Our friends at Short Run are known for their comic arts festival but they have other wonderful events going on year-round. Consider their summer school schedule. I just took Megan Kelso‘s seminar on graphic novels. And I found that to be a very special treat. I like how she equates working on a graphic novel to playing with a big ball of yarn. How true. Even for an experienced cartoonist like myself, there is always something new to learn. I may end up taking some more of these classes if my schedule allows and, if you’re in Seattle, I highly recommend that you do the same. You can take a look at the remaining schedule right below starting with an essential Photoshop workshop led by James Stanton for cartoonists looking for tips on how to color their comics:
Category Archives: Kelly Froh
It was a hive of activity at Washington Hall in Seattle, on November 15, 2014 for the annual Short Run Seattle Comix & Art Festival. Comic arts festivals continue to gain ground as interest and demand grows for independent comics. Here in Seattle, Short Run has proven to be the leading venue to connect creators with the public. Now in its third year, the festival offers a dazzling selection of work by some of the best talents in the U.S. and beyond.
I had the pleasure of chatting with Short Run’s Guest of Honor, John Porcellino, and he was quite gracious. My partner, Jennifer Daydreamer, and I had gotten to see an advance copy of the documentary on his life and career, “Root Hog or Die.” Jennifer asked if it had been planned to have the documentary and John’s new book, “Hospital Suite,” come out at the same time. And John explained that the documentary had been years in the making and it was a wonderful coincidence to have these two separate projects join together into a tour. “The documentary is an extension of the book,” said John. I’d go farther to say it’s an extension of King-Cat Comics, as if it took on another life as a film. Well, more to talk about at a later date. I asked John for some recommendations from his Spit and a Half distribution catalog and I’ll be reviewing them shortly.
Among other friends we got to catch up with were Mark Campos and David Lasky, both longtime Seattle cartoonists. I have recent work by Mark that I’ll be sharing with you soon too.
David Lasky, as many of you know, is the co-author, with Frank M. Young, of “The Carter Family: Don’t Forget This Song.” I saw that the book was part of a series of Short Run raffle items. Well, you don’t need to enter a raffle to get your copy of this unique history of the legendary country music icons. You can find it right here.
I also got a fun treat by another beloved Pacific Northwest cartoonist, Pat Moriarity. He had told me about a limited edition mini-comic he had created just for this year’s Short Run. In “Skulptura?” an artist attempts to find his muse. And I also got to chat with Eroyn Franklin, organizer of Short Run, with Kelly Froh and Janice Headley. She was a pleasure to talk with. I asked her about her upcoming comic, “Dirt Bag.” And it is coming along nicely. There was a preview at Short Run that I missed finding. I also should have gotten there early as the early birds got a goodie bag of comix. Well, maybe next year.
In closing, what can I say, Short Run was a rousing success. If you’re in Seattle this time next year, make plans to attend. It’s a comix and art festival and a whole lot more as you’ll see on their site.
“Short Run” is a gathering of small press in Seattle with some added attractions this year. There’s the main event, the Short Run Small Press Festival at Washington Hall on Saturday, November 30, 2013. But, for those who want more, there’s plenty more starting with an event on November 1. Check out the Short Run website for details here.
Press release follows:
Curators Eroyn Franklin and Kelly Froh, pictured above, did it again with the second annual Short Run Small Press Fest. Held at The Vera Project in Seattle Center, Small Run was an awesome gathering of artists and writers: comics, zines art books, animation, independent talent from the Northwest that you just know is good. What follows is a sampling of what Short Run was like this year.
As a cartoonist, I definitely felt at home with this crowd. The Vera Project is a cozy venue for this event providing an intimate yet ample space, the size of a higher end club or restaurant. At times, it got a bit crowded but nothing to worry about, especially if you’ve gone to any convention-type setting. Here, you’re talking a laid back vibe that will see you through very nicely.
For me, Short Run already is quintessential Seattle, bringing together the unique creative spirit of this area. It is on track to becoming a new Seattle tradition.
Randy Wood, pictured above, was one of a number of stellar talent at Short Run this year. Here he is showing off one of his collected books of his “Kitties!” comic strip.
Here is a copy of “The Intruder,” a free newspaper full of local comics talent.
Breanne Boland has a new comic out, “Drawing Bitchface,” a guide on how to make the most of putting on a proper, “bitchface.”
Aron Nels Steinke had his new collection out, “Big Plans,” published by Bridge City Comics. “Mr. Fox” is one of his self-published gems.
The Vera Project is a fascinating place with much to offer like its silkscreen classes and use of its silkscreen studio! Here is Eric Carnell, who helps to keep things moving along at The Vera Project’s silkscreen studio.
Cartoonist Nicole Georges provides much needed advice.
A great time had by all. See you next year at Short Run.