Category Archives: Art books

Review: ‘Legends of the Blues’ by William Stout

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You may know more names in blues than you think. There’s Billie Holiday, B.B. King, Chuck Berry, Bo Diddley, John Lee Hooker, and Muddy Waters, to name a few. And, if those names don’t ring a bell, well, that’s alright. This collection featuring 100 profiles of all-time great blues musicians, big names or not, will give you a look at the big picture.

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William Stout has picked up where R. Crumb left off some years back in creating “trading card” portraits of blues legends. This has led to this beautiful and intriguing book published by Abrams ComicArts, “Legends of the Blues,” complete with Bonus CD! Here you have a very accessible guide to American blues with each portrait interconnected with the other. Each profile has an exquisitely drawn portrait, biography, and recommended songs attached to each performer.

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Read the profile of B.B. King and learn how the electric guitar made its way into blues, ushering in rock ‘n’ roll. It was thanks to T-Bone Walker, the first blues musician to use an electric guitar. That fact is just as fascinating as viewing Michael J. Fox, as Marty McFly, in “Back To The Future,” accidentally inventing rock ‘n’ roll. Read further and you learn about how King nearly lost a beloved acoustic guitar to a fire that started from a fight over a woman named, Lucille. As a reminder to never fight over a woman, each of King’s Gibson guitars has been given the name, Lucille.

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The stories here range from the tragic to the comical. Many are stories of lost childhood, like Billie Holiday; scrambling to carve out a career, like Robert Johnson; and ultimately finding fame fleeting and cruel, like Bessie Smith. And there are no end to interesting facts. One fine example is the story of Robert Petway. His claim to fame was his song, “Catfish Blues.” It was reworked by Muddy Waters and retitled, “Rollin Stone,” the namesake to one of England’s greatest rock bands of all time. As for Petway, the authorship of his hit song has been questioned and it is still unclear as to when he was born and when he died! Such is the life of a blues musician.

“Legends of the Blues” is a 224-page hardcover, with CD, priced at $19.95 U.S., published by Abrams ComicArts. You can find your copy here.

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Filed under Art, Art books, Blues, Comics, Graphic Novel Reviews, graphic novels, Illustration, Music, Rock 'n' Roll

VIZ MEDIA: NEW AND RECENT RELEASES, APRIL 2013

Here is a quick look at some assorted new an recent VIZ Media releases: Naoki Urasawa’s 21ST CENTURY BOYS; Mizuki Sakakibara’s TIGER & BUNNY; Toh Enjoe’s SELF-REFERENCE ENGINE; Sakyo Komatsu’s VIRUS; Takehiko Inoue’s INOUE MEETS GAUDI.

VIZ Media has got you covered in more ways than you might think: manga, anime, books, video, all faithfully translated into English. You will find something for everyone: from a study on Japan today and its future to the latest Naruto. Check it out at VIZ Media here.

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Filed under animation, Anime, Art, Art books, Books, comic books, Comics, graphic novels, Japan, Manga, pop culture, Sci-Fi, science fiction, VIZ Media

Paul Pope’s ONE TRICK RIP-OFF/DEEP CUTS

One Trick Rip Off Paul Pope 2013

Paul Pope. Can’t get enough of his super quirky comics. And this one will have you compelled to raise the roof, scream naked down the streets, or whatever your pleasure. “The One Trick Rip-Off/Deep Cuts” collects much of the master’s crazy magic from the ’90s. The main plot here is about a couple of crazy lovers who have hatched the ultimate bank heist sort of thing. Will it work? Who cares?! It’s all about the journey. This one rolls out January 29, 2013. You can get yours here.

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Filed under Art, Art books, Comics, graphic novels, Paul Pope

Jay Kinney on ANARCHY COMICS: THE COMPLETE COLLECTION

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Mike Dooley of Print Magazine’s Imprint blog has posted an overview of a recent collection of Anarchy Comics, a legendary underground battle cry in comix. We have had (still have?) the Occupy Movement. The call to rebellion has been fueled in various ways over the years. For a punk look at the world, you can turn to Anarchy Comics. Here is Mr. Dooley’s post for your consideration.

