Category Archives: Graphic Novel Reviews

Review: ‘When David Lost His Voice’ by Judith Vanistendael

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Currently on the shelves is a book with a bright orange cover and a powerful story about coping and understanding death and loss. Our lives can become so routine: work, eat, sleep, rinse, repeat. Ironically, the closer we come to death, the more we appreciate life. Just like they say, our lives flash before our eyes at a time of crisis. It can unnerve us. Americans, for example, have been thought to not deal too well with death. However, given the popularity of zombies, that overall outlook seems to be improving. And there are some cultures who appear to be more in touch with death. “When David Lost His Voice,” the new graphic novel by Judith Vanistendael, published by SelfMadeHero, gives us a story that shows how life and death can come to terms. It’s a story not without a healthy dose of good cheer.

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I recently viewed Julie Delpy’s “2 Days in New York,” a comedy about what happens when relatives from France descend upon a couple’s New York apartment for the weekend. In the movie, you see just how crude, or earthy, depending on your taste, these French folks can be. The humor itself felt French too, embracing the absurdity in life more than your typical American comedy. It seems to be a matter of dropping any inhibitions and yet done with a certain style. In that regard, I find a similar sensibility running throughout this graphic novel. It is the story of David, who discovers he has developed a cancer in his throat. He is an older gent who has a full-grown daughter, Miriam, as well as a 9-year-old daughter, Tamar, from a recent marriage to Paula. And Miriam has recently given birth herself to Louise. It is quite a premise: all these women are a vital part of David’s life and the prospects for his future don’t look so good.

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David is a special man who is well loved. He’s a man of few words. He prefers to let his actions speak for him. He owns a bookshop so he deals in words every day but, for seeking deeper meaning, he can make good use of silence. It is these qualities that are on display as he does his part to console Tamar, about the possibility he may not be around for much longer. He’s there for her. He’s attentive to her child’s viewpoint.

David and his wife, Paula, tirelessly work together to keep their daughter calm, even if it requires adhering to an elaborate scheme to make it look like it’s possible to send mail back and forth attached to balloons. It’s almost easier for David to attend to little Tamar’s needs than it is to attend to the needs of anyone else. Miriam keeps seeing him as a ghost. Paula, an artist, reconstructs him from x-rays.

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Interestingly enough, it’s Paula who becomes very vocal and loses control a bit over all the quiet surrounding David. It’s bad enough that David won’t talk about it. But no one else is capable of articulating what’s happening either. Or does it just seem that way? Balance is gained when a child’s perspective, that sense of lightness, can be brought into play. Maybe mermaids, magic, and notes sent on balloons can help make things better.

As long as everyone believes in hope and compassion, then the end need not be harsh and bitter. In a story that floats with such delicate ease, Judith Vanistendael does a beautiful job of evoking what is involved when all parties manage to transcend a crisis and create something new.

“When David Lost His Voice” is a remarkable graphic novel by Judith Vanistendael. She is a Belgian author of graphic novels and an illustrator. She is known for “Dance by the Light of the Moon,” two volume work also published by SelfMadeHero. You can find out more about purchasing your own copy of this book here.

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Filed under Comics, Death, Graphic Novel Reviews, graphic novels, Judith Vanistendael, SelfMadeHero

Review: ‘Transposes’ by Dylan Edwards

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Dylan Edwards has written and drawn a graphic novel, “Transposes,” published by Northwest Press, that helps us all better understand and embrace the transgender community by exploring a specific group within it, “queer-identified female to male transpeople,” or “QFTMS.” If that sounds a little too Otherly, rest assured that this collection of stories is warm and heartfelt. Through his skills as a cartoonist, Edwards brings to life six distinct true stories of transgender men.

What is apparent from the start is the enthusiasm that Edwards has for sharing with you what he’s learned and, inextricably linked to that, his faith in his skills and the comics medium, itself, to tell these stories. Edwards is not afraid to depict himself in a few pages of introduction. He makes clear this book is not going to be about him but his direct presence sets the tone: we’re going to be irreverent and have fun; and we’re also going to get to the point and be honest. The artwork will be a nice, spare, cartoony style but with a human touch. The narrative will be accessible with some inventive use of form to keep it interesting.

