Tag Archives: Dark Horse Comics

Dark Horse Comics: THE FIFTH BEATLE Graphic Novel Trailer

From writer Vivek J. Tiwary and artist Andrew C. Robinson – THE FIFTH BEATLE (TheFifthBeatle.com) is a graphic novel recounting the untold true story of Brian Epstein, the brilliant visionary who discovered the Beatles in a cellar in Liverpool, nurtured, protected, and guided them to international stardom, and died extremely successful and painfully lonely at the young age of 32.

Published by M Press Books, a division of Dark Horse Comics, The Fifth Beatle will officially be released November 19th!
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Pre-order THE FIFTH BEATLE on AMAZON bit.ly/FifthBeatleAmazon

This marks the first full-length graphic novel painted by fanboy favorite Andrew C. Robinson (Dusty Star, King Conan, Starman, Superman).

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Filed under Comics, Dark Horse Comics, Music, pop culture, The Beatles

THE MASSIVE #13 Review

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Brian Wood’s “The Massive” takes on Manhattan in Issue 13. And we are off to an awesome start with cover art by J.P. Leon.

I saw “World War Z” over the weekend and, while I hesitate to make much of any comparisons, it is safe to say that “The Massive” is going to deliver for you that dystopian fix in a more substantial way than this movie. Now, I did enjoy the movie but it was more about action than delving into a world on a deep level. As is too often the case, I assume you’ll find a more coherent plot in the novel. “The Massive” manages quite nicely to geek out a fully realized world in a comic book format and leaves you ready for even more details.

You can say that Mr. Wood has taken these dystopian tropes around the block a few times already but he seems to always be good for a new take on them. “The Massive” has so far been moving along steadily and convincingly. It’s doing what its reader base expects and it won’t disappoint new readers.

In the first of a three-issue story, “Americana,” we find the crew of The Kapital, the ramshackle vessel on its valiant journey in a post-everything world, on the heels of a baddie in a submarine. He’s made his way to what is left of Manhattan, which is nothing. The Kapital’s captain asks the punk chick on board for advice, since it is assumed she’s a city rat steeped in secret knowledge. She asks him if going to see a show and then crashing on some guy’s couch qualifies as valuable intel and then gives him a kindly smirk.

Garry Brown does a beautiful job of bringing out the gritty reality of seeing one of the great cities on the planet reduced to a heap of flooded and useless junk. Grim and intense coloring, by Jordie Bellaire, and urgent and blunt lettering by Jared K. Fletcher, punctuate the data that ensues throughout, urgent news like the nation’s capital has been forced to relocate to higher ground in Denver. Cut off from the military, vital intel, and basic infrastructure, the nation’s capital is on very shaky ground. Yeah, this is geeked-out dystopian fun.

“The Massive #13” is out on June 26. If you’ve been considering checking out “The Massive,” this is an excellent jumping on point. Visit our friends at Dark Horse Comics.

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Filed under Brian Wood, Comics, Comics Reviews, Dark Horse Comics, Dystopian Fiction, Dystopias

Review: THE TRUE LIVES OF THE FABULOUS KILLJOYS #1

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Groucho Marx is the master of the non sequitur and few can come close to match him. Alan Alda, the star of the TV classic M*A*S*H, gave it a try as did Woody Allen. A non sequitur is a quip gone haywire where the joke is more in the telling than what’s said. It’s such an odd form of humor where the actual words don’t matter that much, like a jazz improvisation. That said, you’ll find plenty of non sequiturs in this comic. But, if you’re a fan of Gerard Way, you know what to expect and love it.

“The True Lives of The Fabulous Killjoys” is pretty lovable. But what’s love got to do with it? Ah, you see how easy it is to veer into non sequiturs? It’s fun, no doubt. There’s an internal logic at play as you bounce from one idea and then detour into another idea. The trick is not to let it get so messy that you lose your way, as in Gerard Way, ha, ha. And he holds his humor pretty well. You’ll find a lot of the nonsense coming from an ongoing narrator DJ on the radio. There’s method to the DJ’s madness. Amid the gibberish, he’s providing some colorful background information and stuff. And it’s not always ha-ha funny:

And it looks like our two minutes of morning static is almost up. This slaughter-matic mouth needs to hit the red before I end up DJ’ing for the dead.

So, yeah, not so much ha-ha funny, as off-kilter ironic funny.

