Category Archives: Humor

DVD Review: THE DEAN MARTIN CELEBRITY ROASTS COLLECTION

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Dean Martin was a classic entertainer: a singer, an actor, and a comedian. It makes sense that he was involved in the creation of the celebrity roast as we know it today. Every time you see the White House Correspondents’ Dinner Roast, you’re seeing a tradition going back to The Dean Martin Celebrity Roast. An essential characteristic of Dean’s roast was the wow factor since Dean could call up just about any of the legends of his day and have them appear on the show.

A new DVD collection honors this colossal Who’s Who of talent, like Johnny Carson, Lucille Ball, Bob Hope, Jack Benny, Jimmy Stewart, Don Rickles, Rich Little, Jackie Gleason, and many more. The Dean Martin Celebrity Roasts, which ran from 1973 to 1984, truly set the tone for lighthearted roasts. You can purchase it here. What you’ll find in this collection is a selection of some of the best roasts plus a sharp and thoughtful presentation. I got a chance to review the Collector’s Edition, listed at $59.95, that includes 6 discs and includes three featurettes plus recent interviews with some of the key talent. Also available is a single disc and a complete deluxe edition.

A good way to start in on this collection is by checking out the interviews to help set the tone. Let’s consider an observation by Rich Little. Understandably, we begin with some comments on how humbling, and even terrifying, it was to perform among so many greats. Then we get to some funny bits that include a recollection of teaching Jimmy Stewart how to properly sound like Jimmy Stewart. Little did not prepare Stewart ahead of time. When it was time for Little to lead the roast, he called up Stewart and, with impeccable timing, Stewart went along with it and added his own ad libs. The two of them had the audience in genuine laughter.

Little does not mince words when it comes to comedy. He reveals something viewers may have already suspected. There were some actors, notable actors like Robert Stack, who knew drama but not comedic timing. So, when their reading of lines fell flat, it was common courtesy to splice in a scene of an attendee laughing at the joke who wasn’t even on that particular show. It was all for the sake of a good show. A lot of stuff never made the final cut. The material that got in was either excellent or by an exceptionally noteworthy participant.

Entertainment has always been a serious business. What you come away with from this collection is the undeniable fact that, in the right hands, comedy is king. And this level of comedy does not lose its luster over time. Fans of retro TV will get a kick out of all the pop culture, and historical, references and the big players of the day. It was truly a golden age. To have on the dias some of the greats of yesteryear (and it was totally yesteryear for many of these greats) like Jack Benny and George Burns, is utterly priceless. Sure, the editing on these shows could be choppy and certainly canned laughter was the way to go back then. But that is the price of admission. It is a fascinatingly artificial world to drop in on.

For someone who grew up occasionally watching these roasts, I can appreciate that the last thing on the show’s agenda was getting overly sentimental. It’s show biz, after all. What is the prime focus, aside from the spectacle, is comedic timing. There are plenty of excellent moments of solid comedy to be found here. This collection is presented by StarVista Entertainment and Time Life which you can visit for more details here.

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Filed under Comedy, Humor, Television

Review: SECOND BANANA by Tessa Brunton

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One of the great things that comics can do is to take you out of the obvious and transport you somewhere fresh and new. The mini-comic, “Second Banana,” by Tessa Brunton, is an excellent example of the true power of comics to uplift and be awesome. This is a look at what it feels like to be a “second banana,” and a whole bunch of other neat stuff. You see, Tessa’s older brother is something of a genius. At least, I’m assuming this is an auto-bio comic. Whatever case, here is a girl named Tessa and she is doing her best to find her way in life. She is the baby sibling. Rich, the eldest, has left the nest. This leaves Tessa and her older bro, Finn, who dazzles Tessa with his general knowledge, including bogus info about light bulbs and fabulous info about ghosts, monsters, and various other related strangeness. Yes, this is what comics does best. It lets you dream. Brunton has got the knack for tapping into that wonderworld.