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Once we’ve got that covered, we’re all set to delve into a variety of stories about love, sex, relationships, and journeys of self-discovery. As we learn in life, sex is fabulous, exciting, mind-blowing, but it’s only a part of one’s life. Love, compassion, and understanding will rule the day, and days, months, and years in the long-term. Each character in this collection is searching for something greater than themselves.

Even if there’s a desire to remain single and play the field, there’s still a need to reflect and contemplate. In the case of these stories of transgender, of course, the emphasis is more sharply upon the body. However, what we appreciate from this book is that issues of the body are as vital and universal as you can get. Instead of these stories being about just one particular group, they truly speak to anyone.

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“Adam,” for example, is a heartbreaking love story about the struggles of one couple to come to terms with not being right for each other. It’s Marni who is quick to pick up on the problems that lie ahead: her girlfriend would much prefer to be a man but just doesn’t know it yet. Bit by bit, Marni helps Adam find his way. As they sit on the couch and have the “we need to talk” talk, it’s clear that Marni’s love for Adam is great and she’ll miss him.

“Henry” is a fine example of Edwards tweaking the traditional narrative. We are presented with Henry’s story as if it were a museum exhibit, due to his fastidious need for proper documentation. We walk through the rooms and display cases to find one person’s struggle with identity. But it’s not all struggle. In quiet safe moments, it’s just learning about one’s self. And then it’s refining what one’s learned, editing as you go, all the way through the rest of your life.

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“Transposes” is a book that readers can warmly embrace. It presents specific, as well as, universal truths with art and writing that is inviting and accessible.

“Transposes” is a 115-page graphic novel, priced at $19.99. Visit Dylan Edwards here. And visit our friends at Northwest Press here.

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Filed under Comics, Comics Reviews, Gay, Gender, Graphic Novel Reviews, graphic novels, LGBT, Northwest Press, Sex, Transgender

Review: ‘Strange Attractors’ created by Charles Soule

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“Strange Attractors,” a new graphic novel published by Archaia Entertainment, is the perfect thing for all us out there who love New York City and what it means to love New York City. You may not be crushing on NYC the way I am, but you may be into sci-fi or a good mystery or a gritty adventure so that may be reason for you to pick up this book. Yes, it does help to appreciate the Big Apple too. But, here’s the thing about the Big Apple that may turn around anyone on the fence. The thing about it is that it defies easy categorization. It transcends any label. In a world where it seems like everything is within easy reach within a gadget, you still have a metropolis that is so multi-layered that you can never fully understand it. If you’re not the curious sort, then NYC can’t help you. But, if you have an inquisitive mind, you will quickly pick up on the fact that a whole universe awaits your exploration.

It is this kind of enthusiasm for New York City that creator Charles Soule brings to this work. Soule marveled over the fact that, within a year after the tragic events of 9/11, New York City was back on its feet and functioning while, years after Katrina, New Orleans continued to struggle. What was so special about NYC? It has known some colossal setbacks. In 1975, for example, the city was on the brink of bankruptcy. There’s that famous headline from The Daily News after Pres. Ford denied NYC a federal bailout: “FORD TO CITY: DROP DEAD.” And after several disasters, NYC has always managed to bounce back. This led to “Strange Attractors,” that proposes that there are forces at work that keep such a complex organism as NYC functioning properly. Our story features Dr. Spencer Brownfield, a seemingly mad scientist, who sure looks like he knows more about what keeps NYC alive and thriving than is humanly possible to know.

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But Brownfield must be on the right track. He’s a genius, after all. That’s what Heller Wilson keeps telling himself. He’s a brilliant grad student, studying Complexity Theory, at Columbia who has managed to track down the legendary Brownfield, who was ousted from Columbia some thirty years ago. If Brownfield is starting to sound like Doc Brown and Heller is starting to sound like Marty McFly, that’s a good thing. There is definitely that sort of fun chemistry while working within a moody and intellectual atmosphere. If you enjoy offbeat comics, yeah, this is for you.

