Tag Archives: Politics

Joe Sacco Interview: As Goes India, So Goes the World

I want to make clear that Joe Sacco did not say, “As Goes India, so goes the world.” That’s just my summation, my interpretation, as trite as it may sound. But I’m sure Joe would acknowledge my attempt at finding the universal truths in his latest work of comics journalism: The Once and Future Riot, published by Henry & Holt, releasing on October 14, 2025 and available for pre-order. Well, we had a most agreeable conversation. No doubt, Joe Sacco is a towering figure in comics, known for such landmark work as Palestine and Footnotes in Gaza. My main concern was simply to focus on the new book at hand and resist getting caught up in so many other things we could have talked about. But that was easy since the point I kept coming back to is that this new book has so much to say and proves timeless and highly relevant.

“They are rich people. We are poor people.”

This was an easygoing conversation, just like you’d expect in a coffee shop. I wasn’t there to argue this or that fiery point. I was there to, I suppose, coax along insights. A revelation for me, when I think about it, is that Joe Sacco is quite a regular guy in the sense that he’s not there to persuade you with any sort of slanted rhetoric. No “slanters,” just a progression of logical observations. All of this in the service of talking about this book, an exploration of political violence and focusing on a prime example in India: the communal hatred between Hindus and Muslims that led to the 2013 riots in Uttar Pradesh. How, and why, did this happen? All of this emerges in layers within layers.

“No one is left in the middle.”

Here’s the thing to keep in mind about any book by Joe Sacco: the background is essential because that’s where the meat of the story resides, made up of numerous personal stories. Joe’s tried and true method has been to go about capturing these moments with all their subtle nuances in words and pictures which provides an uncanny result by a reporter who literally has gone beyond the initial hard news to uncover the sort of details that can so easily get lost in the shuffle. During our conversation, I was struck by Joe’s patient and calm delivery, his response to my sometimes excitable questions. He was so engaged in the moment, which is undoubtedly the ideal state you want your guest to be in, that we were able to truly enjoy a conversation and let ideas flow.

The Lie becomes Truth.

One of the most interesting things about this new book is that it poses a lot of questions, more than we can hope to fully answer although we will keep on seeking solutions. As I suggest, this is a book not only about India but about the state of the whole world. Everywhere, we must confront demagoguery; we must confront those with power who prey on those without power; and we must confront our lesser selves who contribute to a polarized society. I shared with Joe what I believed to be the book’s conclusion: a primary way to end the vicious cycle of political violence among a nation’s people is to have a government that the people can rely upon and trust. He asked me if I thought that was his conclusion and I readily said, yes. And he agreed. We played with the thread of that idea. Joe shared that he thought of himself as a Democrat, but with a small “d,” as far from the established Democratic Party as possible. What other options did one have within the current reality? A very good question.

War on Gaza

I brought up something during our conversation that I didn’t think I would, and then I did. At the time that Joe Sacco did his War on Gaza limited series, published by The Comics Journal, I was on the fence about it because I feared it would help, in its own modest way, to contribute to a Democrat loss in the presidential election. It feels like a lifetime ago but, back then, Americans were facing a very close election, which it was, if you admit Trump’s 77 million to Harris’s 75 million votes was close, which it was, the closest one this century. With hindsight, I conclude that Sacco’s comics revisit of Gaza, his calling out genocide, was an honest response that made sense and still does. Democrats are far from perfect but, compared to the current administration, well, you tell me.

Ultimately, Joe and I both let out a collective sigh at confronting the hard truth that the big, truly substantial, leaps of progress still lay way ahead in the distant future. And yet the effort must continue towards that future, no matter how elusive, no matter how far out of reach, it may be.

Enjoy the video interview. As always, your views, LIKES and COMMENTS are very welcome and help us continue to do what we do here at Comics Grinder.

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Israel-Iran War: U.S. steps in and hopes to step out.

Did you happen to view the press conference today on the U.S. bombing in Iran? Sometimes, you just let events speak for themselves. Here is a cartoon based on actual words stated. I include the excerpt from the official transcript at the end.