A lot of this first issue is about filling in the background and it’s done with style and a lot of good chemistry between the writers, Gerard Way and Shaun Simon, and the artist, Becky Cloonan. Coming on the heels of a recent Comics Grinder look at some of Cloonan’s recent solo work, it is really nice to see her working with kindred spirits. Well, she always has, hasn’t she? But, with Gerard Way’s silliness and spontaneity leading the way, Becky Cloonan is an excellent match.

For all you who have been patiently waiting these last four years for more of the same comics goodness as “The Umbrella Academy,” you can feel confident about “The True Lives of The Fabulous Killjoys.” Once again we have My Chemical Romance’s Gerard Way writing his little heart out. This time he’s accompanied by Shaun Simon and that appears to be working out rather well. And this time is the best time of all with artwork by Becky Cloonan. The thing is that Cloonan revels in improvisation as well. In this game of free association, the shape of a nose can heavily influence the pose of a cat reclining nearby. Why is that? Well, there is no explaining it other than to say it was meant to be.

Gerard Way and Danger Days: The Future Lives of The Fabulous Killjoys

Gerard Way and Danger Days: The Future Lives of The Fabulous Killjoys

As for the story, in all the fun, it can be sort of set to the side. We know, like Camelot, that for once there was such a glorious group as The Killjoys but now they are gone, or so it would appear. And, from the cover alone, you can see that a young girl plays a vital role in what happens next. But what happens next? Well, we know a few things that we’ll know a lot more about as we go. This is a strange world we are in. Post-Apocalyptic? Well, definitely post-something or other.

From all the riffing on this witty thing and that, we appreciate that kings and queens once ruled and those kings and queens were you and me but, for now, things are not nearly as much fun. Will The Killjoys somehow return and make matters right? Let’s hope so.

“The True Lives of The Fabulous Killjoys #1” is already out, pardner! It’s been out since July 12. But there’s a very, very, very good chance you can still pick up a copy, whether it’s a second or third printing, it’s all good. Visit our friends at Dark Horse Comics and raise some hell.

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Filed under Becky Cloonan, Comics, Comics Reviews, Dark Horse Comics, Gerard Way

Dark Horse Deluxe Gets Grimm!

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The hit NBC series, “Grimm,” and Dark Horse Comics are a natural to join forces and so it goes with an unabashed lineup of products. Here’s the news for you from Dark Horse Comics:

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Review: Everybody Gets It Wrong! And Other Stories: David Chelsea’s 24-Hour Comics Volume 1

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David Chelsea is the sort of cartoonist who can create precise work while also keeping it very fluid. He has mastered his art and he has a wicked sense of humor. Nice combination, don’t you think? If you’re new to his work, you’ll definitely want to check out his new collection that brings together his first six 24-Hour Comics projects. Here’s the deal with these 24-Hour Comics projects, they are just as the name implies, not for the faint of heart: 24 pages of comics within 24 hours.

The site of the 2006 24-Hour Comics at David Chelsea's studio, photo by Tom Lechner

The site of the 2006 24-Hour Comics at David Chelsea’s studio, photo by Tom Lechner

There is something absurd going on at any given time. It could be a cat climbing a skyscraper in order to deflect a mouse, hired by Donald Trump, to sabotage Harold Lloyd’s efforts to climb to the top of that same skyscraper.

Hmmm, what now? How does that work? How do you get such complexity and absurdity? It’s part magic is what it is. If you follow the rules to a 24-Hour Comics project, as created by comics theoretician Scott McCloud, you can definitely think about what you’d like to do but you can’t script anything beforehand. You can only rely on what’s brewing in your noggin.

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What Chelsea does is go in with an idea of what he wants to accomplish and then, throughout the night, he’ll pull out images from out of a sack and use them to guide the story along. So, it could start with a photo of Harold Lloyd.

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Then Donald Trump emerges as a villain.

Mouse

A mouse gets thrown into the mix.

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And a cat gets to help save the day.

David Chelsea is modest about “The Harold Project” and describes it as “goofy and insubstantial but no more so than a lot of other things I spent more time on.” Of course, its “insubstantial” quality is what is so beautiful about it, as if out of a dream.

Ironic as it sounds, if there is one thing these sleep-depriving endeavors share, it is a dreamlike quality. Let the tomatoes fight the kangaroos over raspberries! Anything is possible in a 24 Hour Comic. Any takers? Chelsea has been at it to where he’s likely reached an unbeatable status as having achieved the most 24 Hour Comics gigs at 16 and counting.

