Monthly Archives: February 2013

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Review: BATMAN: THE DARK KNIGHT RETURNS, PART 2

Batman-Dark-Knight-Returns-Part-2

“Batman: The Dark Knight Returns, Part 2” picks up a few months after the first part so, as director Jay Oliva suggests, Robin (Ariel Winter) has had time to train up and Batman (Peter Weller) has had time to mend his broken arm. Turmoil. Chaos. Mayhem. It’s all here, even the threat of World War III. We also get two all-time throw downs: Batman versus Joker; and Batman versus Superman. Questions are settled, or as close at they can be. There is no holding back. This is based, after all, on one of the most audacious, and thought-provoking, works of comics by Frank Miller. The time is a futuristic present/80s. It could be now but there’s no way we can deny the present time in the original graphic novel, when Ronald Reagan sat in the White House and the Cold War still raged. The threat of a nuclear strike from an itchy trigger finger remained embedded in reality and in popular fiction.

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Some might say that Ronald Reagan was the ultimate amalgamation of reality and popular fiction so it is quite fitting to have him play the role of president in this story. He’s the one that concludes that Batman has become a “problem” and instructs Superman to put him in his place. Reagan uses the analogy of a bucking bronco. Sometimes you have to put him down. In this case, the bronco has to be broken. Superman grudgingly agrees. As we’ll come to see, this sets into motion a collision between two forces for good with very different philosophies. Superman places himself within the perimeters of authority. Batman places himself outside the perimeters of authority.

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What happens when the government you are supposed to trust in is acting in its own self-interest? What happens when the media you are supposed to rely upon for information is untrustworthy? This is where Superman hopes for the best. This is where Batman relies on his own moral code. And this is where the Joker comes in as the wild card. He keeps Batman on his toes and perhaps helps keep him focused. This animated movie brings all these issues to life starting with the Joker, played with devilish glee by Michael Emerson. In short order, we see the Joker go from inmate to guest on a David Letterman type of talk show. The Joker convinced his therapist that it would be good for him. It’s not long before the Joker is on a whole new killing spree and has found a way to fuel the flames over a dispute between the U.S. and the Soviet Union.

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The Batman/Joker smackdown is a beautifully choreographed piece enhanced by the brooding synthesized score by Christopher Drake. Batman commands the stage. He’s nicely paired up with the Joker, who doesn’t ease up for a second. The original graphic novel had them duke it out in some grimy tunnel. But, in this movie, the two find themselves in an amusement park tunnel of love. It’s pitch perfect given their yin-yang relationship and the less than subtle homoerotic undertones.

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Once we get to the main event, Batman vs. Superman, the whole world has been through hell. But there’s still a chance, that we can all just get along, right? It doesn’t look good and the stakes are as high as you can go. What’s interesting is that all the factors on how to make this a fair fight have been considered. It’s a pretty awesome fight. Superman, played by Mark Valley, is nobody’s fool and he helps add to the Man of Steel’s stalwart mythos.

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There are three main bonus features: a discussion on superheroes in society; an analysis of the Joker; and a behind-the-scenes look at the animation process with director Jay Oliva. Plus you get three animated shorts. And an excerpt from the original graphic novel. It’s a wonderful treasure trove of informed discussion and added entertainment. Warner Bros. goes the extra mile with these features which mirrors their devotion to comics and animation. There’s a genuine respect for comics history and for solid storytelling. It’s a nice added touch to include in the discussion a noted expert in the classics, Richard Rader, along with Denny O’Neil, editor on the original graphic novel, and, especially noteworthy, Jerry Robinson, who was key in the creation of the Joker.

“Batman: The Dark Knight Returns, Part 2” is available now and you can find it here. Visit our friends at DC Comics and see a clip from the movie here.

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Filed under animation, Batman, DC Comics, Frank Miller, Movie Reviews, movies, Warner Bros.

Movies: ALEX KARPOVSKY in RED FLAG and RUBBERNECK

Red Flag Alex Karpovsky 2013

Rubberneck Alex Karpovsky 2013

If you’re in New York, you won’t want to miss a double feature of Alex Karpovsky films, “Red Flag,” and “Rubberneck.” One is funny; the other is not funny and a lot scary. The double feature will take place at the Film Society of Lincoln Center’s Elinor Bunin Monroe Film Center starting February 22nd, complete with opening weekend Q & As with Mr. Karpovsky.