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Filed under Art, Art books, Comics, Comix, Design, Michael Dooley, Print Magazine

BUILDING STORIES Review

For those unfamiliar with the literary magazine “McSweeney’s” and its elaborate packaging of its issues into boxes containing various precocious printed items, “Building Stories,” the new collected work of cartoonist, Chris Ware, will really bowl you over. But the audience for this is precisely those readers who are already intimately familiar with Dave Eggers, Ira Glass, Chuck Klosterman and so on. How do you relate with an audience as jaded and self-aware as you are? You keep calm, and know you will dazzle them. Ware delivers solid stories here for the most discriminating connoisseur. “Building Stories,” after all, is a celebration of Chris Ware, of work that has, indeed, appeared in such elite and wonderful publications as “McSweeney’s.” You can consider this collection of the best of a decade’s worth of work as a “McSweeney’s” on steroids.

A lion roars. A dog barks. A bear growls. But a human, all too often…whines. At least that’s what we get in the world of Chris Ware. There are no obvious acts of heroism, nor flights of fancy, nor moments of sheer unqualified joy to be found among his characters. Perhaps such scenes exist but restrained and subtle. And that is part of the point of why Chris Ware does what he does. The world is not a “happy” place and he will show you why. He does not go for the acknowledged hero but focuses on all those lives lived in quiet desperation. He doesn’t want to go with quantity over quality either. No, he favors a select group of well-read and upwardly mobile lives that are lived quietly in desperation and desperately quiet. If Chris Ware has any heroes, they are the likes of Dorothy Parker, Edward Hopper and, of course, Dylan Thomas.

We get such a delicious selection of despondent characters that, whenever there is a glimmer of hope, it seems rather jarring, too out of place. There’s the youngish couple slipping into middle-age who resent each other. There’s the woman who must come to grips with a life wasted in the care of an indifferent mother. There’s that same mother who has spent her whole life in the care of a boarding house. There’s the actual boarding house that is as neurotic as any Ware creation! And then there is the woman with an amputated leg who perseveres through this melancholic landscape and even finds a fairly good soul mate. No one in this world is giddy with silly happiness, not even a simple little bumblebee. For him, Ware has saddled him with a monumental existential crisis!

The packaging of pamphlets, books and magazines is quite beautiful and, dare I say, a joy to read. The only quibble, and this won’t be new for regular Ware readers, is that the type, at times, is so darn small. It feels downright antisocial to do that! Even with the best of eyes, there are some segments that require a magnifying glass! It is what it is. But, ultimately, it’s a good enough trade off for some spectacular artwork, as in his architectural renderings. Built upon one intricate brushstroke after another, the houses, their interiors and exteriors, are built, like Chris Ware’s characters and stories, with great care, with empathy, and with compassion.

“Building Stories” is, just as the box describes, “14 distinctively discrete books, booklets, magazines, newspapers and pamphlets.” It is a decade’s worth of work as seen in the pages of “The New Yorker,” “The New York Times,” and “McSweeney’s Quarterly Concern,” as they call themselves in the most elevated of company. This amazing collection is listed at $50 US. Visit the Random House Pantheon site for more details here.

If you happen to be in Toronto tonight, do stop by and see Chris Ware, Charles Burns and Adrian Tomine, all together to support their recent publications and to support the printed word! Details follow:

TONIGHT!

