Review: Bill Plympton’s CHEATIN’

Bill-Plympton-Cheatin-animation

Ella is an enigmatic beauty. She seems so ethereal and unaccessible. And then, one day, her defenses down, she stumbles into a romance with Jake. This sounds like the start of another great Bill Plympton animated feature. It takes me back to some of my earliest memories of his work. I had seen at least some of his stuff on MTV back in the day. All I can say is, if you haven’t, you owe it to yourself to dig deeper.

Bill Plympton is one of the greats. He has a way of looking at the world that is truly original. He stepped into the spotlight with his Academy Award-nominated short, “Your Face,” in 1987. He was courted by Disney but he chose to remain independent. He’s the only animator to single-handedly draw every frame of a feature film–six times. Plympton cartoons blaze upon the screen: joyful, erotic, and full of wonder. And so that leads in to, “Cheatin’,” Bill Plympton’s latest feature.

Cheatin-Bill-Plympton

Things don’t just move in his animation. They jiggle, ripple, undulate, sway, and sashay. There’s a perpetual sexual tension metaphorically attached to nearly everything. We begin with the long fluttering ribbon attached to Ella’s hat. In this feature, our two lovers are quite a mismatched pair but they definitely have a spark between them.

If Ella was ever aloof, Jake wears down her reserve. He rescues her twice, both times with great sexual connotations. But that’s only the beginning of our story. No sooner does boy meet girl, it seems, than boy loses girl. In fact, these two had become quite the couple when things go terribly wrong. Outside forces relentlessly work against them. For example, one of Ella’s rivals attempts to lure Jake away while he’s mowing the lawn. She carpets the sky with a pulsating pattern of her laundry. Ella retaliates with a counter-strike of her own laundry.

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What happens next involves an elaborate process of regaining love. This includes a wayward magician and his mysterious “trans-soul machine.” Perhaps this contraption will shed light on what has thwarted our lover’s happiness. As this dangerous and uncertain path unfolds, our story spreads out with hints of grand opera, science fiction, and crime noir.

As in all Bill Plympton features, we find that human longing and desire, in one form or another, cannot be ignored and is seldom, if ever, denied. Amid a rogue’s gallery of buffoons and dimwits, lovers race toward each other’s hungry bodies. Sexuality will find its release whether it oozes from the walls or drips from the ceiling. And, amid the melting butter and bubbling coffee pots, a more complex story unfolds. While sex makes the world go round, Bill Plympton, like Federico Fellini and Terry Gilliam, provides much more. The content is implicit, not explicit. It’s a mix of the tragic and the comic that proves so pleasing.

“Cheatin'” is in theaters and online as of April 2015. For more details, visit the official website right here.

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Filed under animation, Bill Plympton, Movie Reviews

Review: Howard the Duck (2015-) #1

Howard-the-Duck-Marvel-Comics-2015

Some things seem so far ahead of their time that they could never stick. Well, Howard the Duck has stuck. Way back in 1976, when Marvel Comics first unleashed the fluffy curmudgeon, he seemed like he’d come out of nowhere–and he had. That was his thing. He had a crunchy underground vibe to him and yet he got to hobnob with Spider-Man, the most iconic comic book character ever created. That must have been hilarious for Howard’s original creators, Steve Gerber and Val Mayerik.

Back then, in 1976, Howard also got to spend time with Red Sonja, all ready for a good fight in her chainmail bikini. This time around, Howard matches wits with a whipsmart tattoo artist. She would also look fine in a chainmail bikini but it ain’t gonna happen. Tara resoundingly puts him in his place. And all he did was call her, “doll.” Pretty tepid for the Howard of yesteryear. In this new Howard comic, writer Chip Zdarksky and artist Joe Quinones are definitely working off a different vibe than what came before.

While a lascivious Howard preying on half-naked women seemed so subversive in 1976, it’s a risky business in 2015. It would surely require some creative heavy lifting. And, in the cheesecake wars, this appears to be a battle not worth having. Of course, on the flipside, what have you got left once you defang a raunchy out-of-control misanthrope? In the end, the original Howard wasn’t so bad and he was more of a feminist than he got credit for.

Howard the Duck in 1976

Howard the Duck in 1976

Howard was a dirty, unstable, contradictory, and thoroughly messed up duck. So, I ask you, to clean him up too much is to snuff the life out of him, no?

However, if you never cared for the original underground-like Howard, then this Howard could be what you’re looking for. Consider him a second cousin to the wisecracking Rocket Raccoon. That said, this first issue is definitely a fun and worthwhile adventure.