Artist Greg Scott and writer Charles Soule make a great team. The chemistry between them reminds me of stuff like writer Brett Lewis and artist John Paul Leon’s “The Winter Men,” published by DC Comics under their Wildstorm imprint. It is a similar case of a story with an intricate plot that keeps all the little details running smoothly for the reader through engaging dialogue and a quirky gritty realism. You find that you’ve entered a world that you want to be a part of.

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Heller Wilson has one close friend, Tim, a host of a local radio station and self-appointed kingmaker to local bands. Heller and Tim could spend the rest of their lives together discussing the finer points of pop music. Enter Grace, a soccer coach at Columbia and Heller’s chance at a happy life now and maybe in the future. And then Heller has to go and cross paths with Doc Brown and his life feels less and less his own.

There are few warm and fuzzy moments here although the mission at hand, to help save the city from itself, is pretty fanciful. But that’s how this story rolls. At every step of the way, Heller gets dragged deeper and deeper into Doc Brownfield’s mathematically calculated random acts of kindness. The acts themselves sure look random and not particularly kind but, based on the complexity theory, the cause and effect of each of these acts is essential. And the stakes keep getting higher and the crazy acts keep getting crazier. Only in New York, right? That’s a big part of this book. There are certain leaps of faith that must be taken, especially for the sake of such a city.

Visit our friends at Archaia Entertainment. “Strange Attractors” is a 152-page graphic novel, priced at $19.95. Check out “Strange Attractors” here.

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Filed under Archaia Entertainment, Comics, Comics Reviews, Graphic Novel Reviews, graphic novels, New York City, Sci-Fi, science fiction

Review: ‘Beta Testing The Apocalypse’ by Tom Kaczynski

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Tom Kaczynski is sensitive to the fact that consumer culture seems pretty much a lost cause and any attempt to reverse course would appear to be futile at best. It’s the stuff of great comics and Kaczynski has an excellent handle on it. “Beta Testing The Apocalypse” brings together, thanks to Fantagraphics Books, an impressive collection of social satire with a distinctive voice. I hate to throw in the term, “snark,” in this review since it’s too easy and sort of misleading. Kaczynski’s humor is, at times, acerbic, with an attitude, I suppose, but it’s much more than that. This book collects eight comics, the majority having appeared in the Fantagraphics anthology, MOME. Read as a whole, the author’s vision comes through as heart-felt, witty, and maybe even, perhaps, genuinely concerned. Oh sure, it’s all in good fun. I’m just saying this stuff will get under your skin.

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Have us Westerners crossed a line of no return? We worship cars. We allow ourselves to be herded like cattle to our office cubicles. We create myths about the great dream to own a house. Well, you get it. The readership for this type of satire already gets it. Where Kaczynski shines is in the details. His characters are numb and they know it. The world is too much with them, as Wordsworth says in his poem, and they have given their hearts away. In “976 SQ FT,” Kaczynski gives us a hipster couple, having recently abandoned suburbia, who mock their new “urban” neighborhood as nothing more than a few blocks sliced and diced by a highway overpass, a bridge, and an avenue. They cope with the nonstop construction of new condos. They think they’ve managed to get a handle on an increasingly artificial environment until one day, the joke is on them.

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Wordsworth goes on to wish, in that same poem, to just be a pagan. But can such silly near-sighted humans ever get it right? In “Million Year Boom,” an ambitious young man takes a new job that will find him living on a corporate campus for several years. Hired as part of the new marketing team, he is less than impressed with the current company logo that looks like it was lifted out of a clip-art file. However, the company is stuffed with investor capital and the energy of start-up idealism is too much to resist. It’s not until he comes to see that the company’s goal is sort of crazy, that he hesitates. The allergy he’s developed from one of the company’s new species of plants is not a good sign either. But then again, when he thinks it over, a corporate return to the wild could be the sort of crazy that he’s always hungered for.

Kaczynski’s characters are often attempting to push back and find that something that is pure and real. “The New,” throws into bed conflicting beliefs in the authority of first world and third world states. Architecture is seen as a possible solution to the many ills of one struggling nation. Sex and power are confused with the potential of building something “great.” The end is near for everyone when architecture turns into a cosmic portal to unspeakable horror.

