Category Archives: movies

To Catfish Or Not To Catfish: Manti Te’o and CATFISH, The Movie and TV Show

Catfish Movie 2010

There used to be two “Catfish” groups: those who had never heard of the 2010 movie, or the MTV show it inspired; and those hip to the whole thing. And now, there’s people getting up to speed since the Manti Te’o catfish caper. This review will assume little to no prior knowledge of the movie or even the term, “catfish,” although we’ve already reached the tipping point on this one. All you need to know is that a “catfish” is someone trolling the net pretending to be someone else and that this movie has the distinction of coining the term. With the success of the MTV show, more has been added to the core definition that sort of confuses the issue. Such is the life of a word.

The movie, and it’s TV version, seem to offer a new vantage point on the ills of virtual reality and, who knows, may spark some soul-searching. To catfish or not to catfish? That is the question many people have dealt with and some have chosen to partake in the twisted game of deception and self-delusion. That’s the serious theme to consider and not lose sight of in comparison to the controversy over whether “Catfish” is a documentary or a hoax itself. Nev Schulman is the star of this movie and plays the role of a naive guy (or plays himself) and gets caught up in an online romance until we get to the big twist. Just like our celebrated sports hero, Notre Dame’s star linebacker, Manti Te’o, this is supposed to be the story of a young man falling prey to an elaborate hoax. It’s interesting how Notre Dame’s athletic director, Jack Swarbrick, referenced this movie in trying to explain the current Manti Te’o story. Is Swarbrick some sort of mumblecore film buff? Not so much.

The movie, for what it is, is well done. It now feels like something that couldn’t possibly happen today. However, the MTV show would beg to differ. Here is where we start to enter spoiler territory so beware. The pitch during the original run of “Catfish” was that you were better off knowing as little as possible about it before viewing. At this point, the opposite may hold true. Should you bother to see it after the premise has now become common knowledge and we’ve moved on to a TV show? Yes, it is worth the ride. After viewing it, you may likely come away wondering if this was all set up. The good thing about that, is that it adds something if you go on to watch the MTV show, also featuring Nev Schulman, because on that show, it really does feel like we’re nabbing internet trolls.

Nev Schulman goes from catfish victim to host of his own show helping potential catfish victims. Same idea as the movie, we go on a journey to confront the alleged online lover. It does feel authentic even if it could just as easily be a new and improved version of “The Jerry Springer Show,” which dosen’t even try to hide being staged. In the case of MTV’s offering, Nev really appears to be into getting to the truth. And the victims appear to lack enough common sense to be the real deal. In one case, the red flag is that the girl in question does not own a cell phone. “How is that even possible?” asks Nev, “That’s like saying you don’t own a pair of pants!” When the troll is revealed, it is a nervous young man who looks so ashamed as to be cringeworthy. He admits to pretending to be as many as a hundred other persons. And he admits that he feels better hiding behind his sexy avatar. It rings true and it seems to elevate the show to serving a public service. Maybe it is.

In 2008, when the movie was made, Nev, his brother Rel, and a friend, Henry Joost, decided to document a year in the life of Nev Schulman. (Both Rel and Henry have directed for the “Paranormal Activity” franchise.) That is what we keep hearing, at first, that this is a movie about Nev, which already seems a little suspicious. Unless this is a dramatization, which it does not claim to be, the three of them were all at the right place at the right time when a very strange thing started to happen to Nev. It is stated in the film that Nev was getting his photographs published in “The New York Sun” and that it caught the eye of a little girl prodigy, in Michigan, who started mailing him paintings inspired by his work. Look here and you’ll get a sense that “The New York Sun” was a rather obscure newspaper. So, how does it come to the attention of an 8-year-old in Michigan let alone much of anyone else outside of a select New York demographic? This is something that Nev does not question. In fact, when interviewed recently by New York Magazine, Nev reveals that, at that time in his life, he had dropped out of Sarah Lawrence and was shooting videos of bar mitzvahs to make a living. This is a pretty important aspect of his life not even mentioned in what is supposed to be a detailed account of Nev’s activities.

