Tag Archives: Eating Disorders

Netflix Movie Review: ‘To The Bone’

Lily Collins in “To The Bone”

If you subscribe to Netflix, you have seen or may plan to see “To The Bone.” As a major movie with a prominent star performer, the pressure is on to strike an authentic chord on the theme of eating disorders. One key factor in all this is that, if someone with an eating disorder is viewing this, they will know better than anyone else if only lip service is being paid or if something real is being said. Anyone in crisis wants to experience something real. Those who are loved ones, are certainly eager to understand and to help, but, in the end, it is always going to be up to that person who is struggling to find his or her own way out. What a movie like “To The Bone” does well is not to pretend to have all the answers. The movie is not there to magically solve anything. At best, the movie is there to open a window into a world, offer some perspective, offer up a look but make no claim to providing the ultimate solution. In all this, “To the Bone” succeeds.

Ellen (Lily Collins) is a 20-year-old anorexic girl who believes she has her eating disorder under control. She does not seem to want to listen to anyone’s advice on what and how to eat and yet she does not seem to completely close the door either. In a word, Lilly Collins gives a performance that is powerful. No doubt, she commands the screen with her gentle presence. Make no mistake, “To The Bone” is the sort of movie that matters. If one could only see every individual viewer reaction, it would light up the night sky. Collins is authentic. And writer/director Marti Noxon gives us an authentic screenplay and movie. It’s done by evoking that spontaneous feeling of sink or swim: giving the character room to fail so that she can summon the strength to turn the corner of her own free will.

This is a story all about free will. Eating disorders are a form of addiction, a way to control. Recovery is about finding a way out but it ultimately won’t work if the person in crisis is not in the driver’s seat. This movie works with all of this in mind. What we see is a series of stops, starts, falls, and attempts to get back up. The pace is slow because there is no magical cure to instantly bring one back from the brink. That said, we end up coming right back to the main character of Ellen in an intriguing cyclical fashion. Family tries to help. A charismatic therapist (Keanu Reeves) steps in with a tough love approach. There’s even a blossoming romance with a new boyfriend (Alex Sharp). But, in the end, we keep coming back to Ellen, alone–and yet not alone, processing things bit by bit.

Part of Ellen’s backstory involves her posting drawings about her anorexia on Tumblr that end up going viral. Not only that, one anorexic female fan of Ellen’s art kills herself. Her parents send Ellen the suicide note. It is a perfect example of how there are no easy answers, no one simple explanation to why this or that happens. It is in that spirit that this movie shines.

However, if there is a problem attached to this movie, it is simply that eating disorders are not simple matters nor is anything involving them. The obvious difficulty in making a movie about this subject is inherent in the process: Lily Collins had to undergo a severe, and life-threatening, weight loss. Sure, one can say it was a highly monitored process and the actor and the director took every precaution. Ultimately, there is no easy explanation to the ethics involved. On the one hand, the movie succeeds in opening a window. On the other hand, it opens up other issues about what such a movie owes its audience. Well, the movie is on Netflix for all to see so that train has left the station. Viewers will need to make their own call. The good news is that the movie itself does have something real to say.

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Filed under Anorexia, Eating Disorders, Movie Reviews, movies, Netflix

Review: I DO NOT HAVE AN EATING DISORDER by Khale McHurst

I Do Not Have An Eating Disorder Khale McHurst

Eating disorders are not often the subject of comics. This comic by Khale McHurst is quite compelling. “I Do Not Have An Eating Disorder,” which you can read here, follows the author on her journey of dealing with her eating disorder. There is the denial. And there are the facts. Ms. McHurst does a beautiful job of expressing how difficult it is to reconcile the two. But she knows that the truth shall set you free and she depicts how she goes about finding the truth.

Khale McHurst knows that she has an eating disorder and she also knows that she can convince herself otherwise. It is a very tricky place to be. You can be educated about nutrition in theory but then you need to follow through in practice. What McHurst really gets is that each eating disorder is unique and there is common ground as well. Words can sometimes feel like they are inadequate somehow to fully describe what’s going on and yet words must be found and spoken. With comics, there’s also pictures. This is one of those instances where comics prove their mettle. With McHurst’s comics, you gain a unique insight and find a successful way to relate and it happens bit by bit. Each installment is a new revelation, a message in a bottle, an attempt to connect with others and with oneself. Like an ongoing conversation that you have with someone close, that is picked up and expanded upon with each new visit, so her comics take this or that thought and build upon them as you read page after page.

Eating Disorders McHurst 003

What is an eating disorder? Essentially, it is someone who is engaging in disordered thinking when it comes to food. Instead of thinking of food in terms of nutrition and appetite, a person is thinking of food in terms of how that person thinks of themselves and how they look. That would be it, in general, with a multitude of personal distinctions. It’s a very personal thing but also a thing that wants to be shared. No one wants to hold on to such a secret if they can find a way out. For Ms. McHurst, part of that way out is her comics.

