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WILLOW #2 Review

Sometimes it takes a little time to settle into character. It seemed like Willow was coming off a tad too much action hero in the opener but, in this issue, we get a kinder and gentler Willow. We get our Willow! But, of course, we never lost her. We just needed more time to get a better look at where she’s been and where’s she’s going. Brian Ching’s artwork is spectacular. His style gives you the most energetic Willow we’ve seen so far. At first, that seemed too energetic but it appears that we’re seeing some softening of the edges from the first issue. Look for yourself and you’ll see. I mean, I was right to see a Laura Croft thing going gone. Ching has drawn “Tomb Raider” comics for Image so there you go. Anyway, you can see it as a refreshing change of pace and, for the rest of the issue’s look, hands down, Ching delivers on the “Wonderland” theme.

We start off this issue of Jeff Parker’s script with a larger-than-life, larger-than-football-stadium, creature, all teeth and multi-colored, ready to chomp down on Willow and her demon sidekick, Marrak. Since Willow is now in this new magical realm, her magic mojo is running smoothly. The girl can let fly with casting one spell after another. There’s always the danger that things could still go terribly wrong, but Willow manages to do what she needs to do in confronting this Hyberrax creature.

Willow seems to be on quite a lucky streak in this issue as she coasts through the magical, and quite beautiful, new realm she’s in. This issue is a showcase for Brian Ching’s pencils, Jason Gorder’s inks, as well as Dark Horse mainstay colorist, Michelle Madsen.

Jeff Parker’s script builds its way to something significant in this issue. It has to do with our problem about no magic back on planet Earth. As for the plot, it feels like a few pieces on the ole chessboard have been moved so we’ll have to wait and see how much further along we can get in forthcoming issues. The character development is coming along nicely. Willow feels like she’s rolling right along as she should, given her mighty quest for magic and all the pitfalls that lie ahead.

Willow #2 is out December 5. Visit our friends at Dark Horse Comics.

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Comics Review: R.I.P.D.: CITY OF THE DAMNED #1

“R.I.P.D.: CITY OF THE DAMNED #1” is out and ready for your consideration. If you’re familiar with the 2006 graphic novel by Peter Lenkov, then you know about the Rest in Peace Department, where good cops meant for heaven end up for one last call to duty. That’s what is going on in this limited run plus a lot more. You like Jeff Bridges, right? Sure, you LOVE The Dude! Well, keep that happy thought in mind with this issue. If you’re totally hip to what’s going on, you may even already know about the movie based on Mr. Lenkov’s book….and it stars Jeff Bridges! Yeah, The Dude! Or maybe you should be thinking more along the lines of “True Grit.” Be that as it may, this comic strikes all the right notes.

For one thing, this comic makes me want to see the movie, which happens to come out on July 19, 2013. I’m not sure what was significant about that date to be chosen as a release date but that date sure is significant now. That’s when I get my first chance at seeing this movie! It’s not only that special eccentric quality about Bridges I’m looking forward to. This comic makes me believe it won’t be wasted.

Just read this first issue and tell me it’s not that whole bunch of crazy you were looking for but couldn’t quite put your finger on. This is a four-issue story by Jeremy Barlow graced by the art of Tony Parker. In this first part, we begin with crusty old Roy and, Nick, his handsome young sidekick. They’re inside some gleaming sinister structure and they’re fending off robots. Roy lets Nick know he is going to have to go it alone. Next thing you know, Roy is blasted back in time one hundred some years ago. It’s a desert landscape, looks like it might be out in the Old West – or maybe not. Two men in white stallions approach our hero. One is in a black garb like a monk. The other could be a Chinese warrior. Roy, his body riddled with bullet holes, is supposed to already be dead. But the monk thinks he looks thirsty and offers him some water. Before Roy can answer, he is whisked away into an outhouse that is a portal to a vast labyrinth of activity, the Rest In Peace Department.

