Tag Archives: Dark Horse Comics

Review: ‘The Fifth Beatle: The Brian Epstein Story,’ published by Dark Horse Comics

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Brian Epstein was in search of greatness. He found it with a ragtag band in a little basement club. These lads from Liverpool were not just any ragtag band. Brian Epstein was an expert on pop music and knew right away that The Beatles were special and could use his help. And so Brian embarks upon his true calling which is faithfully retold in the graphic novel, “The Fifth Beatle: The Brian Epstein Story,” published by Dark Horse Comics, for their imprint, M Press.

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To be a homosexual in England in the 1960s could land you in prison. And to be Jewish could put your life at risk during a time of great anti-Semitism. Brian was both and very much aware of the danger. However, he wasn’t someone to be pushed around with either. The script by Vivek J. Tiwary, a Broadway producer and avid Beatles fan, gives us a portrait of a determined young man who is very passionate about music and style. But it’s not just a passion, it’s a way of life: You can conquer the world if you look the part. This worldview is essential and part of what Brian will instill in The Beatles. Just like a well dressed matador wows the cheering crowds, so the well dressed image of The Beatles will wow the world.

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The artwork by Andrew Robinson (Star Wars, Batman), with contributions by Kyle Baker (Plastic Man, Why I Hate Saturn), transports us back quite nicely to the good cheer and irreverence of the young band led by the young old soul Epstein. We see Epstein go from running the family business, the record store, Nems, to managing The Beatles. By sheer determination, Epstein continues on course believing in the band’s potential more than the band had ever dared dreamed themselves. Andrew Robinson has a deft touch with facial expression and body language. His engaging character development brings the lads and their magnificent manager to full life.

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The challenge in writing such a book was starting out with a relatively small amount of information on the subject. Of course, any true Beatles fan or serious scholar of pop culture knows that Brian Epstein was The Beatles manager–but not much more. What Vivek does is pretty amazing. It’s not impossible, no doubt, but it’s an ambitious goal to take any compelling figure and tell their story. It has been a project that Vivek has been building up for some twenty years, beginning as a youth fascinated with the entertainment business and evolving as simply a love for the man himself. This tribute to Brian Epstein is spot on and will inspire.

Told in three parts, this story unfolds at a fast pace. Given the roller coaster of events, that rings true. In only six years, from 1961 to 1967, Epstein took a promising, but unknown, band and did as he vowed he’d do, made them bigger than Elvis. Along the way, we have time for some fascinating extended scenes that give us insights into what it was like for Epstein, both personal and professional. We come to see just how painfully lonely he was. And we see him navigating some unusual business dealings. The scenes with Colonel Parker and with Ed Sullivan are interesting. And to think it all came to an end for Brian Epstein at the age of 32. The Beatles would only last another couple of years after his death. But, that end was just one end. The music lives on. And, with this book, the story of Brian Epstein lives on in this compelling work.

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“The Fifth Beatle: The Brian Epstein Story” is a 144-page hardcover, priced at $19.99, and available as of November 19, 2013. Visit our friends at Dark Horse Comics here. And be sure to visit The Fifth Beatle website here.

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Filed under Comics, Comics Reviews, Graphic Novel Reviews, graphic novels, The Beatles

SKYMAN is on his way, thanks to Dark Horse Comics!

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In case you missed it, the big news coming out of Portland’s Rose City Comic Con was the announcement of the latest Dark Horse Comics superhero, Skyman. Where have all the heroes gone? Well, they are definitely around and you can certainly find them at Dark Horse Comics. Skyman has something for everyone: a distinctive character, a classic vibe, and its own offbeat vision.

More details follow:

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Review: Criminal Macabre: The Eyes of Frankenstein #1

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Monsters come in all sorts of shapes and sizes. There are bad monsters…and there are good monsters. In this four-part Criminal Macabre story, “The Eyes of Frankenstein,” we find more than one reason to see the good in the ghoulish.

Your only price of admission is to know that Cal McDonald is a dead detective who keeps working on cases beyond death and tries to keep the streets safe from all the bad monsters out there, you know, like werewolves and vampires. Of course, there could be a bunch of good werewolves and vampires in the mix but we’re not concerning ourselves with that.

So, focus with me. The main concern here is figuring out who is killing off all the ghouls. As Cal will tell you himself, ghouls aren’t supposed to just die and it’s a pretty sad sight to see a ghoul just, well, just die and all. It’s just not natural! And then there’s the whole thing about Frankenstein popping up out of nowhere, especially since we were so concerned over the unnatural deaths of all these ghouls. What is Frankenstein doing showing up out of nowhere like that??

