“Mary Astor’s Purple Diary: The Great American Sex Scandal of 1936” by Edward Sorel
If you are a fan of glamorous old Hollywood, then I have a book for you. It is a racy and juicy tale told by a masterful storyteller. I’ve always admired Edward Sorel‘s artwork with its caricatures that seem to pierce into his subject’s soul. Edward Sorel has written, and illustrated, a fresh look at Hollywood legend Mary Astor and interlaced her story with his own in “Mary Astor’s Purple Diary: The Great American Sex Scandal of 1936,” published by Liveright Publishing Company, a division of W.W. Norton & Company. This is mainly a prose book but it is generously filled with Sorel’s illustrations, over sixty original paintings. The prose is as elegant, urbane, and idiosyncratic as his art.
Mary faints during her first talking picture, 1930’s “Ladies Love Brutes.”
As a writer and cartoonist, I am here to tell you that it is the idiosyncratic person who gets a project like this about the elusive Mary Astor off the ground. That is what sets Edward Sorel apart and makes his work so distinctive. Sorel confides in the reader every step of the way. It was 1965 that Sorel first embarked upon his quest. It all began with lifting old rotting kitchen linoleum from his railroad apartment. Buried at the bottom were newspapers from 1936. The big story was the custody trial of Hollywood star Mary Astor, which included her infamous “purple diary.”
Edward meets Mary!
Sorel runs out of old newspapers before he can find out the end of the story. But he’s hooked. He vows to investigate further. The end result is this book, which moves at a steady clip as it transports us from Mary’s humble origins on the outskirts of Quincy, Illinois, raised by domineering parents, to Hollywood in the 1920s, Mary a rising child star, still saddled with domineering parents. Poor Mary never seems to figure out how to stand up for herself when it comes to finding a mate either. At one point, Mary turns down a contract with RKO strictly for starring roles. Then she follows that up with a hasty marriage. Sorel shakes his head and raises his fists on the page and the reader can’t help but do the same. Mary’s choices will continue to be bad before they get better. Mary’s ultimate bad choice will entangle none other than the most celebrated man on Broadway, George S. Kaufman.
Edward finds Nancy!
Life, in all its glorious absurdity and majesty, is on parade in Sorel’s book. With a combination of the whimsical and the world-weary, Sorel weaves a tale that includes a supernatural meeting between Sorel and Mary from beyond the grave. And, the high point for me, Sorel shares with us how he met Nancy, the love of his life. Throughout, what emerges is the story of the artist’s struggle, both of Edward Sorel and Mary Astor. Both could have used another pat on the back and moral support. Both certainly earned it.
While Mary Astor would be the last to claim to be anyone’s role model, she proved to be more than capable to rise to the occasion. That is clear to see for all time in her role as Brigid O’Shaughnessy in 1941’s “The Maltese Falcon.” Mr. Sorel’s book provides his unique and quirky take on Astor’s life and helps us to better appreciate how she blossomed at pivotal times in her life. If you are looking for a definitive tell-all, this is not that kind of book. This is more of an expanded essay, an intelligent conversation. You can be new to the facts discussed or you can be quite familiar with them already. I dare say, it is just the sort of book, with its dry wit and cosmopolitan flavor, that Mary Astor would approve of.
“Mary Astor’s Purple Diary: The Great American Sex Scandal of 1936” is a 176-page hardcover, with full-color illustrations, published by W.W. Norton & Company. For more details, visit W.W. Norton & Company right here.
Steve Jobs, we feel we know him and yet he is something of a mystery and there is an enormous amount to cover. Jessie Hartland has created an illustrated work, a “graphic biography,” that brings the public figure down to a human scale: “Steve Jobs: Insanely Great,” published by Schwartz & Wade Books, an imprint of Penguin Random House. Read my review here.
Jessie Hartland is the author of the highly acclaimed graphic biography, “Bon Appetit: The Delicious Life of Julia Child,” described by the New York Times as “bursting with exuberant urban-naif gouache paintings and a hand-lettered text that somehow manages to recount every second of Child’s life.”
For her book on Steve Jobs, Ms. Hartland provides us with an engaging and comprehensive look at one of the great technology trailblazers of our time. “Steve Jobs: Insanely Great” is another wonderful example of an all-ages book providing a significant amount of information in a concise and entertaining way. While Jobs is a problematic role model at best, he remains a most intriguing individual.
The full interview with Jessie Hartland follows and includes the podcast at the end.
Henry Chamberlain: Do you believe that your book has brought Steve Jobs down to a human scale and made him accessible to readers? What would you say is your purpose in bringing this book out?