Roy finds himself inside the inner sanctum of one of the prime operators of the department. He is informed that the delicate balance of life and death has been disrupted. There are more souls going out than coming back and Roy’s last whereabouts were right at the suspected hotspot of all the fuss. It doesn’t mean all that much to Roy, at least not right then. Maybe later it will. Maybe after he sees what’s at stake and after his first encounter with a mass of pitch black evil that comes riding out of the horizon. Hold the phone, maybe Roy is interested now. Yeah, this story will be a real kick, whether you knew about the Jeff Bridges movie or not. The artwork by Tony Parker is really sweet, a rather low-key offbeat style that is nicely complimented by the muted coloring of Michelle Madsen. I can’t wait for the movie or the next issue.

Learn more about it from our friends at Dark Horse Comics.

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ANGEL AND FAITH #16 Review

“Angel and Faith #16” starts the new four-part arc, “Death and Consequences.” There’s a scene early on that bodes well, in its lightheartedness, for this new story by Christos Gage: Angel has just lobbed a bomb at a big ugly demon when he yells out, “Fire in the whole!” Faith just looks at him, the two are at a safe distance and can afford a quick little quip between them. “I always thought that sounded dirty,” she says, “Seriously, if I worked demolitions, I’d be giggling like a twelve-year-old every time I said it.” Angel doesn’t miss a beat and replies, “If you worked demolitions, I’d be running for my life.” And, with that, Angel, like Indiana Jones, has managed to run off with another relic by the skin of his teeth, and Faith’s, by the way! Ah, one step closer to having all the mad ingredients needed to bring back to life a much beloved mentor, one Rupert Giles.

No one seems to bothering to ask if it’s worth it anymore. That was Faith’s job. All that appears to remain is one last part of the Giles soul to start some serious conjuring. But could it really be all that simple? No, no, not by a long shot. Hey, Faith finds herself imagining a whole conversation with Giles which leaves her less than motivated. Of course, there’s always drawbacks along the way and this story provides a whopper of a problem. And then there’s Faith’s nemesis, Nadira, and her Slayer posse, who don’t know when to stop holding Faith accountable for everything that has gone wrong in their lives. What animosity! Rebekah Issacs seems to enjoy drawing Nadira’s rage and her crew’s put-upon expressions. Poor Faith. But here’s the kicker: Nadira’s plans collide directly with Angel’s plans! Angel is not the only one with a beloved soul to resurrect.

Angel and Faith may be back in London and appear closer than ever to achieving Angel’s dream of bringing back Giles but there is hardly any guarantee that things will go Angel’s way. Nadira, in all her beautiful rage, makes a case that Angel is delusional but then can’t see how even more futile her dream is of bringing back to life a mere mortal. The anguish and determination coming from Nadira is quite palpable. It brings Faith a few notches back to her skepticism. But that’s not all. The twist at the end will surprise even the most jaded reader. It is a most satisfying twist and, just like the wry remarks between Angel and Faith at the start, bodes very well for us readers.

“Angel and Faith #16” releases November 28. Visit our friends at Dark Horse Comics.

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BUILDING STORIES Review

For those unfamiliar with the literary magazine “McSweeney’s” and its elaborate packaging of its issues into boxes containing various precocious printed items, “Building Stories,” the new collected work of cartoonist, Chris Ware, will really bowl you over. But the audience for this is precisely those readers who are already intimately familiar with Dave Eggers, Ira Glass, Chuck Klosterman and so on. How do you relate with an audience as jaded and self-aware as you are? You keep calm, and know you will dazzle them. Ware delivers solid stories here for the most discriminating connoisseur. “Building Stories,” after all, is a celebration of Chris Ware, of work that has, indeed, appeared in such elite and wonderful publications as “McSweeney’s.” You can consider this collection of the best of a decade’s worth of work as a “McSweeney’s” on steroids.

