Category Archives: Journalism

Review: THE CARTOON PICAYUNE #5, Edited by Josh Kramer

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“The Cartoon Picayune” has hit its stride with its latest issue and is poised to become a leading voice in comics journalism. These things take time and I’m sure that has not been lost on its editor, Josh Kramer. He began by himself, covering local stories in Vermont and New Hampshire. And now he has contributors from around the world. This is a unique anthology that lives up to spirit of what used to be called literary journalism. And we have reached a point now that finds comics journalism to be more readily accepted and understood. It is a subset of comics that has been steadily developing over the years and The Cartoon Picayune can be relied upon to add to this tradition. Issue Five features two full length stories and two brief stories, each exploring the theme of work.

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Filed under Anthologies, Comics, Comics Journalism, Comics Reviews, Comixology, Comixology Submit, Journalism, The Cartoon Picayune

SEATTLE INTERACTIVE CONFERENCE 2013: TIME magazine and The Future of Journalism

Jonathan Woods TIME.com Senior Editor, Photo & Interactive

Jonathan Woods TIME.com Senior Editor, Photo & Interactive

What will it take for TIME magazine, the landmark newsmagazine, to survive for another one hundred years and beyond? Well, no one can say that TIME is not synonymous with quality journalism because it certainly is. It has a long history that led it to that level. One of the factors, no doubt, was its vigorous, even legendary, competition with Newsweek magazine. But it’s a whole new game today. One thing is clear and that is that nothing is clear. TIME is in the midst of a revamp. Of all the Seattle Interactive Conference sessions this year, the session on TIME and its future provides the biggest glimpse into a brave new world we are all interacting with.

TIME.com‘s Photo and Interactive Senior Editor, Jonathan Woods, led a discussion about this brave new world. Instead of being overwhelmed by the shock of the new, TIME appears to be standing tall about its legacy and looking forward with confidence. Woods came across as a man very much in charge, even if he is entering uncharted waters. To help steer the mighty vessel, TIME is working with Big Human, known for its work with startups; and Blink, a web and mobile solution for finding and managing freelance media professionals worldwide. Media professionals upload their location data on the Blink mobile app to a website that media companies use to search for talent to work on their stories. Managing Director Steve Spurgat was there to speak for Big Human. He used to be CEO of the now defunct VYou, a social media platform once used by Oprah’s Book Club.

Founder/CEO Matt Craig was there to speak for Blink. Blink is online with many active users on the site. People who are interested in joining the beta site can sign up here. The Blink app is available on iTunes and Google Play. Craig worked on Page One of the Wall Street Journal for five years before founding Blink.

Steve Spurgat Big Human Managing Director

Steve Spurgat Big Human Managing Director

Big Human’s Steve Spurgat set the tone for the discussion by bringing up The New York Time’s “Snow Fall,” a feature story about avalanches that employs innovative use of photos and interactive. The title of the story became its nickname when referring to its storytelling features. Spurgat’s reference to Snow Fall was a way of hinting at what TIME might do differently. “A show of hands for those who have seen Snow Fall,” said Spurgat. A majority of hands went up. “Alright, now how many of you remember anything you saw?” said Spurgat with a decided sneer to test the attendees. There was some nervous laughter from the audience, probably unsure of how to respond. Instantly, just to balance things out, Blink’s Matt Craig offered: “But Snow Fall did scratch a certain itch.” So, where do you go from there?

Of course Snow Fall seems to be an easy target because of the controversy related to naysayers, particularly Medium.com’s attempt to undercut it. You can read a good recap on all the fuss here. Essentially, someone at a startup can deny that Snow Fall is much of a big deal since they believe they can offer something similar. And so a process of kicking the original around ensues. Someone at another relatively new site pokes at it and someone else comments on it and so on. Hey, give yourself some time and go read the original Snow Fall here. What you’re looking at is an excellent in-depth feature, something TIME really can’t quarrel with over quality. You are free to read, and skim over, whatever you want, just like you would any special feature that has ever been created.

Matt Craig Blink Founder/CEO

Matt Craig Blink Founder/CEO

It’s not like TIME doesn’t have some very cool features of its own. There is “Timelapse,” in partnership with Google, Landsat, and Carnegie Mellon University, that presents a 30-year look at global climate change through satellite images. View it here. Woods also cited a feature with an infographic by Jeffrey Kluger and Chris Wilson mapping out the best places to live in the U.S. according to your mood. Read it here. Woods was asked a number of questions that kept coming back to whether or not there was a formula to follow to maximize readership and to this, over and over again, Woods was clear that there was no formula. “I want the right amount for a story,” was Woods’s steadfast response. To this, Spurgat could only agree with, “A story is as long as it needs to be.”