Nev’s friendship with the little girl, Abby, leads him to talk to her mom, Angela, on the phone. And that ultimately leads to his getting to know Abby’s older, and sexy, half-sister, Megan. Finally, one fateful night, Nev gets to talk to Megan on the phone, all neatly documented for our viewing pleasure, and he finds himself smitten. An online romance, and cautionary tale, has begun, complete with endless texting. Nev, to his credit, is a very likable sort but his range of emotional expression leaves much to be desired. There is little variance between love-struck Nev, stressed-out Nev, angry Nev, or concerned Nev. It all seems to settle down to one prevailing version: stressed-out Nev. Either the guy prefers to be left alone or he’s not a very compelling actor. That aside, and that’s a lot to set aside, if you let yourself, this movie can hook you in. There is absolutely no level of suspense to match, or even compare, to Hitchcock but you still want to know what the devil is going on.

You get to the point that you know that it is very unlikely that Nev is speaking with the woman he thinks he’s speaking with. It’s not as scary a moment as it should be and where you will want to shift gears to speculation over whether the documentary is real or not. That’s what will make this more entertaining, especially when you reach the part where Nev confronts the person who is supposed to be Megan. Again, this is the ulimtate spoiler alert if you’re totally new. We discover, to no one’s surprise, that sexy Megan has actually been Angela, Abby’s mom, all along. And the real life Angela is not the exotic creature Nev was led to believe. The real Angela is not glamorous. And to make matters more complicated, she appears stuck in a loveless marriage caretaking two developmentally disabled stepsons. This is the trickiest part of all. You feel you must conclude that this documentary is legit or how could Nev stoop so low as to exploit two developmentally disabled men? Perhaps, Nev and Angela are legitimate up to a point. They found a way to make art out of their respective lives and don’t see it as having crossed a line.

Finally, here is the take away. Where the heck did the term “catfish” come from anyway? This is the grace note that also appears to tip the hand of the filmmakers. In one of the final scenes, Vince, Angela’s unsavory husband, demonstrates some near poetic eloquence. As if lost in lofty thought, Vince offers up to Nev a brief history of the fishing industry in order to put Angela’s actions into perspective. He describes how carp were a potentially profitable import to China except for the damage they suffered on the long trip. The solution was to pack a few catfish with the carp and this kept the carp moving, agile and fresh. “Sometimes,” Vince concluded, “that is what society needs, a catfish to keep it guessing.” Was this something that Nev and his crew just happend upon or was it staged? Perhaps the filmmakers were attempting to have Vince explain how the film’s means justified its end.

Visit the official CATFISH website.
Watch MTV’s CATFISH: THE TV SHOW.

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FIRST INSIDE LOOK AT STEVEN SPIELBERG’S “LINCOLN” ONLINE TODAY

Lincoln Spielberg Day Lewis 2013

“Lincoln: An American Journey,” a behind-the-scenes special debuts on Apple iTunes today. You can view it here.

“Lincoln,” at its core, is a thrilling and inspiring story about a man doing what he must do. In this behind-the-scenes feature, you see what is involved in getting it right when telling the story of the 16th President of the United States.

Press release follows:

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Movie Review: LINCOLN

Tad Lincoln
It was on a bright day in January in 1865 that the United States, despite feverish opposition, passed the 13th Amendment and abolished slavery in the land. The fight to outlaw slavery, once and for all, is the focus of Steven Spielberg’s “Lincoln.” Even if the final outcome is already known to the audience, the full story will likely be new. Remarkably, this film, with its familiar director and familiar subject, feels new too. This is a 21st Century Lincoln led by Daniel Day-Lewis’s brilliant interpretation of a man of his time with a keen sense for the timeless.

Mr. Spielberg uses his Lincoln capital wisely as we begin this film. After some scenes of bloody fighting, we cut to a close-up of two African American infantrymen. They are being interviewed about the Civil War. One man seems content. The other lists the injustices suffered by his people. The interviewer is Pres. Lincoln. We then float up to a dreamworld and there’s the tall and lonely figure in a stovepipe hat standing on the bow of a vast ship. Restraint. Elegant restraint. “Lincoln” proves to have the elegant restraint to make such a movie.

After all the hype, and there’s more to come, “Lincoln,” proves to be a very engaging film. It is not a Frank Capra treatment of our 16th president and that is an understandable concern. As we now know, Daniel Day-Lewis turned down more than one screenplay for this film. The one that finally won him over is based on the book, “Team of Rivals,” by Doris Kearns Goodwin and adapted for the screen by Tony Kushner. It provided a way to maintain that elegant restraint that Mr. Day-Lewis knew was essential.

