Category Archives: Horror

Movie Review: JOHN DIES AT THE END

John Dies At The End 2013

“John Dies At The End” is a pretty weird and fun novel, by David Wong, and now it’s a pretty weird and fun movie, written and directed by Don Coscarelli (“Bubba Ho-Tep”). It’s all about the soy sauce. And a dog that can read your mind. And a monster made out  of all your favorite meat products. While this may sound all non sequitur to you, oh, there is quite a logic behind this very strange horror movie. And Paul Giamatti! You need to know this. Paul Giamatti is in this movie! This is true. And he has a vital role. He sort of provides the glue, or meat glue, that binds everything together.

What this movie is and what this movie isn’t are two important distinctions. Let’s consider what this movie is, first. It is a gory joy ride. It is character driven, like, the two college dropouts John and David, played by Rob Mayes and Chase Williamson, that keep things moving as they discover the end of the world is nigh. And it won’t put you to sleep. That’s a guarantee. What it’s not. It’s not an Academy Award winner, not even a nominee. But we don’t need no stinking awards. Although it may win a ton of horror movie awards, if they count. In the end, it could end up considered to be an offbeat cult favorite, sort of like “The Adventures of Buckaroo Banzai Across the 8th Dimension,” if that was a horror movie.

It’s not easy to mix comedy with horror, and maintain that knowing smirk as blood is splattered all over the place. Some purists might even say, when horror and comedy mix, it’s no longer horror. Few movie nerds have yet to get over the John Landis horror comedy, “An American Werewolf in London.” But, what can one say, that movie is a classic and it gets a very high Rotten Tomato Reader rating. It too features two young puds way above their heads. Yikes, it even won an Oscar. For special effects, that is, which were, and still are, amazing and became the gold standard for how to depict a pud turning into a werewolf. In the case of “John Dies,” the humor is so low key and cool that is seeps right into the goop of the horror. There’s one scene with a detective turned vigilante that comes to mind. He has gone from sensible to demented and it fits right in with the tone of this movie. You know what, we could even say that the tone is similar to something like the Coen Brother’s “Blood Simple,” where the humor is dialed back. That may be too much high praise for this movie but it’s in the ball park.

“John Dies At The End” is available now on VOD and opens in theaters on January 25, 2013. You can see it now on iTunes and at Amazon. Visit Magnolia Pictures for a listing of theater play dates here. And you can see a trailer here.

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WILLOW #3 Review

Willow Dark Horse 003

“Willow” glides deeper into her wants and needs in Part Three of “Wonderland.” The Jeff Parker and Christos Gage script gives it up for Willow. Brian Ching’s art gives it up for Willow. This issue is an enchanting walk through the mystical realm that doesn’t seem to offer any options besides hedonistic pleasure. That’s not exactly such a bad idea for Willow. She has a new girlfriend, the reptile witch, Aluwyn, and an intoxicating playground to enjoy.

It is Willow’s sidekick demon, Marrak, who needs to take on the role of nag. He is confident that he’s found some ancient relics that may very well solve Willow’s problem. But what problem is that? Oh, yeah, the whole reason she’s there, to return magic to Earth. It seems no use getting through to this girl. Marrak can’t do it alone. If there was ever any doubt, Willow needs Marrak.

This issue has some really beautiful scenes in it. You have the ocean, and cute and cuddly little octopi, just before a huge Cthulhu like monster spoils the mood. But, the prevailing theme in this issue is that Willow is really at odds with remaining the persistent do-gooder and just giving in to her new bond with Aluwyn. So, a good issue and a chance for us readers to bond more with the characters.

“Willow #3” comes out January 2, 2013. Visit our friends at Dark Horse Comics.