A lion roars. A dog barks. A bear growls. But a human, all too often…whines. At least that’s what we get in the world of Chris Ware. There are no obvious acts of heroism, nor flights of fancy, nor moments of sheer unqualified joy to be found among his characters. Perhaps such scenes exist but restrained and subtle. And that is part of the point of why Chris Ware does what he does. The world is not a “happy” place and he will show you why. He does not go for the acknowledged hero but focuses on all those lives lived in quiet desperation. He doesn’t want to go with quantity over quality either. No, he favors a select group of well-read and upwardly mobile lives that are lived quietly in desperation and desperately quiet. If Chris Ware has any heroes, they are the likes of Dorothy Parker, Edward Hopper and, of course, Dylan Thomas.

We get such a delicious selection of despondent characters that, whenever there is a glimmer of hope, it seems rather jarring, too out of place. There’s the youngish couple slipping into middle-age who resent each other. There’s the woman who must come to grips with a life wasted in the care of an indifferent mother. There’s that same mother who has spent her whole life in the care of a boarding house. There’s the actual boarding house that is as neurotic as any Ware creation! And then there is the woman with an amputated leg who perseveres through this melancholic landscape and even finds a fairly good soul mate. No one in this world is giddy with silly happiness, not even a simple little bumblebee. For him, Ware has saddled him with a monumental existential crisis!

The packaging of pamphlets, books and magazines is quite beautiful and, dare I say, a joy to read. The only quibble, and this won’t be new for regular Ware readers, is that the type, at times, is so darn small. It feels downright antisocial to do that! Even with the best of eyes, there are some segments that require a magnifying glass! It is what it is. But, ultimately, it’s a good enough trade off for some spectacular artwork, as in his architectural renderings. Built upon one intricate brushstroke after another, the houses, their interiors and exteriors, are built, like Chris Ware’s characters and stories, with great care, with empathy, and with compassion.

“Building Stories” is, just as the box describes, “14 distinctively discrete books, booklets, magazines, newspapers and pamphlets.” It is a decade’s worth of work as seen in the pages of “The New Yorker,” “The New York Times,” and “McSweeney’s Quarterly Concern,” as they call themselves in the most elevated of company. This amazing collection is listed at $50 US. Visit the Random House Pantheon site for more details here.

If you happen to be in Toronto tonight, do stop by and see Chris Ware, Charles Burns and Adrian Tomine, all together to support their recent publications and to support the printed word! Details follow:

TONIGHT!

CHARLES BURNS – ADRIAN TOMINE – CHRIS WARE
Debut their new graphic novels in Toronto
“THE HIVE” – “NEW YORK DRAWINGS” – “BUILDING STORIES”
at a special event in honour of The Beguiling’s 25th anniversaryFeaturing iconic Canadian graphic novelist Seth as guest moderator.
Monday, November 12th, 2012, @ 8:30pm
The Bloor Hot Docs Cinema, 506 Bloor Street West
Admission $10 or free with advance purchase of debuting book at The Beguiling
A BEGUILING 25TH ANNIVERSARY EVENT

 

TORONTOPrepare to welcome three of the most respected graphic novel creators in the world, as Charles Burns (Black Hole), Adrian Tomine (Optic Nerve), and Chris Ware (Acme Novelty Library) visit Toronto TONIGHT to debut their new books. These three contemporaries and friends will each show an all-new audio/visual presentation based on their new works. Then, iconic Canadian graphic novelist Seth will lead all three creators in a rousing discussion of their work and history, including audience participation. This is the centerpiece autumn event to celebrate the 25th Anniversary of venerable Toronto comics and alternative culture shop The Beguiling, at the nearby newly renovated Bloor Hot Docs Cinema (506 Bloor St. W.) in the heart of the Annex neighborhood.

Sure to be the talk of the literary world this fall and winter, these three new releases blur the lines between ‘traditional’ graphic novels, illustration, and the publishing avant-garde!