Mumblecore fans know and love Alex Karpovsky for a long list of films. His fan base continues to grow as part of the hit HBO series, “Girls.” He also just completed a role in the upcoming film by the Coen Brothers, “Inside Llewyn Davis.”

And, of course, “Red Flag” and “Rubberneck” will also be available on VOD starting February 19.

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ACADEMY AWARDS: HEAD OVER HEELS WINS 2013 ANNIE AWARD

Head Over Heels animated short 2013

Academy Award-nominated animated short, “Head Over Heels” has won a 2013 Annie Award, the most prestigious animation award in the world, and could very well be on its way to an Oscar. The story about a most unusual old married couple is decidedly original and twisted good fun. It is a major achievement for its director, Timothy Reckart. See the trailer here. This is a student film that has made a spectacular debut onto the entertainment scene. Learn more about the National Film and Television School here.

Press release follows:

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ART: Mixing Money with Superheroes: Aslan Malik’s “Justice League” series

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Ever wonder what Alexander Hamilton would look like if he was Batman? Well, probably not. But Berlin artist/designer Aslan Malik sure did. He went all graffiti on some legal tender and rendered himself some superheroes. DC Comics, take a look at your Justice Leauge now! Applying paint directly to a $50, $100, $20, $10, and $5, Malik turned Grant, Franklin, Jackson, Hamilton, and Lincoln into Superman, Green Lantern, Wonder Woman, Batman, and the Flash. But what about the most iconic, and most easily accessible cash of them all, the mighty $1 bill? What about George Washington?

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Filed under Art, Batman, Comics, DC Comics, Flash, Graffiti, Green Lantern, Justice League, Superman, Wonder Woman

Super Bowl 2013: The Art of Frenchy

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Frenchy is an artist who does a lot of his work out and about, like at major sporting events. He was featured on the CBS pre-game coverage for Super Bowl XLVII: Ravens vs. 49ers.

New Orleans Saints Frenchy art

Frenchy sports painting live

Frenchy was documented as he worked on numerous canvases: laying out his compositions, blocking in color, all the way to the last splatters of paint.

Frenchy Poboy Festival

He’s a vigorous artist with a bright personality. It’s great to see him in action. What’s even better, is to see the variety of work he does. His paintings are compelling, drawing you into their energy and humanity.

Frenchy Radio City Music Hall

And here are some more Frenchy paintings from Super Bowl 2013.

Baltimore Ravens

Baltimore Ravens

San Francisco 49ers

San Francisco 49ers

Visit Frenchy and view his work here.

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Art: SUPER BOWL 2013

Crescent City Girl

Crescent City Girl

We’re all settling in for Super Bowl 2013. We’ve got all kinds of pre-game entertainment. Here’s a recent painting in honor of New Orleans.

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Filed under Art, Painting, Sports, Superbowl

The Return of AMAZING STORIES

First Issue of "Amazing Stories," April 1926

First Issue of “Amazing Stories,” April 1926

In some respects, the idea of “Amazing Stories” is more engaging than the actual publication. But that would be just looking at things too harshly, wouldn’t it? We are talking about science fiction and that requires a special sort of suspension of disbelief. It can be of the most sophisticated kind, mind you, since quality science fiction can hold its own with any literary form.

“Amazing Stories,” with its strange cover art, was fated to be a strange creature. While the publication had a history of uneven and inconsistent quality, such is human nature. It was a grand experiment and, through the years, it would reach its potential splendidly. Launched in April of 1926 by Hugo Gernsback’s Experimenter Publishing, it sought to combine entertainment with education. Sales fell short of expectations, and within a couple of years, the magazine was set on its checkered path going from one publisher to another. But it would see the greats of science fiction grace its pages, it had the distinction of being the first magazine of its kind, and it helped pave the way for what was to come in the brave new world of sci-fi. As a lasting testament to its pioneer publisher, the prestigous Hugo Awards carry his name and carry on the promise of a unique literary genre.

The new "Amazing Stories"

The new “Amazing Stories”

Comics Grinder salutes the return of “Amazing Stories” after an uncertain future. Steve Davidson has stepped in as the new publisher after the last publisher, Hasbro, allowed the trademarks to lapse. You can keep up with “Amazing Stories” at its blog. You will find there a most beautiful cover for the new issue by Frank Wu. This is his homage to the magazine’s original artist, Frank R. Paul.

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