CHARLES BURNS – ADRIAN TOMINE – CHRIS WARE
Debut their new graphic novels in Toronto
“THE HIVE” – “NEW YORK DRAWINGS” – “BUILDING STORIES”
at a special event in honour of The Beguiling’s 25th anniversaryFeaturing iconic Canadian graphic novelist Seth as guest moderator.
Monday, November 12th, 2012, @ 8:30pm
The Bloor Hot Docs Cinema, 506 Bloor Street West
Admission $10 or free with advance purchase of debuting book at The Beguiling
A BEGUILING 25TH ANNIVERSARY EVENT

 

TORONTOPrepare to welcome three of the most respected graphic novel creators in the world, as Charles Burns (Black Hole), Adrian Tomine (Optic Nerve), and Chris Ware (Acme Novelty Library) visit Toronto TONIGHT to debut their new books. These three contemporaries and friends will each show an all-new audio/visual presentation based on their new works. Then, iconic Canadian graphic novelist Seth will lead all three creators in a rousing discussion of their work and history, including audience participation. This is the centerpiece autumn event to celebrate the 25th Anniversary of venerable Toronto comics and alternative culture shop The Beguiling, at the nearby newly renovated Bloor Hot Docs Cinema (506 Bloor St. W.) in the heart of the Annex neighborhood.

Sure to be the talk of the literary world this fall and winter, these three new releases blur the lines between ‘traditional’ graphic novels, illustration, and the publishing avant-garde!

  • Charles Burns’ stunning follow-up to 2010’s bestselling X’ed Out is The Hive. It takes readers further into the recesses of the diseased world of X’ed Out, shattering the boundaries between comics and the people who read them.
  • Adrian Tomine’s New York Drawings collects over a decade of the comics, illustrations, and covers produced by the artist for publishing institution The New Yorker, alongside a number of other rare and uncollected pieces in a lavish oversized hard cover.
  • Chris Ware’s Jimmy Corrigan: The Smartest Kid on Earth has been hailed as a modern literary masterpiece, and Building Stories is Ware’s first and much-anticipated graphic novel length follow-up. Ware experiments further with form and medium: the story is a literal box. Beautifully presented as variously formatted and sized comics, graphic novels, newspapers and pamphlets, the ensemble creates a fascinating and compelling portrait of a seemingly ordinary young woman, and the building where she lives.

All three of these compelling arguments for the necessary survival of the printed word will be on sale at The Beguiling and at the event.

Admission to the 25th anniversary event is $10, but admissions tickets are free (while supplies last) with every advance purchase of any of the above new books at The Beguiling. Tickets MAY still be available at The Beguiling!

Chris Ware, Adrian Tomine, and Charles Burns’ Toronto book event is the centerpiece of a half-dozen events occurring this fall, celebrating the 25th Anniversary of venerable comic book and alternative culture store The Beguiling. Events with local, Canadian, and international graphic novelists will continue throughout the fall, adding vibrancy and texture to the city’s literary events calendar. Visit www.beguiling.com for more information on upcoming events.

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Filed under Art, Art books, Chris Ware, Comics, Comics Reviews, graphic novels, Pantheon, Random House

SHORT RUN: Seattle Indie Comics and the Start of a New Seattle Tradition

Curators Eroyn Franklin and Kelly Froh, pictured above, did it again with the second annual Short Run Small Press Fest. Held at The Vera Project in Seattle Center, Small Run was an awesome gathering of artists and writers: comics, zines art books, animation, independent talent from the Northwest that you just know is good. What follows is a sampling of what Short Run was like this year.

As a cartoonist, I definitely felt at home with this crowd. The Vera Project is a cozy venue for this event providing an intimate yet ample space, the size of a higher end club or restaurant. At times, it got a bit crowded but nothing to worry about, especially if you’ve gone to any convention-type setting. Here, you’re talking a laid back vibe that will see you through very nicely.

For me, Short Run already is quintessential Seattle, bringing together the unique creative spirit of this area. It is on track to becoming a new Seattle tradition.

Randy Wood, pictured above, was one of a number of stellar talent at Short Run this year. Here he is showing off one of his collected books of his “Kitties!” comic strip.

Here is a copy of “The Intruder,” a free newspaper full of local comics talent.

