Tag Archives: Animation

Interview: Martin Olson and Olivia Olson and All Things ‘Adventure Time’

Marceline the Vampire Queen in "Adventure Time"

Marceline the Vampire Queen in “Adventure Time”

Martin Olson is a great comedy writer. And Olivia Olson is an accomplished singer, songwriter, and actress. It was a lot of fun to get to interview them both in a casual conversational style. I had a good idea about what I wanted to ask them. I had notes about the dynamics of a father and daughter working together. I had notes on Martin’s career going back to his founding of the legendary “Boston Comedy Scene.” I had notes about Martin’s writing for, and Olivia’s acting in, “Phineas and Ferb.” And, of course, I had notes upon notes on “Adventure Time.”

Vanessa in "Phineas and Ferb"

Vanessa in “Phineas and Ferb”

The new book by Martin Olson, “The Adventure Time Encyclopedia,” is a nod to his impressive “Encyclopedia of Hell,” from 2010, and is the ultimate source of knowledge on all things “Adventure Time.”

Now, wait for a moment here, and let’s back it up. “Encyclopedia of Hell” is a whole world to itself. This book is a manual for demons to prepare for Hell’s invasion of Earth. It’s a wonderful vehicle. As Martin Olson points out, “This is working from Mark Twain’s version of Satan. This is the most beautiful satirical platform to work from since all bets are off and you can satirize everything.” Check it out here.

Olivia Olson is well known for his musical talent but there’s no getting around the fact that she also has tons of fans of her role as Marceline the Vampire Queen. And that’s very cool. It’s an honor, really, and Olivia wears it well. At one point in the interview, I posed a question to Olivia from my own daughter, Emma, who was curious about how Olivia channels her vampire character and Olivia provided an inspired response. It lead to an interesting discussion on the power of fiction.

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Getting back to “The Adventure Time Encyclopedia,” it does a remarkable job of describing the narrative underbelly of the show and all the activities on the postapocalyptic land of Ooo. Primarily, you have profiles that go into heavy detail on all the main characters, followed by smaller profiles on the wide assortment of minor characters. There are also a number of other features, including maps and descriptions on the many kingdoms and various miscellaneous treats. But, the great thing about this book is how it takes everything that may appear chaotic and gives it a more orderly form. No doubt, there is much to keep up with on a show that is far more than just about a boy and his dog, as you can see from a look at Season 5 here.

It sure looks like there’s room for a whole other book on this subject and maybe that will happen. For now, you’ll be glad you got yourself a copy of “The Adventure Time Encyclopedia,” published by Abrams Books, which you can purchase here.

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And to add to all the fun, Martin Olson and Olivia Olson have a new album they have just released. It is an eclectic collection that rings true in its wide range of songs. You can check out “The Father-Daughter Album of Unspeakable Beauty” on iTunes here.

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And, of course, you will want to check out Olivia’s EP, “Beauty is Chaos,” on iTunes here.

Just click the link below to listen to the whole podcast interview:

And keep up with “Phineas and Ferb,” on the Disney Channel, here and “Adventure Time,” on Cartoon Network, here.

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Filed under animation, Art, Cartoon Network, Comedy, Disney, Humor, Martin Olson, Music, Olivia Olson, Pendleton Ward

Transformers Prime Beast Hunters: ‘Plus One’ on Hub Network, May 31

Transformers Prime Beast Hunters! Try saying that fast three times in a row.

Transformers Prime Beast Hunters!

Transformers Prime Beast Hunters!

Transformers Prime Beast Hunters!

Okay, now that we got that out of the way, watch a whole new episode of, you guessed it, “Transformers Prime Beast Hunters” on Hub Newtork on Friday, May 31.

This episode goes by the mysterious title, “Plus One.”

The story: Unusual pairings abound. Arcee teams with Wheeljack, and Agent Fowler finds himself in a tight squeeze with Jack’s mother while on a mission to gather a Precadon bone relic.

Premieres Friday, May 31, 7:30 pm EST on Hub Network!

Here’s some info on Transformers Prime Beast Hunters:

The epic battle with the Decepticons rages on as Optimus Prime leads his team of Autobots and three human children in a mission to defend Earth and one day restore his home planet of Cybertron. But a brand new enemy emerges that could turn the tide of the war in Megatron’s favor.