So, no, there is no snark here. It is wry humor, told and drawn with a deft touch. Never overburdened or overwraught, what we have are naked apes with too much technology, and too much time, on their hands.

“Beta Testing The Apocalypse” is published by Fantagraphics Books. Visit our friends at Fantagraphics Books here.

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Filed under Comics, Fantagraphics Books, Graphic Novel Reviews, graphic novels

TCAF Comics Review: LOOK STRAIGHT AHEAD

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If you’re heading out to the Toronto Comic Arts Festival this weekend, May 11-12, be sure to stop by and purchase a copy of LOOK STRAIGHT AHEAD by Elaine M. Will. This is truly an outstanding work and, as you know, I don’t make comments like that lightly. It takes something to motivate me to strongly like, or dislike, something. This one I really like. LOOK STRAIGHT AHEAD brings to mind Nate Powell’s SWALLOW ME WHOLE. It has its own distinctive style and voice with that same quality that Nate brings to the game. You can check it out at Elaine’s website HERE.

LOOK STRAIGHT AHEAD makes its official debut at the Toronto Comic Arts Festival. Elaine M. Will has the distinction of being in the last group of Xeric Grant recipients. Keep an eye out, the plan is to see this graphic novel in comics shops by this October.

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Meet Jeremy Knowles. He is a fine young man, trying to survive high school and struggling with manic depression. His friend, Lee, is there for him, despite the fact he has to endure taunts by another fellow student, Jen. If only things could work out for him. If only Erin, that most beautiful and intellectual girl, would notice him. If only he trusted himself, his own artwork. He has his dreams but they, in an odd twist, could consume him.

The art and writing here is spot on. I look forward to seeing this webcomic make its way to print. And, certainly, I look forward to seeing more of Elaine’s work. Make sure to stop by and visit her website HERE.

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Filed under Alternative Comics, Comics, Elaine M. Will, Graphic Novel Reviews, graphic novels, Mental Health, Toronto Comic Arts Festival, Xeric Grant

Graphic Novel Review: JERUSALEM by Boaz Yakin and Nick Bertozzi

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How ironic if “Jerusalem” were not to receive wide recognition given that it is helping to set the standard for the relatively young literary art form that we know as the graphic novel. The general public is still getting to know it, compare it, and see what it can do. Let them read “Jerusalem,” the new graphic novel by Boaz Yakin and Nick Bertozzi.

“Jerusalem” provides a rich and dense texture to a narrative that invites a thorough reading. You can jump around and check it out but you’ll soon see that this is a multi-layered tapestry. It follows the pace of a good novel without the pretension. It also brings to mind the beautifully melancholy films of François Truffaut. Yakin and Bertozzi bring the colossal subject of Jerusalem down to a basic human level that we all immediately recognize and relate with. The story begins and ends with Motti, a little boy who only seeks love and understanding in his life. You don’t have to worry at all about the history. What you need to know it presented for you in crisp and concise ways.

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This is a story of family. It is these characters, connected by blood ties, that we rely upon to provide us with some truth, something to hang on to, as we witness the chaos and bloodshed that ensues. Compared to its 5,000 year history, Jerusalem was occupied by the British Empire for only a blip of time. But it was what came from that blip that continues to haunt us all to this very day. It was after World War I that Great Britain took control of land from the Ottoman Empire that was to become Palestine. Our story begins with the British Mandate, on the wane in 1946, giving way to a UN Partition Plan in 1947 that gives way to civil war and the Arab-Israeli War of 1948. The British occupation of a land and people it had no interest or understanding in was a powder keg just waiting to ignite.

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In Motti’s immediate family, he has three brothers who all respond to the times with fervor. There is Avraham, the war hero, who becomes a Communist. There is David, who works the system to help Jews enter Palestine. And the is Ezra who is compelled to resort to terrorism. Motti is but a boy lost in the shuffle. His father is extremely distant, as present as a ghost. His mother is so stern there is little evidence of tenderness. And he has a sister, Devorah, very quiet and afraid. If not for a cousin, Johnathan, there would be no real friend for Motti. And this is not an easy friendship to maintain since Motti’s father, Izak, is at odds with his brother, Yakov.