Stefan Gruber was here this year, along with other animators. This is a flipbook of his entitled, “Tiger Wave,” based on a dream. Check out Mr. Gruber and Seattle Experimental Animation Team.

Breanne Boland has a new comic out, “Drawing Bitchface,” a guide on how to make the most of putting on a proper, “bitchface.”

Aron Nels Steinke had his new collection out, “Big Plans,” published by Bridge City Comics. “Mr. Fox” is one of his self-published gems.

The Vera Project is a fascinating place with much to offer like its silkscreen classes and use of its silkscreen studio! Here is Eric Carnell, who helps to keep things moving along at The Vera Project’s silkscreen studio.

Cartoonist Nicole Georges provides much needed advice.

A great time had by all. See you next year at Short Run.

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Filed under Art books, Comics, Comix, Eroyn Franklin, Indie, Kelly Froh, Seattle, Short Run Small Press Fest, Zines

KICKSTARTER: The Collected Deep Girl

“Deep Girl” was a series of five minicomics that cartoonist, Ariel Bordeaux, did as a way to express herself after art school. It became a cult feminist classic and has not been in print for more than a decade. The time is right to collect it and bring it back in print with style. That is exactly what fellow cartoonist, and publisher, Robyn Chapman, has set out to do with her Kickstarter campaign in support of “The Collected Deep Girl.” This project will be funded. The pledges are currently at $1,234 of a goal of $1,000. Get in on something very special and add your pledge today. This project’s campaign comes to a close November 6.

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Filed under Ariel Bordeaux, Art, Art books, comic books, Comics, Kickstarter, Minicomics, Paper Rocket Minicomics, Robyn Chapman

“THE CARTER FAMILY: DON’T FORGET THIS SONG” Review

Truth is stranger than fiction for The Carter Family who prove to be a true All-American story: unassuming, proud, and innocent. Much like one of those trite dime store novels by Horatio Alger, this family succeeds by luck and pluck. Thankfully, however, the story of one of America’s great country music families is told with grace and wit in the graphic novel, “The Carter Family: Don’t Forget This Song,” coauthored by Frank M. Young and David Lasky, and published by Abrams ComicArts. Mr. Young primarily writes and Mr. Lasky primarily handles the artwork in his unmistakable style. All said and done, after a number of years of work on this project, the book looks and feels like it was meant to be. The fact that this story is not only a graphic novel but presented as if it were a series of old-time Sunday funnies is a perfect fit with such a natural and easygoing narrative.

The driving force behind how this early 20th Century Virginia clan gained notoriety rests with Alvin Pleasant Carter and Sara Dougherty Carter. If not for A.P. Carter’s magic touch with crafting songs and Sara’s haunting vocals, there would not have been a Carter Family to begin with. The luck and pluck part comes into play in a myriad of ways. To start with, A.P. and Sara were an unlikely pair to begin with. He was shy and awkward. She was stubborn and impetuous. They both had their own ideas of what they wanted and preferred to be left to their own devices. Once it clicks that they, and their family, actually do have talent, that is when the prospect of good fortune ironically leads everyone down a precarious path. A.P. is prone to disappear to maintain his quota of songs to sell while Sara’s mood swings add to mounting instability.

Titles of songs and lyrics are intertwined into the narrative to bring out the bittersweet. Each chapter heading is the title of a song, like “Meet Me by the Moonlight Alone,” which features young Alvin courting Sara, or “Look How the World Has Made a Change,” a chapter towards the end when personal dreams have been broken but technological progress presses on. The songs have their own eerie irony and enhance the pleasing ambiguity of the book’s storytelling. The characters themselves often have poker faces but not always. The tension is contemporary but subtle. Things move slowly here, but not without intention.

