMAX about the project so we shall see. A Gahan Wilson animated movie in 3-D would be worth the wait.

For a taste of what it’s like for Wilson and Jaffe to work together, you can view the 2008 animated short, “It Was a Dark and Silly Night.” A story about children determined to have a jello war, even if it’s in a cemetery, this animated short is based on a collaboration between Neil Gaiman and Gathan Wilson for an illustrated anthology, compiled and edited by Art Spiegelman and Françoise Mouly, “Little Lit: It Was a Dark and Silly Night.”

There is so much to a Gahan Wilson cartoon: it is entertaining, memorable, scary, and above all else, it won’t let go. “I can’t tell you how many times I have seen a Gahan Wilson cartoon that relates right back to his own life.” Jaffe makes the observation with awe and admiration. An artist of the caliber of Wilson has both a keen sense of whimsy and a backbone made of steel. He was a child of two out of control alcoholic parents. For him, he had to grow up fast while holding on ever tighter to his dreams.

The dream behind “Born Dead, Still Weird” is to give it as wide an audience as possible. Much in the same way that “Crumb” was transcendent, so too this documentary aims to show you the real man and artist. “That’s what struck such a chord with people, to see Robert Crumb on a human level,” says Jaffe. Both Crumb and Wilson climbed their ways out of adversity to unprecedented success. If Jaffe can accomplish his goal of stirring up the pot and getting his documentary considered for an Academy Award nomination, it will go a long way in securing a high profile for “Born Dead, Still Weird.” The essential stage, getting the documentary made is done. But the last stage, marketing and distribution, and just making sure the documentary is known about, is still ahead.

Jaffe recalls the kind words from Robert Redford in support of “Born Dead, Still Weird.” After viewing it, Redford wrote back to Jaffe, “I’m a huge proponent of art not only getting into the educational system but for its ability to save some lives and enhance some lives. It is a fine piece of work and I thank you.” Saving lives. What a joy to be able to make such a difference. This is something that has genuinely stuck with Jaffe. He’s the first to say that he did not set out to make an inspirational film and yet Gahan’s life attracts just that.

From Jaffe’s first encounter with a Gahan Wilson cartoon in Playboy at the tender age of 10, up to today, Jaffe’s felt his own life enriched by Wilson. “He is a total nonconformist,” Jaffe says with delight. In a world where being different can have harsh consequences, as with bullies in school, Gahan Wilson is a shining example of someone who is going to live his life his way.

I hope you enjoy the podcast below that includes the entire interview with Steven-Charles Jaffe. Just click below:

Steven-Charles Jaffe

Be sure to stop by and visit the Kickstarter campaign for “Gahan Wilson: Born Dead, Still Weird” right here.

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Filed under Art, Cartoons, Comics, Documentaries, Gahan Wilson, Humor, Illustration, Kickstarter, National Lampoon, Playboy, Steven-Charles Jaffe, The New Yorker

Gahan Wilson Doc, ‘Born Dead, Still Weird’ Seeks Your Help For Academy Award Nomination

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The New Yorker gag cartoon is quite a unique creature. It comes in many flavors, the best being “strange.” The master of strange is Gahan Wilson. It’s quite a blend that has been published for the last 50 years in The New Yorker, Playboy, and National Lampoon. His work takes you to a dark place while putting a smile on your face. It’s not an easy thing to do. I remember, as a kid in the ’70s, attracted to all kinds of comics that unveiled a mysterious world, one often made up of hapless adults. God help anyone seeking answers from a Gahan Wilson cartoon–but it helped me! I’m not sure how but it did. In order to celebrate and better understand Gahan Wilson, and his amazing work, Filmmaker Steven-Charles Jaffe created a documentary, “Born Dead, Still Weird,” which is currently part of a Kickstarter campaign (runs thru August 17) that you can view here.

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A funny thing happened on the way to somewhere else. I literally stepped into the “Born Dead, Still Weird” documentary some years back. I happened to be in town and I dropped by The New Yorker offices to show a batch of my cartoon gags. Little did I know that Gahan Wilson was in the green room, along with all the regular contributors, awaiting an audience with Bob Mankoff, cartoon editor for The New Yorker. Now, I’m from Seattle, so it wasn’t like a usual thing. I kept putting off my visit to the editor’s office because I was so enthralled and wanted to make the moment last. I remember signing a waiver, just in case my interview with Bob Mankoff was used in the film. I was invited back to continue to submit work. I left, had lunch, and continued with my life. And I always wondered about this documentary!