From Dept of Defense website:

I will take one more we’ll take one more question. Yes, right there.

Q: Thank you, Mr. Secretary, concerning the justification for these strikes, in March, the Office of the Director of National Intelligence released their threat assessment concluded, quote, Iran is not building a nuclear weapon, and Khomeini has not authorized the nuclear programs he suspended in 2003 unquote. So what new intelligence does the US have since then that the Iranians have changed their position on nuclear weapons, and does this new intelligence come from U.S. sources and methods, or are we getting this information from other countries?

SECRETARY HEGSETH : Well, I would just simply say that the President’s made it very clear he’s looked at all of this, all of the intelligence, all the information, and come to the conclusion that the Iranian nuclear program is a threat, and was willing to take this precision operation to neutralize that threat in order to advance American national interests, reduce the Iranian nuclear program and obviously collective self-defense of ourself and our allies. So he looked at all of it, understood the nature of the threat, and took bold action I think the American people would expect in a commander in chief.

That’s all we’ve got. Thank you very much. Appreciate it.

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Tad Comics: Another 100 Days of Trump, Anyone?

“It’s all in Project 2025.”

Seriously, are we finding a dwindling of support for the Orange regime? Well, the answer is a definite yes, according to polls, very legitimate polling by the way, from various sources, even from Fox News.

From NEWSWEEK:

One hundred days into his second term, Donald Trump is facing a brutal reality: the honeymoon is over.

In January, Trump appeared to be riding high—polls showed him more popular than ever, with his approval ratings in positive territory for the first time in his political career.

But that momentum has vanished. In a stunning reversal, recent surveys now show Trump as the least popular president at the 100-day mark of a second term, eclipsing even the historically low ratings he set during his first time in office.

Polls Show Historic Decline

Such was the case in the latest CNN/SSRS poll, conducted between April 17-24 among 1,678 adults, which found that 41 percent currently approve of the president’s job performance, while 59 percent disapprove. That is down 4 points since March, and is 7 points lower than it was in late February.

From The Washington Post:

It’s the tariffs, stupid

One striking thing about Trump’s early unpopularity is this: Most of the major things he’s doing are more unpopular than he is.

And at the very top of that list of even-more-unpopular policies is his tariffs. They’re clearly the main driver of Trump’s problems right now.

The most recent Washington Post-ABC News-Ipsos poll showed that Americans disapprove of Trump on the tariffs issue by 30 points, 64 percent to 34 percent. A whopping 72 percent — including 51 percent of Republicans — say it’s at least “somewhat” likely that Trump’s economic policies will lead to a recession.

And just about every recent poll shows Americans more negative on Trump’s broader economic policies than they have ever been, including in his first term. His average approval rating on the economy is in the low 40s.

If there’s a silver lining for Trump, it’s that his base maintains faith that the tariffs will help over the longer term. But only around 4 in 10 Americans think they’ll ultimately be a good thing. And in the meantime, the vast majority of all Americans are expecting economic pain and rising prices that will surely test their patience.

From USA TODAY:

For the first time since 2022, the economy has contracted. That means President Donald Trump inherited an economy on the rise, and instead of helping things along with good conservative policy, he opted to push us toward recession entirely on his impulses and stubbornness with tariffs.

Meanwhile, the administration and its allies are covering their ears and screaming to the contrary. MAGA continues to hide behind Trump’s supposed “massive” mandate that never existed, as much as those believers want to insist otherwise to justify Trump’s radical policies.

Voters aren’t biting. Trump’s job approval rating is plummeting as America feels the effects of one unpopular policy after another. In fact, his 100-day approval rating is the lowest of any president in the last 80 years.

From Fox News:

The latest poll numbers suggest that Americans are not overly thrilled with the job Trump’s doing steering the nation.

The president stands at 44% approval and 55% disapproval in the most recent Fox News national poll, which was conducted April 18-21.