Getting back to basics on compelling content, Woods pointed with pride to the newly launched Red Border Films at Time.com. This new documentary series debuted on August 15, 2013 with “One Dream,” to commemorate the 50th anniversary of the March on Washington and Dr. Martin Luther King, Jr.’s “I Have a Dream” speech. View it here. The first profile is of Bobby Henline, an injured Iraqi war veteran who is now a stand-up comedian, directed by Peter Van Agtmael. It will debut on Veteran’s Day, November 11, 2013.

Here are a couple of other interesting observations, considering that Big Human and Blink have TIME’s ear. Blink’s Craig referenced Vice.com as a leader in original web content. The VICE audience expects great video, photography and stories. At this point in the conversation the discussion had turned to long form vs. short form media and the issues surrounding user generated content. Craig believes UGC is useful in some instances but great brands will always need to produce high quality original content. VICE is a great example of a media outlet that does it well. Craig stated that he gets his news from a wide variety of sources with the most alternative source being Vice.com. And Big Human’s Spurgat wasn’t too keen on Medium.com’s tracking of how long it takes a reader to complete reading a post. “It’s documented that people don’t always read things to the very end,” said Spurgat. “News is very fragmented today,” he added. We do, however, come back to the fact that web content is free of the restrictions of print. Web content is free to be as long as it needs to be.

Snow Fall is both derided and admired in the same breathe but it is not the problem. As much as we want instant gratification, we appreciate a feature that provides thoughtful analysis and greater detail. Have we seen the last of Snow Fall? No, instead we’ll find our way out of a free fall. Journalists will continue to pursue a good story. Stories will continue to be told, short ones and long ones. And one thing is certain: we will continue to see more competitive, and excellent, journalism ahead, no matter what the medium.

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Filed under Internet, Journalism, Media, news, Newsweek, Seattle, Seattle Interactive Conference, TIME Magazine, Web, Web Content

Marina Shifrin, the “I Quit” Video Star

For many reasons, it’s important to post about Marina Shifrin, her heroic dance moves and her Norma Rae rallying call for justice! She’s on the side of quality over quantity. She’s on the side of clarity over market share. It’s no wonder that, only a few days since her very public resignation, she has none other than, the very smart and talented Queen Latifah, offering her a job!

There’s a lot more going on here than just the latest video that has gone viral. Why did Marina go into journalism in the first place? Well, she’s passionate about the art of expression that involves sharing with others what she’s discovered about the world around her. This particular discipline involves words, well-thought-out words. Yes, it involves a lot of thinking, not just for art’s sake but for the sake of meaning! When I consider the big picture to this story, I want to believe this is what Marina is all about.

I relate to this particularly well. But, God, you would think everyone would. I am passionate about words and expression. For a time, I had set foot on a path squarely towards being a journalist. And, all thing considered, I have done my share, and continue to do my share, of journalism.

But, when I was young and uncertain, I was really conflicted because I wanted to do all manner of creative endeavor and had no idea where to begin. Pretty natural, when you think about it. And then life’s realities, which don’t much care about your vision or your whatever, take over. That’s when you have to hold on for dear life, your life! You do whatever it takes. And that’s what Marina Shifrin did. And, you can bet, she will keep on doing that. But not on Queen Latifah’s watch. No, that would be just so wrong.

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Filed under Journalism, Marina Shifrin, Media, pop culture, Queen Latifah, Social Commentary, Social Media

TORONTO COMIC ARTS FESTIVAL: MATT BORS, SARAH GLIDDEN, JOSH NEUFELD, AND RUTU MODAN, MAY 11

Toronto-Comic-Arts-Festival-2013For those who appreciate comics journalism, this is the perfect panel to catch while at the Toronto Comic Arts Festival this weekend, May 11-12.

You’ve got quite a lineup: Matt Bors, Sarah Glidden, Josh Neufeld, and Rutu Modan.

