Ballad for Sophie is one of most accomplished works in comics of the year. You can read my review here. The following is an interview I had with the writer, Filipe Melo, and the artist, Juan Cavia via email. Many thanks to both men. I hope to meet each of you in person in the future! You can pick up your copy at Top Shelf Productions. We begin with Filipe Melo.
Tag Archives: Books
Drawn on the Way. Sarah Nisbett. The Quarto Group. 2021. 128pp. $22.99
Editor’s Note: This book is ready for pre-order purchases. Available in the US as of 12/21/21.
Sarah Nisbett had an idea on how to cope with the subway ride to work: sketch the world around her! This simple act of expression has opened up a whole new world for her and now it can do the same for you. Nisbett’s explorations in sketching have led to her first how-to book. There are numerous books on how to do just about anything and that’s just how it should be. We all love them and we take from each whatever we need. In the case of Nisbett’s book, you really feel like you’ve got a friend who is hanging out with you and will get you to pursue that dream of drawing you’ve been meaning to get around to. What’s kept you? Fear of failure? With this book, there’s absolutely no pressure. It’s a very comforting approach with real world workshop exercises you can do anytime and anywhere, even on a subway ride to work!
COVID Chronicles. edited by Kendra Boileau and Rich Johnson. Graphic Mundi. 2021. 296pp. $21.95
COVID Chronicles is a unique comics anthology, a testament to the collective response to COVID-19. The comics medium is exceptionally well-suited to convey, evoke and process the massive tangle of information and expression involved. We often say that comics is known for superheroes. However, on an even grander scale, comics is known for being a communication and educational tool able to make it possible to see the forest for the trees. This remarkable anthology was put together during the first half of 2020. We were lost amid the trees then and we’re still finding our way today. As a comics creator, I fully appreciate the challenges for a book like this to stay on point. I have seen countless comics anthologies and the biggest stumbling block for such an endeavor is a lack of consistency and vision. And then we have those gems that prosper because of a clear and compelling purpose. This is such a collection.
Helem. Stanley Wany. Conundrum Press. Wolfville, Canada. 2021. 240pp. $20
A work of comics will sometimes go from one form to another and such is the case with a couple of titles by Stanley Wany. Agalma (2015) and Sequences (2017) were both published by Trip which have recently been combined, with added material, into Helem, published by Conundrum Press. So, two works have been combined into one which is fascinating given what seemed to me to be open-ended options in two mostly wordless comics. However, there’s a narrative running its way through both titles, and now more emphasized in the final version, Helem.
We will first take a look at one of Wany’s previous titles, Sequences, as a way into the new book, Helem. As the title to the older book suggests, we are dealing with sequences, one page at a time, and in connection with each other. If you were to view this as a show in an art gallery, you might accept each page as just a set of four small drawings. As the reader takes in more pages, something sequential emerges. What follows are three pairs of sequences.
In this first pairing, Wany offers us a look into the inner life of a call center, complete with its peculiar hum of activity. It’s hard to say if there is any hint of irony on display and maybe that’s the point. People working in call centers is so common that it’s most likely you have worked in one or know at least one person who has. It’s a strange and highly artificial world but, when you are in it, it’s the only world you know.
Our pairings become progressively more surreal moving forward. We start off with two friends chatting on a walk in the city. But what exactly happens next is anybody’s guess and best to chalk it up to dream logic. Mr. Death appears to be in a foul mood and not to be ignored. And then there’s a crack in the system, a sign of greater concerns ahead.
Finally, our last pairing of pages takes us to a higher plane of existence. Our protagonist appears to be lost but soon finds a potential ally, a queen no less. Who is this queen? Does she possess supernatural powers? Our friend will soon find out.
Wany is a master of manipulating the quotidian and transmogrifying it. With Helem, the final and complete version to his two previous books of art-comics, he takes the reader into the heads of two lost souls. The two main characters, both relatively young, are adrift, in an existential crisis. This is Wany’s landscape of the inner world and welcome to it. In both stories, the reader first experiences the world through the eyes of each protagonist and it is only towards the end that we get some closure through actual remarks. In the second story, originally from Sequences, it turns out we have a man wondering where some of the best years of his life have gone. He loops in and out of reality to discover that some of his most compelling moments are in his nightmares.
Stanley Wany is in that select group of artists who are diligently creating comics as art or art that is also comics. A cartoonist who makes art. An artist who makes comics. Wany’s linework is exquisite. The lines dance upon the page and seem quite capable of anything–and telling more than one story all at once. Wany delights the reader on many levels with his flights of fancy; he offers gifts for both the eye and the mind. It really would be no surprise to me if these same pages were to be sliced and diced yet again to tell a completely different story! Isn’t the comics medium malleable by its very nature? Of course it is! Any work by Wany is a delight and I look forward to seeing more from this exciting artist.
Terry Blas and Claudia Aguirre are the creative team behind Lifetime Passes. This is a graphic novel that I reviewed recently and I encourage you to check it out for yourself as well as give as a great holiday gift. In this interview, you can see that Blas and Aguirre are totally in sync for the sake of a good story. And this is quite a tale revolving around a group of teenagers wrapped up in the theme park lifestyle. They hatch a plan to snag lifetime passes to their local theme park, Kingdom Adventure. The kids discover that if someone in their party dies in the theme park that, in order to avoid any legal entanglements, the theme park issues out lifetime passes to everyone in the group. Our main character, Jackie Chavez, works at a senior living facility. Jackie charms her way into putting together a new theme park activity program at Valley Care Living retirement home. With that in place, it’s just a matter of time, Jackie and her friends think, before one of the seniors in their care ends up dead at the theme park–and so the group gets lifetime passes! So, you’ve got at least three genres working here: coming-of-age, humor, and horror!