With the sense of urgency clearly stated, we see a president determined to use all his political capital to steer the country in the right direction. In short order, he means to legitimize his Emancipation Proclamation. The only way to end slavery in the United States is to pass a Constitutional Amendment and the only way to do that is to act immediately. For political junkies, the ensuing dramatization is nirvana. You can almost hear Doris Kearns Goodwin reciting from her popular book in the background. However, this film does offer much more. There is a special urgency you feel in the filmmaking. When Lincoln speaks, everyone listens. We see a jaw drop a bit when the president exercises his distinctive skill to make a point. We feel history being made in a refreshing way as all the players are allowed to live and breathe.

At one point in the film, we see Mr. Day-Lewis in an scene where he ponders over Euclid, the ancient Greek mathematician. It is during a pivotal moment in the war that Lincoln thinks out loud with a couple of young staffers. One of them says he’s an engineer by profession. This sparks Lincoln to quote some Euclidean geometry, “Any two sides that are equal to the whole are equal to each other. Euclid, three thousand years before, stated that this was self-evident.” It is a delightfully low-key moment, one of many, that Mr. Day-Lewis plays masterfully.

In keeping with the restrained vibe in this film, we follow the journey of radical Republican, Thaddeus Stevens, played by Tommy Lee Jones. At first, we don’t seem to know which side he’s on or whether he can be relied upon to check his ego at the door when he needs to. It’s a great performance. One particularly good scene is when he’s confronted by the First Lady, played by Sally Field. She is greeting visitors at a reception and seizes the opportunity to put Stevens in his place. Coming across as a Hillary Clinton complaining over Whitewater investigations, she chides Stevens for his investigating her overseeing renovation of The White House. We see that Stevens can take a good chiding and take it to heart.

The Spielbergian touch is most evident in what we see from a child’s point of view in this film. There was a little boy who lived in the White House, the President’s son, Tad Lincoln. He’s there so often in the film as to be its anchor, conscience, and sense of innocence. When Lincoln and his men gather for a war meeting, the war map is found to have suffered a burn at one corner. Tad Lincoln was there. When Lincoln is patiently awaiting the final vote of the 13th Amendment, he is entertained by Tad Lincoln building a monument from various books and legal briefs. When Lincoln needs to keep up his sense of purpose, all he needs to do is observe the photographs of slaves that Tad Lincoln has been observing. And, when the President is shot, it is Tad Lincoln’s sorrow we focus upon. This is not Doris Kearns Goodwin’s or Daniel Day-Lewis’s doing. This is Steven Spielberg’s.

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Movie Review: JOHN DIES AT THE END

John Dies At The End 2013

“John Dies At The End” is a pretty weird and fun novel, by David Wong, and now it’s a pretty weird and fun movie, written and directed by Don Coscarelli (“Bubba Ho-Tep”). It’s all about the soy sauce. And a dog that can read your mind. And a monster made out  of all your favorite meat products. While this may sound all non sequitur to you, oh, there is quite a logic behind this very strange horror movie. And Paul Giamatti! You need to know this. Paul Giamatti is in this movie! This is true. And he has a vital role. He sort of provides the glue, or meat glue, that binds everything together.

What this movie is and what this movie isn’t are two important distinctions. Let’s consider what this movie is, first. It is a gory joy ride. It is character driven, like, the two college dropouts John and David, played by Rob Mayes and Chase Williamson, that keep things moving as they discover the end of the world is nigh. And it won’t put you to sleep. That’s a guarantee. What it’s not. It’s not an Academy Award winner, not even a nominee. But we don’t need no stinking awards. Although it may win a ton of horror movie awards, if they count. In the end, it could end up considered to be an offbeat cult favorite, sort of like “The Adventures of Buckaroo Banzai Across the 8th Dimension,” if that was a horror movie.

It’s not easy to mix comedy with horror, and maintain that knowing smirk as blood is splattered all over the place. Some purists might even say, when horror and comedy mix, it’s no longer horror. Few movie nerds have yet to get over the John Landis horror comedy, “An American Werewolf in London.” But, what can one say, that movie is a classic and it gets a very high Rotten Tomato Reader rating. It too features two young puds way above their heads. Yikes, it even won an Oscar. For special effects, that is, which were, and still are, amazing and became the gold standard for how to depict a pud turning into a werewolf. In the case of “John Dies,” the humor is so low key and cool that is seeps right into the goop of the horror. There’s one scene with a detective turned vigilante that comes to mind. He has gone from sensible to demented and it fits right in with the tone of this movie. You know what, we could even say that the tone is similar to something like the Coen Brother’s “Blood Simple,” where the humor is dialed back. That may be too much high praise for this movie but it’s in the ball park.

