If you’re new to the work of cartoonist David Chelsea, then you’ve got to watch, or read, “Are You Being Watched?” and you’ll become an instant fan. Watch, view, and read it here. It all becomes more clear to you now, I would imagine. The lighter than air, seemingly effortless, style and the ever so quirky humor all coming together in a comic that was created in the span of 24 hours. It’s a surreal tale about a guy with a coffee mug for a head who is in love with a rather fickle woman who is obsessed with reality TV. How can poor Mugg attract Mandy? By becoming a reality TV sensation! And that’s a taste of what you’ll find from one of America’s leading cartoonists and illustrators, Mr. David Chelsea.
But not so fast, why 24 hours? That’s a good question. Well, that’s how it’s done in certain cartoonist circles. It goes back to cartoonist Scott McCloud’s challenge to all cartoonists to create a work in the span of 24 hours. And this has led to an official international observance on the first weekend in October known as 24-Hour Comics Day. Of course, you can put on a 24 Hour Comic at any time of the year and some diehard fans do just that. And you’d be hard pressed to find a more diehard fan of this unique activity than David Chelsea.
“Are You Being Watched” was David Chelsea’s 15th 24 Hour Comic, drawn March 2-3, 2013, at Theater For The New City, in New York City. And he’s embarking on his 16th this weekend, May 18-19, at Things From Another World, in Portland, Oregon. This is a man who loves to draw comics and is a professional in every way, well regarded and respected in the industry.
Having a chance to pose some questions to him, I am pleased to report back to all of you that Mr. Chelsea and I arrived at a successful interview via e-mail on Friday, May 17, 2013. The following is our exchange. It should prove most enjoyable and informative. Not only does it get published on the weekend of his latest 24-Hour comics adventure but it also anticipates a wonderful upcoming book published by Dark Horse Comics, “Everybody Gets It Wrong! And Other Stories,” a 152-page hard cover that collects Mr. Chelsea’s first six 24-Hour Comics, available June 5, 2013. Find more details by visiting our friends at Dark Horse Comics here.
Enjoy the interview!

























Review: ‘Failure’ by Karl Stevens
I certainly hope that artist Karl Stevens never abandons what he’s accomplished in the pages of his latest collection, “Failure,” simply because he might feel compelled to rip apart what he’s done up until now and strike out fresh. He can do whatever he wants, for sure. But I hope he continues to build on what he’s accomplished so far. “Failure,” I dare say, is a success. This collection shows growth but it’s consistent growth. There isn’t a weak page in the whole lot. It’s more an evolving viewpoint: the angry young artist keeps pushing and pushing until he gets what he wants, a reaction; afterward, he finds he’s pushed his way into new terrain and he finds himself breaking new ground.
There’s all that explaining for a couple of pages at the start of the book about how the Boston Phoenix yanked the comic strip in 2012, after an illustrious seven-year run. All because of a joke that maybe went too far. Well, does it really matter at this point? Nope. What matters is the artist and man, Karl Stevens, and his work. He’s had some success with critics with three previous books and, with “Failure,” we can observe an artist evolving with these final installments of his comic strip.
It’s a process all of us artists most go through. There’s a time when you’re acutely sensitive to the fact only a few people will ever get you. They will never get art and so they will easily never get you. It’s a very real time that some artists never get over. This can lead to despair or, if all goes well, it can launch a career, likely to be mingled with despair too but you can’t have everything. Getting back to the point at hand, it is a time filled with one’s first overwhelming feeling of complete uncertainty that will stick with you (cause you never forget your first). You start to think that cats and dogs have a better shot at getting you than your fellow humans. Thus, we find a good share of eloquent cats and dogs in this strip.
Then we get a little comfortable and settle into something but we don’t want it to become too easy, a phoned-in gimmick, something that has already been done in The New Yorker or observed by Douglas Coupland. The above strip is a good example of finding your way within the long history of social satire. The humor is broad and yet there’s a sense of the specific. The young woman claims she was “nerding out” to Chekov. This is an annoying, and perhaps disturbing, prospect to her older friend who wonders out loud about what has become to simply being “intellectual.” The artwork is a refined crosshatch that itself harks back a hundred years ago which just adds to the joke, the tension between the proper order of things and the brashly new.
So, you do keep at it. Listen to your own special blend of neurosis. And it will come out. Stevens has mastered that play between the old and the new, the high and the low. “Failure” offers us a very funny look at an artist growing up. It’s a pleasure to see that evolution, that special blend of Karl Stevens come out.
Visit our friends at Alternative Comics. Visit Karl Stevens HERE. Purchase a print edition of “Failure” HERE. And, now, you can purchase a digital edition of “Failure” at ComiXology HERE.
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Filed under Alternative Comics, Art, Comics, Comixology, graphic novels, Humor, Karl Stevens, Satire
Tagged as Art, comics, Entertainment, graphic novels, Humor, Illustration, Pop Culture, Satire, Social Commentary