This is a review of the comic, “Bat-Man Is Lost In A Woods,” by David Enos, published by California Clap. That is mostly what we will be discussing here. However, I will bring up a few other related things. First off, I set out to write this review while I waited to see an old friend who had just gotten his nipples pierced. He’s a fairly average guy, maybe not the type to do this. But, hey, to each his own. That brings me to a theme I was working with for this review: seeing the familiar within the unfamiliar. So, here I was waiting. I began to imagine getting my own nipples pierced–or at least just one. But I keep thinking there will be issues with airport security. I know for a fact that the SEATAC TSA is prone to fumbling about. So, imagine me sporting nipple jewelry for TSA to have to process. These folks don’t process very well.
Anyway, let us proceed. Batman. Now, there’s a subject for you. Most of us out there can easily hook into Batman. What David Enos has done is play with that familiarity. His Batman taps into arguably the most accessible version, the Adam West model. The Enos Batman is a no-nonsense guy with little room for drama. The big case he’s on in this story is familiar enough too: a search for a long lost love. It’s the sort of plot that can easily be deadened by a too obvious treatment. Enos is having fun with these tropes by taking everything right up to the edge of the banal. He throws in some light humor and sets this whimsical Batman off on a surreal landscape, a mashup of grim, dark, and camp.
It is a rite of passage for any cartoonist to create their take on superheroes. There is a divide that will always exist between independent cartoonists and the world of mainstream genre. There is little crossover but, when it happens, it is something to study on a case by case basis. When it does happen, the big two comics publishers have found interesting ways to work with relatively indie creators. It’s pretty simple, the most popular superheroes are mega-franchises. Not just anyone is going to be handed the keys to the Batmobile. The mistake is when an indie cartoonist dismisses genre comics out of hand. As David Enos demonstrates here, there are endless possibilities to work with genre, subversive or otherwise. DC Comics and Marvel can always learn something new from alternative cartoonists.
It is a lot of fun to watch this banal Batman recalling the bittersweet days of his marriage to a pretty young woman named, Amity. Understandably, this is not a character from Batman canon. But she does make for a suitable match in the spirit of Silver St. Cloud. Amity is younger and more prone to pouting than anything else. She just wishes that Batman made more time for her and that they had more of a normal life together. Ah, isn’t that always the way with these sort of relationships? Enos deftly pulls the strings on what seems like a merely juvenile plot that unfolds into a dreamy and disturbing narrative, more like HBO’s “True Detective” but also hinting at the sinister origins of Batman going back to his debut in “Detective Comics” in 1939. There was always something weird about Batman. That’s what makes him interesting. David Enos celebrates that weirdness in this comic.
I also have to say here that I had a wonderful meal at my venue for writing this review. If you’re in Seattle, you definitely want to visit Coastal Kitchen in the Capitol Hill neighborhood. I had a delectable dish, Pork Chops and Eggs topped with an out of this world house Romesco sauce made with roasted red peppers and almonds. And, in a funny way, that sort of ties in with my theme: take a familiar meat and potatoes subject and give it a spicy twist!
“Bat-Man Is Lost In A Woods,” by David Enos, is a 32-page full-color comic. You can find it at California Clap right here.