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Now, we come to the good part. We fans of comics and art and wonderful things love Gahan Wilson and his work. We want this documentary to succeed in a very big way. If it can fulfill the requirements necessary to be considered for an Academy Award nomination, then that will be a big leap forward to getting everyone to know about this documentary. The current Kickstarter campaign is all about meeting the criteria for nomination and that primarily involves renting movie theaters for special screenings. You can read all about it at the Kickstarter campaign here.

An Academy Award nomination alone is a huge deal and “Born Dead, Still Weird” is a perfect candidate for Best Documentary. Let’s all do what we can to see this campaign get funded.

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Filed under Cartoons, Comics, Documentaries, Gahan Wilson, Humor, Illustration, Kickstarter, National Lampoon, Playboy, The New Yorker

New Neil Gaiman Documentary Announced By Sequart Research & Literacy Organization

This is welcome news for fans of Neil Gaiman, comics, and wonderful storytelling. Sequart Research & Literacy Organization reports that Neil Gaiman will be the subject of its latest documentary, adding to an impressive roster. You may have already seen their documentaries on Grant Morrison and Warren Ellis. You can also look forward to documentaries on Image Comics and Chris Claremont’s run on X-Men.

Press release follows:

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Filed under Documentaries, Neil Gaiman, Sequart Research & Literacy Organization

Review: ‘Flash William’ from The National Film Board of Canada

Flash-William_National-Film-Board-of-Canada

The National Film Board of Canada is a treasure trove of film and animation that never fails to intrigue, entertain, and educate. The NFB’s Albert Ohayon shares today a little gem about filmmaker Flash William Shewchuck. He was a one-man film industry in his little mining town of Cadamin, Canada. With persistence and care, between working a variety of odd jobs, Flash William kept to his dreams.

This 20-minute film, which originally aired on Canadian public television in 1978, shows what one man can do if determined. Today, we take it for granted that we can create some sort of movie on a cell phone. But, starting back in the 1950s, it was unheard of for someone to undertake to make movies all by themselves with limited funds. Flash William not only made movies, he played them at his local theater. He was the director, sometimes the only actor, and even the ticket taker.

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Directed by John Laing and Thom Burstyn, this documentary will inspire on many levels. There is no sign of the director as an egomaniacal control freak here. Left to do what he loves, in the seemingly blissful and innocent wilderness, Flash William is enjoying a true labor of love. That alone is something to cheer about. And Flash William wasn’t out there in the woods documenting moose. He made full-fledged dramas.

And he made all of his films in this hometown of Cadamin. At the time of the documentary, the mining town had long since dropped from a robust population of 1,000 down to 100. For the showing of one of his films, the whole town, minus two, were in attendance. The town itself is a character in the documentary and, even when Flash was directing only himself, he always had Cadamin by his side.

You can view “Flash William,” courtesy of the NFB, here.

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Filed under Canada, Documentaries, film, Filmmaking, National Film Board of Canada, NFB

Movie Review: KISS THE WATER

Kiss-the-Water-Tribeca-Film-Festival-2013

“Kiss The Water” is a documentary that functions much like a mystery. We never see the subject of this documentary, except of a fleeting view of archival footage at the end which helps to obscure rather than reveal. Most fitting for such an enigmatic character. The filmmaker, Eric Steel, begins by telling us about one of his daily habits, that of reading The New York Times obituaries looking for inspiration from life stories. About ten years ago, he caught a particularly interesting prospect: It was for a December 11, 2001 obit entitled, “Megan Boyd, Eccentric Master of Fish Flies, Dies at 86.” The article sounded pretty intriguing, beginning with the word, “eccentric.” It is the eccentrics of the world who get things done.

And so a documentary came to life. It is made up of a series of reminiscences by those who knew Megan Boyd and intertwined with haunting animation, led by Em Cooper. Add to this the lingering cinematography of Ole Bratt Birkeland and the brooding score by Paul Cantelon, and it all conspires to transport you to a lonely but beguiling patch of land and sea at the end of the world, Brura, Scotland, to be precise.