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Let me tell you, I’m not twiddling my thumbs over here either. If you want to know what I’m all about, I champion work just like this. I believe you can find this sort of spirit in a variety of comics, whether alternative or mainstream. The bottom line is you really need to want it, the sort of comics that move the medium forward, not backward. For some creators, it may come more naturally to them but it’s still a process: rough drafts, laying out, editing. For readers, well, you know quality work when you see it. Now, when you see work that makes you nauseous, you know it too and you should protest whenever possible. No more nauseous comics!

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But getting back to what Tessa Brunton has accomplished thus far, I think you’ll find that this mini-comic is very promising. We begin the story with an off-kilter reference to “Little House on the Prairie” which sets the tone. Moving right along, we continue with creative use of panels that establish the pecking order of the characters. With a restrained and crisp line, Brunton goes about expressing the ups and downs of having a bright but domineering older brother. I especially like her panel/word balloon combinations!

The narrative is so heart-felt in this immersive comic. You too will feel the same great disappointment as Tessa did when Finn does a complete 180 on his love and support of monsters and ghosts and dismisses them all as a bunch of folklore. As Tessa puts it, “The world seemed so much smaller without the supernatural.” In the end, this story is bigger than Finn. This is a story about the end of childhood.

You’ll definitely want to get your hands on this exceptionally good mini-comic. It is a 16-pager and only $3. Visit Tessa Brunton here. And visit her store here.

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Filed under Comics, Comics Reviews, Humor, mini-comics, Tessa Brunton

GOD HATES ASTRONAUTS, Vol. 1 TP, published by Image Comics, out October 9, 2013

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“God Hates Astronauts,” is such a wacky, and memorable, comic. You may already be a fan of the webcomic. It started out as a 24-hour comic, which is an ideal place to get in touch with your inner weirdo, and now is ready for its outrageous close-up as an Image Comics spectacular trade paperback that collects the first volume of wicked fun. Check it out here.

Details follow:

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Filed under 24 Hour Comics, Comics, Humor, Image Comics, Ryan Browne, Sci-Fi, science fiction

Keef Knight’s First Live-Action Comedy Video: UNIQUE ANTIQUE

KEEF KNIGHT‘s hilarious and insightful comic strip, “The K Chronicles,” is a prime example of how to speak truth to power and get people thinking and taking action. Now, Keef has a hilarious video for your consideration, with more to come, no doubt. But, first, this one is definitely going to make you think…and laugh.

More essential info directly from Keef Knight:

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Filed under Comics, Humor, Keef Knight, Protest, Satire, Social Commentary, The K Chronicles

Interview: Martin Olson and Olivia Olson and All Things ‘Adventure Time’

Marceline the Vampire Queen in "Adventure Time"

Marceline the Vampire Queen in “Adventure Time”

Martin Olson is a great comedy writer. And Olivia Olson is an accomplished singer, songwriter, and actress. It was a lot of fun to get to interview them both in a casual conversational style. I had a good idea about what I wanted to ask them. I had notes about the dynamics of a father and daughter working together. I had notes on Martin’s career going back to his founding of the legendary “Boston Comedy Scene.” I had notes about Martin’s writing for, and Olivia’s acting in, “Phineas and Ferb.” And, of course, I had notes upon notes on “Adventure Time.”

Vanessa in "Phineas and Ferb"

Vanessa in “Phineas and Ferb”

The new book by Martin Olson, “The Adventure Time Encyclopedia,” is a nod to his impressive “Encyclopedia of Hell,” from 2010, and is the ultimate source of knowledge on all things “Adventure Time.”

Now, wait for a moment here, and let’s back it up. “Encyclopedia of Hell” is a whole world to itself. This book is a manual for demons to prepare for Hell’s invasion of Earth. It’s a wonderful vehicle. As Martin Olson points out, “This is working from Mark Twain’s version of Satan. This is the most beautiful satirical platform to work from since all bets are off and you can satirize everything.” Check it out here.