“John Dies At The End” is available now on VOD and opens in theaters on January 25, 2013. You can see it now on iTunes and at Amazon. Visit Magnolia Pictures for a listing of theater play dates here. And you can see a trailer here.

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OZ THE GREAT AND POWERFUL: NEW YEAR’S WISH TWITTER SWEEPSTAKES

OZ The Great and Powerful 2013

Disney has announced today a New Year’s Sweepstakes and an Instant Win game on December 31 in support of “Oz The Great and Powerful,” which opens in U.S. theaters on March 8, 2013. And the Grand Prize is a trip to Seattle. Yes, Seattle is known as “The Emerald City,” after all. But, did you know, that Houston is also known by that name? Both cities can boast about being surrounded by a lot of lush greenery. But we seriously digress. Both cities are winners! And you can be a winner too if you enter the New Year’s Sweepstakes. Just Tweet your New Year’s Wish here. More details follow.

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EXTRA: HYDE PARK ON HUDSON

Bill Murray playing the role of FDR makes a lot of sense. We all think we know Bill Murray. He has that unique set of skills required to portray FDR, another person everyone felt familiar with. While “Hyde Park on Hudson” does not have the same scope and sense of awe you will find in “Lincoln,” it is just the sort of movie you can appreciate for its dry wit and charm. Here is an interview with the great man himself, Mr. Bill Murray, and a quick look on the set of the movie.

The central thing to consider is Bill Murray. He is someone we enjoy seeing perform. As this interview demonstrates, he is genuinely in tune with this film. He effortlessly sells you on it.

Hyde Park on Hudson Movie 2012

Then there is the controversy over the script. Did the screenplay by Richard Nelson go too far in its speculation over FDR and the women in his life? In the “hooking up” age we live in, maybe cranking up the speculation meter on what happened between FDR and his distant cousin, Daisy, rings more true, although this will offend some. It sure offended political writer (not entertainment writer) Melinda Henneberger at The Washington Post. For those too easily offended, the thing to remember is that this is a historical fiction so maybe an attitude adjustment is in order.

“Hyde Park on Hudson” is brought you by Focus Features. Visit them here and learn more about the film.

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NEW PICS: SEAL TEAM SIX: THE RAID ON OSAMA BIN LADEN

SEAL TEAM SIX DVD and BLU RAY 2013

The daring raid on Osama Bin Laden is coming to you on Blu-ray and DVD on January 8, 2013: “SEAL TEAM SIX: THE RAID ON OSAMA BIN LADEN.”

See some official pics just released after the jump:

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SINGLES: 20 Years Later and Still Not “The Best Movie Ever”

Singles 1992

It’s been 20 years since the high-spirited Paul Westerberg song, “Dyslexic Heart,” became a jingle for the movie, “Singles.”

If you really want to see the best movie ever made about the Seattle music scene that was Grunge, then you must see Doug Pray’s 1996 classic, “Hype!

Sure, we people who write about media can sometimes overdo calling something “the best ever.” I picked up a copy of “The Seattle Weekly” and, bam, their cover story is about the best movie about the Seattle music scene ever made. It’s a joke, in a way, since Mike Seely actually writes about the authenticity of 1989’s  “The Fabulous Baker Boys,” which is also a movie about music and set in Seattle. It’s a very contrived little piece of work by Seely full of chirpy movie commentary and loathing for himself and Seattle. But that is truly par for the course for “The Seattle Weekly,” a supposedly “alternative weekly” that behaves more like an out-of-touch company newsletter than anything else. This article, in its smug insularity, even manages to be homophobic. Is that really what Seattle is about? Uh, no, not the Seattle I believe in.

I will say this for “Singles,” it is good at what it does. It is supposed to be about a bunch of beautiful young people and it nails it. What’s so funny is that I remember, a year or so before “Singles” came out, while it was filming in Seattle, there was one record shop guy who went crazy thinking that a super cool movie was being made about records! Oh, how far from the truth that turned out to be. “Singles” has absolutely nothing to do with vinyl and everything to do with singles, as in being single, carefree and ready to spawn into the hit sitcom that was to become, “Friends.” Yes, there’s the “Singles” soundtrack and the movie is chock full of cameos with Eddie Vedder and the gang. But that is besides the point. And, if you’re looking for a major motion picture that does justice to the sort of mindset that was feverishly in play in Seattle some years back and still is today, as well as in any number of cities, then check out “High Fidelity.” That is the major motion picture that my record shop friend would definitely endorse.