The president’s numbers are also underwater in polls released the past few days by ABC News/Washington Post (42% approval-55% disapproval), New York Times/Siena College (42%-54%), CNN (43%-57%), Reuters/Ipsos (42%-53%), Pew Research (40%-59%), and AP/NORC (39%-59%).

Most, but not all, of the most recent national public opinion surveys indicate Trump’s approval ratings in negative territory, which is a slide from the president’s poll position when he started his second tour of duty in the White House.

If Trump has earned himself the lowest poll ratings for a U.S. president in 80 years, that must say something, don’t you think?

Here’s a great recap on the Trump corruption at 100 days. No more special prosecutors, inspector generals, National Labor Relations Board gutted, no more Consumer Protection Bureau, various favors to loyalists, like New York City mayor Eric Adams, and plenty more . . .

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Pete Hegseth, it is time to go, bro.

Hegseth excess.

News on Monday, 21 April 2025:

News on Hegseth began the day with: The White House has begun the process of looking for a new leader at the Pentagon to replace Pete Hegseth, according to a U.S. official who was not authorized to speak publicly. This comes as Hegseth is again mired in controversy over sharing military operational details in a group chat.

The defense secretary is under fire after revelations that he shared classified information in a group chat with his wife, brother and lawyer, according to the official.

And from Politico:

Rep. Don Bacon, a prominent Republican on the House Armed Services Committee, became the first sitting GOP lawmaker Monday to suggest President Donald Trump should fire Pete Hegseth — calling the chaos at the Pentagon one reason why many Hill Republicans were privately uneasy with the Defense secretary’s nomination in the first place.

“I had concerns from the get-go because Pete Hegseth didn’t have a lot of experience,” Bacon, a former Air Force general who now chairs the subcommittee on cyber issues, said in an interview. “I like him on Fox. But does he have the experience to lead one of the largest organizations in the world? That’s a concern.”

In this evolving story, the White House denies plans to replace Hegseth.

Pete Hegseth continues to be the poster boy for all that is disturbing and frightening about the Trump administration. Mind you, if Pete was fired, it would not change anything but it would be a step in the right direction. Imagine that cobra-like strike of the pointed finger that Trump made famous as he uttered, “You’re Fired!” to some contestant that didn’t measure up on everyone’s favorite unreal reality-TV sitcom, The Apprentice. You remember that show, don’t you? Well, this would be one of those for-real moments when Trump, now the Commander-In-Chief, would let out a cobra-like pointed finger gesture, right from the Oval Office. No cameras this time around, or maybe just a few. In this edition of Tad comics, Pete makes a call in hopes of getting into more trouble only to easily slip right out of it.

Will this story have legs and continue to distract the Trump administration? Yes, of course it will. Yes. Yes. Yes. Without a doubt. It’s on a whole other level to some of the past mishaps from the previous Trump years. While it is understandable that Trump would prefer to appear to have things more under control than last time around, it would come as no surprise that he’s got an itchy trigger finger and would just love to go back to the ole cobra days and give it a good yell, “You’re fired!”

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Pete Hegseth can’t catch a break!

And it came to be known, far and wide, as Signalgate! Look, ma, I’m usin’ me noggin. Enjoy my latest comic. What do you think of Signalgate?

On Tuesday, Director of National Intelligence Tulsi Gabbard and CIA Director John Ratcliffe were evasive during a Senate hearing that focused on their roles in the Trump administration’s scandal involving sensitive military information that was inadvertently shared with The Atlantic’s editor-in-chief, Jeffrey Goldberg.

Democrats were most apoplectic over Gabbard’s and Ratcliffe’s insistence that no classified information had been shared in the group chat on the Signal app, which Goldberg said had involved “precise information about weapons packages, targets, and timing” and had included Gabbard and Ratcliffe, along with Vice President JD Vance, Defense Secretary Pete Hegseth and national security adviser Mike Waltz.