Nat Gertler, the founder of the annual 24-Hour Comics Day, believes that Chelsea keeps going for the sheer thrill of it. For a cartoonist of Chelsea’s caliber, what could be better than to let loose, like jazz, and float away in a whirlwind of improvisation?

The 24-Hour Comic is the perfect venue for Chelsea to declare that, “Everybody gets it wrong!” and then go about showing up each and everyone one of us for all our wrongness!

EVERYBODY GETS IT WRONG! the first volume of David Chelsea 24-Hour Comics, is a 152-page hardcover, 6″x9″, $14.99, published by Dark Horse Comics and available as of June 5. Visit our friends at Dark Horse Comics here.

And check out the recent Comics Grinder interview with David Chelsea here.

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Filed under 24 Hour Comics, Comics, Comics Reviews, David Chelsea, Scott McCloud

Dark Horse Comics To Release ‘The Fifth Beatle’ In Three Stunning Editions

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THE FIFTH BEATLE is a graphic novel and feature film recounting the untold true story of Brian Epstein, the brilliant visionary who discovered the Beatles in a cellar in Liverpool, nurtured, protected, and guided them to international stardom, and died extremely successful and painfully lonely at the age of 32.

Dark Horse Comics is proud to publish the graphic novel and it is going to come out in style.

Keep up with THE FIFTH BEATLE at its site here. The book releases November 19, 2013.

More press goodies follow:

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Filed under Comics, Dark Horse Comics, graphic novels, Music, pop culture, The Beatles

Dark Horse Publishes Luvisi’s ‘Last Man Standing: Killbook of a Bounty Hunter’

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Dark Horse is set to publish Dan LuVisi’s “Last Man Standing: Killbook of a Bounty Hunter.”
Long out of print, the cult-status art book launches in the Top 100 Books on Amazon.

Press release follows:

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24 Hour Comics Interview: DAVID CHELSEA

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If you’re new to the work of cartoonist David Chelsea, then you’ve got to watch, or read, “Are You Being Watched?” and you’ll become an instant fan. Watch, view, and read it here. It all becomes more clear to you now, I would imagine. The lighter than air, seemingly effortless, style and the ever so quirky humor all coming together in a comic that was created in the span of 24 hours. It’s a surreal tale about a guy with a coffee mug for a head who is in love with a rather fickle woman who is obsessed with reality TV. How can poor Mugg attract Mandy? By becoming a reality TV sensation! And that’s a taste of what you’ll find from one of America’s leading cartoonists and illustrators, Mr. David Chelsea.

But not so fast, why 24 hours? That’s a good question. Well, that’s how it’s done in certain cartoonist circles. It goes back to cartoonist Scott McCloud’s challenge to all cartoonists to create a work in the span of 24 hours. And this has led to an official international observance on the first weekend in October known as 24-Hour Comics Day. Of course, you can put on a 24 Hour Comic at any time of the year and some diehard fans do just that. And you’d be hard pressed to find a more diehard fan of this unique activity than David Chelsea.

Panel from "Are You Being Watched?" by David Chelsea

Panel from “Are You Being Watched?” by David Chelsea

“Are You Being Watched” was David Chelsea’s 15th 24 Hour Comic, drawn March 2-3, 2013, at Theater For The New City, in New York City. And he’s embarking on his 16th this weekend, May 18-19, at Things From Another World, in Portland, Oregon. This is a man who loves to draw comics and is a professional in every way, well regarded and respected in the industry.

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Having a chance to pose some questions to him, I am pleased to report back to all of you that Mr. Chelsea and I arrived at a successful interview via e-mail on Friday, May 17, 2013. The following is our exchange. It should prove most enjoyable and informative. Not only does it get published on the weekend of his latest 24-Hour comics adventure but it also anticipates a wonderful upcoming book published by Dark Horse Comics, “Everybody Gets It Wrong! And Other Stories,” a 152-page hard cover that collects Mr. Chelsea’s first six 24-Hour Comics, available June 5, 2013. Find more details by visiting our friends at Dark Horse Comics here.

Enjoy the interview!

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Filed under 24 Hour Comics, Comics, Dark Horse Comics, David Chelsea, Humor, Scott McCloud, Surrealism

ANGEL AND FAITH #21 Review — Can You See An Animated Movie?