The reason that a twist of fate should join Frankenstein with Cal MacDonald is pretty straightforward. Frankenstein has no eyes!! I’m serious, something happened to his peepers. And it is up to Cal MacDonald to set things right. Finding new eyes for Frank is only the beginning. Whoever, or “whatever,” took his eyes is probably wrapped up in this whole ghoul killing spree too. Does this sound like a fun story, or what?

This is written by Criminal Macabre’s creator, Steve Niles, and drawn by Dark Horse powerhouse Christopher Mitten. A good story has to do with knowing when to take a moment and build it up and you’re in good hands with these guys. You will believe that ghouls can talk, feel, and even fear death.

Visit our friends at Dark Horse Comics here and pick up a copy of “Criminal Macabre: The Eyes of Frankenstein #1,” out September 25, 2013.

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Review: LOBSTER JOHNSON #15, A Scent of Lotus (Part 2 of 2)

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Sebastian Fiumara’s refined and energetic artwork do great justice to the pulpy and gritty world of New York City, circa 1933, in Mike Mignola and John Arcudi’s “Lobster Johnson.” The tale is pretty straightforward: certain Chinese individuals would like to send money back home to Manchuria but certain Japanese criminal elements keep stealing the money before it ever reaches the harbor. That’s where we find ourselves in issue #15, the second and last part to the story, “A Scent of Lotus.”

Imperial Japan’s recent conquest in China has left a Japanese foothold in Manchuria and its citizens under Japan’s rule. It’s created an opportunity for the Japanese underworld to exploit and for Lobster Johnson to try and fix. For Lobster, there’s only one way to go and that’s on the side of justice. There’s an eerie irony at play. After Lobster has just been nearly killed and he’s been advised to rest for a few weeks, his response is, “Justice will not wait.” It’s an ironic tip of the hat to what’s come before, like Milton Caniff’s “Terry and the Pirates” and the Dragon Lady. We enter that same ’30s era but with a more sophisticated sensibility in this story.

With that in mind, consider this: Lobster Johnson must confront the Crimson Lotus and her pack of monkeys! She’s not presented so much as the Other but as a common threat shared by all the characters, whatever their race. It’s an important distinction that seems to work. There’s no getting around the fact that the Crimson Lotus is a pretty exotic creature. She’s a Japanese spy that cannot be killed. She’s this enormous woman covered in traditional garb and heavy makeup. Her pack of monkeys wear masks that resemble her heavily done up appearance. She reads less as a human and more as a spirit with superpowers. She’s certainly a nice match for the equally theatrical, and otherworldly, Lobster.

Aside from all that, there’s a nice scene in a diner that I particularly like. Handsome detective dude tries to talk shop with attractive female reporter. They were once a couple and now, it seems, they can’t even chat over coffee and pie. All because of that Lobster fellow. Eckerd resents all the attention his ex-girlfriend lavishes on Lobster Johnson. He also resents being put on the spot when he’s searching for information to feed his own Lobster obsession. Well, maybe you don’t go to a cheap diner if you’re expecting any lobster.

“Lobster Johnson #15” is out now. Visit our friends at Dark Horse Comics here.

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Review: DARK HORSE PRESENTS #27

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Kids and bugs go together like peanut butter and jelly, right? Not if it’s a story by David Lapham. In issue #27 of “Dark Horse Presents,” we get part 2 of “Squish: A Juice Squeezers Tale” and it gives a whole new meaning to bug juice. It’s up to an A-team of kids to save the family farm. You get a feeling of kid power akin to “Stand By Me” as Eric, the leader, barks out orders and all the other kiddos follow.

Them bugs are big and juicy! Nice and crunchy too. It’s going to be a long and weird fight ahead. Considering Mr. Lapham’s amazing work for more mature readers, it’s cool to see this engaging all-ages story from him. The man writes and draws his own work and he’s versatile too. What a guy.

The subterranean is depicted with gusto. It reminds me of what Steve Lieber and Jeff Parker did with the spelunking thriller, “Underground.” While the story appears pretty simple (bugs vs. kids), I don’t know exactly where it’s headed. I am anticipating some of that Lapham element of surprise. It all adds up to another breakout title from DHP. Cause that’s what you can expect from this mighty eighty-page comics anthology series. Your latest issue is available as of August 21. Visit our friends at Dark Horse Comics here.