As much history lesson as satisfying character drama, “The Carter Family” balances out what the world was like then and choices that were made along the way. When A.P. Carter would wander away to collect new songs, it wasn’t like he was out with a net capturing butterflies. The songs had to come from somewhere. To his credit, he was a songwriter in his own right and had the poet’s ear for good lyrics. He was also innocent to what intellectual property means to us today. In his time, people collected songs in the old oral tradition. If something sounded good, someone took it upon themselves to memorize it, not bothering as to where it came from. It was an easy enough system until A.P. meets Lesley Riddle, an African-American who shares with him an unusually good song, “The Cannonball.” In this case, it seems that Mr. Riddle crafted something from another source, in the same manner as A.P. was in the habit of doing. So, does Mr. Riddle get any credit? Mr. Carter tries to do just that. However, his manager/producer/song publisher, Ralph Peer, who should know better, denies Mr. Carter’s request.

As any good country song will tell you, life is not fair. This is something the Carters must learn over and over again just like any rock star today has to be ready to take the good with the bad. Even in their low-key manner, this Carter family is full of drama and we’re the richer for it. That said, the story is told in such a poetic and hypnotic way that, like any good country song, it will leave you with a satisfying melancholy.

“The Carter Family: Don’t Forget This Song” is published by Abrams ComicArts. This is a 192-page hardcover book in full color with a CD of Carter Family songs. Visit the Abrams ComicArts site.

I hope you enjoyed this review. Please continue reading to the next two posts for exclusive interviews with Frank M. Young and David Lasky.

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Filed under Art, Art books, Comics, David Lasky, Frank M. Young

INTERVIEW: DAVID LASKY AND “THE CARTER FAMILY: DON’T FORGET THIS SONG”

David Lasky is the coauthor, with Frank M. Young, of the graphic novel, “The Carter Family: Don’t Forget This Song.” It has been a treat to observe Mr. Lasky’s evolution as an artist. He always loves a challenge and, with this book, he realized early on this was a project that would take years to get right. Sensitive to the human condition, his artistry reveals A.P. Carter and Sara Dougherty Carter for who they were while leaving something to mystery. Like the Mona Lisa’s smile, there is only so much we can know. Mr. Lasky used dip pens of the time to help capture the pace of a bygone era but he also employs a contemporary sensibility in drawing out the drama of these characters. This is the story of the early years of country music giving way to the early years of radio and beyond.

“The Carter Family: Don’t Forget This Song” is published by Abrams ComicArts. This is a 192-page hardcover book in full color with a CD of Carter Family songs. Visit the Abrams ComicArts site.

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Filed under Art, Art books, Comics, David Lasky, Frank M. Young, graphic novels, The Carter Family

INTERVIEW: FRANK M. YOUNG AND “THE CARTER FAMILY: DON’T FORGET THIS SONG”

Frank M. Young is the coauthor, with David Lasky, of the graphic novel, “The Carter Family: Don’t Forget This Song.” The book is an in-depth look at one of the leading families of country/folk music. Their story spans the 20th Century and is as much a history of American popular music as it is the story of a family with its leading characters, the patriarch, A.P. Carter, and the matriarch, Sara Dougherty Carter. That these two were not exactly going to have an easy time of it is pretty clear from the start. But, despite their innocence and stubbornness, they would conjure up mesmerizing music to grace the newfound radio airwaves.

In this interview, Mr. Young’s enthusiasm for his subject is contagious. He is quite intrigued by the relationship of A.P. Carter and Sara Carter, two unlikely stars of popular music. But it was A.P. Carter’s ability to recognize a compelling tune and Sara Carter’s haunting voice that could not go unnoticed. Anyone looking for an authentic American grassroots sound would do well to discover The Carter Family. Their story in this book follows their rise, the conflicts and challenges, and the aftermath of an amazing journey into early American show business.

“The Carter Family: Don’t Forget This Song” is published by Abrams ComicArts. This is a 192-page hardcover book in full color with a CD of Carter Family songs. Visit the Abrams ComicArts site.

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Filed under Art, Art books, Books, Comics, Country Music, David Lasky, Frank M. Young, graphic novels, Music, The Carter Family