Jessie Hartland: I think more people are reading my book than would normally sit down with a 600-page biography. So, more people are learning about him. He’s such a fascinating guy. I had just turned in the book on Julia Child, which was also a graphic biography, this one was in color. And I was searching for who to write about next. I was considering a scientist or an artist. And then Steve Jobs dies. He seemed like just the right person to write about. It had begun as a picture book, more like the Julia Child book I’d done, for younger kids. The more I read about him, the more I wanted to write about his whole life. My editors had originally envisioned the book ending with the Apple I computer. Only 200 of those computers were sold and that’s not what he’s known for. So, I went back to my editors and said I really wanted to cover his whole life, I want to do it in black and white, and just run with it. I didn’t want to limit the page count and I wanted it to be more for middle grade or teenagers.
HC: What was your thinking with going with black and white? Was that to instantly signal the reader that this is more serious content?
JH: I think a lot of the graphic novels out there are black and white. I like the stark quality of black and white. I like Marjane Satrapi’s “Persepolis.” I could have used color. It wasn’t really discussed. I think I wanted it to be more about the drawings, the lines, and the words rather than these gauche paintings. If I had done gauche paintings for this one, I probably would still be working on it.
HC: This must be quite pleasing to have these two major films coming out coinciding with your book. That didn’t turn out that way with your book on Julia Child.
JH: Yes, that’s a funny story. I came up with the idea for the Julia Child book years ago, probably two or three years before the film, “Julie and Julia.” I had different editors then and they were saying that no one cared about Julia Child anymore. And so the book ended up without a home. Only later, with my editors at Random House, did the book find a home. The 100th anniversary of Julia Child birth was coming up and there would be press for that. But, had we moved forward earlier, my book would have coincided with the film.
HC: But now you’ve got two major films. The new Alex Gibney documentary, “Steve Jobs: The Man in the Machine,” comes out this week, September 4th.
JH: Oh, really?
HC: And then you have what I can only imagine will be a very important film, with an Aaron Sorkin screenplay, simply entitled, “Steve Jobs,” coming out next month, October 9th. There have been all the books, these two major films. I can’t think, in recent memory, of so much notable work springing forth from one public figure.
JH: He’s such an interesting character. Here’s this guy, this rebel, this iconoclast. He dropped out of college after only one semester. And then he takes a calligraphy class. He starts a little company in his parent’s garage with Woz and it grew to become the world’s most powerful company. It’s just amazing. Who wouldn’t want to know more about him?
HC: We’re at a very interesting turning point with graphic novels. More and more people are understanding that they aren’t just for kids, if they ever were, really.
JH: Yes, that’s right.
HC: You create a perfect all-ages book with issues that can be discussed between a parent and child. You bring in the issue of his experimenting with drugs. You bring in the issue of his not ready to be a dad the first time around. These are big issues but kids can appreciate the realities of life and these are things that are fair game to include.
JH: I didn’t want to leave out the low points in his life. His denying the paternity to his first child with his high school girlfriend. And, of course, the drug use. He said so much about how important that was. He really liked these psychedelic drugs and they gave him a different viewpoint of the world. For him, it was like looking down from another planet and seeing the big picture. It helped him with his intuition and imagining what kind of products people would want in the future before they knew what they wanted. He didn’t like to do market research. He liked to quote Henry Ford, another great businessman. Ford would say that, if he left it up to the public to decide what they wanted, they would have asked for a faster horse.
HC: I wanted to ask you about your process. You do a variation on storyboarding. I imagine that you work larger than print size and then reduce your pages to fit inside your binder where you can then shuffle them around as you need.
JH: Yeah, I work a little bit bigger than print but not by too much. Those binders are really important. This book took up two of them since it was so long. The pages let me shift things around. It’s really important to organizing the material. It took two years to siphon through that quantity of material, to winnow it down, and get everything in order. It took a while to wrap my mind around the fact that iTunes came around before the iPod. And then the events involved with Pixar were complicated to sort out.
HC: Where did his catch phrase, “Insanely Great,” originate from?
JH: Oh, I think that goes way back to when he was a teenager. Yes, I love using that in the book. Woz had the idea for a home computer and his employer, Hewlett Packard, wasn’t interested in developing it at that point. And then Woz showed the circuit board to Steve and Steve says, “Insanely great! Let’s start a company!” Jobs was the great salesman with the big picture. Woz was this engineering genius.
HC: Steve Jobs was at the right place and at the right time in so many ways.
JH: Yes, he grew up in and spent his whole life in Silicon Valley. It used to be known simply as Santa Clara Valley. His father was a machinist. He was adopted. His biological parents were graduate students at the time. One of the parents objected to the marriage on religious grounds. Steve was adopted, grew up in the suburbs of Santa Clara. His father worked in the tech industry. He didn’t go to college but he was a tinkerer and he and Steve would go to the local junkyard, fill up the truck with things, and do projects together. They’d put things together. There were tools all around. And the neighborhood was just swarming with engineers. Steve got to know a lot of the neighbors and how things work and what was going on. It was a very exciting time in what was to be known as Silicon Valley.