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Filed under animation, Documentaries, Movie Reviews, movies, New York City, Tribeca Film Festival

DVD Review: THE FLAT

The-Flat-Arnon-Goldfinger-2013

In the big scheme of things, Nazi Germany is not exactly ancient history but, as this documentary makes resoundingly clear, people can be more than eager to turn a page and move on. “The Flat” demonstrates in so many ways how difficult it can be to find the truth to something once the dust has been allowed to settle. In the case of one Israeli filmmaker, Arnon Goldfinger, his life will never be the same once his grandmother has passed away and it is up to family members to sift through her belongings in her Tel Avi apartment. They find the usual clutter of old books, numerous handbags, shoes, and knick-knacks. It all appears rather quaint and humorous until old relics from the past emerge with a distinctive connection to Nazi Germany. What on earth, for instance, is someone to make of a series of old newspapers featuring “A Nazi Travels in Palestine”? It sounds like a sick joke but it’s far from it.

Documentaries sometimes take the rap for creating more drama than the subject would have generated on its own. Here you have an eager documentarian who, once confronted with bits of disturbing facts, keeps hunting for more facts, and then confirmation of facts, at an appropriate slow boil pace. The camerawork, the tone, the intention of this film feels like a close friend diligently attempting to figure out a problem rather than drama for drama’s sake. What Goldfinger discovers is that his grandparents were close friends with an SS officer and his wife. It was a friendship that lasted well after World War II. But why? Kurt Tuchler, the husband of Goldfinger’s grandmother, was a leader in the Zionist movement. And the SS officer was Leopold von Mildenstein, who promoted, so to speak, the Jewish establishment of a homeland in Palestine.

The story takes on an air of a good mystery as Goldfinger continues to push against polite resistance to reveal secrets. He has met his match with the two central players who seem to stand in his way. Goldfinger manages to strike up a friendship of sorts with none other than the daughter of Leopold von Mildenstein. Once Goldfinger has already made the viewer aware of enough evidence to indicate that Mildenstein was a high ranking Nazi official, his daughter maintains he was never a Nazi in the first place. This conflict is not something that Goldfinger will let stand and, in his own mild-mannered way, he will pursuit it. Then there is Goldfinger’s own mother who is more skeptical than supportive of her son. This conflict will not be left alone either as Goldfinger picks away to expose the truth. Goldfinger is self-aware and realizes what can be accomplished and what may not. At one point, he asks himself what he should do with what he’s discovered already. In the process, he reveals much about what people are willing to tolerate before they must ask themselves what to do with what they have discovered.

“The Flat” is currently available on DVD and you can find it here. Visit IFC Films here.

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Filed under Documentaries, Israel, Jewish History, Jews, Movie Reviews, Nazi Germany, Nazis, Palestine

To Catfish Or Not To Catfish: Manti Te’o and CATFISH, The Movie and TV Show

Catfish Movie 2010

There used to be two “Catfish” groups: those who had never heard of the 2010 movie, or the MTV show it inspired; and those hip to the whole thing. And now, there’s people getting up to speed since the Manti Te’o catfish caper. This review will assume little to no prior knowledge of the movie or even the term, “catfish,” although we’ve already reached the tipping point on this one. All you need to know is that a “catfish” is someone trolling the net pretending to be someone else and that this movie has the distinction of coining the term. With the success of the MTV show, more has been added to the core definition that sort of confuses the issue. Such is the life of a word.

The movie, and it’s TV version, seem to offer a new vantage point on the ills of virtual reality and, who knows, may spark some soul-searching. To catfish or not to catfish? That is the question many people have dealt with and some have chosen to partake in the twisted game of deception and self-delusion. That’s the serious theme to consider and not lose sight of in comparison to the controversy over whether “Catfish” is a documentary or a hoax itself. Nev Schulman is the star of this movie and plays the role of a naive guy (or plays himself) and gets caught up in an online romance until we get to the big twist. Just like our celebrated sports hero, Notre Dame’s star linebacker, Manti Te’o, this is supposed to be the story of a young man falling prey to an elaborate hoax. It’s interesting how Notre Dame’s athletic director, Jack Swarbrick, referenced this movie in trying to explain the current Manti Te’o story. Is Swarbrick some sort of mumblecore film buff? Not so much.