Anyway, getting back to “Hype!” It’s there for you to enjoy on YouTube. Just like, in the future, “The Seattle Weekly” will be remembered as a chronicle of uptight Seattle, “Hype!” provides you with an inspiring look back at the DIY world of Grunge and beyond. Because, make no mistake, Grunge, that spirit of shedding away all constraints, lives on. You just have to see it to fully appreciate the vibe. For any Eddie Vedder haters out there, the big guy comes off very genuine in making the case that it really isn’t about the fame and money. Art Chantry, known for his landmark graphic design of grunge, shows off some vintage posters worth hundreds of dollars that he promptly destroys on his chopping block. A Sub Pop employee describes a call with “The New York Times” asking for the latest on the Seattle scene whereupon she makes up a bunch of current slang terms, stuff like “dish” for cute guy and “kickers” for boots, and, word for word, it gets printed. Does she care? No, because that’s what grunge is all about. It’s just good-natured pranking, not soulless snark.

What have we learned in the last 20 years? As “Hype!” makes perfectly clear, the best in rock is yet to come. We are not in any danger of losing new generations of disaffected youth. We will still have plenty of entertainment like “Singles” but we will also have new generations asking for a lot more. So, ask for more! Let’s start with this: the “Hype!” end credits song, “Dark Corner of the World,” by Young Fresh Fellows!

And, just for fun, let’s compare the track lists for the soundtrack to “Singles” and the soundtrack to “Hype!”

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SUNDANCE FILM FESTIVAL MIDNIGHT LINE-UP INCLUDES “S-VHS”

Following in the bloody footsteps of its predecessor, the critically acclaimed, “V/H/S,” the Sundance Film Festival’s Midnight line-up will include “S-VHS.” And remember that “V/H/S” comes out on Blu-ray and DVD on December 4. More info follows:

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Movie Review: THE DAY

“THE DAY,” is a surprisingly good horror movie that makes the most of its bleak environment. Stripped down to the essentials, this post-Apoc B-movie-style film presents us with a group of ragtag survivors who are on the run. It’s only later that we find out what it is that they’re running from. The group is made up of just enough members to give us a Scooby gang. There are two women and three men. At first, you really can’t tell them much apart since none of the actors stand out. Two of the actors may as well be twins: two mellow young guys with beards. It’s not until we get some sense of conflict that one actor emerges from the pack. It’s a scene early on in the movie, after the group has found the usual horror movie abandoned farmhouse to camp out in.

The two women have been sent out to forage. While they’re out in the woods, one woman turns on the other. She complains to her companion that she had better learn to socialize, that she had better start speaking up, say anything, since they are all family now. The woman just stares back. And that is our rising star, Ashley Bell, who made her mark as the possessed Nell Sweetzer in “The Last Exorcism.” In an impressive cast of actors, it’s Ashley Bell by a mile. It’s on her shoulders that this whole movie pivots. Bell knows how to brood and to build up tension. Before you know it, when she finally speaks, you are hanging on her every word. That, my friends, is not what usually happens in something that’s just a B-movie.

Another point of distinction: Luke Passmore’s script. There are plenty of clever twists in this film to keep any horror and film buff content. It is also noteworthy in how we are lulled into believing in these characters. The dialogue is earthy and what you’d expect from a group of young people, especially a group in a crisis. Director Doug Aarniokoski has created a musky and creepy world with little, if no hope, for survival with the light only coming from what the characters may still do to make sense out of it all. Because, remember, this group was running away from something and that something is determined to find them.

Shot in black and white, with muted colors (along with some full color flashbacks), “The Day” has the look and feel of an old scary movie as well as the intelligence to know how to take things further. It does push limits. There are some scenes where the violence is raised to a fever pitch. In lesser hands, that could easily have become too much but this movie strikes a good balance. If you stick with it, brave through the blood and gore, you’ll see just what a gem it really is.

“The Day” enjoyed a successful world premiere at the 2011 Toronto International Film Festival and was released in theaters earlier this year.

“The Day,” from WWE Studios and Anchor Bay Films, is now available on Blu-ray and DVD.

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