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Nick Bertozzi has a drawing style that is at once gritty and warm. But it’s more than that. Bertozzi has honed a style that looks effortless and conveys something of the human soul even in his most simple depictions. Whether it is buildings, or people, or specific characters, there is much to admire about his vigorous, expressive, yet well controlled, style.

Boaz Yakin’s script gives a human face to the conflict that arose as the State of Israel came into existence. We find characters compelled into action. There’s a very touching scene, for example, where the children gather to perform a wedding ceremony between two of them. They do this instinctively, from a need for love and order.

Motti, you will come to see, steals the show even though he appears to forever be pushed to the margins. He’s the little boy full of spirit and a willingness to fight. Just the sort of character you’d find in a film by François Truffaut, the creator of many wonderful films about misfits. There is magic in his films and there is magic in this graphic novel.

The graphic novel, of course, has made enormous strides over the years. We are moving past citing a select group of works as landmarks. The general public is working its way to looking forward to the next great graphic novel in the same manner as comics insiders do. “Jerusalem” has that special temperament about it, not self-conscious, not forced, just there to get the job done right. It is a quality that all readers will appreciate.

“Jerusalem” is published by First Second. Visit First Second here. “Jerusalem” is a 400-page hardcover, available as of April 16, 2013. You can get it here.

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Filed under Comics, Graphic Novel Reviews, graphic novels, History, Jewish History, Jews, Nick Bertozzi

Review: X’ED OUT by Charles Burns

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If you have not yet read what Charles Burns has been up to lately, don’t panic. You have options. There are two installments of his current wild ride, “X’ed Out” and “The Hive.” Both graphic novels can work as stand alones and you will do fine whether you read one first or the other. Essentially, this is a story that follows the main character mostly through flashbacks and alternates with his doppelganger in a parallel story set in a more cartoony and sinister world. Enjoy it as a multi-layered horror story. We’ll focus here on “X’ed Out,” the first graphic novel in the series which came out in 2010. And you can then proceed to a review of “The Hive” in the next post.

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“X’ed Out” is as much about the angst of Generation X as it is a horror story. The two themes actually compliment each other rather nicely here. You will find equal amounts of supernatural horror and the self-inflicted horror of disaffected youth. Consider any art school crowd of a generation ago (or any generation, really) and you will find an inner core of self-loathing malcontented rebels ready to set the world on fire. What will it take? Start up a band? How about a magazine? But what will it ultimately take to make the pain go away? What happens when raw idealism and Prozac aren’t enough?

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We begin with the cartoony doppelganger. He is sitting up after a restless sleep in an old fold out bed. He has a bandage across the side of his head which can’t be a good sign. He has no idea of where he is. And, once he makes his way out into the outside, we see that this is a very strange place he has found himself in. As we progress through the story, we see that this world is more real in some ways than the hipster world that Doug and his girlfriend, Sarah, are so enthralled by. It’s as if the chickens have come home to roost, as if all those extreme misfits staying up late at night have finally summoned up the Devil. There’s a hint that Sarah may have actually done something like that. And then there’s that strange bandage across the side of Doug’s head.

It really is easy to enjoy both of these installments in either order. Although you can sense the force of the narrative progressing from the first book to the second, the numerous transitions in both books can act as so many elements building up, providing clues. Who is the old man in the creepy cartoon world that Doug’s doppelganger is spying on? Wait, now we have a scene with the old man followed by a scene with Doug and they’re all wearing the same purple bathrobe . Is it a much older Doug in one scene? Maybe. But, in another scene, we know the old man is Doug’s father. “X’ed” will definitely leave you wondering about what will happen next, who is who, and what is what. It’s when the last book in the trilogy, “Sugar Skull,” arrives in 2014 that the sequence will be clear and the resolution unmistakable.

“X’ed Out” and “The Hive” are available in bookstores, comics shops and online. You will find in many shops that both books are neatly displayed side by side. Visit Pantheon Books.

