“The Cartoon Picayune” has hit its stride with its latest issue and is poised to become a leading voice in comics journalism. These things take time and I’m sure that has not been lost on its editor, Josh Kramer. He began by himself, covering local stories in Vermont and New Hampshire. And now he has contributors from around the world. This is a unique anthology that lives up to spirit of what used to be called literary journalism. And we have reached a point now that finds comics journalism to be more readily accepted and understood. It is a subset of comics that has been steadily developing over the years and The Cartoon Picayune can be relied upon to add to this tradition. Issue Five features two full length stories and two brief stories, each exploring the theme of work.
Category Archives: Journalism
You’ve got quite a lineup: Matt Bors, Sarah Glidden, Josh Neufeld, and Rutu Modan.
Details Follow From The Ad Astra Comics site (I’ve added helpful links):
Incredible Talent to Discuss Political Comics at #TCAF 2013
Posted on May 5, 2013 by NMGUINILING
Hey Y’all – It’s official. I will be moderating a panel of incredible artists on at the Toronto Comic Arts Festival (TCAF) – this next weekend. The panel is a presentation and discussion on Political Comics, and features Matt Bors, Josh Neufeld, Sarah Glidden, and Rutu Modan. Here are the deets:
Political Comics Panel
Saturday, May 11
at the Marriott Hotel
90 Bloor St. East
(Around the corner from the Toronto Reference Library)
5pm – 6pm
Let’s Meet the Panelists!
MATT BORS is a nationally syndicated editorial cartoonist and editor based in Portland, OR. He was a 2012 Pulitzer Prize Finalist for his political cartoons, which appear regularly in The Sacramento Bee, Portland Mercury, Pittsburgh City Paper, and on Daily Kos.
In the summer of 2010, Bors traveled to Afghanistan to draw comics and serves as the comics journalism editor for Cartoon Movement where he is currently editing a project on reconstruction efforts in Haiti.
In 2012, Bors was the recipient of the Herblock Prize and the Society of Professional Journalists’ Sigma Delta Chi Award for his editorial cartooning. His first graphic novel, War Is Boring, a collaboration with journalist David Axe, was published in 2010. His latest book is a collection of cartoons and essays title Life Begins At Incorporation. You can find more of his work at mattbors.com.
SARAH GLIDDEN’s first full-length book, a graphic-memoir was How to Understand Israel in 60 Days or Less, based on a Birthright trip she took and was published in 2010 by DC Vertigo.
She is currently working on her second book, a work of graphic journalism following reporters into Iraqi Kurdistan, Lebanon and Syria. Her short pieces of graphic journalism have been published on Cartoon Movement, Ha’aretz, and the Jewish Quarterly. You can find more of her work at sarahglidden.com.
JOSH NEUFELD is a comics journalist known for his graphic narratives of political and social upheaval, told through the voices of witnesses. He is the writer/artist of the best-selling non-fiction graphic novel A.D.: New Orleans After the Deluge (Pantheon). In addition, he is the illustrator of the best-selling graphic non-fiction book The Influencing Machine: Brooke Gladstone on the Media (W.W. Norton). He is currently a 2013 Knight-Wallace fellow in journalism at the University of Michigan. Neufeld is a Xeric Award winner, and his work has been nominated for a number of other awards, including the Eisner and the Harvey. Usually based in Brooklyn, N.Y., he currently lives in Ann Arbor, Michigan, with his wife and daughter. You can find more of his work at joshcomix.com.
RUTU MODAN was born in Tel-Aviv in 1966 and is now one of Israel’s best known cartoonists. She graduated from art school in 1992 and quickly established herself drawing strips for Israeli daily newspapers. In 1994 she was offered to job of editing an Israeli edition of MAD magazine with her classmate, Yirmi Pinkus, featuring reprints of US material supplemented with local originated material. The magazine shut down after 14 issues, but undeterred, Rutu and Yirmi founded Actus Tragicus in 1995, an internationally acclaimed collective and independent publishing house for alternative comic artists, including Batia Kolton, Mira Friedmann and Itzik Rennert. Rutu has worked as an illustrator for magazines and books in Israel and abroad, and has taught comics courses in Israel. She currently lives in Sheffield, England. You can find more of Rutu Modan’s work at her column at The New York Times and you can view her portfolio at Helfin Reps.
Modan’s newest work, The Property, is debuting from Drawn & Quarterly at TCAF this year.