Details Follow From The Ad Astra Comics site (I’ve added helpful links):

Incredible Talent to Discuss Political Comics at #TCAF 2013

Posted on May 5, 2013 by NMGUINILING

Hey Y’all – It’s official. I will be moderating a panel of incredible artists on at the Toronto Comic Arts Festival (TCAF) – this next weekend. The panel is a presentation and discussion on Political Comics, and features Matt Bors, Josh Neufeld, Sarah Glidden, and Rutu Modan. Here are the deets:

Political Comics Panel
Saturday, May 11
at the Marriott Hotel
90 Bloor St. East
(Around the corner from the Toronto Reference Library)
5pm – 6pm

Let’s Meet the Panelists!

Matt Bors

Matt Bors

MATT BORS is a nationally syndicated editorial cartoonist and editor based in Portland, OR. He was a 2012 Pulitzer Prize Finalist for his political cartoons, which appear regularly in The Sacramento Bee, Portland Mercury, Pittsburgh City Paper, and on Daily Kos.

In the summer of 2010, Bors traveled to Afghanistan to draw comics and serves as the comics journalism editor for Cartoon Movement where he is currently editing a project on reconstruction efforts in Haiti.

In 2012, Bors was the recipient of the Herblock Prize and the Society of Professional Journalists’ Sigma Delta Chi Award for his editorial cartooning. His first graphic novel, War Is Boring, a collaboration with journalist David Axe, was published in 2010. His latest book is a collection of cartoons and essays title Life Begins At Incorporation. You can find more of his work at mattbors.com.

Sarah Glidden

Sarah Glidden

SARAH GLIDDEN’s first full-length book, a graphic-memoir was How to Understand Israel in 60 Days or Less, based on a Birthright trip she took and was published in 2010 by DC Vertigo.

She is currently working on her second book, a work of graphic journalism following reporters into Iraqi Kurdistan, Lebanon and Syria. Her short pieces of graphic journalism have been published on Cartoon Movement, Ha’aretz, and the Jewish Quarterly. You can find more of her work at sarahglidden.com.

Josh Neufeld

Josh Neufeld

JOSH NEUFELD is a comics journalist known for his graphic narratives of political and social upheaval, told through the voices of witnesses. He is the writer/artist of the best-selling non-fiction graphic novel A.D.: New Orleans After the Deluge (Pantheon). In addition, he is the illustrator of the best-selling graphic non-fiction book The Influencing Machine: Brooke Gladstone on the Media (W.W. Norton). He is currently a 2013 Knight-Wallace fellow in journalism at the University of Michigan. Neufeld is a Xeric Award winner, and his work has been nominated for a number of other awards, including the Eisner and the Harvey. Usually based in Brooklyn, N.Y., he currently lives in Ann Arbor, Michigan, with his wife and daughter. You can find more of his work at joshcomix.com.

Rutu Modan

Rutu Modan

RUTU MODAN was born in Tel-Aviv in 1966 and is now one of Israel’s best known cartoonists. She graduated from art school in 1992 and quickly established herself drawing strips for Israeli daily newspapers. In 1994 she was offered to job of editing an Israeli edition of MAD magazine with her classmate, Yirmi Pinkus, featuring reprints of US material supplemented with local originated material. The magazine shut down after 14 issues, but undeterred, Rutu and Yirmi founded Actus Tragicus in 1995, an internationally acclaimed collective and independent publishing house for alternative comic artists, including Batia Kolton, Mira Friedmann and Itzik Rennert. Rutu has worked as an illustrator for magazines and books in Israel and abroad, and has taught comics courses in Israel. She currently lives in Sheffield, England. You can find more of Rutu Modan’s work at her column at The New York Times and you can view her portfolio at Helfin Reps.

Modan’s newest work, The Property, is debuting from Drawn & Quarterly at TCAF this year.

For more information about TCAF 2013 – including a full list of all the kick-ass artists coming to town – head on over to http://www.TorontoComics.com

See you this weekend!

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Filed under Comics, Comics Journalism, Josh Neufeld, Journalism, Matt Bors, Political Cartoons, politics, Rutu Modan, Sarah Glidden, TCAF, Toronto Comic Arts Festival

Editorial Cartoon: BOSTON MARATHON MEMORIAL

Editorial Cartoon by Daryl Cagle, published with permission

Editorial Cartoon by Daryl Cagle, published with permission

This editorial cartoon expresses well the mourning we share after the Boston Marathon bombing.

Daryl Cagle is the publisher of Cagle.com and owner of Cagle Cartoons, Inc, which distributes editorial cartoons and columns to over 850 newspapers.

Editorial cartoons are as popular as ever and put to use in a variety of ways in print and on the web. Take a look at the excellent roster of talent at Cagle.com and you’ll see there is something for everyone.

