An Embarrassment of Witches. Sophie Goldstein and Jenn Jordan. Top Shelf Productions, $19.99 (208p)
Sabrina the Teenage Witch and Buffy the Vampire Slayer, make room for our main character, Rory Rosenberg, who could be called, Rory the Millennial Slacker. Cartoonist Sophie Goldstein’s new graphic novel, co-authored with Jenn Jordan, revels in the drama and the humor found within a community of young people who just happen to be supernatural. An Embarrassment of Witches has just been released by Top Shelf Productions.
Goldstein draws in a highly-composed and spare style which concentrates the action and evenly loads the page. Follow along the path led by a series of short lines forming simple shapes, all the better to focus the viewer’s attention onto one spot. A deftly-drawn hand becomes a container which acts like a picture frame, bouncing the viewer’s attention back if it starts to drift off. Like a neon light, well-executed drawings keep your attention steadily connecting from one spot to the next. Goldstein keenly understands the power of comics. Her work catapults the reader into the story. We quickly get it that Rory has just been abandoned by her boyfriend and that she does not do well with change nor with plans for the future. And then, just as we’re processing that, we quickly accept that she’s a witch in a supernatural world of witches, dragons, and hobgoblins. It’s up to Rory to figure out her next move, especially after she has to backtrack on a much anticipated vacation which was supposed to allow her more time to relax and not think about her future.
Goldstein is a 2013 graduate of the prestigious Center for Cartoon Studies. The very next year, she won the much coveted Ignatz Award for her mini-comic, House of Women, Part I. In 2017, House of Women was collected and published by Fantagraphics. In 2015, Goldstein released The Oven, published by AdHouse Books. House of Women and The Oven are quite different but share the same off kilter sensibility. Goldstein clearly has a magic way with a touch of strange. Both stories are set on other worlds and, while the characters deal with universal struggles, everything is spiked with a deliciously unsettling quality. It’s as if Goldstein figured out the look and feel to her universe of comics ahead of time and then moved forward with a very distinctive and purposeful vision.
As if often the case with comics of the highest caliber, much of the fun is simply going along the journey. It matters little if Rory becomes a veterinarian or a talk show host. The reader is hooked and is rooting for Rory, in the same spirit as we all root for Sabrina and for Buffy.