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Filed under Comics, Comics Reviews, Dark Horse Comics, Dark Horse Presents, David Lapham

Cartoonist David Chelsea and his favorite story in EVERYBODY GETS IT WRONG

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What do the critics know? What does anyone really know..unless they take the time to carefully take in the subject? The subject in this case is David Chelsea’s new collection of comics, “Everybody Gets It Wrong! (and Other Stories): David Chelsea’s 24 Hour Comics Volume 1.” Novelist Mary Robinette Kowal put an intriguing question to the master cartoonist. She asked him which piece in his new book is his favorite. His ready reply, “Jesusland.”

Keep in mind that this new collection of comics by Chelsea was created for 24 Hour Comics challenges. That, my friend, is a challenge created by another master cartoonist, Scott McCloud, who first proposed that an entire comic book be created in the span of 24 hours, one page per hour. The book collects the first six (out of sixteen thus far) that Chelsea has undertaken. It’s a very special set of circumstances that you enter into with a 24-Hour Comic. One of the liberating factors is the freedom you have to do whatever you want in real time. And it makes sense that Chelsea would favor “Jesusland” since he was riffing on the current state of affairs: the 2004 Presidential election and the Republicans mobilizing the Evangelical vote to secure Dubya’s second term.

You can read the interview by Ms. Kowal with Mr. Chelsea here.

Visit David Chelsea here.

And pick up your copy of “Everybody Gets It Wrong” here.

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Filed under 24 Hour Comics, Comics, Commentary, Dark Horse Comics, David Chelsea, politics

Dark Horse Comics: Victor Gischler’s CLOWN FATALE #1 arrives on November 13, 2013

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If you’re looking for some exceptionally good and twisted grindhouse in your comics, then check out “Clown Fatale,” which kicks off its first issue on November 13, 2013. When the sexy female clowns (sexy clowns?), well, when they’re mistaken for contract killers, all hell breaks loose and then some.

Press release follows:

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Review: Abe Sapien #5: ‘The New Race of Man (Part 2 of 2)’

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Having just read the graphic novel, “Sandcastle,” an eerie mystery taking place on a stretch of beach, I was intrigued to find a similar scene taking place in a Hellboy comic. This is Issue 5 of a new ongoing “Abe Sapien” and rounds up material for the next trade paperback. As tends to be the case with a solid Hellboy tale, this is a great stand alone read. Mike Mignola and John Arcudi are the masters of deadpan delivery in an never-ending world of weird. You can jump off Hellboy and jump back on and the tenor of their tales does not skip a beat.

To carry on a bit with the comparison to “Sand Castle,” here you have two stories that are set in a world gone awry. Shall we call it, “Apocalyptic”? Yes, things have definitely gone to hell. From this devastation, emerges Abe Sapien and assorted survivors on a barren landscape. The beach is always a dramatic setting, very symbolic. Just seaweed, some seagulls, and a vast god-like ocean. In both stories, it’s the strange loner who gets blamed for a murder. And, in each story, there is a foreboding that overtakes everyone. Cool, huh? Yeah, and the art by Max Fiumara is a feast for the eyes, makes the moody atmospherics look easy.

Poor Abe has to do what he can to gain the trust of the locals but they’re pretty blasé about it since there’s far more to be concerned about. Sure, the fish man might be alright but that doesn’t mean everything is going to be alright.

After not checking in with Abe Sapien and the B.P.R.D. for awhile, it’s nice to see that things are as creepy as ever. It’s not be taken for granted and I’m glad to be back on board.

“Abe Sapien #5” is out August 7. “Abe Sapien #6” is out October 9 and the trade paperback collecting Issues 1 thru 5 comes out soon. Visit our friends at Dark Horse Comics.

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Filed under Comics, Dark Horse Comics, Hellboy, John Arcudi, Mike Mignola

Review: SACRIFICE by Sam Humphries and Dalton Rose

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If you go to Comic-Con, in San Diego, you are likely to notice other forces at play besides comics and pop culture: the Pacific Ocean, the United States Navy, and the nation of Mexico. Writer Sam Humphries, with artist Dalton Rose, taps into the last on this list with great results in his self-published comics series, “Sacrifice.” Humphries has gone on to launch an impressive career (Ultimates, Uncanny X-Force, Our Love is Real). And now what started it all, “Sacrifice,” has been collected into a gorgeous hardcover published by Dark Horse Comics. The book will be released on August 21 in comics shops, and on September 2 in bookstores.

When you’re a teen who just wants to hide from the San Diego sun, curl up with a Joy Division song, and then suddenly finds himself thrust back some 700 years into the age of the Aztecs, there is no time to hesitate about anything. Sam Humphries is the John Hughes of comics. He is totally in tune with youth angst. He has taken Hector’s rage, his struggle with epilepsy, with fitting into high school, with debilitating anxiety, and he’s shouldered him with the fate of the Aztecs. Humphries doesn’t provide any easy answers. Hector is not going to get away with a simple life lesson.