HC: Steve could just pick up the phone and start talking to the founder of Hewlett Packard.
JH: Yes! That’s right. He needed some parts for his frequency counter, a device that measure the pulses per second in an electronic signal. He had some of the pieces he needed but he was missing some. He knew that the head of Hewlett Packard lived nearby. So, he looked up Bill Hewlett in the phone book and called him up. Bill was so impressed with the young Steve Jobs that he offered him a summer job.
HC: I am looking at a page from your binders. And I was thinking last night, what if Steve Jobs was standing beside you and looking at your process. He might say to you that he had an “insanely great” way to speed up your work flow. However, I am not sure that I would classify your system so much as “low tech” as “hands on.” I don’t believe that there would be a satisfactory alternative for how you work.
JH: I like having little bits of paper around. I like sketching in a cafe and then slip that work into a binder. It is so hands on. And I love painting, working in gouache. This whole book was done in pen and ink. I went through six bottle of India ink and 24 Prismacolor pencils. It’s all hand-drawn. And people will snicker that I didn’t use a computer. But I did. With the gray tones, I had an assistant help me prepare all those files.
HC: Thanks so much for this chat. I know you want to pursue more graphic biographies. You have the one about pioneering computer programmer Ada Lovelace.
JH: That one, the Ada Lovelace book, is written by someone else and will be a picture book for younger readers. Currently, I am working on some art for a local show here on Long Island. The art will resemble totem poles. These will be called, “floatem poles.” They’re made from the flotsam and jetsam that washes up on the beach. And I’m working on some other books. I’m working with an entomologist on a book about insects. And I’m working on a book that features Tartufo, a truffle hound and that will be set in either Italy or France. I am going to Europe in a week to research that.
HC: I wish you a great trip. And thank you for your time.
JH: Thank you.
The podcast is below:
You can find “Steve Jobs: Insanely Great” at Amazon right here. You can visit Jessie Hartland right here.
Steve Jobs is a person who had a lot of great days, so many of which directly impacted the great days of countless others. By that measure alone, Jobs led a remarkable life, a life quite worthy of remarking upon at length. To do this through the comics medium is a worthy endeavor. To do it right, the way Jessie Hartland did, is an inspiration. Her graphic novel, or “graphic biography,” tells the story of a man who, by luck and pluck, ends up going down in history as one of the great technological trailblazers. He was a really nice guy and a bit of a stink but, all told, a person to look up to and to learn from. “Steve Jobs: Insanely Great,” give us an accessible, engaging, and thoroughly entertaining biography.
Jessie Hartland’s style is quite light and breezy, disarmingly so. She packs quite a lot of information in this book, all neatly assembled in a seemingly effortless way. The life of Steve Jobs seems like that of a never-ending race. Just before the starting gun, Jobs is all flexed and ready and then he’s off and never ever really stops until the very, very end. What a life!
There’s all these things he’s supposed to have said like, “If today were the last day of my life, would I want to do what I am about to do today?” It sends a chill down my spine. I need to get up for a moment and pace around. This day. This time. This life. Study this above page for a moment. It would make a great poster, wouldn’t it? Very simple yet powerful. That is what Hartland has tapped into, Job’s pursuit of something powerful through simplicity. It wouldn’t be the money that would make him happy, although he was happy to use the money to pursue his dreams. Throughout the book, you can’t help but get swept up by the sense of urgency as one bright kid becomes one even brighter man.
Who is this book meant for? Everyone, quite literally. You could say grades 8 and up. It’s definitely something younger readers will appreciate and it seems that Hartland has an ideal reader of say, thirteen, in mind as she is careful to include various details that older readers might take for granted. I especially like her two-page spreads explaining such things as “What’s New! Late 1990s.” Along with a rapidly growing internet and digital cameras, Hartland depicts a rogue’s gallery of portable music players. This, of course, is a sly reference to what lies ahead. Much in the same spirit as her biography of Julia Child, Hartland does her best to balance a myriad of facts. She does a great job, for instance, in lightly touching on the drug use of a young Steve Jobs. It is filed away with an assortment of other exploration and soul-searching, like traveling to India. Idle time is balanced with driven work. Ultimately, this book depicts a life well lived, conscious of the moment.
“Steve Jobs: Insanely Great,” by Jessie Hartland is published by Schwartz Wade Books, an imprint of Penguin Random House. Visit our friends at Penguin Random House right here.