Olivia Olson is well known for his musical talent but there’s no getting around the fact that she also has tons of fans of her role as Marceline the Vampire Queen. And that’s very cool. It’s an honor, really, and Olivia wears it well. At one point in the interview, I posed a question to Olivia from my own daughter, Emma, who was curious about how Olivia channels her vampire character and Olivia provided an inspired response. It lead to an interesting discussion on the power of fiction.

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Getting back to “The Adventure Time Encyclopedia,” it does a remarkable job of describing the narrative underbelly of the show and all the activities on the postapocalyptic land of Ooo. Primarily, you have profiles that go into heavy detail on all the main characters, followed by smaller profiles on the wide assortment of minor characters. There are also a number of other features, including maps and descriptions on the many kingdoms and various miscellaneous treats. But, the great thing about this book is how it takes everything that may appear chaotic and gives it a more orderly form. No doubt, there is much to keep up with on a show that is far more than just about a boy and his dog, as you can see from a look at Season 5 here.

It sure looks like there’s room for a whole other book on this subject and maybe that will happen. For now, you’ll be glad you got yourself a copy of “The Adventure Time Encyclopedia,” published by Abrams Books, which you can purchase here.

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And to add to all the fun, Martin Olson and Olivia Olson have a new album they have just released. It is an eclectic collection that rings true in its wide range of songs. You can check out “The Father-Daughter Album of Unspeakable Beauty” on iTunes here.

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And, of course, you will want to check out Olivia’s EP, “Beauty is Chaos,” on iTunes here.

Just click the link below to listen to the whole podcast interview:

And keep up with “Phineas and Ferb,” on the Disney Channel, here and “Adventure Time,” on Cartoon Network, here.

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Filed under animation, Art, Cartoon Network, Comedy, Disney, Humor, Martin Olson, Music, Olivia Olson, Pendleton Ward

David Chelsea Talks Perspective and 24-Hour Comics

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If you are a cartoonist, most likely you’ve come across the one book that provides all you need to know on perspective, David Chelsea’s “Perspective! For Comic Book Artists.” Well, did you know that this now classic work may have never gotten off the ground if it weren’t for Scott McCloud’s “Understanding Comics,” which had come out right at the time that Chelsea needed to decide if he was going to pursue work on this book? You can learn the background behind this book and other fun facts as Patric Lewandowski, the chair of the Minneapolis Media Institute Digital Art and Design Program, talks shop with David Chelsea in a recent interview you can read here.

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David Chelsea has a really unique deadpan sense of humor that works so well in his comics. Give it a try and you’ll be hooked. If you’re a fan of certain humor with an absurd, witty, offbeat bent (Doctor Who is a good example), then you’re going to dig his work. Consider his latest, a collection of really strange and inventive comics, “Everybody Gets It Wrong! and Other Stories: David Chelsea’s 24-Hour Comics vol. 1” which you can learn more about and buy here. And you can read my review of his 24-hour comics collection here.

There’s a skill, and a certain amount of magic, involved with creating good 24-hour comics. 24-hour comics, the whole idea of staying up all night in the pursuit of a creating a complete comics narrative in the span of 24 hours, originates with comics theorist Scott McCloud. He set up the rules to follow which boil down to do whatever it takes to create a 24-page comic within 24 hours, preferably a page per hour.

This process is a perfect counterbalance to the work David Chelsea has done to make perspective more accessible to artists. With a 24-hour comic project, you are concerned less with precision and more with intuition. It will appeal more to the right side of the brain: the artist, the writer, and the dreamer take over for this one. And, as you’ll see, David Chelsea is quite up to the task.

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Filed under 24 Hour Comics, Comics, David Chelsea, Humor, Perspective

Dark Horse Comics: Victor Gischler’s CLOWN FATALE #1 arrives on November 13, 2013

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If you’re looking for some exceptionally good and twisted grindhouse in your comics, then check out “Clown Fatale,” which kicks off its first issue on November 13, 2013. When the sexy female clowns (sexy clowns?), well, when they’re mistaken for contract killers, all hell breaks loose and then some.

Press release follows:

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INTERVIEW: Filmmaker Steven-Charles Jaffe and ‘Gahan Wilson: Born Dead, Still Weird’

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“If Crumb can have a documentary, then so can Gahan Wilson!” The decision had been made.