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DESIGN: MAKE IT POP

Make It Pop Killer Infographics 2012

“Make it Pop!” is a much too often used phrase that has been rendered almost meaningless. But designers realize it is meant to be a request to “get your game on,” which, of course, is another overused term demanding some kind of improvement. Enjoy this inspired rant from the design firm, Killer Infographics after the jump:

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ANGEL AND FAITH #17 Review

Angel and Faith 17

“Angel and Faith #17″stays true to Buffy canon with the story about Ethan Rayne and Rupert Giles, known in his youth as “Ripper.” We begin with a flashback to ’70s Soho, London, as a bunch of punks into the occult pursue the ultimate high, acting as host to the demon, Eyghon. We see Ethan tattooing Eyghon’s mark into a girl’s arm. We see as one member of the group, Randal, is consumed by Eyghon. The little demon game is not working out at all. This leads to the big bust up between Ethan and Rupert, one turning to chaos, the other turning to order with their fates forever intertwined.

Part Two of “Death and Consequences” reveals more and more of an exquisitely plotted tale. True to its title, we are seeing what happens to those to dare play around with death. Bringing the dead back to life has got to rank very high in the most horrific of quests. While the bereaved may be blind to it, the idea wreaks of something so unnatural. How could it ever work out? Even if a resurrection were possible, wouldn’t you always wonder if what you got was the same as the original? Well, without getting into matters of a religous nature, the whole concept, ironically, smacks of something, how should I put it…unholy! Fascinating stuff, when you start to think about it. Here is Angel determined to bring his friend and mentor, Rupert Giles, back to life. And what if he should succeed??

You know, we ended the last issue with such a tantalizing situation. Nadira, the ultimate surly Slayer, and her crew of Slayers, which she highjacked away from Faith, is even more bound and determined to bring her friend, Marianne, back to life. So, after one last plea for help from Angel, she and her gang march off, in great desperation, to a most foul source. When they arrive at this mansion in Guildford, they are welcomed by someone with a striking resemblance to Rupert Giles! We also know, from the last issue, that the body of Rupert Giles was stolen. So, we’ve got a reanimated corpse walking around and it claims it can help Nadira with her problem. Quite a problem.

Back at the ranch, or other mansion, I shoud say, Faith’s London home: Faith is pretty pissed off to see all this animosity coming from Nadira and her girls. She feels betrayed and just plain stomped upon. Come to think of it, she can blame Angel! Faith feels a need to go over all that she’s sacrificed for Angel’s quest to bring Giles back from the dead. Just like any person who feels used in a relationship, Faith says that she has seen her own purpose in life fade away in favor of helping Angel. It’s a solid moment in a very sturdy comic. After that dust up, hell’s bells, Angel is more fired up than ever to get it right. They will bring Rupert Giles back to life even if it kills them!

What a piece of work. All thank yous to the wrting talent of Christos Gage and the artistic talent of Rebekah Isaacs. This comic remains inspired, looking out for all the details, and even asking the big philosophical questions in the bargain!

“Angel and Faith #17” comes out December 19. Visit our friends at Dark Horse Comics.

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DARK HORSE COMICS: FEAR AGENT VOLUME 1 SELLS OUT; IN TIME FOR REPRINT AND VOLUME 2

FEAR AGENT Dark Horse 2013

Another strange and wonderful title from Dark Horse Comics, “FEAR AGENT” is a creator-owned work that has been six years in the making. A wild story of a broken down alcoholic on a mission to battle space aliens. This critically-acclaimed saga is sure to please. More details follow:

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Tom Morello’s ORCHID #11 Review (And Series Recap)

orchid11

“Orchid” is a gritty post-Apoc tale full of action and wit. There’s a flavor of “Game of Thrones” and “Mad Max” with a strong cast of characters from the get-go. We begin with this juicy concept: “When the seas rose, genetic codes were smashed.” Lovely, isn’t it? We are way past civilization! This is Tom Morello’s answer to a science fiction class war epic and he’s the man to do it. Since his heydey with Rage Against The Machine and up to the present, Tom Morello is someone very involved with social justice. Check out his site devoted to the cause here. So, yeah, this 12-issue comic is definitely a natural for him to do. Each issue comes with a free music download which adds to your reading experience. At the moment, I’m listening to one of Tom’s podcasts. He is showcasing progressive music, starting off with Soundgarden. And, of course, Tom would agree, that is also very fitting for “Orchid.” Anyway, let’s see where we’ve been with this comic and why you will want to dive in yourself.