Eating Disorders McHurst 001

Ms. McHurst’s drawing style is very inviting. With her gentle and caring approach, it is easy to relate to. This is a subject that really needs different vantage points. She does very well with her depiction of the metaphorical eating disorder voice, or voices, that lure one down the wrong path. It may prove helpful for someone with an eating disorder who was looking for another way to consider that concept. And, then, just the journal style approach itself is very engaging and informative. As we keep reading, we find other perspectives such as McHurts’s lover, who is not afraid to tell the truth; and McHurst’s nutritionist, who is always helpful and supportive. What McHurst makes clear is that we all need to speak our mind, when we’re ready, and we all value and cherish support. This is a very worthwhile comic that will educate and inspire.

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Filed under Comics, Comics Reviews, Eating Disorders, Food, Health, Webcomics

Interview: Alex Robinson

Alex Robinson Eating Disorder

Alex Robinson, a very well respected cartoonist, known for his graphic novel, “Box Office Poison,” published by Top Shelf Productions, recently contributed a moving four-page comic to the comics anthology, “Digestate,” edited by J.T. Yost, and published by Birdcage Bottom Books. The theme in that book is food and eating. Mr. Robinson’s piece is about his eating disorder. He describes it and explains how he deals with it. He uses the comics medium to great effect to discuss a complex issue. It’s not often enough that we, as a society, discuss eating disorders but we’re making progress. Add Mr. Robinson’s, “That Peanut Butter Kid!” to a healthy opening up on this subject.

I had the honor to interview Alex Robinson regarding his comic about his eating disorder through e-mail. Here is that interview:

Henry Chamberlain: You recently contributed a piece entitled, “That Peanut Butter Kid!” to the comics anthology, “Digestate,” edited by J.T. Yost, where you are publicly candid about having an eating disorder for the first time. What motivated you to participate and create such a personal work?

Alex Robinson: It’s funny because I told J.T. I was going to contribute but it was only afterwards that I reread the e-mail more closely and realized it was about food. When I look back I remember that a friend of mine did a Facebook post where he talked about being the victim of sexual abuse and the honesty of that really hit me, since I never knew that about him. I think that bravery inspired me to talk about some of my own issues.

It’s also interesting to me because it’s only recently that I started framing my own problem as an “eating disorder” since I think that makes most people think of anorexia or bulimia.

HC: Eating disorders are mentioned more in the media but the actual condition remains something of a mystery for the general public, and even for those dealing with it firsthand.

Do you think the media can play a helpful role in gaining a better understanding of eating disorders?

AR: I would think so. I remember being a kid and there was a made-for-TV movie about a girl with anorexia—which at the time was just coming into the public eye, I think—and the commercial showed a father angrily begging his daughter to just eat something. For a moment I was struck because this was as close as I’d ever seen to someone on TV talking about a problem that, as far as I knew, I was the only one who had. When I watched the movie I was very disappointed that it was about girls worried they were too fat, which didn’t seem at all connected to my own problem, so I still felt alone.

It’s tough because eating disorders are one of those problems where unless you or someone you love is suffering through them it seems dumb—“Just eat something.” George Carlin had that joke about only in America could people develop a mental disorder where they refuse to eat. It’s tough to make sympathetic if you haven’t experienced it first hand. For all of our claims otherwise, we’re generally not sympathetic to mental illness in America.

HC: Of course, eating disorders manifest in different ways. From your viewpoint, what do you see as healthy steps towards recovery?

AR: I can only speak for myself and for me it was years of therapy. I was lucky to find a woman who was and continues to be patient and prod me along.

I think just doing the story was also surprisingly therapeutic. It’s kind of a cliché but exposing your shameful secrets really does lift a burden off of you, if only because it’s one thing you don’t have to worry about anymore. I think it was within a month or two of completing the story that I stopped eating peanut butter altogether. I haven’t had peanut butter in six months, which is amazing considering that I probably never went more than a few days without it before.

HC: In “That Peanut Butter Kid!” you say that you’re concerned that you may come across as glib but the piece is truly nicely balanced. I’m sure you would agree that humor can be very good medicine.

AR: Since it was the first time I’d talked about it publicly I couldn’t trust my own judgment as to the tone. I’m inclined to be funny, especially when I’m nervous, and I also didn’t want to bring people down. I was trying to just explain what life was like for me and not be self-pitying about it.

HC: Would you consider turning “That Peanut Butter Kid!” into a graphic novel? It certainly has all the elements that would make for one.

AR: When I completed the story I found it very therapeutic and the thought crossed my mind to just keep going—a sort of stream-of-conscious rumination about different aspects of my life—but I was also very nervous about the story going public. I figured an alternative comics anthology was enough “under the radar” that it was like going public without going too public.

I also don’t think my life is all that interesting, otherwise.