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Filed under animation, Cartoons, Hub Network, Television, Transformers

LEGO BATMAN: THE MOVIE – DC SUPERHEROES UNITE AVAILABLE NOW, MAY 21

Leave it up to Warner Bros. Home Entertainment to bring to life the hit video game as a full-length animated feature film. You can count on Warner Bros. to provide the entertainment. In this case, you’ve got a feature that will truly appeal to any age.

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As you can see from the sample clip above, this is something that is literally age-appriate from 3 to 103. This just released clip features Robin (hilariously voiced by Charlie Schlatter) giving chase to Catwoman. The humor is snappy with a contemporary vibe while the plot never goes dark. Sure, it’s Batman in the spotlight but, as we all know, this is a very versatile character and, for this animated feature, you’ve got him here for light action and laughs.

LEGO BATMAN: THE MOVIE is now out! Visit Warner Bros. Entertainment here.

From the press release:

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Filed under animation, Batman, DC Comics, Legos, Superheroes, Superman, Warner Bros.

ART: GARY BASEMAN: THE DOOR IS ALWAYS OPEN

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In “Gary Baseman: The Door Is Always Open,” the artist welcomes visitors into his creative universe. If you’re in the Los Angeles area, you will definitely want to take in this retrospective of one of the major contemporary artists of pop surrealism at the Skirball Cultural Center, running from April 25 thru August 18, 2013. Visit the museum website here.

Press release follows:

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Filed under animation, Art, Gary Baseman, Illustration, Pop Surrealism, Toys

Review: BATMAN: THE DARK KNIGHT RETURNS, PART 2

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“Batman: The Dark Knight Returns, Part 2” picks up a few months after the first part so, as director Jay Oliva suggests, Robin (Ariel Winter) has had time to train up and Batman (Peter Weller) has had time to mend his broken arm. Turmoil. Chaos. Mayhem. It’s all here, even the threat of World War III. We also get two all-time throw downs: Batman versus Joker; and Batman versus Superman. Questions are settled, or as close at they can be. There is no holding back. This is based, after all, on one of the most audacious, and thought-provoking, works of comics by Frank Miller. The time is a futuristic present/80s. It could be now but there’s no way we can deny the present time in the original graphic novel, when Ronald Reagan sat in the White House and the Cold War still raged. The threat of a nuclear strike from an itchy trigger finger remained embedded in reality and in popular fiction.

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Some might say that Ronald Reagan was the ultimate amalgamation of reality and popular fiction so it is quite fitting to have him play the role of president in this story. He’s the one that concludes that Batman has become a “problem” and instructs Superman to put him in his place. Reagan uses the analogy of a bucking bronco. Sometimes you have to put him down. In this case, the bronco has to be broken. Superman grudgingly agrees. As we’ll come to see, this sets into motion a collision between two forces for good with very different philosophies. Superman places himself within the perimeters of authority. Batman places himself outside the perimeters of authority.

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What happens when the government you are supposed to trust in is acting in its own self-interest? What happens when the media you are supposed to rely upon for information is untrustworthy? This is where Superman hopes for the best. This is where Batman relies on his own moral code. And this is where the Joker comes in as the wild card. He keeps Batman on his toes and perhaps helps keep him focused. This animated movie brings all these issues to life starting with the Joker, played with devilish glee by Michael Emerson. In short order, we see the Joker go from inmate to guest on a David Letterman type of talk show. The Joker convinced his therapist that it would be good for him. It’s not long before the Joker is on a whole new killing spree and has found a way to fuel the flames over a dispute between the U.S. and the Soviet Union.

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The Batman/Joker smackdown is a beautifully choreographed piece enhanced by the brooding synthesized score by Christopher Drake. Batman commands the stage. He’s nicely paired up with the Joker, who doesn’t ease up for a second. The original graphic novel had them duke it out in some grimy tunnel. But, in this movie, the two find themselves in an amusement park tunnel of love. It’s pitch perfect given their yin-yang relationship and the less than subtle homoerotic undertones.