Gahan Wilson is a force of nature. And so is filmmaker Steven-Charles Jaffe. Wilson found in Jaffe someone who would do justice to his legendary career that spans over 50 years of cartoons for The New Yorker, Playboy, and National Lampoon. Who else even comes close to such an output? That’s why a documentary had to be made. It is called, “Gahan Wilson: Born Dead, Still Weird.” Yes, you read that right, “Born Dead, Still Weird,” and it is currently the subject of a Kickstarter campaign that you can join here.

It was upon seeing “Crumb,” Terry Zwigoff’s landmark 1995 documentary on underground cartoonist Robert Crumb, that Jaffe resolved he needed to create a similarly worthy documentary of his friend and idol, Gahan Wilson. The idea of Jaffe and Wilson working together had already been kicking around for a few years. One plan that continues to interest them is a feature length animated movie based on Wilson’s illustrated book, “Eddy Deco’s Last Caper.” Jaffe and director Nicholas Meyer have approached IMAX about the project so we shall see. A Gahan Wilson animated movie in 3-D would be worth the wait.

For a taste of what it’s like for Wilson and Jaffe to work together, you can view the 2008 animated short, “It Was a Dark and Silly Night.” A story about children determined to have a jello war, even if it’s in a cemetery, this animated short is based on a collaboration between Neil Gaiman and Gathan Wilson for an illustrated anthology, compiled and edited by Art Spiegelman and Françoise Mouly, “Little Lit: It Was a Dark and Silly Night.”

There is so much to a Gahan Wilson cartoon: it is entertaining, memorable, scary, and above all else, it won’t let go. “I can’t tell you how many times I have seen a Gahan Wilson cartoon that relates right back to his own life.” Jaffe makes the observation with awe and admiration. An artist of the caliber of Wilson has both a keen sense of whimsy and a backbone made of steel. He was a child of two out of control alcoholic parents. For him, he had to grow up fast while holding on ever tighter to his dreams.

The dream behind “Born Dead, Still Weird” is to give it as wide an audience as possible. Much in the same way that “Crumb” was transcendent, so too this documentary aims to show you the real man and artist. “That’s what struck such a chord with people, to see Robert Crumb on a human level,” says Jaffe. Both Crumb and Wilson climbed their ways out of adversity to unprecedented success. If Jaffe can accomplish his goal of stirring up the pot and getting his documentary considered for an Academy Award nomination, it will go a long way in securing a high profile for “Born Dead, Still Weird.” The essential stage, getting the documentary made is done. But the last stage, marketing and distribution, and just making sure the documentary is known about, is still ahead.

Jaffe recalls the kind words from Robert Redford in support of “Born Dead, Still Weird.” After viewing it, Redford wrote back to Jaffe, “I’m a huge proponent of art not only getting into the educational system but for its ability to save some lives and enhance some lives. It is a fine piece of work and I thank you.” Saving lives. What a joy to be able to make such a difference. This is something that has genuinely stuck with Jaffe. He’s the first to say that he did not set out to make an inspirational film and yet Gahan’s life attracts just that.

From Jaffe’s first encounter with a Gahan Wilson cartoon in Playboy at the tender age of 10, up to today, Jaffe’s felt his own life enriched by Wilson. “He is a total nonconformist,” Jaffe says with delight. In a world where being different can have harsh consequences, as with bullies in school, Gahan Wilson is a shining example of someone who is going to live his life his way.

I hope you enjoy the podcast below that includes the entire interview with Steven-Charles Jaffe. Just click below:

Steven-Charles Jaffe

Be sure to stop by and visit the Kickstarter campaign for “Gahan Wilson: Born Dead, Still Weird” right here.