The movie, for what it is, is well done. It now feels like something that couldn’t possibly happen today. However, the MTV show would beg to differ. Here is where we start to enter spoiler territory so beware. The pitch during the original run of “Catfish” was that you were better off knowing as little as possible about it before viewing. At this point, the opposite may hold true. Should you bother to see it after the premise has now become common knowledge and we’ve moved on to a TV show? Yes, it is worth the ride. After viewing it, you may likely come away wondering if this was all set up. The good thing about that, is that it adds something if you go on to watch the MTV show, also featuring Nev Schulman, because on that show, it really does feel like we’re nabbing internet trolls.

Nev Schulman goes from catfish victim to host of his own show helping potential catfish victims. Same idea as the movie, we go on a journey to confront the alleged online lover. It does feel authentic even if it could just as easily be a new and improved version of “The Jerry Springer Show,” which dosen’t even try to hide being staged. In the case of MTV’s offering, Nev really appears to be into getting to the truth. And the victims appear to lack enough common sense to be the real deal. In one case, the red flag is that the girl in question does not own a cell phone. “How is that even possible?” asks Nev, “That’s like saying you don’t own a pair of pants!” When the troll is revealed, it is a nervous young man who looks so ashamed as to be cringeworthy. He admits to pretending to be as many as a hundred other persons. And he admits that he feels better hiding behind his sexy avatar. It rings true and it seems to elevate the show to serving a public service. Maybe it is.

In 2008, when the movie was made, Nev, his brother Rel, and a friend, Henry Joost, decided to document a year in the life of Nev Schulman. (Both Rel and Henry have directed for the “Paranormal Activity” franchise.) That is what we keep hearing, at first, that this is a movie about Nev, which already seems a little suspicious. Unless this is a dramatization, which it does not claim to be, the three of them were all at the right place at the right time when a very strange thing started to happen to Nev. It is stated in the film that Nev was getting his photographs published in “The New York Sun” and that it caught the eye of a little girl prodigy, in Michigan, who started mailing him paintings inspired by his work. Look here and you’ll get a sense that “The New York Sun” was a rather obscure newspaper. So, how does it come to the attention of an 8-year-old in Michigan let alone much of anyone else outside of a select New York demographic? This is something that Nev does not question. In fact, when interviewed recently by New York Magazine, Nev reveals that, at that time in his life, he had dropped out of Sarah Lawrence and was shooting videos of bar mitzvahs to make a living. This is a pretty important aspect of his life not even mentioned in what is supposed to be a detailed account of Nev’s activities.

Nev’s friendship with the little girl, Abby, leads him to talk to her mom, Angela, on the phone. And that ultimately leads to his getting to know Abby’s older, and sexy, half-sister, Megan. Finally, one fateful night, Nev gets to talk to Megan on the phone, all neatly documented for our viewing pleasure, and he finds himself smitten. An online romance, and cautionary tale, has begun, complete with endless texting. Nev, to his credit, is a very likable sort but his range of emotional expression leaves much to be desired. There is little variance between love-struck Nev, stressed-out Nev, angry Nev, or concerned Nev. It all seems to settle down to one prevailing version: stressed-out Nev. Either the guy prefers to be left alone or he’s not a very compelling actor. That aside, and that’s a lot to set aside, if you let yourself, this movie can hook you in. There is absolutely no level of suspense to match, or even compare, to Hitchcock but you still want to know what the devil is going on.

You get to the point that you know that it is very unlikely that Nev is speaking with the woman he thinks he’s speaking with. It’s not as scary a moment as it should be and where you will want to shift gears to speculation over whether the documentary is real or not. That’s what will make this more entertaining, especially when you reach the part where Nev confronts the person who is supposed to be Megan. Again, this is the ulimtate spoiler alert if you’re totally new. We discover, to no one’s surprise, that sexy Megan has actually been Angela, Abby’s mom, all along. And the real life Angela is not the exotic creature Nev was led to believe. The real Angela is not glamorous. And to make matters more complicated, she appears stuck in a loveless marriage caretaking two developmentally disabled stepsons. This is the trickiest part of all. You feel you must conclude that this documentary is legit or how could Nev stoop so low as to exploit two developmentally disabled men? Perhaps, Nev and Angela are legitimate up to a point. They found a way to make art out of their respective lives and don’t see it as having crossed a line.