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Once we get to the main event, Batman vs. Superman, the whole world has been through hell. But there’s still a chance, that we can all just get along, right? It doesn’t look good and the stakes are as high as you can go. What’s interesting is that all the factors on how to make this a fair fight have been considered. It’s a pretty awesome fight. Superman, played by Mark Valley, is nobody’s fool and he helps add to the Man of Steel’s stalwart mythos.

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There are three main bonus features: a discussion on superheroes in society; an analysis of the Joker; and a behind-the-scenes look at the animation process with director Jay Oliva. Plus you get three animated shorts. And an excerpt from the original graphic novel. It’s a wonderful treasure trove of informed discussion and added entertainment. Warner Bros. goes the extra mile with these features which mirrors their devotion to comics and animation. There’s a genuine respect for comics history and for solid storytelling. It’s a nice added touch to include in the discussion a noted expert in the classics, Richard Rader, along with Denny O’Neil, editor on the original graphic novel, and, especially noteworthy, Jerry Robinson, who was key in the creation of the Joker.

“Batman: The Dark Knight Returns, Part 2” is available now and you can find it here. Visit our friends at DC Comics and see a clip from the movie here.

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Filed under animation, Batman, DC Comics, Frank Miller, Movie Reviews, movies, Warner Bros.

ACADEMY AWARDS: HEAD OVER HEELS WINS 2013 ANNIE AWARD

Head Over Heels animated short 2013

Academy Award-nominated animated short, “Head Over Heels” has won a 2013 Annie Award, the most prestigious animation award in the world, and could very well be on its way to an Oscar. The story about a most unusual old married couple is decidedly original and twisted good fun. It is a major achievement for its director, Timothy Reckart. See the trailer here. This is a student film that has made a spectacular debut onto the entertainment scene. Learn more about the National Film and Television School here.

Press release follows:

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COMIC-CON 2012: BILL PLYMPTON

Bill Plympton is an amazing artist known for his distinctive drawings that can be sexy, funny or, quite often, both sexy and funny. His Academy Award-nominated short, “Your Face,” (1987) sealed his fate. He is a man full of joy, confidence and vigor. But don’t let me spoil it all for you. You should buy the new documentary that spills the beans on everything you’d want to known about this legendary cartoonist and animator: “Adventures in Plymptoons,” by Alexia Anastasio.

You can see a teaser for this artful and hilarious documentary, along with other fun and interestings things, at Alexia’s website. This documentary is a must-have whether you’re a Plympton fan or just a lover of hedonistic, decadent mayhem. You too will learn the joys of sliding naked through mud!

Learn what it takes to make it in animation and keep your integrity with Bill Plympton’s latest book on the business and art of animation: “Make Toons That Sell Without Selling Out.” This is like taking a master class from Mr. Plympton.

And if you’re really looking for a treat, then consider a very special project from the Bill Plympton Studio: “The Flying House (1921 – 2011),” a restoration of the Winsor McCay animation classic and an interpretation using current digital technology. This project was founded by a Kickstarter campaign that rasied twice as much as its goal of $10,000. The Plympton-McCay version has received praise, and some scorn from purists, as it revists the original by adding color, removing the cumbersome word balloons and adding music and voices by noted actors Matthew Modine and Patricia Clarkson.

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Filed under animation, Art, Bill Plympton, Comic-Con 2012

DISNEY’S “PAPERMAN” DEBUTS NOVEMBER 2, 2012

Whenever I read that there’s some advancement in animation, I’m ready to believe since we haven’t been let down so far. I can’t think of any unkept promises. In the case of “PAPERMAN,” it looks like such a lovely piece of work. Its secret? Well, you can thank director John Kahrs and his team at Walt Disney Animation Studios for coming up with, Meander, a program that seamlessly merges computer-generated and hand-drawn animation. “Paperman” will debut as the opening short with Walt Disney Animation Studios’s “WRECK-IT RALPH,” in theaters November 2, 2012. Here are some samples:

Here’s hoping for more similar work from Walt Disney Animation Studio. After the success of “THE ARTIST,” there’s no reason we can’t have more and more amazing combinations of old school and new school.

“Like” WRECK-IT RALPH on Facebook: http://www.facebook.com/WreckItRalph

Follow WRECK-IT RALPH on Twitter: @WreckItRalph

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Filed under animation, Disney, movies