Growing up is never easy. This wonderful graphic novel weaves a tale we can all relate to. The main character of Jackie Chavez proves to be an engaging character with a lot to learn. Helping her along the way to seeing what really matters in life is Phyllis, one of the seniors that Jackie and her friends have ensnared in their diabolical little plot. Will Jackie gain a lifetime’s worth of wisdom before too much more time passes and it’s all too late?
Just click the link above to see the video interview. LIFETIME PASSES is available as of November 23, 2021. For more details, just go to Abrams Books.
Tenderness. Alison MacLeod. Bloomsbury. London. 2021. 640pp. $24.49
Editor’s Note: This book is ready for pre-order purchases. Available in the US as of 11/09/21.
Tenderness is a feast of a novel. This is easily one of the best current reads. And it all has to do with what once was an obscure novel nearly killed in the cradle. Many people have at least heard of Lady Chatterley’s Lover, by D.H. Lawrence, originally published privately in 1928 and finally made available in 1960 after an infamous obscenity legal battle in the UK and the US. Oddly enough, even after surviving the courts, this most misunderstood of novels was nearly killed again in a self-imposed academic attempted murder by feminist scholars because of what they deemed as certain less than enlightened depictions of some female characters in the novel. It is a case of cancel culture from another era. Today, the novel has well cleared the hurdle of extinction. At this writing, Netflix is in production for a spectacular new film version starring Emma Corrin (The Crown) as Constance Chatterley. Now, back to the novel in question. Tenderness explores the world of Lady Chatterley primarily from the inner world of the author and the behind the scenes tug-of-war between killing and saving the book. This culture war is led by FBI Director J. Edgar Hoover on the side to suppress, and future First Lady Jacqueline Kennedy on the side to save.
The hallmark of any great historical novel is how it juggles many points of view. One of the paths this novel cuts is political. Jackie Kennedy is a classic icon: familiar while shrouded in mystery. There is nothing officially documented about Jackie Kennedy in support of Lady Chatterley but, for the sake of this historical novel, she makes for a perfect advocate. MacLeod places Jackie in attendance at a 1959 public hearing on Lady C which, in turn, results in an FBI surveillance snaphsot of her that sets in motion a whirlwind of clandestine activity by Hoover and his henchmen to bring down JFK’s presidential bid. Anyone who knows anything about Lady C, or has actually read the book, knows that this novel has as much, or more, to do with political power than with sex. Clearly, Jackie is the ultimate symbol of a political bedfellow. In 1960, Jackie was still closer to the limited world of Lady C, trapped in her own sexless marriage. The only power a woman in her position could rely upon was found through marriage. And the only control a man could rely upon over a woman, at that time, was through marriage. It is the institution of holy matrimony that is threatened by Lawrence’s controversial novel. That is actually the most “obscene” thing in the novel any detractor could say against it.
MacLeod’s love for literature rings true in this novel which acts as a love letter to Lady C and great fiction. As any masterful writer knows, one of the most appealing aspects of embarking upon a novel is the opportunity to treat it as a vast canvas upon which you can paint your greatest passions. This passion for storytelling is brought out in the character of Dina, an ancestor to friends of the family of D.H. Lawrence, and a budding literary scholar. It’s more than a good chance that Dina stands in as an alter ego for MacLeod. It is through Dina that MacLeod can express her greatest admiration for Lawrence’s landmark work, both erudite and heartfelt. It may have been only a matter of time before just the right author came along and channeled D.H. Lawrence. Tenderness was to be the original title for Lawrence’s novel as it gets to the heart of his theme that we inevitably must give way to the demands of the body. MacLeod honors that theme with her invigorating book.
Lifetime Passes. by Terry Blas and Claudia Aguirre. Abrams ComicArts, SURELY, New York. 2021. 160pp. $23.99
Editor’s Note: This book is ready for pre-order purchases. Available as of 11/23/21.
How we treat each other, and ourselves, is at the core of wellness. We all have some connection to care-giving, whether on a personal level or a professional level. My past work as a caregiver still inspires me and informs me. Lifetime Passes, is a wonderful new graphic novel that explores the interconnections between those providing care and those receiving care. It’s not as simple as some may think.
Writer Terry Blas and artist Claudia Aguirre together weave a story that speaks to the shared responsibilities of caregivers and those cared for. First of all, no one wants to feel like they’re being “cared for” so a delicate balance must be struck. It’s during a journey of self-discovery that Jackie Chavez comes to appreciate the nuances of respect and self-respect. It’s a process that takes Jackie from being a kid who just wants to blend in with everyone else to someone willing to take a stand and to lead.
Jackie Chavez is in a predicament that is going to take time to figure out. It’s a problem liable to spin out of control. But, oddly enough, it also seems like Jackie is having the time of her life. Blas and Aguirre are sensitive to a young person’s perspective and life struggles. This is a portrait of a Mexican teenager who has been separated from her parents due to the immigration laws currently in place and so it’s just her and her aunt Gina. Jackie helps her aunt at work at the Valley Care Living retirement home. Over the years, Jackie has relied upon visits to the Kingdom Adventure theme park in order to cope with the stress of feeling like an outsider. What she never expected was to have an elder care facility and a theme park collide in her life. It’s a nicely-paced story told with wit and heart.
Claudia Aguirre’s artwork is soulful and touched with a whimsical spark. All the characters, whether noble or less than noble, come to life. The reader will be engaged and immersed in this coming-of-age tale. Jackie Chavez is someone who, at first, wants nothing more than to be alone but is willing to compromise in order to fit in. She is set upon a misadventure that will demand she think differently and show her a whole new way to live.