With anything possible these days, it would come as no surprise to find Howard’s activities meeting up with Rocket Raccoon’s somewhere down the line, even on the big screen. Wasn’t an appearance by Howard the Duck the teaser at the end of the credits to “Guardians of the Galaxy”?

Howard the Duck #1 is available as of March 11. For more details, visit our friends at Marvel Comics right here.

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Advance Review: FRANKENSTEIN UNDERGROUND #1

Frankenstein-Underground-Dark-Horse-Comics

There are all sorts of horror to consume and a Mike Mignola horror comic book is one of the best across any form. And then you bring to that one the horror canon’s greatest, Frankenstein, and it sets up something worthy of taking notice. This is not, say Frankenstein vs. Superman or Spider-Man, as much fun as that can be. No, this runs much deeper as you have two distinct visions in horror coming together that have exceptional qualities that naturally fit together. It’s more akin to Boris Karloff bringing his unique sensibility to the character of Frankenstein’s monster. But let’s jump in and check this out.

First of all, I love the fact that this Frankenstein is not just about long stares and grunts. The guy can actually hold a conversation. And I’m intrigued by the additional bolts. He has two big bolts where his nipples should be. Is this for when he needs a really special electrical jolt? I’m just saying. So, this Frankenstein fits right into the quirky, dark, deadpan, and offbeat humor that is the universe of Mike Mignola. And what does the big buy have to say for himself? Basically, he’s not too happy. He’s feeling very regretful for what might have been as he wanders in search of greater meaning. Yeow, that’s more Mignola-speak coming out of the iconic monster than any fan has a right to hope for. So, for you newcomers, this is what to expect: a Frankenstein who is more freaky, intellectual, and downright moody.

This first issue, written by Mignola, drawn by Ben Stenbeck, and colored by Dave Stewart is a knock-out. Now, your hardcore Mignola fans can tell you about the roots to this story. They’ll direct you to that time when Mike Mignola’s celebrated character, Hellboy, got into the ring and actually fought Frankenstein in Mexico in 1956. Yes, Mexico in 1956! Mexico! 1956! You see, another wonderful trait in any Mignola story is the seemingly random pairing of an exotic locale with an obscure date. Why Mexico? Why 1956? It just is what it is. And it’s fun. Here’s the deal, way back when Hellboy fought Frankenstein, nobody knew for sure that it was indeed Frankenstein. But now we know that, yes, it is.

So, again, I ask you, why Mexico in 1956? Well, it’s actually a pretty cool backdrop. Not only do you have the pairing of Mignola and Frankenstein but you can also add to the mix all the magical and spooky Aztec tradition and, to top it off, you have the overall crazy that was the ’50s. Imagine a Day of the Dead celebration times one hundred. Because that’s what it would have been like in Mexico in 1956. So, all this is very geeky fun and yet another fitting tribute to one of the greatest characters in horror for all time, our pal, Frankenstein.

Frankenstein Underground #1 will be published by Dark Horse Comics on March 18, 2015. For more details, visit our friends at Dark Horse Comics right here.

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Filed under Comics, Dark Horse Comics, Frankenstein, Mike Mignola

Short Film Review: THE SHAMAN and exclusive manga

The-Shaman-Marco-Kalantari

There’s a touch of the poet, the adventurer, and the dreamer in Marco Kalantari’s short film, “The Shaman.” There’s a quirky intensity here like you might find in your favorite story or game. And I consider myself most fortunate to know about it now.

It’s bursting with originality and fierce energy that grabs you from the start. It is 2204. We fight our wars with intelligent machines. The only way to subvert their power is to engage with their souls. And it is only the shamans who can access these machine souls that exist in the Netherworld.

The world war has been raging for 73 years on. It’s some really strange and dark holy war or something quite bad. A scorched Earth is nothing new to anyone. But there’s the Netherworld and, perhaps, it is there that all souls will some day know eternal peace.

“The Shaman” packs quite a punch. It’s a dark and gothic mashup of “Star Wars” and “District 9.” The special effects are first-rate. And there’s plenty of new ground upon which to trod and take leaps of faith from. You’ll love the ritual involved in transporting a Shaman to the Netherworld. This short film provides a whole new set of terms and signs to behold.

And the scene between The Shaman (played by Danny Shayler) and the Soul of the Colossus (played by Susanne Wuest) is brilliant. This is a great battle of wits between shaman and machine. It’s wonderful to see and let’s hope that perhaps all this leads to a major full-length motion picture. I really think that’s possible. Whatever lies ahead, this is an excellent short film.