For more information about TCAF 2013 – including a full list of all the kick-ass artists coming to town – head on over to http://www.TorontoComics.com
See you this weekend!
This editorial cartoon expresses well the mourning we share after the Boston Marathon bombing.
Editorial cartoons are as popular as ever and put to use in a variety of ways in print and on the web. Take a look at the excellent roster of talent at Cagle.com and you’ll see there is something for everyone.
“Discordia: Six Nights in Crisis Athens,” written by Laurie Penny and illustrated by Molly Crabapple, are recent notes from the underground, published in October of 2012, that remain quite relevant to this unfolding story. As much as things seem to move at a breakneck pace, and trends seem to abruptly shift, some truths are here to stay. It was on September 17, 2011, not very long ago at all, that Occupy Wall Street galvanized a new generation of protesters seeking a better world. That spirit of change rippled across an unstable world. In the summer of 2012, the focus fell on Athens, the hotspot of the global financial meltdown. The highly corrupt Greek government was especially hit hard when its debt-addled financial chickens came home to roost. The Greek government’s response to the crisis was a series of severe austerity measures. Riots and chaos followed.
Journalist Laurie Penny saw an opportunity to document firshand a significant hisotrical event and invited illustrator, Molly Crabapple, to join her. Much like a teaming up of Hunter S. Thompson and Ralph Steadman, Penny and Crabapple immersed themselves in the subject at hand prepared to report back on what they found: the violence, the drugs, the sex, and the intimate thoughts of a lost generation. It is a remarkable undertaking with impressive results. And you need to read this 140-page ebook. You can find it here and you can also seek out more information on the publisher, Random House Vintage Digital, over here.
Molly Crabapple and Laurie Penny find themselves in Greece right after the elections and the narrow defeat of the leftist coalition, SYRIZA. That coalition was seen as the best hope for dealing with the crisis. Instead, an ineffectual government makes matters worse. The rise of a facist party, Golden Dawn, having gained seven percent of the seats in parliament, signals even more dire times ahead. There is no doubt that Golden Dawn is neo-Nazi. Reporting from the bloody streets of Nikaia, Penny finds numerous murders of immigrants directly linked to Golen Dawn. After she uploads some video footage of the violence, she gets a chilling response back in Greek: “Don’t cry. Soon the time for hunting Pakistanis will begin in earnest.”
Penny does a great job of sharing her personal observations. Make no mistake, this has gotten personal for both Penny and Crabapple. This is subjective reporting getting to the heart of the action in the spirit of gonzo journalism. We are brought intimately close to Greek citizens of various walks of life. The prevailing fear is that Golden Dawn is, as the saying goes, “winning the hearts and minds of its countrymen.” Despair hangs heavy over those who would resist. We sympathize as we take in conversations and take in a view of Athens amid dark highrises, due to an ordered cutback on electricity. The haze from the shallow bowl of pollution is only releived by the Aegean Sea twinkling in the distance.
What lies ahead is a desire to fight on. If the left is not getting through to the masses, then the left must learn to more actively engage. If the general public has concluded that the Occupy movement was a flash in the pan, Penny is hear to tell you that this is not true. In the last year, Penny reports, there’s been a systematic global police crackdown. In North America alone, there have been 7,500 protesters arrested. But the protesters are not done yet. Penny sums it up with a line from the Bible, from Jeremiah: “The harvest is past. The summer is ended, and we are not saved.” It is not meant to be read as defeat but as a fact that the struggle continues.
And if you should think that all of this is not your problem, the coda to this book is very apt. Penny describes what happened once she and Crabapple had returned to New York City. It was on September 17, 2012, the first year anniversay of the Occupy Wall Street demonstrations. This is what happened, the text read round the world: There is Molly Crabapple, neo-Victorian cartoonist simply standing on a street corner when she decides to take a snapshot of the NYPD’s tidy work at pushing back protesters. For this, Crabapple is plasticuffed and sent to jail. She manages to Tweet: “Arrested.” Housed in a cell with other women who had been picked off the street for doing the same thing, Molly Crabapple is jailed for twelve hours. When simply taking a photo lands you in jail, you really have to wonder where we’re headed.
Be sure to pick up your digital copy of “Discordia” and, if you happen to be in New York, you’ll want to view a special art show of Molly Crabapple’s work related to Occupy and beyond entitled, “Shell Game” at Smart Clothes Gallery. You can read more about it here.