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Check out that front cover art and the art throughout. Dalton Rose is right in step with this over-the-top tale. The driving force is Hector. As Rose describes in the notes at the end of the book, Hector is “a nice cocktail of angst, insecurity, and courage.” Much like the other characters, and even the background to some extent, Hector is rendered in energetic, sharp lines in keeping with the story’s high energy. Rose also praises another character, Itzcoatl, a foil to Hector, who Rose keeps mysterious under his costume. And then there is Malin, a hell on wheels, who is the driving force behind, and in front, of Hector. These are all bold, yet very vulnerable, characters trapped by, but fighting against, forces leading to a very real end to the Aztec nation.

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“Sacrifice” is remarkable for many reasons, not the least of which is all the history it so neatly packs into this story. It cleverly handles the classic time travel theme of attempting to alter fixed points in time. Are some things simply unalterable? Hector struggles with his role, his fate, among the Aztecs. At first, he simply wants to go home. Hey, he’s just a kid who somehow fell through a fast food parking lot and is now just way over his head. It is the beautiful young princess/warrior, Malin, who talks some sense into him. Before long, Hector finds himself totally immersed in the Aztec culture. In the end, should he even try to alter history and attempt to have the Aztecs overpower their Spanish invaders?

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Humphries and Rose do a great job of taking a story with a lot of fantasy and science fiction elements and keeping it both quirky and grounded. We know that Hector has issues he’s dealing with back in the present day. What we also know is that Hector is a Mexican-American. He does struggle with that dual identity with one foot in each culture and no balance. And we also know that Hector’s family lived near the Black Mountain, which plays a significant role in Aztec history. Not only that, Hector’s father was fascinated with Aztec folklore and regularly recited stories to young Hector about gods, warriors, and Spanish invaders. Is it any wonder then that, when Hector’s life began to crumble, he sought higher ground, all the way up to Aztec temples?

“Sacrifice” gained much praise as a self-published comic series. For those who are already familiar with Sam Humphries and the work he is capable of (a tribute to Jim Henson’s Fraggle Rock was a turning point, quirky, but a point on a significant turn, nonetheless!), well, it just makes complete and utter sense to celebrate the collected “Sacrifice.” So, keep in mind, the book will be released on August 21 in comics shops, and on September 2 in bookstores. Visit our friends at Dark Horse Comics for more details here. And plan to order you copy from Things From Another World here.

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Filed under Comics, Comics Reviews, Dalton Rose, Dark Horse Comics, Mexico, Sam Humphries

Dark Horse Comics Announces Promotion of Daniel Chabon to Associate Editor

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Here is Dark Horse Comics company news that is good news for us:

JULY 26, MILWAUKIE, OR—Dark Horse Comics is pleased to announce the promotion of former assistant editor Daniel Chabon to associate editor!

Chabon, who celebrated his third year with the company this June, will now take on the full-time responsibility of maintaining a balance between the needs of creators, copyright holders, and the publishing company. His new position as associate editor entails project management, facilitation, and problem solving.

“It’s fitting that I first met Dan at Portland’s H. P. Lovecraft Film Fest, a few years ago. Since then, he’s become an invaluable part of the Mignola team, and more recently he’s been incredible at bringing in great artists, and running some really difficult projects on his own. We’re glad we’re not losing him off Mike’s books, and I’m excited by what he has happening on his own,” said Dark Horse’s editor in chief, Scott Allie.

As an associate editor, Daniel will continue to assist on and coedit several titles, while taking a larger role on many of them—including Hellboy, B.P.R.D., Criminal Macabre, and The Occultist.

“Dark Horse could use more good (meaning smart) young men like Daniel Chabon. I don’t know that there are any more like him so I’m very glad at least they have the one—and have the good sense to promote him. He certainly deserves it and I look forward to continuing to work with him for a very long time,” Mike Mignola noted.

Chabon will also be editing more of his own titles, including Kiss Me, Satan!, Alabaster, Axe Cop, The Creep, Colder, and more to come!

“From the beginning, Daniel Chabon has been great to work with. I kept thinking, ‘This guy’s too good to be a comics editor. I wonder how long he’ll last.’ And then they go and promote him, so I’m thinking he’ll be sticking around a while—which is great news for everybody who loves the Hellboy universe,” stated John Arcudi (The Creep, B.P.R.D.).

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