What follows is a prequel to The Shaman. This is a manga story setting the stage for what lies ahead in the main story:

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Review: THE BULLY’S BULLY

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“The Bully’s Bully” is a unique webcomic, and book, on the subject of bullying. It tackles the issue with a lot of grit. I don’t recommend this for the youngest of readers simply because of it’s spirited, and intense, depiction of violence. We can discuss that. Overall, it’s a solid work in comics. But, be warned, this gets the equivalent of a PG-13 rating. Story and art by Courtney Huddleston and James Taylor, this is an impressive production. The look and feel would do proud any animation house or comics publisher. I would describe it as a clean and polished house style. And, as the title implies, this is a book about bullies. Or, more precisely, a girl with a lot of guts, who is out there to defend, and encourage, victims of bullies. She is going to do her best to set things straight.

You’ll find here a collection of stories that follow our heroine on her quest to stop bullying. The comics are wordless throughout. We don’t have a name for our main character other than Bully’s Bully, or B.B., for short. There are a wide spectrum of scenarios to be found here ranging from a hunting story to a story set in the inner city. The feature story finds B.B. locking horns with one of the most diabolical villains, under 18, you’re likely to find. He looks a bit like Pugsley from the Addams Family.

“The Bully’s Bully” is a webcomic and, when this B.B. vs. Pugsley story first ran, it caused quite a commotion regarding the violence. So, what exactly is the deal here? Well, this Pugsley boy has no qualms about punching B.B. right in the gut, starting at page 26, and repeatedly attempts to smack her around and worse. He also has no problem with slamming a puppy into a tree, which is shown in one panel. Is this too much? Yes, without a doubt. If it walks and talks like a duck, it’s a duck. So, emphatically, I tell you this is one very disturbed duck. If there’s another spin to it, I’d say that these disturbing scenes certainly do evoke the terror a bully can inflict. However, that could have been achieved differently. As it is, you lose the younger readers.

Well, that’s what can happen when you choose to turn up the volume to eleven. Unfortunately, everything is thrown out of balance with such an extreme shift in tone. Oh, I know, I know, you may wonder if I’m overreacting. But, no, I’m not. I think it’s better to speak to these issues than simply go along to get along. You can find plenty of reviews like that already. And I’m not against this book. I am concerned about the fact that younger readers will be attracted to it and could get sucker punched by the content. That said, in the real world, kids can and do get hurt. So, sure, it’s a tricky situation. With all this in mind, if you have a notion of getting this book for a young reader or pointing him or her to the website, try the book or webcomic out and see for yourself beforehand.

You can buy your copy of The Bully’s Bully 152-page trade paperback on Amazon right here.

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TV Review: HENRY DANGER

Cooper Barnes as Ray, Jace Norman as Henry, and Riele Downs as Charlotte on "Henry Danger"

Cooper Barnes as Ray, Jace Norman as Henry, and Riele Downs as Charlotte on “Henry Danger”

Last week’s episode began with a somewhat obscure reference to the classic holiday chestnut, “It’s a Wonderful Life.” A girl comes into the shop and tries out a piano only to have Ray really lose it with a lame Jimmy Stewart impersonation. Ray flips out. Charlotte pleads for him to get a grip for the sake of the children. And then the moment is gone. Very funny. If you were a fan of the offbeat humor of “iCarly,” then you’ll love this new show, “Henry Danger,” from the same creator. Dan Schneider is the co-creator with Dana Olsen. And you’ll know Dana Olsen from his writing for the movies, “George of the Jungle” and “Inspector Gadget.” If you’re new to “Henry Danger,” or if you’re already a fan, read on. This is something very different.

Ray Bradbury was fond of saying that he read every genre. And he was especially keen on keeping up with books for young readers. In that spirit, I present to you, “Henry Danger,” one of the smartest shows on television, whatever your age. This is on Nickelodeon and, for the purposes of this review, we’ll consider what I’ll conveniently call, “kid humor.” Now, here’s the thing, kid humor is awesome and pretty darn universal.

Kids, let’s just say, are closer to knowing what they want than adults. It seems like they understand things, like a sense of humor, at a purer level. They appreciate a well-constructed sight gag right along with an ironic aside and that’s that. Kids know all the tropes. They know what adults find funny better than some adults realize. At the end of the day, kids get a good joke better than some older folk. Kids will accept something funny at a highly sophisticated level, whether it’s silly or surreal, or preferably both at the same time.