The main character, Orchid, a young woman forced into prostitution just to barely survive, is a powerful symbol for the disenfranchised world-wide. Across her chest she has a tattoo that says, “PROPERTY,” and on her right arm, another tattoo to remind her to, “KNOW YOUR ROLE.” She is what she is. She grew up hated, hungry, unloved, and she could be living in a post-Apoc world or somewhere on the planet right now. Look at Orchid as a strong symbolic character that avoids getting didactic, and you’ll get into what keeps this comic going. This is story of what happens when the world is ripped apart, the 99 percent are left to fend against genetically mutated creatures, and the wealthy 1 percent rule in cities high above. The wealthy do what they want with people like Orchid. It is Orchid’s destiny to lead a rebellion.

And there’s this mask. You’ll see it many times on the covers to “Orchid” and it holds a key to escape. If a worthy person wears it, they can harness the energy they need to fight the power. It used to belong to a rebel leader, General China, and, once he’s dead, the mask is a free agent. We’ll get back to that.

Buffy Scott Hepburn

Keeping this rig moving like it should, is the artwork of Scott Hepburn, a Dark Horse Comics veteran, who knows how to kick ass. It looks and feels like Mr. Hepburn has a lot of experience with women in his life. We are not getting shallow cheesecake from this guy. There’s girl power, serious girl power, at play.

Simon is a very important character. He is book smart in an illiterate world. You could say we’re already in a illiterate world and you’d be right. That’s one of the big hints in this story. Wake up, guys, we’re already on the brink! Gloabl warming. Corporate greed. Misguided consumerism. The cocktail has been mixed. So, again, Simon is important. Since he managed to squirrel himself away within reach of some of the last remaining things to read, he’s gotten to exercise his mind and is able to articulate his thoughts in a more sophisticated manner than what’s left of the average person. Any hint of refinement, of a precise turn of phrase, rubs the locals the wrong way. “You talk funny, mister!” is the usual response he gets to whatever he says. And he also happens to have picked up some cool robotic powers. He’s the perfect mentor, or is it sidekick? for Orchid. They are thrown together after Orchid’s mother is brutally murdered. It’s Orchid, her little brother, Yehzu, and Simon against the powers that be.

And then there’s Opal and we return to that mask. Opal is a wierdo old woman who might not look like much but, with just one hand, she can strike down a mutated grizzly bear. That is after she slips on the legendary mask. That’s because she has a direct link to the only other person to not only have survived wearing the mask but have also gained superhuman powers from it, the legendary General China. He and Opal had been mere bridge people, young sweethearts, when China’s fate was cast with the mask. After saving Orchid and the gang from that bear, now Opal’s fate is cast with the mask too.

Orchid Dark Horse 2012.jpg

The path to glory will be harsh as the cursed mask makes it way to Orchid. After many deaths, much blood spilled, it all comes down to Orchid, the whore turned saint. We see Orchid evlove into something far more than she would ever have imagined, ever have dared to dream. It is a story about sheer determination and power in numbers, the power of the people. That mask even turns Orchid into an orator. She uses language far more effectively to rally the crowds than Simon ever could! Now, it’s just a matter of one last bloody battle with the mad dictator, Tomo Wolfe.

“Orchid #11” comes out December 12 and the final issue will arrive January 16, 2013. Visit our friends at Dark Horse Comics.