  • Charles Burns’ stunning follow-up to 2010’s bestselling X’ed Out is The Hive. It takes readers further into the recesses of the diseased world of X’ed Out, shattering the boundaries between comics and the people who read them.
  • Adrian Tomine’s New York Drawings collects over a decade of the comics, illustrations, and covers produced by the artist for publishing institution The New Yorker, alongside a number of other rare and uncollected pieces in a lavish oversized hard cover.
  • Chris Ware’s Jimmy Corrigan: The Smartest Kid on Earth has been hailed as a modern literary masterpiece, and Building Stories is Ware’s first and much-anticipated graphic novel length follow-up. Ware experiments further with form and medium: the story is a literal box. Beautifully presented as variously formatted and sized comics, graphic novels, newspapers and pamphlets, the ensemble creates a fascinating and compelling portrait of a seemingly ordinary young woman, and the building where she lives.

All three of these compelling arguments for the necessary survival of the printed word will be on sale at The Beguiling and at the event.

Admission to the 25th anniversary event is $10, but admissions tickets are free (while supplies last) with every advance purchase of any of the above new books at The Beguiling. Tickets MAY still be available at The Beguiling!

Chris Ware, Adrian Tomine, and Charles Burns’ Toronto book event is the centerpiece of a half-dozen events occurring this fall, celebrating the 25th Anniversary of venerable comic book and alternative culture store The Beguiling. Events with local, Canadian, and international graphic novelists will continue throughout the fall, adding vibrancy and texture to the city’s literary events calendar. Visit www.beguiling.com for more information on upcoming events.

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Review: TO HELL YOU RIDE #1

“To Hell You Ride,” will grab you with Tom Mandrake’s art and a story by two master storytellers, Lance Henriksen (Aliens) and Joseph Maddrey (Nightmares in Red). Judging by this opener mixing Native American myth with horror, this comic could be on par with the classic Vertigo title, “Scalped.” We observe Two Dogs evolving from a troubled young Native American who dismisses his hometown of Telluride as a bunch of mindless reincarnations of gold miners and whores to someone who must grapple with a cosmic connection he had not bargained for although to which he had invested countless hours searching for.

This is what happens when the enigmatic Two Dogs must emerge from his shell. For years, he had been coasting along as the stud without a purpose, even lowering himself to join the ranks of the miners he so despises. But he always knew there was more to his story, that it was likely connected to a multi-generational curse created by his ancestors and placed upon the white gold miners and their descendants. Had the gold miners, back in the 1880s been respectful, and not desecrated ancient burial grounds, this whole story may have gone down quite differently. But, no, the whites had shown nothing but contempt and so a curse that will see flesh melt away from bone has been in place up to the present day.

Had the whites only been hateful in the days of the gold rush, perhaps the curse would have lost some of its potency. But Two Dogs knows better. Also known as “Seven George,” Two Dogs can retell of how his own grandfather, “Five George,” was betrayed. And, even in the present, Two Dogs can still see and feel the animosity the locals have for him. Is it any wonder that, when suddenly the tide turns, something very unexpected, perhaps pre-destined, occurs, that Two Dogs must act? This is not your typical revenge plot but something grounded in a solid character and an intriguing backdrop. It looks very promising and something well worth keeping up with.

“To Hell You Ride” is out December 12. Learn more about it at Dark Horse Comics.

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SPIKE #4 Review

Part 4 (of 5) to “A Dark Place” cinches it for readers: this is, no doubt, a very well-constructed story. It inspired a bit of fan art on my part above. And what you see above is the heart of the matter: Morgan is determined to charm Spike and looks like she’s succeeding while Sebastian and Frisky scramble to do something about it! For all Buffy loyalists who wondered if Victor Gischler’s script made any sense, well, this script knows where it’s headed and makes a lot of sense. Whatever happens next, Morgan has earned her place as a Buffy character.

And Frisky and Sebastian have definitely earned their keep as they battle amongst themselves on the best way to protect their master. I will never tire of these giant insects! A sampling of a priceless exchange between the two of them: Sebastian is getting anxious and says, “Spike has become fond of the demon woman. If he discovers we plot against her, he will surely see it as mutiny.” Frisky tries to reason, “We do not plot. But we do prepare.” Call it what you will, but Frisky has been hard at work on a contingency plan and is ready to spring it into action sooner than later.