What “Henry Danger” does is live right in that kid humor zone. The creative team understands. They understand things like beloved characters are larger-than-life and can also suddenly explode. They appreciate that kids understand the great duality: fiction can be more real that everyday life while, at the same time, it’s also just fiction. There are numerous examples of how the show relishes breaking the fourth wall, as they say. Part of the fun comes from inverting and subverting. For starters, this is a wonderfully deadpan and absurd send-up of superheroes. Our superhero is simply known as Captain Man (played by Cooper Barnes) and his secret lair is, wait for it…the Man Cave.

Henry-Danger Cooper-Barnes

Captain Man’s origin story is a perfect satire of all origin stories. Little Ray was simply too close to a crazy experiment that his mad scientist father was conducting. An accident led to Ray becoming indestructible. And this led to a relatively easy-going career as the superhero protector of the small town of Swellview. And, just as things started to get a little hectic, Ray hired a teenager, Henry Hart (played by Jace Norman), to be his assistant, aka Kid Danger. Both Cooper Barnes and Jace Norman exude a winning charm and exemplify what makes this show so smooth and fun to watch. Rounding out the inner circle are Henry’s closest friends, Charlotte (played by Riele Downs) and Jasper (played by Sean Ryan Fox). Everyone on the show contributes to a particularly zany vibe.

The first rule of comedy is that nothing is sacred. Kids witness all too often the strained looks of concern from adults. And kids know there’s hardly any reason for all the worry. Are we really having a crisis, mom? No, actually, we’re not. Maybe that’s why Henry’s parents (played by Kelly Sullivan and Jeffrey Nicholas Brown) are so utterly clueless. A pure act of rebellion from the writers! And when Henry’s little sister, Piper, (played by Ella Anderson) acts up and gives everyone a hard time with her rudeness and crazy demands, what should Henry do? Well, he could always take his nifty raygun, entrusted to him by Captain Man, and knock his sister out. Reasonable? No, but funny!

We are told that kids hunger for resolution. But have you asked a kid lately what he or she hungers for? When it comes to comedy, what’s most funny is the opposite of resolution. Just as the final scene is set to lull us back into a sense of security, that’s a perfect time to have things topple over. In one episode, the running gag is that no one is safe from falling off a rooftop, even after the last precaution is supposed to be in place. In another episode, Captain Man and Kid Danger have botched things up so badly with a neighborhood father and son that the only solution is to wipe away their memories and leave them in an alley. Disturbing? Yes, but funny!

It’s a combination of the writing and the particular actors. The writing is bubbling with irreverence and the actors run with the sophisticated absurd humor. The energy of the cast in undeniable. The chemistry is pitch perfect. It’s simply one of the smartest shows on television. You can see it Saturday at 8pm/7 central, on Nickelodeon. For more details, visit our friends at Nickelodeon right here.

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And for a sneak peek at the next episode, “Elevator Kiss,” on this Saturday, visit Dan Schneider’s website right here.

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Filed under Dan Schneider, Dana Olsen, Nickelodeon, Superheroes, Television

DVD/Blu-ray Review: THE LEGEND OF KORRA – BOOK FOUR: BALANCE

Nickelodeon-The-Legend-of-Korra

You step into the world of The Legend of Korra and you enter into something stellar. This is a monumental work in animation. Nickelodeon has done itself proud. I am sure that this is going to strike a chord with anyone who enjoys a vast and epic adventure. This fourth season, “The Legend of Korra – Book Four: Balance,” brings everything to a conclusion and it is available on Blu-ray and DVD as of March 10, 2015.

Where to begin? Well, for fans and newcomers alike, this last collection works so well that it stands on its own. Each episode rings true as we follow the celebrated Avatar on her path of self-discovery. Korra has come out of the fight badly wounded and she must find the strength to recover, and even to forgive. She’s on her own, alone and a little lost. Meanwhile, plenty takes place in her absence. Left to her own devices, Kuvira has exploited an opportunity to seize power and she has the Earth Kingdom in her sights.

The Legend of Korra collectible poster inside DVD/Blu-ray for Book Four: Balance

The Legend of Korra collectible poster inside DVD/Blu-ray for Book Four: Balance

Getting to hear some of the creative team on the commentary, including co-creators Michael Dante DiMartino and Bryan Konietzko, you get a sense of the hard work involved in bringing The Legend of Korra to life. It’s a team effort all the way. And it’s a very thoughtful effort. Going through all 13 episodes, there isn’t a missed beat or anything I’d want to see taken out. It’s quality throughout from the musical score to special effects to, of course, the voice talent. Did you know that the stellar roster includes Academy Award winning actor J.K. Simmons? Yes, he plays a pivotal role as Tenzin. Well, this is one of those shows you’ll love being immersed in.