While Republicans largely avoided the disturbing report in their questioning, Democrats leaped at what was the first opportunity to question Trump officials at length about the scandal. And it was clarifying because it showed Trump officials’ eagerness to evade questions in the face of accountability.

And, if you’re interested in working with me on any form of illustration or related stuff, just drop me a line in the Contact form. You can find some more of my work here.

#politics #comics #illustraton #cartoonist #drawing #satire

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The Apprentice: An American Horror Story movie review

The Apprentice: An American Horror Story. Director: Ali Abbasi. Writer: Gabriel Sherman. Starring Sebastian Stan. Jeremy Strong. Maria Bakalova. 2024.

Even the most loyal fan of Donald Trump will likely find something to appreciate from the Trump biopic, The Apprentice: An American Horror Story, which, by no small measure, is like what Citizen Kane was for William Randolph Hearst. The Trump film is not attempting anything as grandiose as redefining filmmaking but, while Trump’s lawyers would argue otherwise, it can hardly be dismissed as a “hit job.” No, this film is significant. As a story of one person’s descent into the abyss, it is impossible to resist the pull of this film. While it may seem, at first, to be merely framed within the confines of a biopic, it has a certain grace and gravitas all its own, with a distinctive degree of horror. I’ll demonstrate with a series of storyboards I created on the fly while viewing and later refined a bit.

And, one day, this will be Trump Tower!

The opening shots set the tone for an ambitious film with a young Donald Trump, circa 1974, the big player center stage. He is gallivanting through the decay and despair of economically throttled New York City. His eye is on the eyesore of the once opulent Commodore Hotel, the long dead crown jewel of a bygone Grand Central Terminal super-block. The young Don sees a way back to the glory days but that story is yet to unfold, a quintessential example of graft in the extreme.

Hi, I’m Donald Trump.

Steadily, we reach the core theme with the first meeting of young Don and the infamous take-no-prisoners super lawyer Roy Cohn. Early on, Cohn is impressed that Donald has managed to schmooze his way into membership to the same elite club he belongs to. He sees potential in the handsome bumbler.

Rules of the Game.

As his mentor, Cohn teaches the Donald the rules of the game, if you want to win at any cost: Rule 1: Attack, Attack Attack; Rule 2: Admit Nothing, Deny Everything; and Rule 3: Claim Victory, Never Admit Defeat.

Dinner with the Trumps.

So much of the raw content that makes up this film is bits of facts we’ve heard before but the film manages to look at them from a different angle as during a family dinner scene. There’s the patriarch, Fred Trump, openly belittling the eldest son, Fred Jr., for never having amounted to anything important. Fred Trump does not come across as an over-the-top villain, just a miserable person. There’s a deadening acceptance by everyone at the table that Freddy is a failure, not up to Trump standards. It is one of the most sorrowful Trump family facts that is a recurring motif.

It was love that didn’t stand a chance.

Why can’t Fred Jr. find his place in the world or why is it that the Trump family can’t seem to find a way to make him feel welcome? The answer is that Freddy doesn’t have the killer instinct. But Donald does–and that makes all the difference in the world.

No love to spare.

Again, at its core, this is a film about Donald and Roy Cohn. It turns out that the sorcerer’s apprentice has learned his lessons all too well. The tone of the characters drops from dark to darker and even pitch black at times. We see Don out to win at all costs. There’s a good amount of time spent depicting Donald stalking Ivana before he made her his bride, only to later assault her and discard her. Given enough time, Don will even discard his beloved mentor, Roy Cohn.

Young Donald Trump.

 

Of course, the film is self-conscious of its subject, its relevance and its undeniable connection to Citizen Kane. There’s a blink-and-you’ll-miss-it moment with the young Don in his bachelor pad viewing Nixon on TV while in the background there’s a big movie poster of Citizen Kane.

Trump’s Rosebud.