And so the story develops in this way: We have Sebastian and Frisky, one couple at each other throats; and we have Spike and Morgan, also at quite close proximity. Thanks to the art team of Paul Lee (pencils) and Andy Owens (inks) both couples get the special attention that they require as we go back and forth. And, speaking of back and forth, this issue gives us an even deeper conversation between Spike and Morgan. They are heading down a path and they’re reaching a fork in the road. We know what Morgan would like to see happen. She is virtually drawing Spike a map.

It’s getting dangerously close to putting two and two together. Frisky seems to be on the right track but Sebastian simply won’t listen, won’t go beyond having a contingency plan in place. Frisky tries again: “And we are simply to aid this woman in gaining access to a hellmouth? Can that be good?” Just as Sebastian rebukes that statement, in a flash, we see Spike and Morgan appear from a hatch door and interrupt them. Spike wants to know what all the commotion is about. Oh, nothing, just us insects.

Moment by moment, the plot thickens as Frisky becomes more and more convinced to take action while feelings get hotter and hotter between Spike and Morgan. Well, something must come to a head! And, when it does, everyone needs to take action, some kind of action, leading us to quite a conclusion in our next issue.

“Spike #4” is on sale November 21. Visit our friends at Dark Horse Comics.

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BUFFY THE VAMPIRE SLAYER SEASON 9 #15 Review

The second and final chapter to “Billy The Vampire Slayer” rounds out for us a portrait of a new slayer. Drew Z. Greenberg’s script picks up where Jane Espenson left off last month. Both are seasoned Buffy television writers so they can be counted upon to know when a character is ready to cry, or laugh, or go into mortal combat. These are all things our hero, Billy, is called upon to do in this issue so he’s in good hands.

With great experience also comes greater ease in storytelling. Greenberg gives herself the time to allow Billy to express his doubts, his impatience and his euphoria when the time comes. One thing readers are always looking for are the quiet moments that tell us about the characters and their motivations. In the case of Billy, he seeks justice and he seeks intimacy. What if he could have both?

Well, it’s no secret that this intro to Billy is as much a love story as a coming-of-age story. That said, it’s hard not to have a coming-of-age story also be a love story. Billy’s love is Devon, a fellow classmate who is the coolest kid in high school. He’s also Billy’s watcher in charge of training him. That leads to a question. If Billy is the first male slayer, then what does that make Devon? I guess it’s a matter of protocol, right? Billy is the first to fall within the ranks of actual slayers, who are traditionally female, I guess. Anyhow, Devon and Billy get to spend a lot of time together and they like each other but Billy doesn’t know if it’s just “like” or if it’s “like like,” that sort of thing. It doesn’t matter that Devon, at every turn, helps him out and is loyal to him. Billy just doesn’t quite get it.

And then the zompires come through and, if they get anything right, it will be to finally get Billy and Devon together! Sometimes you need a zompie apocalypse meltdown to stoke the fires of love. And then, and this should not be spolier, amid the mayhem and destruction, Devon and Billy kiss. They are together and they can get their zompire fight on!

How compelling Billy will be as an ongoing character is still unclear but this was a good story and a good start. I sense we’d need some conflict to give Billy a bigger role to play. For now, welcome Billy, we’re happy to have you around.

“Buffy The Vampire Slayer Season 9 #15” is out November 14. Be sure to visit our friends at Dark Horse Comics.

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ANGEL AND FAITH #15 Review

Looking back on this last stand-alone issue, it gets even better with more readings. While we’ve read quite a lot about “a world without magic,” number 15 of “Angel and Faith” does a great job of elaborating on the subject without being redundant. In fact, I have to say, this issue goes to show how Dark Horse goes that extra mile. I got to thinking about all the people I see in a day, walking down the sidewalk, on the bus, in elevators and in escalators, up and down, and all the ones out there who read comics and particularly Dark Horse comics. That’s a special group of people and they expect something special from Dark Horse. Now, let’s go over what’s working so well in this two-parter, all-in-one issue, “A Hero of His Own Story.”