HC: Any final thoughts or new projects that you are working on?

AR: I’m about halfway done with a new graphic novel that I still don’t have a title for. It’s about a group of guys in their late 30s who are sort of dealing with the issues of midlife—marriage, kids, career, etc. Fun stuff! I’ve been talking with Top Shelf about digitally serializing it so hopefully that might begin later this year.

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Filed under Alex Robinson, Birdcage Bottom Books, Comics, Eating Disorders, Interviews, J.T. Yost, Top Shelf Productions

Review: DIGESTATE

Digestate JT Yost 2012

DIGESTATE” is a 288-page food and eating anthology, a veritable cornucopia of cartooning talent. You have fan favorites like Alex Robinson, Kevin Cannon, Noah Van Sciver, Marc Bell, Sam Henderson, and James Kochalka, just to name a few. There are 54 contributors in all and it is edited by J.T. Yost. It is great to see a food theme for a comics anthology and to see it done so well.

Alex Robinson Eating Disorder

Even when food seems to be just food, something to eat when you’re hungry, there is likely a story behind it, something to give it complexity. Cartoonists tend to be complicated too. So, it makes sense to mix the two together. Among a multitude of outlooks on food in this book, the one that stands out is from Alex Robinson who admits to having an eating disorder. Just like a true blue cartoonist, he lets the world at large know about his condition through a comics anthology. Mr. Robinson is one of those cartoonists who has succeeded in making an impression in the world with his best selling works, notably, “Box Office Poison.” Of course, it doesn’t matter what the world thinks when it comes to personal issues. And there’s certainly no shame or stigma to having an eating disorder. Mr. Robinson chose to share that part of his life with readers and that’s what matters. It is a very generous piece that provides insights into eating disorders that you may not know about.

Let’s consider this some more. Buried within this anthology is a significant admission from an important cartoonist, an important member of the pop culture. It is really a big deal as the issue of eating disorders continues to get short shrift in the media. It is like it is something from another planet for your average reader. We are another generation or two away from any real collective understanding on this issue. In Mr. Robinson’s case, the struggle for him is to get beyond eating comfort foods from childhood, such as peanut butter. In his piece, “That Peanut Butter Kid!” Mr. Robinson states that he believes his condition is a result of having suffered sexual abuse as a child. However, he continues to make progress in finding new foods to eat. With the support of his wife, he is eating more healthy foods. If this isn’t a theme for a book, I don’t know what is.

It seems like problems begin to stir when we think too much about food, turn it into something else than food, turn it into something symbolic instead of a means to an end. Ideally, humans want to look out for themselves and provide all the things they need to keep body and soul together. But what do us humans do? We can complicate things. We can be educated about nutrition but, for any number of reasons, we can take another road. Our saving grace is that humans tend to want to improve themselves more that they tend to want to hurt themselves. And we all have our own ideas on how to improve ourselves which range from the sensible to the self-righteous. Such is life. Let’s take a closer look at some samples from this intriguing book.

Jeff Zwirek

In the down to basics category, there is “Caveman Eat,” by Jeff Zwirek, which is an exquisitely rendered silent comic about a caveman hunter. This 8-pager, two panels per page, plays out like a nice piece of animation. Zwirke’s composition and line is very clean and his humor is spot on.

Jonathan Baylis

For something light and fun that might whet your appetite, there’s, “So Brisk,” written by Jonathan Baylis, known for his comic, “So…Buttons,” and drawn by Lisa Rosalie Eisenberg. It’s nicely paced and holds the secret ingredient for making a tasty brisk.

JT Yost

Cartoonists often find themselves taking on the role of the canary in the coal mine. J.T. Yost does an impressive job of providing the facts about the meat industry with illustrations that strike the right balance between restraint and urgency.

Keith Knight

Keith Knight‘s one-pager, “My (Hammy) Vice,” is a very funny ode to bacon.

Noah Van Sciver

Cartoonists are also prone to be subversive. Even your most passive cartoonist can be a powder keg ready to blow. So, there’s some stuff here that pushes the envelope. Your best bet on that front is Noah Van Sciver‘s 3-pager, “3 Bowls of Rasin Bran,” which, as the title implies, is about when things go decidedly south.

Victor Kerlow

And in the simply cute category, Victor Kerlow‘s “Rat Boy” follows a little rat as it forages for dinner.

“Digestate” is a handsome trade paperback, 8.25″ x 10.75″, published by Birdcage Bottom Books. Cover art, with more of her comics inside, is by Cha. This is truly like a cartoonist phone book, a Who’s Who of comics talent. “Digestate” ran a successful Kickstarter campaign and will stand as a shining example of what Kickstarter can help bring about. You can own your very own copy for only $19.95 at Birdcage Bottom Books.

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Filed under Anthologies, Comics, Comics Anthologies, Food, Graphic Novel Reviews, graphic novels, J.T. Yost, Kickstarter