 

The final frames of the film zoom in on Trump, now a full-fledged killer in the game of life. And, just like a fanciful scene from Citizen Kane, the camera closes in on his eyeball, an American flag waving from within. While not a perfect match, the Citizen Kane/The Apprentice comparison is definitely worth discussion. It’s interesting for me to discover, having lately been reading up on Orson Welles, that there was a growing consensus by critics, when Citizen Kane was released in 1941, that somehow that film failed to capture something. When you tallied it all up, Charles Foster Kane remained an enigma and perhaps not someone even worthy of so much attention. Well, from today’s point of view, that uncanny hollowness makes the film all the more alluring. Also, from today’s point of view, it should give us all quite a shudder.

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Smahtguy: The Life and Times of Barney Frank by Eric Orner review – Tribute to a Liberal Giant

Smahtguy: The Life and Times of Barney Frank. Eric Orner. Henry Holt. New York. 2022. 222 pp. $25.99

Barney Frank was a tireless public servant. We need more of his kind of dedication: someone who gets things done. He was a man ahead of his time and, sadly, a little too much of his time too. Frank came of age in the 1950s, great for some bright kids with bright futures, but not all kids. And hardly an easy time for a bright gay kid. For much of his life, the guy who got things done for so many, lived life in the closet. Critically acclaimed cartoonist Eric Orner provides a unique perspective on one of the great legislators of our time with his debut graphic novel. Orner is a former congressional aide to Frank and that shows in the level of detail found on these pages. It was my pleasure a few years back to review a collection of Orner’s comic strip, The Mostly Unfabulous Social Life of Ethan Green, which ran from 1989 to 2005. And it’s a honor to share with you this most impressive work.

Orner has that particular sensibility you find with the best cartoonists: an inquisitive mind; a compulsion to get to the essence of a subject; and the ability to express complexities in a concise and clear way. Barney Frank may not appear to be an obvious choice for the subject of an in-depth graphic novel but, oh, he most assuredly is! The big mistake made my some marketing folks is to have tunnel vision and think that a protagonist in a narrative needs to look and act a certain way. Well, Barney Frank fits that unconventional profile and that’s part of the beauty of his story. Here we have a guy who didn’t dress well, or eat well, or was careful about social niceties. He could be curt and rude. But he cared, heart and soul, about improving the lives of others as a public servant. His weakness was that he was afraid that, if he was outed, that would end his life in politics. But it didn’t and he learns that he can have a good life too. Orner deftly conveys this whole arc of a fascinating life filled with one battle after another, both personal and political.

For my money, I’m just captivated by all the accounts of political intrigue. If you’re a political junkie, that alone is reason enough to read this book. Born in New Jersey, and graduating from Harvard, Frank proved to be an exceptional student of government with a decidedly New Deal inspired fervor to do good in the world. Determined to see through his PhD thesis, those plans keep being derailed in favor of the public arena. Massachusetts politics keeps beckoning. Right out of the gate, Frank impresses the right people. After helping to run a successful Boston mayoral campaign for a local scion, Frank is promoted to a top level position in the Mayor’s office. Frank’s star just keeps rises as he himself enters politics and wins election as a state legislator and, ultimately, as a congressman. Of course, it should come as no surprise that he makes some political enemies along the way as he’s no slouch for a good fight. It’s Frank’s fight for gay rights that takes him closest to the edge as he fears his involvement will lead to his undoing.

Orner has set up a graphic novel with as quick and urgent a tempo as his subject. It is packed with so many assorted details, all neatly presented, sometimes even itemized within a panel. All the better to evoke the whirlwind of activity. Orner’s Barney Frank is a hero to relate with and to root for, all the more so given one of the greatest of challenges a politician can face, a sex scandal. The story begins with it in a brief prologue leaving you to wonder what exactly is supposed to have happened. And, believe it or not, it’s complicated. From that teaser, the narrative mostly keeps to a steady chronology all leading up to that fateful denouement. By then, the reader has come to believe in Frank from a multitude of vantage points: as he runs to catch that last train to an important meeting; or simply struggles to be likable; or pleads with a man to understand he’s not quite ready yet to come out. Barney Frank is the “smahtguy” who, through conviction and sheer will power, is ready and willing to do the work that others would rather avoid. Politics is not romantic and can kill idealists. But if you’re willing to roll up your sleeves and do the work, then there’s a chance to make a real difference. That’s the greatest lesson from Barney Frank and it adds up to a very compelling life story which Orner so vividly tells in this book.