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Filed under Charles Burns, Comics, Generation X, Graphic Novel Reviews, graphic novels, Hipsters, Horror, Pantheon

Review: THE HIVE by Charles Burns

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If you are interested in seeing comics taken to their outer limits, the world of Charles Burns is the place for you. “The Hive” is the current installment in Mr. Burn’s work. He’s an artist, at the top of his game, not to be taken for granted. If there was a Mount Rushmore dedicated to comics, there he’d be, alongside Chris Ware, Daniel Clowes and Art Spiegelman, who all happen to be published by Pantheon. Once you put the awe aside, the story and art of “The Hive” sweep you away. This is a story within a story, life imitating art and vice versa, the innocuous mixed in with the surreal. In some respects, it is an even more enigmatic work than the previous, “X’ed Out.”

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There is one key additional layer added since “X’ed Out.” We now see that Doug is looking back at his youth. So, we have yet another version of Doug, this time, in early middle-age. He hasn’t taken care of himself and looks tired and pudgy. He treats the woman he’s now involved with to endless analysis of what went wrong with Sarah, the love of his life. Those days of youthful angst are over and have been replaced with a deeper anxiety only possible once you’ve lived long enough to have your dreams crushed. There’s no more Sarah. She’s not coming back. Try to deal with that, Doug.

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As in “X’ed Out,” we have Doug, the cocky provocateur performance artist compared to his doppelganger in a world stranger and more surreal than anything his art could imply. In “The Hive,” we add to that same young Doug, his older despondent self full of regret, full of his own well-earned horrific nightmares. Doug, you once surly youth, searching for pain, you have arrived.

Meanwhile, we follow Doug’s cartoon version as he toils away at a menial job in The Hive, a place run by lizards that appears to be breeding humans. Ultimately, Doug’s own personal misery pales in comparison to whatever is going on in that evil alternate world. The conclusion to this trilogy is entitled, “Sugar Skull,” and will surely be something to look forward to. Given that “X’ed Out” was published in 2010 and “The Hive” was published in 2012, we can expect “Sugar Skull” to come out in 2014.

“The Hive” is published by Pantheon. Visit them to find where to get your copy and learn more about this leading publisher of graphic novels.

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Filed under Charles Burns, Comics, Comics Reviews, Graphic Novel Reviews, graphic novels, Horror, Pantheon

Review: DIGESTATE

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DIGESTATE” is a 288-page food and eating anthology, a veritable cornucopia of cartooning talent. You have fan favorites like Alex Robinson, Kevin Cannon, Noah Van Sciver, Marc Bell, Sam Henderson, and James Kochalka, just to name a few. There are 54 contributors in all and it is edited by J.T. Yost. It is great to see a food theme for a comics anthology and to see it done so well.

Alex Robinson Eating Disorder

Even when food seems to be just food, something to eat when you’re hungry, there is likely a story behind it, something to give it complexity. Cartoonists tend to be complicated too. So, it makes sense to mix the two together. Among a multitude of outlooks on food in this book, the one that stands out is from Alex Robinson who admits to having an eating disorder. Just like a true blue cartoonist, he lets the world at large know about his condition through a comics anthology. Mr. Robinson is one of those cartoonists who has succeeded in making an impression in the world with his best selling works, notably, “Box Office Poison.” Of course, it doesn’t matter what the world thinks when it comes to personal issues. And there’s certainly no shame or stigma to having an eating disorder. Mr. Robinson chose to share that part of his life with readers and that’s what matters. It is a very generous piece that provides insights into eating disorders that you may not know about.

Let’s consider this some more. Buried within this anthology is a significant admission from an important cartoonist, an important member of the pop culture. It is really a big deal as the issue of eating disorders continues to get short shrift in the media. It is like it is something from another planet for your average reader. We are another generation or two away from any real collective understanding on this issue. In Mr. Robinson’s case, the struggle for him is to get beyond eating comfort foods from childhood, such as peanut butter. In his piece, “That Peanut Butter Kid!” Mr. Robinson states that he believes his condition is a result of having suffered sexual abuse as a child. However, he continues to make progress in finding new foods to eat. With the support of his wife, he is eating more healthy foods. If this isn’t a theme for a book, I don’t know what is.