Give me a good biography in a comics format anytime. The new graphic novel version of the life of actor and race car driver Steven McQueen is straightforward and appealing. Make no mistake, Steve McQueen was one serious race car driver as “Steve McQueen: Full Throttle Cool,” published by Motorbooks, bears out. Written by Dwight Jon Zimmerman and illustrated by Greg Scott, we zigzag between the movie set and the race track as the remarkable life of a true legend unfolds.
Steve McQueen was nobody’s fool and I’m sure he would have appreciated this book’s no nonsense approach. There’s really no overreaching to get inside Mr. McQueen’s head. The amazing facts speak for themselves. Raising himself out of great adversity, by the age of 16, he was already a Merchant Marine. He excelled in a rugged and military environment. As a Marine, he rescued five Marines from a sinking boat. This led him to be assigned to Pres. Truman’s Honor Guard. Shortly after that, McQueen would study acting.
In a confident chronological narrative, with a few flashbacks, we see how uncertain McQueen’s career choice would be, even after he had gained notoriety. We gain a greater understanding of the landmark films he starred in such as the celebrated “The Great Escape” and “Bullitt.” All done in a bold realistic drawing style, this is one adventure you won’t want to miss. I can’t think of anyone who would not have anything but praise for Steve McQueen and this book honors his legacy.
“Steve McQueen: Full Throttle Cool” is a 96-page trade paperback, available now. For more details, visit our friends at Motorbooks right here.
“Marilyn: The Story of a Woman” is a graphic novel originally published in 1996 by Seven Stories Press. It caught my eye on my last visit on the last day of business at Seattle’s Cinema Books. Funny how we find our comics sometimes. A perfectly compelling work was just sitting on a shelf waiting for me to finally take notice. Kathryn Hyatt proves to be a devoted and thoughtful fan of all things to do with Marilyn Monroe, one of the most celebrated and misunderstood of Hollywood stars.
Stars burn bright and then they burn out. While this holds true for the career of Marilyn Monroe, that is only the briefest of descriptions. What Hyatt does is pay tribute to the human being and the artist. A mountain of books have been written about Marilyn Monroe but her unique life and work forever fascinate generating more and more stories. Hyatt carves out a path in search of some clarity.
Marilyn Monroe was the committed innocent artist. She was innocent in the sense that she was uncompromising in her pursuit of purity of purpose as she saw it. She had to overcome many obstacles none the least of which were her own feelings of low self-esteem. Even when she seemed to have a control over her own sexuality and image, she was still haunted by misgivings. Hyatt lovingly brings us into that world. For instance, the photo shoot that would lead to the iconic centerfold in Playboy was bittersweet. Hyatt evokes the scene with great empathy. Monroe may be thrilled by the attention upon her beautiful body but, at the same time, she only agrees to pose in order to get her car back from being repossessed. And she continues to replay harsh criticism from earlier years that she is “unphotogenic.”
Hyatt has a nice feel for capturing the mannerisms and movement of Monroe. It’s a mixture of a crunchy underground vibe and a more smooth and polished approach. The zest for pursuing her narrative is clearly there. What I’ve come to find in comics biographies is that the cartoonist’s depiction of the subject is akin to an actor’s portrayal. The best versions aren’t direct impersonations but are the creator’s unique interpretation. Hyatt mapped out in her mind the quintessential Monroe and everything that came before and after. She also had to map out what to focus on in the larger-than-life world of Monroe. And that process is akin to a novelist’s work. The overall result is quite stunning.
Monroe’s sexuality was, and remains for us in her work, the undeniable focal point. There are a number of well-chosen scenes where Hyatt addresses this key issue. There are a certain number of depictions of Monroe nude which Hyatt handles with grace. Those depictions wouldn’t work if they were simply meant to titillate. If Hyatt had felt a need to really get provocative, she could have taken a lewd turn but, instead, she is interested in humanizing. In that regard, Hyatt includes a scene of Norma Jeane as a little girl appearing naked before her family. It’s an interesting harbinger. We come to see that Marilyn doesn’t have a problem with her own skin but that will not prove to be as simple out in the world.
Much in the same way that the Kennedy dynasty will forever fascinate, the life of Marilyn Monroe will always have something to say on a personal and a universal level. The theme of Hyatt’s book is a close look at a particular woman who managed, by sheer determination, to place herself in the forefront of public discourse. We see Norma Jeane’s struggle to become Marilyn Monroe. It happens gradually, by fits and starts, as she navigates casting couches and fickle to malicious critics. Through the process, she fully appreciated the status she achieved and gave back as much as she could. However, the misgivings would never go away. She was an innocent artist and that is the deeper layer that sustains her legacy.
“Marilyn: The Story of a Woman” can be found at Amazon right here.