The first part is dedicated to Angel’s old mentor, Whistler. I love the retro/urban feel going on in this story set in a London diner: a fedora, a checkered floor and a pizza and pint of beer anchor the compositions. It is all nicely delineated right down to when Whistler, in a fit of rage, karate chops his dining table in half. “My bad,” he tells the owners, “I got carried away.” The art honors go to Lee Garbett on pencils and Derek Fridolfs on inks. The script for both of these stories is by Christos Gage. What we have here is a significant conversation between Angel and Whistler, not only a mentor to Angel but an entity powerful enough to hold the key to Earth’s future. Whistler doesn’t like how he’s been unappreciated by Angel. Of course, Angel points out, that’s complicated. This interlude provides a fascinating backstory on Whistler, who is literally half good and half evil. He’d just like to bestow his charms on Earth, give it a real kick in the pants and exact a true balance.

And consider how readable this comic is, a true Dark Horse hallmark. The art is crisp and makes sense. The writing is well-paced and rings true. The whole back and forth between Whistler and Angel is like a fine one-act play. Seriously, I think too many comics, high and low tier, think they can phone it in because readers can be taken for granted on some level. What remains remarkable about Dark Horse is their attention to quality. Christos Gage is one hell of a writer too. I mean, I just know I want to read more about Whistler, especially after he warned Angel to never see him again!

The second part is dedicated to Pearl and Nash and this one is a keeper too. We begin with an appropriately disturbing image: it’s the worst day of the Dust Bowl, 1935, and in an old shack, the walls smeared with demonic rants, a naked emaciated young woman, covered in demonic tattoos, has summoned a demon. It doesn’t get much more spooky than this. The demon is pretty horrific, his saving grace is that he’s really open to helping out this misbegotten soul. Gold, might that do the trick? How about a cure for cancer? No, this creepy little woman wants to mate with the demon. Well, then, hold all calls. This, brace yourselves, is how Pearl and Nash were conceived. All this time, and I didn’t take them for coming from such dire straits. This little ditty is drawn by none other than David Lapham, who knows a thing or two about dire straits. Suffice it to say, you’ve got yourself a diabolically good story. Both parts are excellent and will fit beautifully into a collection or as a single. Issue 15 is currently out and a must-read, especially to get some thoughtful insights on what has come before and what lays ahead.

And talking about must-reads, we jump right back into the fray with “Angel and Faith #16” as Angel is ever closer to bringing Giles back to life in the new arc, “Death and Consequences.”

“Angel and Faith #16” will be out on November 28 and we’ll have a review for you before that date. For now, here is cover art by Steve Morris. Visit our friends at Dark Horse Comics.

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WILLOW #1 Review

The much anticipated debut of “Willow” gives us an aggressive and dynamic Willow. At her core, she is supposed to be an ethereal, and vulnerable, character. Just consider the cover art above. This is not someone cut out to be an action hero. That wasn’t what Willow was about on the Buffy TV show. However, dire times can bring out people’s inner strength, right? In her recent team-up with Angel and Faith, we did see a feisty Willow. And, in the first issue of this new arc, “Wonderland,” there is no hint left of the soft and sweet Willow we’ve relied upon in the past. Is this deliberate or have we lost something?

I come back to that cover art of a spooky and gentle Willow! Well, I have to strike that up to the classic disconnect that can be found between the cover of a comic and the content within. So, how does Jeff Parker begin his script? He keeps to a standard set-up: recaps what has come before, allows the main character to stretch her limbs a bit, has her meet an unlikely, yet valuable, ally, and sets up a conflict at the end to deal with next time. All in all, it’s not a bad way to go when considering new readers. And you won’t be disappointed. There are a number of entertaining moments and colorful scenes. Willow is, after all, traveling through a new dimension full of strange and dangerous creatures. As the story’s title implies, there is a feeling of Lewis Carroll, albeit from hell.