It seems like problems begin to stir when we think too much about food, turn it into something else than food, turn it into something symbolic instead of a means to an end. Ideally, humans want to look out for themselves and provide all the things they need to keep body and soul together. But what do us humans do? We can complicate things. We can be educated about nutrition but, for any number of reasons, we can take another road. Our saving grace is that humans tend to want to improve themselves more that they tend to want to hurt themselves. And we all have our own ideas on how to improve ourselves which range from the sensible to the self-righteous. Such is life. Let’s take a closer look at some samples from this intriguing book.

Jeff Zwirek

In the down to basics category, there is “Caveman Eat,” by Jeff Zwirek, which is an exquisitely rendered silent comic about a caveman hunter. This 8-pager, two panels per page, plays out like a nice piece of animation. Zwirke’s composition and line is very clean and his humor is spot on.

Jonathan Baylis

For something light and fun that might whet your appetite, there’s, “So Brisk,” written by Jonathan Baylis, known for his comic, “So…Buttons,” and drawn by Lisa Rosalie Eisenberg. It’s nicely paced and holds the secret ingredient for making a tasty brisk.

JT Yost

Cartoonists often find themselves taking on the role of the canary in the coal mine. J.T. Yost does an impressive job of providing the facts about the meat industry with illustrations that strike the right balance between restraint and urgency.

Keith Knight

Keith Knight‘s one-pager, “My (Hammy) Vice,” is a very funny ode to bacon.

Noah Van Sciver

Cartoonists are also prone to be subversive. Even your most passive cartoonist can be a powder keg ready to blow. So, there’s some stuff here that pushes the envelope. Your best bet on that front is Noah Van Sciver‘s 3-pager, “3 Bowls of Rasin Bran,” which, as the title implies, is about when things go decidedly south.

Victor Kerlow

And in the simply cute category, Victor Kerlow‘s “Rat Boy” follows a little rat as it forages for dinner.

“Digestate” is a handsome trade paperback, 8.25″ x 10.75″, published by Birdcage Bottom Books. Cover art, with more of her comics inside, is by Cha. This is truly like a cartoonist phone book, a Who’s Who of comics talent. “Digestate” ran a successful Kickstarter campaign and will stand as a shining example of what Kickstarter can help bring about. You can own your very own copy for only $19.95 at Birdcage Bottom Books.

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Filed under Anthologies, Comics, Comics Anthologies, Food, Graphic Novel Reviews, graphic novels, J.T. Yost, Kickstarter

Review: CHINATOWN by the Sun Bros

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“Chinatown” is a unique ghost story with a lot of heart and character. It’s an enchanting look at old and new. It mixes the every day with the supernatural. And it has a distinctive vision. The thing to keep in mind about this 126-page graphic novel is that you’ve been invited to explore a subculture and the creators are not holding back. You’ve been invited into someone’s home and you’re having dinner and staying for a nightcap and chatting throughout the night. That’s what this work feels like.

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The Sun brothers have found a sweet spot or two in how to run a successful Kickstarter campaign. Yes, this is one of those Kickstarter success stories. It’s really cool how Kickstarter has made such a positive impact for so many talented people, and just the comics community alone has been reshaped by the support. Would “Chinatown” have gotten published the way the creators of this book had intended without that help? Yes. It would have inevitably have happened but, given all the factors involved, who can say when that would have happened. Maybe it would have been years down the road. Thankfully, the Sun Bros, writer Wesley Sun and artist Brad Sun, don’t have to wait a lifetime to get their shot at moving forward with their creative pursuits.

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The ghost story is a very ambiguous one here. It’s better that way as it really manages to haunt you after reading it. You feel the despair and struggle these characters have with their own issues. It’s when a neighborhood girl goes missing that it seems everyone has reached their breaking point. The local Chinese community comes together without any hope of solving a crime but, at least, they can try to console themselves and still, despite it all, hope. Their is a mixture of bitter pessimism and reliance on supernatural forces at work here that is truly fascinating. This is a brilliant story and beautifully rendered.

Visit Sun Bros Studios to learn about where you can get your own copy of “Chinatown” as well as all their other exciting projects. You can also find them on Facebook.

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Filed under Comics, Graphic Novel Reviews, graphic novels, Kickstarter