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With this new arc, “What You Want, Not What You Need,” the scope of this saga hits you. A story has been allowed to breathe freely and unfold luxuriously. It feels well lived in and we don’t want it to stop. You don’t care, on some level, if Rupert Giles ever comes back to life. Part of you knows it’s just wrong. And part of you knows that some things just need to happen. And that’s okay. It’s not like the characters are totally in agreement on what should happen next! That’s okay too. We want conflict. And, you read it here at Comics Grinder first, there’s a lot to be said for taking this whole thing and turning it into an animated movie! That says a lot for the comic, is what I’m saying, really. It does engage you in such a way that you get lost in the characters. Now, the fact is, stories should get to breathe and follow one thought to the next. That is what supposedly happens when you have an event comic but, in reality, that is too often an opportunity to just string along a fan base. Not so here. Dark Horse Comics cares about its readers and “Angel and Faith” is an excellent case in point.

We love Christos Gage in charge of the script. We love Rebekah Isaacs in charge of the art. The whole look and feel is outstanding. And where did Faith’s tattoo come from? I’m sorry, maybe that’s from the original television series. Well, I’m sure it is but I have only seen a few episodes. Not a true believer, huh? I have to do some marathon viewing someday. Is anyone rocking a Faith tattoo? You’re probably out there. Ah, those little details. Then there’s Angel’s nipple ring! We know, for sure, what that’s all about. It is a little relic that helped in the hunt for remnants of the soul of Ruper Giles. And here we are, all the elements to the Giles soul have been safely gathered into a magic bowl and the body of Ruper Giles has been carefully preserved and sits nearby on an operating table. The question is, What to do next? Proceed? Or run like hell? Well, there’s always that tricky question of getting enough super magic juice to jump start this project. That sticky issue comes to a head here because where there’s a will, there’s a way.

Is that Pearl we see reflected in Faith’s sword on the cover art above? Why, I believe it is. And why would that be, do you think? Well, Pearl and Nash are the baddies feverishly looking for any bits of magic still around. And you’ve also got Whistler, Angel’s former mentor, now arch-nemesis, in on the hunt too. Since Angel needs magic like nobody’s business, there’s a strong likelihood of there being a clash and so it is in this issue. It is a wonderful clash, interlaced with the action involved in attempting to bring Giles back from the dead! When you think of all the explanations out there for time travel, some tend to be more poetic and some try to sound as authentic as possible. We’ve got a little of both going on with the Giles resurrection project. Alasdair Coames, in all his fuddy-duddy wizardy, leads the operation in a brilliant fashion. But, as the title for this final arc suggests, is it all for naught? Or worse yet, should one really give pause and ask if they should be careful for what they wish for? At such a late date, should this still be a question? Well, read and find out.

“Angel and Faith #21” is available as of April 24. Visit our friends at Dark Horse Comics here.

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Filed under Angel & Faith, Buffy The Vampire Slayer, Comics, Comics Reviews, Dark Horse Comics, Horror, Supernatural, Vampires

HOUSE OF GOLD & BONES #1 Review

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Dark Horse Comics offers up another musical crossover in comics, a story to accompany Stone Sour’s double album, “House of Gold & Bones.” It is written by the group’s lead vocalist and lyricist, Corey Taylor. Art is by Richard Clark. Colors are by Dan Jackson. The cover art is by Jason Shawn Alexander. If you enjoy the gritty world of hard rock, and even if you haven’t tried it all that much, this story is appealing. Think of it as a hard rock fantasy about a dude and ghosts and hell. Everything is screwed up. The dude is lost. The dude has to find his way home. It’s that basic and that cool.

This four-parter, begins with “The Overture,” and sees our hero trying to make sense of where he is and what’s happened to him. It sure looks and feels weird, wherever he is. The artwork and coloring are working really well with the script and the hard rock vibe. You could almost do away with any words. But the added details from the script are essential. There’s a lot going on. The dude is not just a dude. He’s called “the human” by some devilish character named, “Allen.” These two have met before, for sure. They’re twins. But it’s not clear yet how that came about.

For added enjoyment, of course, read this comic along with Stone Sour’s double album. Check them out here.

As a bonus, at the end of this comic there’s an excerpt from Corey Taylor’s new book, “A Funny Thing Happened On The Way To Heaven,” due out this July by Da Capo Press, and which is far from heavenly. The excerpt shares the start of a frightful childhood memory about the local haunted house. Check that out here.

Stone-Sour-2013

“House of Gold & Bones #1” is available as of April 17. Visit our friends at Dark Horse Comics here.

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