It’s a panoramic stage filled with a variety of vital characters. There’s a great balance of personal struggles mixed with intrigue, humor, and action. For instance, Prince Wu, our hapless monarch, and Kuvira, our devilish villain don’t mix very well to often humorous effect. And, Korra’s journey proves to be filled with lots of twists and turns. It’s about finding one’s way. Given time, she will come closer to seeing who she really is.

The Legend of Korra is a wonderful opportunity for a writer to say a lot about life and what it takes to do great things. You can view this on many levels. Ultimately, this is a crowning achievement for Nickelodeon. You’ll want to get your copy now. You can start with this last collection and work your way back. As I say, the stories stand alone, down to each episode, beautifully. For more details, visit our friends at Nickelodeon right here. You can also buy “The Legend of Korra – Book Four: Balance” from Amazon right here.

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The Smithsonian Is Offering An Online Course On The History Of Superheroes With Michael Uslan And Stan Lee

Stan-Lee-Rise-of-Super-Heroes

Calling all students of pop culture, history, and superheroes: It’s time to register for a unique free online course that features comic book legend Stan Lee.

Yes, true believers, this is a great opportunity so don’t miss out. The course begins May 5. Register by March 31 right here.

Details follow:

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Review: HALOGEN #1 (of 4)

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How would you ever go about finding a dead god? What would a dead god look like? This is part of what’s going on in, “HaloGen,” a very quirky sci-fi adventure. Assuming that you can even perceive a god, which we’ll go ahead and assume, then you’ve got the backbone to quite a story. And our lead character, Rell, seems to be up for it. As far as I’m concerned, this girl could be a god of sorts herself.

The name of the game is find a dead god. It had been found. It was supposed to be taken away by the authorities, in the form of Securicorp. But now it seems to have vanished. It’s up to Rell and her team at HaloGen to make things right. In the course of making things right, there are a number of players set on doing the opposite. We follow Rell around as she engages in some snarky office banter with HaloGen staff and tries to explain meeting up the night before with a sexy dude from Securicorp. Was he really interested in her or was he trying to find out about her halographic powers? Maybe a bit of both.

Overall, the high quirk factor to this story by Josh Tierney is very appealing. The art by Afu Chan, with colors by Shelly Cehn, is also very pleasing. But, most importantly, this narrative flows really well and has a high level of clarity. We end up with a lot of things in play in this first issue. We’ve got data that’s been compromised and a dead god’s body in danger of being exploited. Lots of stuff going on. It’s great to know the creative team has a good handle on it. I look forward to lots more.

“HaloGen #1” is part of the Archaia imprint from Boom! Studios and is available as of March 4. Boom! Studios has published four books thus far in Josh Tierney’s Spera series because they love his characters and storytelling. Now, Tierney teams up with fellow webcomic creators Afu Chan (Spera) and Giannis Milonogiannis (Old City Blues, Prophet) for this new creator-owned, sci-fi adventure. For more details, visit our friends at Boom! Studios right here.

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Review: NEVERBOY #1

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It was a glorious childhood moment: just two boys creating their own solar system of planets, pretending to be Captain Galaxy and his trusty sidekick, Neverboy. All the beautiful colorful planets were hanging off branches in the backyard. And then that bully came along and trashed it. Sounds like something out of dream. “Neverboy,” a new comic from Dark Horse Comics, has a very intoxicating feel to it. This is one very dreamy comic!

Those two boys got over that incident with the bully. They had a sleepover and that took away some of the sting of having their worlds destroyed. This is what an all-grown-up Neverboy tells his son to console him after a bad day at school. The son responds well to that. Neverboy’s wife appreciates his effort. And then things start to slip away. It turns out that Neverboy, the boy and the man, may not really exist.

The story by Shaun Simon is very intriguing. You’ve got a character who appears to possibly be from some other world or is having difficulty maintaining his place in reality. His greatest wish appears to be to have a normal life. The art by Tyler Jenkins feels very much alive with a freshness right out of a sketchbook. Colors by Kelly Fitzpatrick are fittingly bold and vibrant.

What has been set in motion in this first issue is very promising. It’s not only Neverboy who is struggling. Apparently, his wife is having problems with being acknowledged too, maybe far worse–and spooky. It looks like people literally can’t see her. All signs point to this being more than just a story about a fractured family and one really good read.

“Neverboy #1” is available as of March 4. For more details, visit our friends at Dark Horse Comics right here.

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