Read Daryl’s blog at: http://www.cagle.com/daryl. View his site at: Cagle.com. Get permission to reprint his cartoons at: PoliticalCartoons.com.

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Filed under Editorial Cartoons, Journalism, news, Political Cartoons, politics

Book Review: DISCORDIA By Laurie Penny and Molly Crabapple

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“Discordia: Six Nights in Crisis Athens,” written by Laurie Penny and illustrated by Molly Crabapple, are recent notes from the underground, published in October of 2012, that remain quite relevant to this unfolding story. As much as things seem to move at a breakneck pace, and trends seem to abruptly shift, some truths are here to stay. It was on September 17, 2011, not very long ago at all, that Occupy Wall Street galvanized a new generation of protesters seeking a better world. That spirit of change rippled across an unstable world. In the summer of 2012, the focus fell on Athens, the hotspot of the global financial meltdown. The highly corrupt Greek government was especially hit hard when its debt-addled financial chickens came home to roost. The Greek government’s response to the crisis was a series of severe austerity measures. Riots and chaos followed.

Journalist Laurie Penny saw an opportunity to document firshand a significant hisotrical event and invited illustrator, Molly Crabapple, to join her. Much like a teaming up of Hunter S. Thompson and Ralph Steadman, Penny and Crabapple immersed themselves in the subject at hand prepared to report back on what they found: the violence, the drugs, the sex, and the intimate thoughts of a lost generation. It is a remarkable undertaking with impressive results. And you need to read this 140-page ebook. You can find it here and you can also seek out more information on the publisher, Random House Vintage Digital, over here.

Molly Crabapple and Laurie Penny find themselves in Greece right after the elections and the narrow defeat of the leftist coalition, SYRIZA. That coalition was seen as the best hope for dealing with the crisis. Instead, an ineffectual government makes matters worse. The rise of a facist party, Golden Dawn, having gained seven percent of the seats in parliament, signals even more dire times ahead. There is no doubt that Golden Dawn is neo-Nazi. Reporting from the bloody streets of Nikaia, Penny finds numerous murders of immigrants directly linked to Golen Dawn. After she uploads some video footage of the violence, she gets a chilling response back in Greek: “Don’t cry. Soon the time for hunting Pakistanis will begin in earnest.”

Penny does a great job of sharing her personal observations. Make no mistake, this has gotten personal for both Penny and Crabapple. This is subjective reporting getting to the heart of the action in the spirit of gonzo journalism. We are brought intimately close to Greek citizens of various walks of life. The prevailing fear is that Golden Dawn is, as the saying goes, “winning the hearts and minds of its countrymen.” Despair hangs heavy over those who would resist. We sympathize as we take in conversations and take in a view of Athens amid dark highrises, due to an ordered cutback on electricity. The haze from the shallow bowl of pollution is only releived by the Aegean Sea twinkling in the distance.

What lies ahead is a desire to fight on. If the left is not getting through to the masses, then the left must learn to more actively engage. If the general public has concluded that the Occupy movement was a flash in the pan, Penny is hear to tell you that this is not true. In the last year, Penny reports, there’s been a systematic global police crackdown. In North America alone, there have been 7,500 protesters arrested. But the protesters are not done yet. Penny sums it up with a line from the Bible, from Jeremiah: “The harvest is past. The summer is ended, and we are not saved.” It is not meant to be read as defeat but as a fact that the struggle continues.

And if you should think that all of this is not your problem, the coda to this book is very apt. Penny describes what happened once she and Crabapple had returned to New York City. It was on September 17, 2012, the first year anniversay of the Occupy Wall Street demonstrations. This is what happened, the text read round the world: There is Molly Crabapple, neo-Victorian cartoonist simply standing on a street corner when she decides to take a snapshot of the NYPD’s tidy work at pushing back protesters. For this, Crabapple is plasticuffed and sent to jail. She manages to Tweet: “Arrested.” Housed in a cell with other women who had been picked off the street for doing the same thing, Molly Crabapple is jailed for twelve hours. When simply taking a photo lands you in jail, you really have to wonder where we’re headed.

Be sure to pick up your digital copy of “Discordia” and, if you happen to be in New York, you’ll want to view a special art show of Molly Crabapple’s work related to Occupy and beyond entitled, “Shell Game” at Smart Clothes Gallery. You can read more about it here.

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Filed under Gonzo Journalism, Hunter S. Thompson, Journalism, Laurie Penny, Molly Crabapple, news, Occupy movement, Ralph Steadman