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BUFFY THE VAMPIRE SLAYER SEASON 9 #16 Review

Buffy Season 9_16_Alt

It has been some time since we’ve seen Buffy in her old digs in San Fran. You would have to go back to Issue 7. Since then, she has gone from mild-mannered barista by day/reluctant Slayer by night to being turned into a robot to upgrading to work in highend security. Along the way, Willow has left the scene in her quest for magic; Spike has walked away; and we were introduced to, Billy, a new Slayer with a lot to prove. With Issue 16, we begin a new arc, “Welcome To The Team,” which refers as much to Billy as it does to Buffy returning to working with Detective Dowling in the SFPD’s mad quest to rid itself of a zompire infestation the likes of which no one has ever seen. These zompires are industrial strength and there is no accounting for it.

Whew, that is the most concise recap I can give you. So, what else is happening on the Buffy flagship comic? It seems a concensus has formed in favor of giving Buffy some semblance of normalcy. She is back in her old apartment with her old roomies, Xander and Dawn. Buffy gets to experience stuff like accepting an invite to drink tea while watching a reality tv show she probably could do wihtout or having a friend of Dawn’s just innocently digging around Buffy’s clothes searching for something to wear for a night out clubbing. Really normal, random, dull, annoying bits of life but grounded and real which Buffy appreciates.

Neither man nor woman can live by bread alone. As you all know, our boy Spike has had his hands full as of late with a potential substitute for Buffy. And, as it goes for Buffy. Props to Andrew Chambliss for writing in this potential romance. It runs very smoothly, one of those situations where both parties are a little confused about whether or not they’re actually dating. Another one of those very real facts of life which may very well be lining up to mirror what happened to Spike in one way or another.

Then we have the zompire action. Georges Jeanty (pencils) and Dexter Vines (inks) are doing a great job with living and breathing interiors, exteriors, and zompires! These creatures have some unique traits to them looking quite fierce, almost reptilian. We really get it that these zompires are strong and, perhaps, one in particular. And, just as Buffy is getting a handle on her fight, something happens very unexpected.

I think Buffy fans are right on to wish for more and more Buffy stories. After what has been a bit of break, Buffy is back and fired up. The clash of being torn between the grounded and the supernatural is a lot of fun. I’d like to see even more location shots when possible and more extended slices of life like Buffy reading a book at City Lights, having lunch in Chinatown, or going to see a show at SFMOMA. What books or movies does Buffy like anyway? Maybe even have the zompires camp out at Fisherman’s Wharf for a bit and mix the mundane with the undead. Just a thought. I can’t wait to see what happens next.

“Buffy The Vampire Slayer #16” is out December 12 which is a big date that also sees a lot of other cool titles including “Orchid #11,” “Conan #11,” “The Strain #9,” “The Massive #7,” and many more. Expect more Dark Horse titles reviewed here at Comics Grinder.

Visit our friends at Dark Horse Comics.

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WILLOW #2 Review

Sometimes it takes a little time to settle into character. It seemed like Willow was coming off a tad too much action hero in the opener but, in this issue, we get a kinder and gentler Willow. We get our Willow! But, of course, we never lost her. We just needed more time to get a better look at where she’s been and where’s she’s going. Brian Ching’s artwork is spectacular. His style gives you the most energetic Willow we’ve seen so far. At first, that seemed too energetic but it appears that we’re seeing some softening of the edges from the first issue. Look for yourself and you’ll see. I mean, I was right to see a Laura Croft thing going gone. Ching has drawn “Tomb Raider” comics for Image so there you go. Anyway, you can see it as a refreshing change of pace and, for the rest of the issue’s look, hands down, Ching delivers on the “Wonderland” theme.

We start off this issue of Jeff Parker’s script with a larger-than-life, larger-than-football-stadium, creature, all teeth and multi-colored, ready to chomp down on Willow and her demon sidekick, Marrak. Since Willow is now in this new magical realm, her magic mojo is running smoothly. The girl can let fly with casting one spell after another. There’s always the danger that things could still go terribly wrong, but Willow manages to do what she needs to do in confronting this Hyberrax creature.