The urgency biting at Willow’s heels, as we’ve heard over and over again at Dark Horse, is “a world without magic.” Willow is determined to change that and that’s why any trace of irony on her face has been wiped away. My point is that you can take that too far. Brian Ching’s art is stunning but, as any Willow fan will quickly call out, Willow does not look like Willow. She looks here too much like a Laura Croft action hero with generic features, a figure cut out for action and not contemplation. Willow looks here the way she might in an intermission issue, not a full story arc, especially a title opener. That could be a problem but we’ll have to wait and see how this plays out. If you read ahead to the synopsis for each of the forthcoming “Willow” issues on the Dark Horse site, there appear to be things tugging at our girl’s heart and soul.

“Willow” is out today for all of you to review. Visit our friends at Dark Horse Comics.

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Review: VAMPIRELLA vs. FLUFFY THE VAMPIRE KILLER One Shot

Vampirella, created by Forrest J. Ackerman and Trina Robbins, back in 1969 for Warren Publishing,  has a nice place in pop culture history as a vampire pin-up in an amazing sling nearly-naked suit. It is definitely iconic and definitely sexy fun. What I’ve always maintained is that, while you can have all the sexy fun you want in comics, don’t try to pretend it is anything more than exploitation if your actual story hangs by a thread and you are, in fact, only selling T&A. If you want to sell T&A, then have the balls to be honest about it.

In the case of Vampirella, this puts Dynamite Entertainment in an interesting position, since they’ve taken over the rights to the character in 2010. Dynamite’s reboot began with a story by Eric Trautmann, an Xbox games writer. Vampi is covered up in some rugged, very unrevealing gear, helps out a homeless guy, and is very earnest and boring. I say this sort of tongue-in-cheek. I appreciate that Dynamite continues to explore possibilities for the sexy vampire. And that brings us to this one-shot story written by Mark Rahner, known for mixing political commentary with zombies in his series, “Rotten,” and illustrated by Cezar Razek, a Dynamite favorite (“Hack/Slash,” “Red Sonja”).

So, what do you get when you mix a terribly self-conscious sex symbol with a writer who revels in exposing the right wing agenda? Well, interestingly enough, you get Vampi right back into that bombshell bikini, no apologies. That is fine and Cezar Razek can draw the hell out of that assignment. I would just remind Mr. Rahner that the right wing, while repressed, enjoys cheesecake just as much, if not more so than liberals (since the right is supposed to be so repressed. Ha ha.) But that fact is not lost on this writer. As is his want, he takes things as far as he can go: the great menace in this issue is a bunch of demonic Pilgrims out to subdue lust by bludgeoning any fornicators in its sights, particularly teenaged fornicators! Down with the teenaged fornicators!

Hey, that could be the title to a forthcoming one-shot: “Vampirella and the Teenaged Fornicators!” I could write that one for you, Dynamite. Seriously, I can see Vampirella taking on more satire and just chucking away a lot, if not all, of the earnest crime fighter crap that just doesn’t go anywhere. Well, I’m sorry, but there is a lot of truth to what I’m saying. Yes, writing, good writing, matters. In Mr. Rahner’s case, he does something different, and interesting, here.

As far as this being a biting satire on Buffy The Vampier Slayer, I could take it or leave it. Overall, it comes across a bit too heavy-handed for my taste. If you really want to take on Joss Whedon, then you have to go about it more like a friendly rival and not just mock like poking fun at his use of pop culture references. These are references made by his characters within a larger context. If you really want to poke fun, it would involve more of the look and feel of the characters as in their tendency to be emo. Anyway, I don’t have much more to say on this other than this one-shot offers something different and it is worth considering as new paths are charted for the scantily-clad vampire.

This was a special Halloween release so you can already find it on the shelves or seek it out online. Visit Dynamite Entertainment.

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