Finally, here is the take away. Where the heck did the term “catfish” come from anyway? This is the grace note that also appears to tip the hand of the filmmakers. In one of the final scenes, Vince, Angela’s unsavory husband, demonstrates some near poetic eloquence. As if lost in lofty thought, Vince offers up to Nev a brief history of the fishing industry in order to put Angela’s actions into perspective. He describes how carp were a potentially profitable import to China except for the damage they suffered on the long trip. The solution was to pack a few catfish with the carp and this kept the carp moving, agile and fresh. “Sometimes,” Vince concluded, “that is what society needs, a catfish to keep it guessing.” Was this something that Nev and his crew just happend upon or was it staged? Perhaps the filmmakers were attempting to have Vince explain how the film’s means justified its end.

Visit the official CATFISH website.
Watch MTV’s CATFISH: THE TV SHOW.

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Filed under Documentaries, Movie Reviews, movies, MTV, mumblecore

Documentary Review: KEVORKIAN

Jack Kevorkian 2013 documentary

KEVORKIAN is an in-depth look at Dr. Jack Kevorkian, the infamous right-to-die advocate. Filmmaker Matthew Galkin explores the full man as he follows the doctor on his last quest, a 2008 run for a seat in Congress, and goes back over a life that will leave a lasting impression on generations to come. Dr. Kevorkian died in 2011, at the age of 83. This film will be available as a VOD starting on January 15, 2013.

The take away from this documentary is to know when you’ve won. Jack Kevorkian reached a point in his career where he could legally perform assisted suicides. He claimed to have helped end the suffering of upwards to 130 individuals. However, that was not good enough for Dr. Kevorkian. He wanted to officially settle the right-to-die issue once and for all by taking it all the way up to the U.S. Supreme Court. In his view, the only way to do that was to get himself convicted of murder.

We follow Jack Kevorkian on his road to self-destruction with his push to get convicted for murder. From 1990 through 1998, Kevorkian had achieved numerous acquittals thanks to his attorney, Geoffrey Fieger. But, for his trial in 1999, he abandoned his attorney when he needed him most in favor of defending himself. While a brilliant mind, Kevorkian was completely out of his league in a court room. He recited Thomas Jefferson and Cicero and made an eccentric and histrionic plea that earned him 9 years in prison. He was not let out on bail, as he had planned. His case was not heard before the Supreme Court, as he had planned. He went to prison, as he had not planned.

What we ultimately see in Jack Kevorkian is a man that, despite himself, had a worthy cause and was willing to sacrifice himself in the process of supporting his cause. As Jack Lessenberry, a journalist with the Detroit Metro News describes in the documentary, “To see Jack Kevorkian in action is to see an Old Testament prophet, very disagreeable, not someone you’d want over for dinner. But he was willing to discuss death, a subject that we, as a society, are in denial over.”

This documentary, and its subject, so inextricably linked with death, ironically provide some interesting life lessons. Of all the people who could have taken up the right-to-die issue, it had to be Jack Kevorkian, a most persistent but often disagreeable sort. But he was also a very sensitive and complicated man. We get to see how the theme of death haunted him and spurred him into action. He gained his nickname, “Dr Death,” long before he became involved with euthanasia. He was the one to discover how to best tell the time of death of a patient, which is crucial when harvesting organs for transplants. You simply need to examine the eyes. He was a lifelong celibate and, in his case, he cuts a rather lonely figure. What did he do for fun? Well, for one thing, he created paintings about death. Had a better adjusted person taken on the cause of the right to die would that person have made as big of an impact as Dr. Jack Kevorkian? Finally, with his death, his legacy has a chance to live on.

KEVORKIAN is released by Virgil Films.
Available on Digital Download starting January 15, 2013

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Filed under Constitutional Rights, Death and Dying, Documentaries, Dr. Jack Kevorkian, Movie Reviews, Right To Die