Willow seems to be on quite a lucky streak in this issue as she coasts through the magical, and quite beautiful, new realm she’s in. This issue is a showcase for Brian Ching’s pencils, Jason Gorder’s inks, as well as Dark Horse mainstay colorist, Michelle Madsen.

Jeff Parker’s script builds its way to something significant in this issue. It has to do with our problem about no magic back on planet Earth. As for the plot, it feels like a few pieces on the ole chessboard have been moved so we’ll have to wait and see how much further along we can get in forthcoming issues. The character development is coming along nicely. Willow feels like she’s rolling right along as she should, given her mighty quest for magic and all the pitfalls that lie ahead.

Willow #2 is out December 5. Visit our friends at Dark Horse Comics.

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SUNDANCE FILM FESTIVAL MIDNIGHT LINE-UP INCLUDES “S-VHS”

Following in the bloody footsteps of its predecessor, the critically acclaimed, “V/H/S,” the Sundance Film Festival’s Midnight line-up will include “S-VHS.” And remember that “V/H/S” comes out on Blu-ray and DVD on December 4. More info follows:

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Comics Review: R.I.P.D.: CITY OF THE DAMNED #1

“R.I.P.D.: CITY OF THE DAMNED #1” is out and ready for your consideration. If you’re familiar with the 2006 graphic novel by Peter Lenkov, then you know about the Rest in Peace Department, where good cops meant for heaven end up for one last call to duty. That’s what is going on in this limited run plus a lot more. You like Jeff Bridges, right? Sure, you LOVE The Dude! Well, keep that happy thought in mind with this issue. If you’re totally hip to what’s going on, you may even already know about the movie based on Mr. Lenkov’s book….and it stars Jeff Bridges! Yeah, The Dude! Or maybe you should be thinking more along the lines of “True Grit.” Be that as it may, this comic strikes all the right notes.

For one thing, this comic makes me want to see the movie, which happens to come out on July 19, 2013. I’m not sure what was significant about that date to be chosen as a release date but that date sure is significant now. That’s when I get my first chance at seeing this movie! It’s not only that special eccentric quality about Bridges I’m looking forward to. This comic makes me believe it won’t be wasted.

Just read this first issue and tell me it’s not that whole bunch of crazy you were looking for but couldn’t quite put your finger on. This is a four-issue story by Jeremy Barlow graced by the art of Tony Parker. In this first part, we begin with crusty old Roy and, Nick, his handsome young sidekick. They’re inside some gleaming sinister structure and they’re fending off robots. Roy lets Nick know he is going to have to go it alone. Next thing you know, Roy is blasted back in time one hundred some years ago. It’s a desert landscape, looks like it might be out in the Old West – or maybe not. Two men in white stallions approach our hero. One is in a black garb like a monk. The other could be a Chinese warrior. Roy, his body riddled with bullet holes, is supposed to already be dead. But the monk thinks he looks thirsty and offers him some water. Before Roy can answer, he is whisked away into an outhouse that is a portal to a vast labyrinth of activity, the Rest In Peace Department.

Roy finds himself inside the inner sanctum of one of the prime operators of the department. He is informed that the delicate balance of life and death has been disrupted. There are more souls going out than coming back and Roy’s last whereabouts were right at the suspected hotspot of all the fuss. It doesn’t mean all that much to Roy, at least not right then. Maybe later it will. Maybe after he sees what’s at stake and after his first encounter with a mass of pitch black evil that comes riding out of the horizon. Hold the phone, maybe Roy is interested now. Yeah, this story will be a real kick, whether you knew about the Jeff Bridges movie or not. The artwork by Tony Parker is really sweet, a rather low-key offbeat style that is nicely complimented by the muted coloring of Michelle Madsen. I can’t wait for the movie or the next issue.

Learn more about it from our friends at Dark Horse Comics.

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