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Filed under Art, Cartoons, Comics, Documentaries, Gahan Wilson, Humor, Illustration, Kickstarter, National Lampoon, Playboy, Steven-Charles Jaffe, The New Yorker

Gahan Wilson Doc, ‘Born Dead, Still Weird’ Seeks Your Help For Academy Award Nomination

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The New Yorker gag cartoon is quite a unique creature. It comes in many flavors, the best being “strange.” The master of strange is Gahan Wilson. It’s quite a blend that has been published for the last 50 years in The New Yorker, Playboy, and National Lampoon. His work takes you to a dark place while putting a smile on your face. It’s not an easy thing to do. I remember, as a kid in the ’70s, attracted to all kinds of comics that unveiled a mysterious world, one often made up of hapless adults. God help anyone seeking answers from a Gahan Wilson cartoon–but it helped me! I’m not sure how but it did. In order to celebrate and better understand Gahan Wilson, and his amazing work, Filmmaker Steven-Charles Jaffe created a documentary, “Born Dead, Still Weird,” which is currently part of a Kickstarter campaign (runs thru August 17) that you can view here.

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A funny thing happened on the way to somewhere else. I literally stepped into the “Born Dead, Still Weird” documentary some years back. I happened to be in town and I dropped by The New Yorker offices to show a batch of my cartoon gags. Little did I know that Gahan Wilson was in the green room, along with all the regular contributors, awaiting an audience with Bob Mankoff, cartoon editor for The New Yorker. Now, I’m from Seattle, so it wasn’t like a usual thing. I kept putting off my visit to the editor’s office because I was so enthralled and wanted to make the moment last. I remember signing a waiver, just in case my interview with Bob Mankoff was used in the film. I was invited back to continue to submit work. I left, had lunch, and continued with my life. And I always wondered about this documentary!

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Now, we come to the good part. We fans of comics and art and wonderful things love Gahan Wilson and his work. We want this documentary to succeed in a very big way. If it can fulfill the requirements necessary to be considered for an Academy Award nomination, then that will be a big leap forward to getting everyone to know about this documentary. The current Kickstarter campaign is all about meeting the criteria for nomination and that primarily involves renting movie theaters for special screenings. You can read all about it at the Kickstarter campaign here.

An Academy Award nomination alone is a huge deal and “Born Dead, Still Weird” is a perfect candidate for Best Documentary. Let’s all do what we can to see this campaign get funded.

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Filed under Cartoons, Comics, Documentaries, Gahan Wilson, Humor, Illustration, Kickstarter, National Lampoon, Playboy, The New Yorker

Review: SHORT HAND #1 by Jason McNamara and Rahsan Ekedal

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An odd little old gentleman proves to be very entertaining in this week’s releases from ComiXology Submit. “Short Hand #1” is a breath of fresh air. The main character has star power even if he can barely reach for the stars or just about anything else for that matter.

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Meet Oscar Lindstat. He is one big ball of mischief and that has landed him a twelve-month house arrest. He’s 80 years old but he can still give the likes of Lindsay Lohan a run for her money. At the start of our story, “The Toothless Fairy,” we find Oscar is two months into his arrest and he’s triggered a visit from the sheriff and a deputy for tampering with his ankle monitor. Oscar looks sickly and vulnerable but surprisingly spry.

Sheriff Sumner looks worn out just looking at Oscar. That’s why he’s brought in backup, Deputy Woods, who is being lured into making Oscar his very special responsibility. Little does Sumner or Woods know that Oscar never gave up solving crimes and a little ole ankle monitor sure isn’t going to stop him for long. Thanks to crisp writing, by Jason McNamara, and engaging artwork, by Rahsan Ekedal, we quickly buy into the premise.

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This comic has a sharpness and confidence to it that serves it well considering that you have a subject that you would suspect to tread along slowly. Yes, Oscar doesn’t move all that fast but this is definitely one of the most quick-witted comics you’re going to come across. “Isn’t it the little crimes that matter the most?” asks Oscar. It’s not a concept that resonates all that well with Deputy Woods. But maybe the guy just needs a little time to figure out what matters the most.

“Short Hand #1” is 25 pages, priced at $1.99, and you can check it out at ComiXology here.

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Filed under Comics, Comics Reviews, Comixology, Comixology Submit, digital comics, Humor, mystery, Webcomics