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Interview: Artist Elise Engler and ‘A Diary of the Plague Year’

Artist Elise Engler is like all of us who love to document. It seems that we all want to have our say and tell not only our story but contribute to the bigger story. But only a few generations ago, the whole idea of self-expression, let alone self-portraits, was mostly in the artist’s domain. So, now everybody documents. A lot of it is ephemeral and only some of it has that everlasting quality, like the daily dispatches of news items collected in Engler’s book that chronicle the events of that infamous year, 2020. A Diary of the Plague Year: An Illustrated Chronicle of 2020 is out now. You can read my review here. And I invite you to my conversation with the artist.

Double Portrait of the Artist

It’s the persistent vision that wins out in the end. An artist engaging in a process for an extended amount of time is like mining for gold or anything else with a less than certain outcome. There will be trial and error efforts but a person with a certain mix of qualities, like sheer determination, will reach a breakthrough. Engler’s art is about keen observation from collecting data: everything in her apartment; or everything in a series of purses; or everything on every block of New York City’s Broadway! Each of these, and many more, have been subjects for Engler’s work.

Medical tents set up in Central Park in 2020 near the artist’s studio.

So, it is a pleasure to have a chance to chat with this artist. We have gone through so much in the recent past. It’s good to have an artist of this caliber to create this special record.

Highlight from The Cathedrals of Art (1942) by Florine Stettheimer (1871-1944)

A traditional question that I don’t always ask but had to in this case was to ask about influences. Engler’s choices, once I had time to consider, suggested to me a more earthy approach with Marsden Hartley; perhaps a spiritual connection with the Sienese School; expressive with Philip Guston; and whimsical with Florine Stettheimer. Well, I hope I got it right. Suffice it to say, Engler has a very emotive and energetic style.

I invite you to view the video interview. I also happen to have created a brief movie introduction so the interview begins right after that. In our interview, we cover all you would need to know before reading the book. We chat about the whole idea of documenting and the concept of a news junkie. As I suggest, documenting, as well as an interest in the news, is something we can all relate to. Elise Engler proves to be an exceptional participant, taking bits of data, giving them a sense of order, and finding something transcendent.

A Diary of the Plague Year: An Illustrated Chronicle of 2020 is available now.

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Paul Buhle Honored by The Progressive

Paul Buhle

Paul Buhle is an eminent historian who, from time to time, graces this site with his writings on comics and related issues. Today it is my honor to direct your attention to a wonderful tribute to Paul Buhle in The Progressive. Here you will find a very useful overview of what Mr. Buhle has accomplished in his lifelong exploration and analysis of progressive politics–and how he’s incorporated his work into the comics medium. Paul Buhle’s contributions are essential!

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One More Look: ‘A Dangerous Woman: The Graphic Biography of Emma Goldman’

A DANGEROUS WOMAN

A Dangerous Woman: The Graphic Biography of Emma Goldman. by Sharon Rudahl. edited by Paul Buhle. The New Press. 2007. 115pp. $17.95

Emma Goldman (1869-1940) is not an obvious choice for the subject of a graphic novel. Unless you’re into political science, you probably have never heard of her. But since when is it an obstacle to read a book about someone you’ve never heard of? It’s absolutely not an obstacle. More of an invitation. You see, Emma Goldman was a trailblazing anarchist who became known as “Red Emma” and, when she was deported from the United States in 1919, J. Edgar Hoover called her “one of the most dangerous women in America.” Comic artist Sharon Rudahl brings Emma Goldman to life in her graphic novel. It was a pleasure to review Rudahl’s graphic novel on Paul Robeson. You can read that here. And it seemed only natural to take one more look back to her graphic novel on Emma Goldman.

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